15thANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTIONBenefiting Angkor Hospital for Children

December 4, 2012

FWAB

FWAB

15th ANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTIONBenefiting Angkor Hospital for Children

DATE

December 4, 2012 (Tuesday) 6:00 – 7:00 pm Preview & Cocktail Reception 7:00 – 8:30 pm Live Auction

LOCATION Metropolitan Pavilion 123 West 18th Street, #5FL The Level, New York, NY 10011

DÉCOR

Chazz Levi

HORS D’OEUVRES DURING THE COCKTAIL RECEPTION AND LIVE AUCTION PROVIDED BY:

Saffron 59

All proceeds benefit Angkor Hospital for Children in Cambodia.All of the artwork can also be viewed online at www.fwabphotoauction.org which includes links to each artist’s homepage.

FOR INQUIRIES, CONTACT:

FRIENDS WITHOUT A BORDER 1123 Broadway, #1210, New York, NY 10010 Tel (212) 691-0909 Fax (212)337-8052 e-mail: fwab@fwab.org

Catalog Printed by New York Press & GraphicsDigital Photography courtesy of Don Penny, NYCCover: © The Irving Penn Foundation: Irving Penn, Child with Goat, Morocco, 1971

Next year will mark the 20th anniversary of my first visit to Cambodia. I remember the first trip like it was yesterday. Tourists were rarely seen at that time so when I set up my large camera on the causeway to the Angkor Wat, I was alone. After spending a good amount of time under my dark cloth composing a picture, I emerged to find myself surrounded by a group of children with big, curious eyes looking at me and inspecting my photography equipment. I was astonished to see some of the children were missing limbs, disfigured by landmines, and yet they were all smiling, with bright eyes, at a visitor.

I began looking into the local government hospital and soon realized that it was nearly impossible for a family to seek medical treatment if they were not wealthy. I encountered a scene of a father who, having spent all his money for the journey to the hospital and unable to pay for treatment, looked helplessly on as his little girl passed away lying in a hospital bed. That’s when I decided to build Angkor Hospital for Children (AHC), a children’s hospital, with compassionate staff that would treat every child, regardless of their financial situation.

The development of Cambodia, especially in Siem Reap, has been amazing: a quiet, ancient capital has become a popular tourist destination and Cambodians have swiftly adapted to the ever changing economy. So, too, is the progress that our staff has made since AHC opened in 1999. It started with only a handful of doctors and nurses working with several expat medical professionals to learn basic medical skills and knowledge. As AHC has gradually expanded over the years, the staff have become competent in their work, turning into excellent role models and the leaders of the next generation of Cambodia’s healthcare system.

A world-class Cambodian hospital for Cambodians by Cambodians, has always been our ultimate goal. Thanks to the tireless efforts of the phenomenal staff and volunteers at AHC, I have proudly watched the hospital grow from infancy to adolescence. I’m happy to announce that AHC is about to enter into the next phase of its life and will take a big step in 2013 toward the eventual goal of becoming an independent entity. It is a very exciting moment.

It has been an amazing journey and it would not have been possible without the wonderful supporters of our signature event, the photo auction. This annual charity event started fifteen years ago in the Howard Greenberg Gallery, a strong partner from the beginning. Year after year, hundreds of artists have donated their work, committee members have worked hard to improve the event, and the audience has been making successful bids — all to support our cause. I cannot express to you how much it means to me to see so many caring and generous people come together to keep this dream alive, proving every year that “Art can Make a Difference.” I would like to take this opportunity to express my deepest gratitude for your generosity.

Kenro IzuPhotographerFounder, Friends Without A Border

FOREwORD

LOOKING bACK, LOOKING AHEAD

In 2011, Friends Without A Border and Angkor Hospital for Children marked a very special milestone - near the very end of the year, the hospital treated its one millionth patient when 11-month-old Alya was brought to the hospital seeking treatment for a bad case of stomach flu. Her mother told the staff, “We trust the care that the doctors give here at AHC. The medicine always works and the staff is kind.” The smiles of the mother and her daughter as they left the hospital say it all!

