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    History of

    Costume

    Textiles of Gujarat and Jammu & Kashmir

    Antwin James

    FD IV

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    Acknowledgement

    We would like to e

    p

    ess our sincere gratitude to Mrs RoopaliRawatfor providing usthe opportunity to make this document related to the te

    tiles of two different states of

    India- Gujarat and Jammu & Kashmir. We would also like to thank her for her guidance and

    patience, without which this document would not have been possible.

    I would also like to thank my friends who helped me and support ed me throughout

    this assignment.

    I also thank the National Institute of Fashion Technology, Bangalore - Resource centre

    for all the materials and references.

    Thanking You,

    Ant

    in J

    s

    &A 4

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    Gujarat

    Gujarat is one of the most vibrant states of

    India. This is due to the fact that it has a rich

    culture. Thepeople of thestatestill follow the

    ancient practices of art and craft with great

    zeal. Gujarat arts and crafts are famous world-

    wide. They were originally made for daily use

    purpose in homes. But with time, thestature of

    the crafts grew, converting it into a full-fledged

    industry. Skilled artisans, inherent good taste,

    creativity and economical use of the resources

    contributed to the growth of the art and the

    state.

    The wide array of items to choose from include

    furniture, jewellery, metalwork items,

    embroidered garments, colourful linen,

    leatherwork, beadwork, mirror work, baked

    clay articles, etc. Gujarat is famous for its

    furnishings also. You can decorate your home

    with ethnic craft pieces, ranging from elegant

    cushion covers to quilts and from tablemats to

    bedcovers. These items are available in simplecolourful geometric designs as well as comple

    patterns. Gujarat's arts and crafts are

    essentially the legacy of its glorious past. They

    truly reflect the lifestyle, culture and, above all,

    thespirit of thestate.

    GujaratCulture

    Gujarat is a place of rich culture and heritage. They havepreserved the ancient art and craft techniques and still practice them

    with great determination. Thepeople of Gujarat are very simple and

    live life to the fullest. The spirit of Gujarat is quite visible from the

    varied fairs and festivals celebrated in thestate. It is further enriched

    by the tribal people residing here. Thus, Gujarat has a cultural

    diversity which is a unique feature of thestate and is randomly seen.

    Dances

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    Gujarat is known as the land of festivals. A number of fairs and festivals are

    celebrated in the state with great fervor and joy. The celebrations of these occasions are

    accom

    anied with traditional dance and music

    erformances. The state has been blessed

    with a rich tradition of

    erforming arts.

    M

    usicGujarat is a state of music lovers and has roduced some of the best musicians ofIndia. It is said that the legendary musicians BaijuBawra and TanaRiri belong to the state

    itself. Narsinh Mehta

    of the 'VaishnavJanto' acclaim

    also hails from Gujarat.

    ReligionLike all other states of India

    Gujarat is also inhabited by

    eo

    le of different religions

    castes and creeds. It is one of the most industrialized states of India and rovides

    em

    loyment o

    ortunities for the youth. As a result

    eo

    le from across the country have

    settled in the state.

    PeopleGujarat boasts of a rich culture and heritage. The

    eo

    leof Gujarat are commonly

    referred as Gujaratis and the main language s oken by them is Gujarati. Gujarat is a

    flourishing state in all s heres and as a result numerous eo le from different arts of India

    have settled here for various reasons.

    HistoryGujarat has an ancient history and origin to boast of. It was earlier known as

    Gujarata (GurjarRashtra) which means Gurjar nation. Gurjars was on old clan which

    inhabited the area during the Mahabharat

    eriod. Another o

    inion regarding Gurjars is that

    they belonged to Central Asia.

    Gu r t T xti

    Gujarat textiles reflect a love of Colour an eye for design and form. They are the

    ex ression of an initial artistic ersonality and rich cultural heritage. The state excels in both

    quality and design of textiles

    traditional and modern. The larger variety mills are combined

    to

    roduce a rich mingling ofcolours and textures.

