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Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

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Page 1: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Getting Real Real Characters, Real Messes

An inquiry into teaching the craft of realistic fiction to upper elementary writers

Kalen Barkholtz

Page 2: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

My Question

How can I help writers develop believable characters and cohesive plots without stifling

whatever it is about the open door of “Write a Story,” that propels the hands of eleven-year-

olds to fill entire notebooks?

Page 3: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

How I Arrived Here

• Story writing creates energy and endless ideas• Writing fiction motivates students to produce massive

volume—has to be good!• The amusement I experienced reading student fiction• The car sickness I experienced reading student fiction• The dread I felt as I contemplated how to assess it• The feeling I could do much more to teach the craft,

but the decision I made to let that slide, for fear of ruining the magic, and my own feelings of overwhelmed-ness

Page 4: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Standards

• http://www.corestandards.org.ela-literacy/w/4/3/ Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences

• http://www.corestandards.org/ela-literacy/w/4/3/b Orient the reader by establishing a situation and introducing a narrator and/or characters; organize an event sequence that unfolds naturally

Page 5: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Benefits of Fiction Writing for Developing Writers

• Motivation• Painless writing practice producing VOLUME in

which writers take much pride • Making events understandable to readers is

technical and challenging • Interplay between reading and writing fiction

develops both reading and writing skills

Page 6: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Importance of Story

• Every good leader (teacher, manager, president, pastor, parent) is a good storyteller and all engaging stories, fiction and non-fiction, contain fiction elements

• Story infuses everyday life• Fiction enriches life and helps us to

understand ourselves and our neighbors

Page 7: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Research that Grounds My Work

• Teaching Realistic Fiction in Writer’s Workshop: Lucy Calkins, Carolyn Piazza, Karen Jorgensen

• Drama: Polly Erion, Pam Prince Walker • Writer’s Workshop at my house

Page 8: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz
Page 9: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz
Page 10: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz
Page 11: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz
Page 12: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

“Fiction is really about character. It is about showing characters wanting things, having aspirations they hope will be fulfilled, or wanting a different life from the one they are living in the moment. Of course, it isn’t long before all this ‘wanting’ produces tough choices, and negative and positive reactions from others. Usually the main character learns something about life itself.”

-Donald Graves

Page 13: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Books I Wish Existed in the World• A girl whose desk is always messy, is always losing things and doing

her homework for the next class while the teacher isn’t looking and is terrified of getting in trouble

• A kid who visits his cousin in the country. The boy thinks his cousin is really cool and wants to be his friend, but his cousin is always doing stupid, wild things like catching squirrels in garbage cans and letting them go in the house. Sometimes the kid gets worried because the adventures get out of hand, and he feels like he has to go along with it.

• A girl who wants the lead in the play more than anything. She gets it, but having the lead makes her life complicated.

Page 14: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Books My Writers Wished Existed in the World

• A girl wants to plan a sleepover party, but something doesn’t work out right

• A girl who has trouble reading and the story starts with her counting which paragraph she is going to have to read

Page 15: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Other Story Idea Starters

• My Writing Territories (Gallagher)• Story Walk (Calkins)• Mining writer’s notebook, journal entries, or

write ins (Calkins)

Page 16: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Developing My Character ________

Outside (External traits) Inside (Internal traits)

Page 17: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Characterization

• Check to see that the character make senses, fits together as a whole person

• Make sure character traits are listed for a reason• Is the character too good to be true? Include

the shadow of the character’s strength. • Provide examples for traits like “kind” such as

“sets up the go fish game so the his little brother can win.”

(adapted from Calkins list, Advice for Developing a Character, pg. 49.)

Page 18: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz
Page 19: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Longings and Yearnings

Page 20: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

What Gets in the Way

• Other people• Physical limitations• Feelings• The downsides of your character’s strengths• The way the world is (society) • Lack of resources

Page 21: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Conflicts of Interest

Imagine one small moment (scene) where your character wants something that will help them , but someone gets in the way because they also want somethingNotecard: Setting:

Character 1 wants:Character 2 wants:

Page 22: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Drama

• Characters React • Characters in Conflict • Characters Interact • Counter Objectives

Page 23: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Counter Objectives

Objective: What the character really wants

Counter Objective: What the character is acting like he/she wants

Page 24: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz

Plot Building

• CollaborationHow might the story go? What would be the stomachache moment? How would the story get there? How? Why? • Story Mountain

Page 25: Getting Real Real Characters, Real Messes An inquiry into teaching the craft of realistic fiction to upper elementary writers Kalen Barkholtz