Since its inception, AHC has steadily grown with the help of knowl-edgeable, dedicated staff, and caring donors. When the hospital opened its doors in 1999, patients were successfully treated with only an outpatient department. In 2001, outreach programs focusing on preventive care and health promotion were launched, followed by a Medical Education Center in 2004 and an Intensive Care Unit in 2006. In 2010, the AHC Satellite was established to give healthcare options to patients and their families in remote villages and to lessen complications that could arise from the long journey to AHC.

Also in 2011, Friends partnered with The Lake Clinic, an innovative boat-based medical distribution system for the dispossessed and neglected floating villages on the Tonle Sap, Southeast Asia’s largest lake. Established by founding AHC director Jon Morgan, The Lake Clinic utilizes specially outfitted watercraft to travel for up to six days at a time to reach families and children who might otherwise not have the means to travel to AHC for treatment.

The seed of an idea that was planted in 1993, when Kenro Izu, Friends and AHC founder, first visited Cambodia and realized the desperate need for high-quality

medical care for children, has evolved into a successful model that is respected throughout Cambodia and the international medical and philanthropic communities. As AHC works toward self-reliance and self-governance, Friends has begun exploratory visits to neighboring countries so that we can bring the same level of knowledge, treatment, and compassionate care to the underserved children of Southeast Asia.

So many dedicated and loyal friends have given their support to further Friends Without A Border’s cause of healing children, healing Cambodia, especially in the arts and photography communities. Members of these communities are essen-tial to AHC’s success and to making the annual Friends of Friends Photography Auction a fantastic event and an important financial resource for the hospital.

We would like to take this opportunity to thank all the photographers, galleries, and collectors who have contributed to the 15th Annual Friends of Friends Photography Auction. With this special 15th anniversary, Friends will surpass a cumulative total of $2 million raised by the auctions over the past 15 years. We thank the artists whose photographs make the auction possible; our generous donors who provide essential support; committee members who give so much of their time, energy, and talent to the event; and, of course, a sincere thank you to everyone who attends the auction. Your support makes a spectacular difference to so many people on the other side of the world.

Photos ©

AH

C (top) &

KarlG

lobl.com

Price $500 (tax-deductible portion $480)Edition of 15Pigment printYear of work: 2012Image size 12 x 7 7/8 on 14 x 11 paper, presented in 17 x 14 4-ply matSigned, editioned and dated by the artist in pencil on the recto; Embossed with Friends Without A Border stampPrints courtesy of www.LumierePhoto.com

SPECIAL PRINTSeeing Things

from the series Monsters in the Closetby wendy Sacks

It is our pleasure to present this limited-edition print, generously donated by Wendy Sacks exclusively for the 15th Annual Friends of Friends Photography Auction. The print is now available prior to the auction.

Artist’s Statement on the Series:A child’s ordinary bedtime routine is often times incomplete without the parent’s feigned search for the scary monsters that lurk under the bed and in the closet, accompanied by the comforting reassurance that every dark crevice is vacant of evil. All too often however, such a reassurance is not entirely true. Real monsters don’t hide in the closet, they hide at the bedside under the guise of a guardian and blur their violence or anger under the pretense of love, discipline, or trust. Monsters in the Closet depicts how child abuse is veiled from society by the fog of lies abusive parents tell to their children, themselves, and to the world.

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Lewis HineThe Promised Land: A Jewish Grandmother Arriving at Ellis Island with Her Family and High Hopes of a Wonderful Future for All, 1926

Gelatin silver print; Printed c. 194213 3/8 x 10 1/2Annotations by pencil #1113.25 on bottom left, 24009 HL on top right, and Ellis Island, 1926 on bottom right of the versoEstimate $2,000Donated by The Estate of Harry H. Lunn, Jr.

