KNEADIssue No. 1April 2010

works by professional and amateur artists

KNEADworks by professional and amateur artists

You can purchase prints by clicking on the “Buy Print” link located under the description of each art piece, or you can buy the original (if available) by sending us an email or calling us at: (510) 621-7223.

Hello, and thank you for reading the inaugural issue of KNEAD. We hope you enjoy the works of art inside. In fact, if you happen to enjoy them so much that you wish you could own them--You can!

ALL ART-WORK IN KNEAD IS AVAILABLE FOR SALE.

By purchasing either prints or originals you help support the artists continue to produce excellent works of art and help us bring the art to you. With that said, thank you and enjoy!

kneadart@gmail.com - (510) 621-7223 - Twittter - Facebook

KNEAD NEEDS YOUSubmit your art!

We would love to show and sell your art.Please send your submissions to: kneadart@gmail.com

KNEADMichael PaceSophie MarchantLudi T.C.Maurice HimalayanBell Grey

ProductionMichael Pace

EditingCynthia Ballard

LayoutMichael PaceSophie Marchant

DirectionLudi T.C.

Cover Art ByRaul de la Torre

Follow USFacebookTwitter

Photo By:Hugo Lopez

ArtistsINSIDE

Ive Grgas/Illustrator

Barbara J. Lloyd/Mixed Media

Raul de la Torre/Painter

Paul Graf/Sculptor

Megan Gulick/Painter

Alphonse Lane/Painter

Elizabeth Dante/Sculptor

Hogo Lopez/Photographer

Christopher Adam Gray/Painter

Agenor Marti Fernandez/Painter

Artist Profiles:John Benko, Sandy Yagi, Elizabeth Dante, Paul Graf, Laura Makinen Artists answer questions ranging from their feelings about today’s art market and how it is being effected by technology, to their greatest mistakes and proudest moments as artists.

Issue #1

1 Illustrator

Ive is based in the Los Angeles area. His work incorporates a variety of influences and interests: history, philosophy, politics, and psychology, have

provided inspirational sparks for many of his drawings. The images play with themes from the Grgas family background, surrealist and symbolist art.

Ive Grgas

KNEAD

The Elements Pencil On Paper

6” X 9” Original: Not Available

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Ive Grgas

The ChurchPencil On Paper6” X 9”Original: Not AvailableBuy Print

KNEAD

The Long VoyagePencil On Paper

6” X 9”Original: Not Available

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The ChurchPencil On Paper6” X 9”Original: Not AvailableBuy Print

Space Whirl Pencil And Ink On Paper6”X9” Original: Not AvailableBuy Print

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Artist Name

2Barbara J. LloydMixed Media

Boy Who Would Be King IIOriginal Acrylic Painting on Gallery-Wrap CanvasSize InformationOriginal $1800 Buy Print

After graduating from Kean University of New Jersey with a Fine Arts degree, Barbara Lloyd taught art, created art for many music albums, and

opened her own public relations company. Now a full-time working artist, she creates in mixed media, collage, digital art, digital photography, acrylics, assemblages and whatever else strikes her fancy. Lloyd is a member of the Housatonic Valley Cultural Alliance. Her work is available to art collectors, galleries, interior designers, home stagers, art publishers, and for corporate & hospitality needs.

Artist Name

A Glance From The CatwalkGallery-Wrapped Canvas48” X 36” Original $3800Buy Print

KNEADRunway

Original Acrylic Painting On Canvas, Framed In Gold

24” X 36”Original $1750

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Barbara J. Lloyd

Falling To PiecesMixed Media/Still Life PhotographyUnmatted, Unframed 24” X 18”Original $$790 Buy Print

KNEAD

Ciutat (Estudi)Mixed Media On Canvas

24” X 18”Original: Sold

Buy Print

which is easily recognizable. My personal attraction to the great cities of the world and the urban life was the remaining incentive.

I have intended to portray the different aspects of the cities as a human creation with their different levels of physical and social existence.

Man created the city and in turn the city has molded the actions and ideas of the human race. I have intended to mold the city, to create my city, to put in order the urban chaos in a reduced physical space.

Forget that the cities in which we live have been formed with asphalt, cement, human misery, forgotten revolutions, buried bones and transform them into a conglomeration of texture and color put onto the frontier of canvas and paper.