    The widest s ectrum of woven fabrics is found in the resist technique. These range

    from

    atola

    double ikat

    to the bandhej tie and dye the woven mashru and the resist or

    resist or reserved

    rinting on cotton and silk.

    Patola

    Patolu and atola are the terms normally

    used in Gujarat for art of silk weaving with design in

    Patola silk is often termed as the queen of all silks. Patola Saris of Gujarat are one of the

    finest hand-woven saris roduced today. The lace associated with Patola is Patan. Here

    exquisite

    atterns are woven on saris with great

    recision.

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    double ikat i.e. for fabrics where the wra

    and weft threads are coloured in section by tie

    dying before weaving and are then woven to form intricate multi-coloured designs. Today,

    PatanPatola is one of the finest hand woven textiles roduced. Besides,Patan the double

    ikat is found only in Bali in Indonesia.

    Mashru

    Mashru, a mixed fabric, woven with a

    combination ofcotton and silk, was essentially for

    the use of Muslim men as there was a rohibition

    on their wearing

    ure silk. The tradition of

    mashru may have been influenced by weaving

    traditions

    revalent in Iraq and the Arab

    countries where the habits were strictly adhered

    to Mashru was woven all over India, though it

    survives today only in Gujarat.

    Brocades

    The brocades has a distinct style of

    weaving of silk satin cloth, gold brocading with

    coloured threads on the borders and in the lay

    technique in some cases. They carried traditional

    atterns of

    o

    atvel, stylized

    arrot flower

    border, jhardh, jhardh, flowering shrub or tree motif or the mango and ashorfi circular gold

    coin. Today only sim le ashorfi brocade used in the rural areas is woven in Mehsana district

    of Gujarat.

    Bandhani

    The tied and dyed fabrics, known as bandhej

    or bandhani, of saurashtra and kutch are

    erha

    s the

    finest roduced in India. Amongst these, the most

    intricate and refined styles are to be found inJamnagar, Bhuj and Mandavi. Jamnagar bandhej is

    roduced on su erfine cotton mulmul and Muslim,

    sometimes combined with gold checks and motifs worked

    in Jamdani technique.

    Prints

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    The oldest known

    atterned fabrics from India are from Gujarat. They are resist-dye

    and rinted cottons excavated at Fostate, which was the centre of distribution of Indian

    rinted cotton to the west. Their styled delineation of the atterns was based on the

    decorative styles of West Indian

    aintings and designs.

    The matani

    Pachedi made by the vaghris for ritual

    ur

    ose used a combinations of block

    rinting

    for the outline of the

    attern and the

    ainting of

    the mordents. The dominant motif is of the

    mother Goddess in her many forms and as

    ects.

    Embroidery

    Gujarat has the most vibrant, fine and variedcollection of embroidery to be found in any

    art of India.

    The movement of

    astoral no made and their settlement in

    different

    arts of Gujarat gave a wide variation in

    embroidery styles. Strong class and community instincts

    maintained the distinct style. Kutch in North Western

    Gujarat and Saurashtra in western Gujarat have the finest

    embroidery and variety of styles.

    Specimens of folk tradition, with its bold and igorous

    patterns and colours, are made bypeasant women for their own use. It is this embroiderywhich even today enriched the life of the people of Kutch and Saurashtra.

    Gu r t Ha i rafts

    Gujarat has an ancient history and a glorious cultural heritage. The age old crafts of

    the place have survived till date. The art and crafts are preserved andare even practiced

    widely across the state. The handicrafts of Gujarat are famous for their colour scheme,

    detail and intricate work and artistic appearance. These handicrafts are a product of skilled

    craftsmanship of India. There is a wide variety available in handicrafts. One can choose fromsilver jewellery, embroidery, furniture,clay items, handmade durries (carpets), stone crafts

    and other materials.

    Brass and Iron Items

    These items are best found at former princely state of Saurashtra and Kutch. The

    items available here are fine beetle nut crackers, copper coated iron bells, knives and

    cutlery.

