INDO-SARACENIC ARCHITECTURE

What is Indo-Saracenic?

An architectural style movement by British architects in the

late 19th century British India which drew elements from native Indo-Islamic and Indian architecture, and combined it with the Gothic revival and Neo-Classical styles favoured in Victorian Britain.

Development of the Style

BEFORE 1857- European classical style (incorporating Greek and Roman Features such as columns, triangular pediments) employed for the public buildings: image as the holders of power and status and to distance themselves from the natives.

REVOLT OF 1857- India began to be ruled under the British crown: essential to legitimatize their rule and connect to the natives of the colonised land.

In the public buildings put up by the Raj it was essential always to make visible Britains imperial position as ruler, for these structures were charged with the explicit purpose of representing empire itself. Since they wanted to legitimatize their rule, they decided to justify their presence by relating themselves to the previous rulers, the Mughals. The British deliberately kept Mughal princes in power so as to not to provoke Indian contempt and to further establish their connection to the Mughals. These princes were a vision of the future, but the British also needed them to be a representation of the past. And it worked.

-Sir Thomas Metcalf

St. George's Cathedral, Chennai (1815)http://en.wikipedia.org/wiki/St._George's_Cathedral,_Chennai

Chepauk Palace, Chennai (1864)http://en.wikipedia.org/wiki/Chepauk_Palace

Principal Characteristics

Onion (Bulbous) Domes

Overhanging Eaves

Pointed Arches, Cusped Arches, or Scalloped Arches

Vaulted Roofs

Domed Kiosks

Many Miniature Domes, or Domed Chhatris

Towers or Minarets

Harem Windows

Open Pavilions

Pierced Open Arcading

Leading Architects

Robert Fellowes Chisholm

Charles Mant

Henry Irwin

William Emerson

George Wittet

Frederick W. Stevens

Prominent Buildings

Courts and other Civic Buildings

Clock Towers

Government Colleges and High School Buildings

Railway Stations

Art Galleries

Palaces of the Indian Maharajas

Map showing the locations of cities having Indo Saracenic style buildings in Indiahttp://www.cmdachennai.gov.in/pdfs/

The Princely States and the British

From the middle of the 19th century, the British Crown became the guarantor of peace and commerce treaties.

The princely states were, watched over by British agents and their powers were limited to internal matters.

Change in lifestyle began to be reflected in their architecture as well - durbar halls, rooms for European guests were built, introduction of the dining and drawing rooms, fireplaces, marble fountains and statues.

New princely towns of Jaipur, Bikaner and Mysore most successful in negotiating this divide.

Amba Vilas Palace (1900-1910), Mysore

Henry Irwin

fluted pillars from the Red Fort in Delhi, onion domes from the Taj Mahal, Mughal tracery and European halls.

Durbargadh Waghaji Palace (1882), Morvi

Indo-Venetian Gothic building

Saracenic domes and Rajputarches.

Such palaces were a sophisticated political symbol of the imperial presence- outwardly Indian and built by Indian hands, the overall control stayed with the British.

http://en.wikipedia.org/wiki/File:Mysore_Palace,_India

http://www.boloji.com/index.cfm?md=Content&sd=Articles&ArticleID=1006

SENATE HOUSE- MADRAS UNIVERSITY

Constructed by Robert Chisholm between 1874 and 1879

Inspired by the Byzantine and built in the Indo-Saracenic style.

http://www.cmdachennai.gov.in/pdfs/

http://www.cmdachennai.gov.in/pdfs/

http://www.cmdachennai.gov.in/pdfs/

Stone columns with sculptured capital

Hindu iconography on the capital

Turrets

http://www.cmdachennai.gov.in/pdfs/

Large clerestory circular openings decorated with coloured glass

http://www.cmdachennai.gov.in/pdfs/

SECRETARIAT BUILDING, NEW DELHI

http://en.wikipedia.org/wiki/Secretariat_Building,_New_Delhi

Secretariat Complex, North Block. Delhi. 1930sPhotograph by Medha Malik Kudaisya

Plan of the Secretariat along the Rajpath

Two blocks of symmetrical buildings (North Block and South Block) on opposite sides of the great axis of Rajpath, and flanking the Rashtrapati Bhavan (President's House).

http://en.wikipedia.org/wiki/Secretariat_Building,_New_Delhi

Designed to form two squares; broad corridors between different wings and wide stairways to the four floors.Each building is topped by a giant dome, while each wings end with colonnaded balcony.

Photograph by Medha Malik Kudaisya

http://en.wikipedia.org/wiki/Secretariat_Building,_New_Delhi

Columns and colonnaded verandahsPhotograph by Medha Malik Kudaisya

Chattris & Chajjas in red sandstone

http://en.wikipedia.org/wiki/Secretariat_Building,_New_Delhi

The men who will actually leave the impress of their hands on the material. These men have an art language of their own, a language which you can recognize but cannot thoroughly understand. For this reason an architect practicing in India should unhesitatingly select to practice in the native styles of art - indeed the natural art-expression of the men is the only art to be obtained in the country.

-Robert Fellowes Chisholm (1840-1915)

REFERENCES

Gupta, Narayani. Delhi Between two empires, 1803-1921. Delhi, 1986

Irving, R G. Indian Summer: Lutyens, Baker and Imperial Delhi. New Haven, 1981.

Metcalf, T R. An Imperial Vision. Indian Architecture and

Britain's Raj. Berkeley, 1989.