My artwork in the last four years has covered a number of series, each with a different theme, using different materials, textures

and techniques. In spite of having worked on a number of large series of paintings, none of them had more than ten paintings. The only point of unity among the different works was a quest for discovery.

It is true that experimentation with different materials, textures and techniques in each of the paintings has been a point of discovery and a major part of my artwork.

In October of 2007, I embarked on a series of works to realize this objective. I started on the first paintings in the series of CIUTATS (Cities).

The major motivation for the idea behind CIUTATS was my city, Barcelona, and its particular infrastructure, and architecture which is unique among the cities of the world and

Raul de la TorrePainter

3

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Raul de la Torre

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Ciutat (Estudi)Mixed Media On Canvas24” X 18”Original: SoldBuy Print

Fils I Colors XxxvAcrylic And Cotton Thread On Paper30” X 22”Original $1400Buy Print

Fils I Colors 28Mixed Media On Canvas. Acrylic And Cotton Thread On Canvas

40” X 30”Original $3200

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Artist Name

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John BenkoKNEAD: Describe your art in terms of style.John Benko: My art is a contemporary blend of both abstract and surreal styles. I approach each painting with automatism, meaning that I use chance-happenings to create an environment for the rest of the elements of my painting to “live” within.

KNEAD: What is your most unexpected accomplishment? John Benko: All of my Abstract Automatist paintings are unexpected accomplishments...I do not have a plan or agenda when painting an automatist piece. Those paintings each evolve at their own pace and come alive very unexpectedly.

KNEAD: What is your favorite medium and why?John Benko: My favorite medium is Watercolor paint. I enjoy how the transparent nature of the paint allows the gradual buildup of layers. Depth and texture are the two greatest assets of watercolors. The fluid nature of the paint creates a world of blending colors which are suspended in time as the paint dries. Watercolors tell a story all on their own.

KNEAD: What has been your greatest mistake, how has it affected your work?John Benko: My greatest mistake as an artist was when I wasn’t creating art on a regular basis. The noticeable effect from that is how I now don’t waste time anymore when it comes to creating works of art. Most of my free time is spent working on art projects.

KNEAD: What have you gained personally from your efforts as an artist? John Benko: As an artist, I feel a large sense of accomplishment at the end of each day. I gain a feeling of self realization as I look back on the evolution of my art. Many of my life situations have come through in my drawings and paintings in a very cathartic way. Creating art keeps my mind, body and soul in balance.

KNEAD: How do you feel about the art industry today?John Benko: I feel that the art industry is a living, thriving entity. There are many facets of the art world....I try to keep myself at the forefront of its evolution.

KNEAD: How do you think technology has and will continue to impact the marketing of art? John Benko: Technology has opened up many new avenues with the marketing of art. Giclee prints and reproductions of art are easily manufactured now with new advances in printing technology. Marketing over the internet enables one artist to be visible to endless potential customers. Digital art is only going to keep advancing as new technologies are invented to make art more accessible.

Artist Profile

www.johnbenko.webs.com

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Sandy YagiKNEAD: Describe your art in terms of style.Sandy Yagi: The closest genre is surrealism. However, it’s not dream imagery, like Dali. My style is better described as a twisted form of realism. My imagery is borrowed from science, culture, and religion, and then reconstituted. I use this pictorial language to look at human nature and folly. Some recent images borrow from the works of anatomical artists like Vesalius, and examine our animal instincts and drives and questions the line between human and animal.

KNEAD:. How would you like your art to affect people?Sandy Yagi: I want my art to make people stop and think. The work often takes an alternative view of religion or our assumptions about human nature. Someone told me that my work was disturbing, and I took that as a compliment.

KNEAD: What is your proudest moment as an artist? Sandy Yagi: When Axl Rose bought three paintings, with the thought of using two of them for an alternative cover release of Chinese Democracy (which was never released, however).

KNEAD: What is your most unexpected accomplishment? Sandy Yagi: Getting a separate studio space from the home, and using that opportunity to switch from watercolor to oil painting, and discovering I could work with oil paint.

KNEAD: What is your favorite medium and why? Sandy Yagi: I love the texture of oil paint. For involved paintings that have many complicated elements, it’s a much better medium than watercolor. And I love color, so oil paint gives me a flexible medium for rich and subtle colors.

KNEAD: What has been your greatest mistake, how has it affected your work? Sandy Yagi: When I went to college, I studied business administration, then got my MBA. I didn’t do any art for 10 years, and I regret the lost time. I am probably at a point in my art career where I should have been when I was 40. But better late than never.

