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How to tell stories Mary Evans [email protected] @MaryAliceEvans

How to tell stories

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How to tell stories. Mary Evans [email protected] @ MaryAliceEvans. Different Strokes…. Vladimir Propp : Morphology of the Folktale (1928) (analysis of 100 different Russian folk tales, broken down into 31 elements) Christopher Vogler : The Writer’s Journey (2007) - PowerPoint PPT Presentation

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Page 1: How to tell stories

How to tell stories

Mary [email protected]

@MaryAliceEvans

Page 2: How to tell stories

Different Strokes…Vladimir Propp: Morphology of the Folktale

(1928)(analysis of 100 different Russian folk tales, broken down into 31 elements)

Christopher Vogler: The Writer’s Journey (2007)

Joseph Campbell: The Hero With a Thousand Faces (1949)

Page 3: How to tell stories

One Plot?Guess what….

CONFLICT"I have an inner conflict of emotions, feelings.... What, in any case, can I do to resolve the inner problems?" (p. 30-31)

Foster-Harris, W., 1959. The Basic Patterns of Plot. Norman: University of Oklahoma Press

Page 4: How to tell stories

Two Plots?Says Aristotle…

Comedy

Tragedy

Page 5: How to tell stories

Three Plots?It’s Foster-Harris again:

1) Happy Ending

2) Unhappy Ending

3) Literary Plot

Page 6: How to tell stories

Three Plots? Accepted wisdom:

Man vs ManMan vs Nature

Man vs Self

Page 7: How to tell stories

Seven Plots?Christopher Booker: The Seven Basic Plots (2005) Overcoming the Monster (Star Wars, Harry Potter) Rags to Riches (Jane Eyre, Oliver Twist) The Quest (Aeneid, Indiana Jones) Voyage and Return (Gulliver’s Travels, Peter Pan) Comedy (Much Ado, Spinal Tap) Tragedy (Macbeth, Bonnie & Clyde) Rebirth (Christmas Carol, Snow White)

Page 8: How to tell stories

How long have you got?

Nine? (John Carroll: The Western Dreaming) Twenty? (Ronald Tobias: 20 Master Plots) Thirty-Six? (Georges Polti: The Thirty-Six

Dramatic Situations)

Page 9: How to tell stories

My Characters Have a general want (fame, love, wealth) Have a specific want (date for the prom, new

car, get home) This is achievable within the story’s timeframe.

Have an inner need (forgiveness, acceptance, truth). But have no idea what it is at the start.

Have an active flaw that creates conflict (how would it behave at a dinner party?) This gets in their way.

Aren’t great on p1. But you love them by p100.

Page 10: How to tell stories

My Plot1) Someone wants something, but needs

something else

2) Lots of things get in the way

3) They get what they need, maybe what they want

Page 11: How to tell stories

Ten Questions…(Courtesy of John Yorke)

1. WHOSE STORY IS IT? From whose point of view are we telling this

story, and why?

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Ten Questions2. WHAT DO THEY WANT?

And what does that tell us about their character?

Page 13: How to tell stories

Ten Questions3) WHAT DO THEY NEED? WHAT IS THEIR FLAW?

What emotional state is s/he in at the beginning? What do they need for completion? Is there something that can be overcome in the final battle?

Page 14: How to tell stories

Ten Questions

4) WHAT IS THE INCITING INCIDENT?

How is the status quo/ordinary world about to change?

Page 15: How to tell stories

Ten Questions

5) WHAT OBSTACLES ARE IN THE CHARACTER’S WAY?

Do they confront the character’s flaws? What character trait helps them to overcome

them?

Page 16: How to tell stories

Ten Questions

6) WHAT’S AT STAKE?

What will they lose if they don’t achieve their objective?

Page 17: How to tell stories

Ten Questions

7) WHY SHOULD WE CARE?

What makes us empathise?

Page 18: How to tell stories

Ten Questions

8) HOW DO THEY CHANGE?

What has their journey taught them?

Page 19: How to tell stories

Ten Questions

9) IF THEY DON’T CHANGE…

Are they confronted with the consequences of NOT changing?

Page 20: How to tell stories

Ten Questions

10) HOW DOES IT END?

Does it pay off the inciting incident? Is it moral? Ironic?