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    Clay Items

    Pottery is one of the oldest handicrafts of thestate and is being practiced since the

    ancient times. Those in the Aravallis and ChhotaUdepur tribal lands areproficient in making

    long necked terracotta figurines of the Gora Dev (tribal Horse -God).

    Furniture

    The craft of making wooden items includes rounding the wood with tools. This is

    followed by painting it with floral and abstract designs in bright shades of gold, silver,

    maroon, green, vermilion, and brown.

    Dhurries

    Dhurries, carpets, blankets and rugs are still woven on primitive pit looms in the

    villages of Kutch. As a result, handloom weaving is an important occupation in villages,

    situated on the Ahmedabad - Bhavnagar highway.

    Silver Jewellery

    Silverjewellery is thespecialty of thestate of Gujarat. Thepremier centres ofsilver

    ornaments are Rajkot and Ahmedabad. Other than this, Kutch is also known for silver

    engravings and ornaments.

    Jammu and Kashmir

    Kashmir, the "Paradise on Earth", is known for its captivating beauty. It is

    encircled by three mountain ranges of the Himalayas - Karakoram, Zanaskar and

    PirPanjal , running from northwest to northeast. Forming the backdrop of Kashmir,

    thesesnow-capped ranges make Kashmir look like a picturestraight out of a fairy-tale.

    Dazzling rivers,serene lakes,splendid gardens, flowering meadows, etc. aresome other

    features of the landscape of the Kashmir valley. The breath-taking beauty of Kashmir

    has earned it the name of the "Switzerland of the East". Nothing describes the beauty

    of Kashmir better than the following words of a Mughal emperor:

    "Gar Bar-ru-e-ZaminAst; HaminAst, HaminAstHaminAst."Kashmir valley of India is also popular for various adventuresports that it offers.

    Skiing, golf, trekking, river rafting, paragliding, camping and a number of other sports

    draw large number of tourists to the Kashmir valley. Kashmir also boasts of a numb er of

    pilgrim places. In fact, it is the starting point of the most revered pilgrimages of

    Amarnath and Vaishno Devi. The handicrafts of Kashmir are almost as popular as its

    scenic beauty. Thepopular handicrafts of the valley arePashmina shawls,silk car pets,

    papier-mch products,e

    quisite woodwork , copperware,silverware, and a number of

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    other crafts. All said and done, the beauty of Kashmir is unparalleled and it is truly

    known as the "Paradise on Earth". Once you visit Kashmir, its beauty and charm will

    remain etched in your memory forever.

    Culture

    The cultural heritage of Kashmir valley is an amalgamation of sorts. The numerous

    civilizations that have inhabited the Kashmir valley from time to time have left theirimpression on the culture of Kashmir. The state

    of Kashmir abounds in ancient literature,

    language, religion, arts,crafts, dance, music, etc.

    In fact, the people of Kashmir have made

    significant contribution in the fields of

    storytelling, poetry, philosophy, sciences, etc.

    The handicrafts of Kashmir like Pashmina shawls,

    papier-mchproducts, silk carpets, woodwork,

    etc are admired throughout the world.

    Ja u a

    Kash ir Textiles

    Carpet

    The kind of carpets made in Kashmir resembles Central Asian styles like bokhara and

    Turkish makes. Often, a cotton warp is mixed with a woollen weft. Silk carpets are also made.

    Medallions, horse designs, and hunting and animal scenes are the motifsused. Floral

    and plant designs in unusual sizes can also be found. Trellis designs, the hallmark of Mughal

    traditions, are combined with plant motifs. Medallions in many varieties and shapes are found

    along the borders.

    Barajasta is the technique in carpet-making

    where the main design is worked out in pile and

    the background has a plain weave in gold thread

    which adds a lustrous appearance. Bokhara

    carpets are made in pure wool and three rows of

    irre ular octa ons form the main motif

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    Kashmiri shawls are decorated by various kind of embroideries Art or hook

    embroidery; motifs are well-known flower designs and 'sozni' or needlework's, is finely done

    by experienced craftsman's material & fine embroiderycauses the hike in prices

    You can get three main fibres types from which the Kashmiri shawls aremade, these

    are - wool ,P

    ashmina and most expensive Shatoosh.P

    ure wool shawls called raffal whichhave different counts of wool - 40, 60, 80 etc., if the count increases so does theprice.