KNEAD: What have you gained personally from your efforts as an artist? Sandy Yagi: Being an artist is a much richer life and more interesting life than being a white collar worker. I spent 25 years as a corporate slave, and I never really fit in and was generally unhappy and stressed out. Doing art, I believe, is what I was meant to do.

KNEAD: How do you feel about the art industry today? Sandy Yagi: Difficult to say the least. But trying to make a living as an artist has never been easy even in Renaissance times. The recession has made it even harder for anyone in the arts to eke out nominal compensation. As one observer said, “artists are the biggest patrons of the arts.”

www.sandrayagi.artspan.com

Artist Profile

Paul GrafSculptor

It’s A MatchHydrocal

15” X 12” Price: $4604

These “sculptural paintings” reflect my approach to the interface between two and three dimensional art, and the raised textures that are the graphic results. In different

lightings and viewed from different angles, many aspects of the image come forward or recede as you move about. Rhythmic forms and patterns with subtle shifting are used to create atmospheres, or small worlds in their own right. In “You’ve Been Framed”, the denizens of darkly lit alleyways creep around between several levels of Noir City. In my “Hat-Full” series, I have placed the faces inside their hats, in my desire to show that in is out, or is that vice-versa?

Originally from Maryland, Paul has a degree from CCA, and is currently a member of the Sculpture Faculty at the Academy of Art University in San Francisco, as well as a yearly guest instructor at the Mendocino Art Center.

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Artist Name

Codex Cody’sHydrocal 9” X 12” Price: $280

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Paul Graf

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House of LightsHydrocal16” x 17” Price: $680

Artist Name

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You’ve Been Framed18” X 18” Hydrocal Price: $650

Megan Gulick

Megan Gülick grew up in Texas and then moved to Jersey City. Later, as a student at The School of Art Institute of Chicago, she spent a year in Amsterdam

at the Gerrit Reitveld Academie, studying in the “Vrij Media” Department under Henk de Vroom.

In 2001, she was back in Chicago with big plans, but, getting sick of anthrax scares on the ‘L’, she moved back to Texas to settle down as a graphic designer. Still, something was missing. So, naturally, she fled to Canada.

After securing a stable career designing drugstore inserts, Megan thought she’d fulfilled her destiny. Until, one night she met a bona fide philosopher (a fellow ex-pat), who soon became her husband. When he took a job in Jersey he was able to coax her to return the states.

This is where we find Megan, today; painting seven days a week, preparing for an upcoming solo show, and once again riding the subway.

Painter

5

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Goatboy Acrylic, Pen & Ink

9” X 12” Original: Not Available

Buy Print

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Wailing WomanAcrylic On Canvas24” X 30”Original: $650Buy Print

Self Portrait #2Acrylic On Canvas24” X 36”Original: $650Buy Print

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Peg LegAcrylic On Canvas18” X 24” Original: $377Buy Print

Elizabeth DanteKNEAD: Describe your art in terms of style. Elizabeth Dante: My work combines ancient and modern rituals, extracting archetypes and stylized motifs. ”I pay homage to the many facets of the human spirit, characterized by warmth, humor and sometimes political commentary.”

KNEAD: How would you like your art to affect people?Elizabeth Dante: During the many struggles that I have experienced and what I have observed with other peoples struggles, I have been induced to express my self in art. If someone looking at my art can be personally touched and be affected emotionally

KNEAD: What is your proudest moment as an artist? Elizabeth Dante: In 1990, I received the prestigious Art of Peace Award from the Artist Embassy International for my sculpture “Woman’s Liberation”, which was chosen by the Oakland Art Commission as a gift to Nelson Mandela and the people of South Africa.

KNEAD: What is your favorite medium and why?Elizabeth Dante: I started out working as a jeweler, working in the “Loss Wax Method”, which led me to sculpture in bronze casting. Then I fell in love with the more immediate results that I could achieve with working directly in clay. Then I felt challenge to try working in stone carving, which was the opposite of working with clay, which is additive rather than like stone carving which is subtractive. Now I an enjoying work with creating with found objects and I am very committed to philosophy of recycling, and want to pass this ethic onto children.

KNEAD: What has been your greatest mistake, how has it affected your work? Elizabeth Dante: Not believing in myself and being too thin skinned, where it discouraged me from doing my art work in my own vision.