Berenice AbbottPingpank Barbershop, 413 Bleecker Street, May 18, 1938

Gelatin silver print; Printed c. 198019 1/4 x 15 1/4Signed in pencil on the mount rectoEstimate $7,000Donated by Commerce Graphicscourtesy of Howard Greenberg Gallery

Eliot PorterCafé Algodones, New Mexico, 1947

Gelatin silver print mounted on a museum board 7 1/2 x 9 1/2 Signed by the artist in pencil on the mount recto; Photographer’s stamp, titled, dated and numbered in ink on the verso Estimate $3,500 Donated by The Estate of Eliot Portercourtesy of Scheinbaum & Russek Ltd.

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LiveAUCTION

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James KaralesTwo Young Boys, Rendville, Ohio 1956

Gelatin silver print; Printed in 200913 3/8 x 8 1/8Estate stamp with signature of executrix, Monica Karales, title, date, print date and copyright date in pencil on the versoEdition no. 3/4Estimate $3,000Donated by The Estate of James Karalescourtesy of Howard Greenberg Gallery

Lyndie BensonFlying Laird 2012

Pigment print26 1/4 x 26 1/4Signed, dated, titled and editioned in pencil on the verso; Stamped as donationArtist printEstimate $3,500Donated by the artistcourtesy of Kanamangcapus Works

The image is included in the artist’s monograph, The Point (Dollhouse Inc. Publishing, 2012).

George S. ZimbelBlonde Girl & Black Dog, Queens, NY 1962

Gelatin silver print22 1/2 x 15 1/4Signed and year of work in ink on the recto; Signed, titled, and years of work and print in pencil on the versoUnique edition for this sizeEstimate $4,000Donated by the artist and Elaine Zimbel

The image is in the collections of International Center of Photography, Institut Valencia D’Art Modern, and Owens Art Gallery & Museum.

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Michael ClintonAntarctica Remains 2003

Pigment print; Printed in 201212 1/2 x 19Signed and editioned in pencil on the rectoEdition no. 1/15Estimate $1,000Donated by the artist

The image is on the cover of the artist’s monograph, Global Remains (Gliterrati, 2011). The book comes with the print.

Lois ConnerCampania, Italy 2011

Pigment print17 1/4 x 22Signed, titled, editioned and print type in ink on the rectoArtist print no. 1Estimate $2,500Donated by the artist

This new series by Conner was featured in Ap-erture Magazine issue no. 204 (August, 2011).

William ThompsonTanzania, Elephant Communication from the series Elephants of the World 1990

Giclee print on Arches; Printed in 201216 1/2 x 23 7/8Signed, titled and dated in pencil and stamp on the rectoUnique printEstimate $3,000Donated by the artistcourtesy of Anne Reed Gallery

This series depicting elephant communication was created on a two-year assignment for National Geographic.

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Lynn SavilleGirl on the Highline 2010

C-print16 1/2 x 22Signed, titled, editioned and year of work in ink on the versoArtist print no. 1Estimate $1,750Donated by the artistcourtesy of Yancey Richardson Gallery

Saul LeiterChauffeur (variant), 1955

C-print; Printed c. 200513 1/2 x 9Signed in ink on the versoEstimate $4,000Donated by the artistcourtesy of Howard Greenberg Gallery

Nicholas PriorUntitled #200 2012

C-print14 x 17 1/4Signed, titled, editioned and dated in ink on the versoEdition no. 2/15Estimate $2,000Donated by the artistcourtesy of Yossi Milo Gallery

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Elliott ErwittUSA, New York City, 1953

Gelatin silver print; Printed in 201211 1/2 x 17 3/4Signed in ink on the recto; Signed and titled in pencil on the versoEstimate $5,500Donated by the artist

The image is included in the artist’s monograph, Personal Best (Te Neues, 2008), page 422.

William AbranowiczStonehenge 1994

Pigment print; Printed in 201213 3/8 x 9 7/8Signed in pencil on the mount rectoFramedEstimate $1,500Donated by the artist and Andrea Raisfeldcourtesy of Bonni Benrubi Gallery

The image is an outtake from a cover shoot assignment for Condé Nast Traveler.