    Pheran

    Pheran is a traditional Kashmiri garment worn in winters to

    get some warmth from frigid weather .It is eminently suited to theKashmiri way of life, because it provides space for "Kangri", an

    earthen lamp carried close to the body for more warmth when

    Temperature goes down from zero degree.

    Men's Pherans are always made of tweed or coarse wool ,

    while women's pherans, are more stylized, commonly made of

    raffel with ari or hook embroidery at the throat,cuffs and edges. The quality of embroidery

    and thickness of the raffel determines the price.

    Ja u a Kash ir Ha i rafts

    Kashmiri crewelwork or Chain stitch

    It is in great demand all over the world

    because high quality ofcrewel embroidery done on

    wall hangings and rugs. Chain stitch, be it in wool,

    silk or cotton, is done by hook rather than needles

    on white backgrounds The hook is referred to as art,

    and quality for quality, hook work covers a much

    larger area than needle work in the same amount of time.

    Small stitches are used to fill the entire area-the figures or motifs look fascinating in

    striking colours. Cotton based crewel art pieces make excellent household furnishings being

    hand or machine washable.

    Kashmiri willow baskets

    Shahtoosh, the legendary ring shawl is famous for its lightness, softness and warmth.

    But it is a banned item now because hair of the Tibetan antelopes throat is

    painstakinglycollected until there are enough for a shawl.

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    These are decorated by mesmerizing intricate designs.Surprisingly strong, these baskets

    made by Willow rushes that grow in abundance in marshes and in

    lakes of Kashmir.

    For local Kashmiri's use There is a covering case , made for the

    Kangri - an earthen pot in which burning coals are kept on a bed ofashes , these baskets can be used in homes or used as picnic

    hampers, lampshades, glass holders for holding tea, work baskets,

    packing cases and large presentation hampers .

    Other Handicrafts

    The art of casting copperware & brassware in

    Kashmir had flourished from years. The Kashmiri

    brassware is noted all over the world for good quality

    and design. The brassware objects in Kashmir ranged

    from household, decorative and ceremonial items. They

    comprise mostly cooking pots and sundry articles for

    the household. However, the most celebrated item is

    samovars (tea-kettle of Russian origin).

    The Kashmiri craftsman also produces excellent

    products of copper-ware consisting mostly of cooking pots

    and samovars and sundry articles for the household or the

    mantelpieces, they are admiringly adapted for electroplating.

    There is a good demand for beautiful copper trays inlet into

    tables of carved walnut-wood, there are floral, stylized,

    geometric, leaf and even calligraphic motifs that are

    engraved or embossed on copper or brass.

    C lusi

    From the thorough research of the textiles of Indian states, like Gujarat and Jammu

    & Kashmir, it is concluded that even if India is very united in all the cultures and other

    factors when compared to the other countries, still we find lots ofculture difference inside

    the country as well. All the states of India have a very distinct and unique culture and

    textiles. Their mode of life is different so are their hobbies and jobs related to textiles.

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    Thus we can conclude that India is a very rich and vibrant country in terms of its

    culture, te

    tiles and handicrafts. We as designersshould focus on implementing and using

    the abundantly available resource and take inspirations from the different cultures. The

    te

    tiles can also bee

    plored while designing.

    Bibliography

    http://hearstmuseum.berkeley.edu

    http://www.bestofkashmir.com

    http://www.azerbaijanrugs.com

    http://www.indianetzone.com

    http://en.wikipedia.org

    http://www.wovensouls.com

    http://www.starhandloom.com

    http://te

    tonte

    tiles.files.wordpress.com

    http://www.culturaltoursindia.com

    http://www.bharatonline.com

    http://gaatha.com

    Silk in Kashmir- Sir Thomas Wardle