KNEAD: How do you feel about the art industry today? Elizabeth Dante: I don’t really understand the art market. I feel that it is very arbitrary, and there is no clear path to success, except to persevere in your work, and not be influenced my the latest trend or look.

KNEAD: How do you think technology has and will continue to impact the marketing of art? Elizabeth Dante: I still am unsure about what technology’s role will be in forming the art market. There are copy right issues and being lost in the crowd of the net. However the tools are making it easier for anyone to self publish their website, book or prints and making you accessible to the world.

KNEAD: What you would like to share or would like others to consider?Elizabeth Dante: I feel that all people have a creative side in them, and it is often repressed in their education, or work for the fear that it distract from their goal of wealth and success. My advise is to believe in your creative side no matter what your work is. Many people I know have had day jobs but also have pursued a second career in art thru out their life, once these people retire or lose their day job, they have the wealth of the life of an artist.

KNEAD

www.elizabethdante.com

Artist Profile

Artist Profile

Paul GrafKNEAD: Describe your art in terms of style. Paul Graf: My art straddles the space between sculpture and painting. The pieces are low to mid relief wall hangings, usually made of a hard plaster called Hydrocal, which I enjoy as a painting surface. My imagery in these 3-D Paintings veer into the Surrealist World, with usage of many common symbols over-layed rhythmically in a collage style.

KNEAD: How would you like your art to affect people?Paul Graf: What I hope is that when people first see my work, it is compelling enough as an overall image to draw them in for a closer look. As they pull in tighter, they are led into an alternate world, a floating plane framed in space. The graphic rhythms in the details should lead them spatially and thematically from pairings of disparate objects to connections of ideas, hopefully not unlike neurons firing away in an activated brain.

KNEAD: What is your most unexpected accomplishment?Paul Graf: When someone sees something in my art that I hadn’t intended or thought of. Since everyone comes from a unique perspective, the connections are a unique perspective, the connections are endless. That always makes me smile, as I even see things later that I might not have realized at first, and sometimes doesn’t even come forward until brought out by means of painting in overlaid washes.

KNEAD: What is your favorite medium and why?Paul Graf: Even though my background is as a bronze caster, I prefer the white slate of cast hydrocal, a very hard plaster. It is this bright white that I treat as a blank canvas, all be it one with raised lines, texture and shapes overlaid in different depths. Once accentuated with dark washes, the details will pop, and washes of colors are then applied to induce spatial effects.

KNEAD: What have you gained personally from your efforts as an artist?Paul Graf: Seeing “My World” through other peoples eyes and minds. Seeing how other people put together ideas or feelings from looking at images that might not connect in any other way to anyone else. Certainly not riches or fame.

KNEAD: How do you feel about the art industry today? Paul Graf: There’s lot of “unique” work being done these days, all with roots of some sort to past efforts. The “industry” aspect of it is deadening, stifling as with most businesses, its not what you know, but who.

Alphonse LaneMixed Media

6Born in Philadelphia in 1961, Alphonse commenced

formal study of the Fine Arts at The Pennsylvania Academy of Fine Arts in 1981. While a student,

he painted along side Sydney Goodman of New York, Bruce Samuelson of Philadelphia, and also Dan Miller in Printmaking. He continued rigorous study during the years 1982-1986 until graduation when he traveled to the American Northwest living in Yellowstone – Grand Teton National Park area of Wyoming. He found a fascination with the shape and color of the mountain wild flower. Through photography he engaged in painting flowers and eventually arrived at the position of painting still life without using photos or props. He continues to paint with dexterity and expressiveness. Lane currently resides in Philadelphia and exhibits widely in the Eastern United States. His work is known in Europe and Asia where he will exhibit in the future.

The Emerald PotOil

20” x 24”Original: $5000

Buy Print

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Flying FlowerOil18” x 24”Original: $4800Buy Print

Calling ArchOil

21” x 24”Original: $5200

Buy Print

KNEAD

Artist Name

Little Mermaid Stone Cast 6” X 7” Price: $240

Elizabeth DanteSculptor

A master artisan who is highly skilled in all aspects of casting and carving, Elizabeth Dante works in numerous

media; notably gold, silver, bronze, and other materials such as cast stone, aluminum, resin, concrete, and carved marble. While a gemologist living and traveling in Brazil, Panama and Southeast Asia, Ms. Dante attained an affinity for the Third World. This ever-present influence has provided Elizabeth with stylistic inspiration for her work ranging from classical naturalism to stylistic narration. Much of her sculpture explores the dynamics between round organic forms and hard rigid angles. By exaggerating this interplay, her work creates a sense of tension which is both lively and sensual.

Ms. Dante has said that her work combines ancient and modern rituals, extracting archetypes and stylized motifs. “I pay homage to the many facets of the human spirit, characterized by warmth, humor and sometimes political commentary.”

Although she utilizes an academic background that includes the Gemological Institute of 7

America, the San Francisco Art Institute, and the College of Marin, Ms. Dante remains essentially self-taught. She has honed her craft by working for established sculptors, most notably Elio Benvenuto. While an artist assistant to German artist Toni Bruchert in Pietra Santa, Italy, Ms. Dante learned traditional techniques and methods for sculpting, enlarging and casting, finishing bronze, patinas, and marble carving. Most recently as a patina artisan, Ms. Dante has worked with Bay Area Artists Steven DeStaebler, Bruce Beasley, and Ruth Asawa.

Ms. Dante has exhibited in numerous shows in the United States and Italy. Her outstanding works have been showcased in collaborative efforts such as “Art on the Rock at Alcatraz”, and “The Day of the Dead” Exhibition at The Museum of Mexican Art. In 1990, she received the prestigious Art of Peace Award from the Artist Embassy International for her sculpture “Woman’s Liberation”, which was chosen by the Oakland Art Commission as a gift to Nelson Mandela and the people of South Africa.

Elizabeth Dante

Please Cast Stone 7” X “7 Price: $180

KNEADTango Dancer Cast Stone 20” X 13” Price: $456

Elizabeth Dante

KNEAD

Caludia Cast Stone 23” X 6” Price: $456

Artist Name

8Hugo LopezPhotographer

Untitled (Sunset)Photographic C-Print (2010) 24” X 36”, 36” X 48”, 40” X 60”Price: $1800, $3000, $4000

Born in Mexico City and residing between Miami and New York, the work of Hugo Lopez focuses on architecture, landscapes and patterns.

In his landscape images, Hugo works to capture the ephemeral presence of light in an environment where there is no omnipresent illumination. It’s his intention to show the fragile presence of light (representing hope) as a central point within a somber and melancholic context.

With regard to his pattern images, he seeks to capture unintended manufactured patterns and large-scale objects that resemble textures when isolated, regardless of their scale or surroundings.

Hugo Lopez

Fll (each color image is a separate image)Photographic C-Print (2009)36” X 18”, 72” X 36”Price: $1800 , $3500

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Artist Name

KNEADAuric End 03

Photographic C-Print (2008) 24” X 36”

Price: $2500

Hugo Lopez

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9:14Photographic C-Print (2009) 24” X 36”Price: $1800

Artist Name

Artist Profile

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Laura Makinen KNEAD: Describe your art in terms of style. Laura Makinen: My painting is figurative, but not realistic. I work in color-shapes, so there is an abstract quality to the work. Sometimes it’s a bit cartoonish. I work in grayscale often, and when I work in color it is usually with a limited palette. I work from old photographs, and that is evident in the work- it clearly relates to photography.

KNEAD: How would you like your art to affect people? Laura Makinen: If the work affects people strongly one way or another, if it stirs up thoughts and emotions, then it is successful. I don’t have a specific set of feelings or thoughts that I hope people have when they see the work. I’m interested in the idea that artists are conduits for creative expression but don’t own the meaning of that expression. I know what the process of making the paintings means to me, but it doesn’t have to mean the same thing to everyone else. For me the work is about the human story, the passing of time, memory, loss, mystery, love. I work from images of moments that could happen in anyone’s life, so I think sometimes the paintings can remind people of their own life.

KNEAD: What is you most unexpected accomplishment? Laura Makinen: Being accepted to art school was a huge surprise for me. I came out of a very academic background, and didn’t begin painting really until I was already almost finished with a BA in Religious Studies at Grinnell College. When I realized that I loved painting and wanted to pursue it, I didn’t know how to proceed. Taking the chance and applying to go back to school for art was a huge shot in the dark I thought, and I was incredibly surprised that I was accepted. I completed a BFA at the Massachusetts College of Art in 2007. KNEAD: What has been your greatest mistake, how has it affected your work?Laura Makinen: I don’t know exactly how to answer this question. My perspective is that everything you do is a learning experience, and from that perspective, there really are no mistakes. I’ve definitely had very difficult moments in my life. I think that everything that happens to you makes you who you are, and who you are affects the kind of art that you make.

KNEAD: What have you gained personally from your efforts as an artist? Laura Makinen: Making art for me is a kind of ritual or practice for dealing with life. I work through all sorts of issues and feelings on the canvas. Also, I enjoy it immensely. It fulfills me to interact with life through making images.

KNEAD: How do you feel about the art industry today? Laura Makinen: I think the idea of art stars is kind of bizarre, but I guess that’s our culture- we want to make celebrities out of everything. I think its weird that once someone is famous, it doesn’t matter if their current work is good or not- its all worth tons of money. I wish that it was easier for younger artists to gain meaningful exposure. I wish it was not so difficult to make a career as an artist. I wish this country supported the arts more. As it stands now, even if you are very talented, its like a shot in the dark to try to make a career out of visual art. You really have to believe in what you are doing, and find a way to support yourself along the way.

www.lauramakinen.com

9Christopher Adam GrayPainter

IgnominyOil On Panel 36” X 48” X 4”Original: $6000Buy Print

Christopher Adam Gray received a BFA in painting in 2005 from the Hartford Art School at The University of Hartford as well as a Minor degree in Sculpture. In

2003 Chris Traveled to Cortonoa, Italy to continue his figure studies, and learn the art of stone carving. The classical influences acquired in Italy are still present in his work today.

Chris has developed his own unique figurative painting style, focusing on classically oriented drawing with unorthodox use of paint. By adding a variety of mediums and solvents in specific ways, he abuses the chemical properties of oil paint, often pushing them to their limits.

The figure serves as Chris’s primary source of imagery and inspiration and will likely continue to do so for many years to come. Many artists have influenced Chris’s work over the years, including art from classical Greek sculpture, the Italian Renaissance, 19th century French Paintings and some modern artists.

RightThe FleeceOil On Panel18” X 36” Original: $3000Buy Print

LeftSorrow’s EveOil On Panel14” X 36” X 1” Original: $6000Buy Print

KNEADKNEAD

Artist Name

KNEAD

MicheleOil On Panel9” X 12” Original: $1500Buy Print

10Agenor Marti FernandezMixed Media

More than representing a particular imagery or denouncing a reality or condition (whether political, religious

or aesthetic), what really drives me as an artist is the possibility of constructing a visual language. An adaptable prism that is able to reflect each and every world there is with perfect efficacy. A methodically engineered code for the representation of anything and everything.

I think that a consummated style is the greatest legacy an artist can leave. And what is a style if not a system of aesthetic codes? I think the style is a paradox after all. It is contained within the artist as a seed from the very beginning and, at the same time, we try to reach it throughout all of our lives. We try to consummate that which is already in us.

GitanaAcrylic And Ink On Paper

19.7” X 15.7”Original: $800

Buy Print

From this point of view and since I’m more concerned in the development of the code, than I am in the message itself, I’m fascinated with all cultures and all manifestations of folklore. Among other things, I feel there’s a shared pulse behind all of them. I also feel attracted to a wide range of themes because I feel that, in the long run, the isolated creative processes and the messages are both trivial; the only thing that matters is the systematization of patterns of portrayal and its relation with the different world views (either collective or individual), from which those patterns gestate.

I think that is the genuine origin of a truly global artistic language.

KNEAD

Agenor Marti Fernandez

The World Within Acrylic On Board

31.5” X 32.7”Original: $1000

Buy Print

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Agenor Marti Fernandez

KNEAD

The Outer RegionsAcrylic On Canvas30” X 23”Original: $1000Buy Print

PLEASE SUBMIT YOUR ART!Send submissions to: kneadart@gmail.com

To the artists: Ive Grgas, Barbara Lloyd, Raul de

la Torre, Paul Graf, Megan Guilick, Alphonse Lane,

Elizabeth Dante, Hugo Lopez, Christopher Gray, Agenor

Fernandez, John Benko, Sandy Yagi, Laura Makinen

To the staff: Sophie, Ludi, Maurice and Bell

A special thanks to you, the reader. Thanks for your

support. Please spread the word, and most of all:

KNEADworks by professional and amateur artists