Loewy and PuiseuxPhotographie Lunaire: Rheita - Monts Altai - Theophile 16 Février 1899 16h5

Vintage heliogravure22 1/2 x 18 1/2Estimate $4,800Donated by Fraenkel Gallery

A tissue overlay identifies the names of the craters.

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Kikuji KawadaThe Last Cosmology 1987

Vintage selenium-toned gelatin silver print8 1/2 x 12 5/8Photographer’s blindstamp on the recto; Signed, titled, editioned, dated and annotation in pencil on the versoEdition no. 18/20FramedEstimate $9,000Donated by the artistcourtesy of Photo Gallery International and Tsuyoshi Saeki

The image is of the last annular eclipse of the 20th century, photographed at Cape Zampa in Yomitani Village, Okinawa, Japan. Self-taught in photography, Kawada’s first photographic success was in the contest of Camera Monthly magazine (1952), which was judged by Ken Domon and Ihei Kimu-ra. He was one of the founders of the VIVO group. His monograph, The Last Cosmology received annual awards from the Photographic Society of Japan and the Higashikawa Prize (1996).

Herb RittsNandoye & Nangini (Rear View) Africa 1993

Vintage gelatin silver print; Printed in 199413 x 10 1/4Estate stamp with signature of Mark McKenna, executive director at HRF, and annotation of gift print; Titled and editioned in pencil on the versoEdition no. 15/25Frame courtesy of Fine Art Frame WorksEstimate $4,000Donated by Herb Ritts Foundationcourtesy of Edwynn Houk Gallery

The image was published in the artist’s mono-graph, Africa (Little, Brown and Company/ Bulfinch Press, 1994).

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Steve McCurryBoy in Mid-Flight 2007

C-print; Printed in 201213 x 19 1/2Signed in ink on the recto; Photographer’s label with date and catalog # (INDIA-10720) on the versoFrame courtesy of CLV Art ServicesEstimate $3,000Donated by the artistcourtesy of Imagine Asia

The image appears on the cover of the artist’s monograph, The Unguarded Moment (Phaidon, 2009).

Peter SteinhauerTeal Cocoon, Hong Kong - 2011

Pigment print on Hahnemuhle Baryta; Printed in 201236 x 36Signed, titled and dated in ink on the rectoArtist proofEstimate $5,000Donated by the artist

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Don Hong-OaiGibbons at Play, Tianzi Mountains, 1986

Gelatin silver print; Printed c. 199214 x 11Signed in pencil and photorgapher’s copyright stamp on the verso; The red chops with the artist’s name, title and year in Chinese charactors in ink on the recto; The calligraphy on the face of the picture-giving title and location (supposedly) is handwritten by the artistApproximately 65 original printsEstimate $6,000Donated by The Estate of Don Hong-Oaicourtesy of Photos Gallery/ Ruth Silverman

The print is made from several original negatives composed by the artist. No two prints of the same image are exactly alike. The image does not present a real scene.

Michael MassaiaDeep in a Dream, Central Park, 2009

Multicoated platinum-palladium print; Printed in 201212 X 15 1/4Signed and editioned in ink on the recto and in pencil on the versoArtist proofFramedEstimate $2,400Donated by the artistcourtesy of June Bateman Fine Art

In the series, Central Park is captured in its most haunting, desolate, and inviting moments between 2:00 - 6:00 a.m. Massaia recreates true “one shot” scenes by special-izing in large format b/w film image capture and large format Platinum printing.

Masatomo KuriyaLotus in Gold, 1988

Cibachrome; Printed in 198822 1/2 x 18 Signed, titled and editioned in ink on the rectoEdition no. 2/15Estimate 2,000Donated by the artistcourtesy of Yancey Richardson Gallery

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Horst P. HorstCoco Chanel (Reclining), 1937

Gelatin silver print; Printed in late 1980s7 x 7The collector’s stamp on the versoEstimate $3,000Donated by William Abranowicz and Andrea Raisfeld

Richard PhibbsAnissai 2009

Pigment print16 3/8 x 21Signed in pencil and embossed on the rectoEdition no. 4/25Estimate $3,250Donated by the artist

The image is included in the artist’s monograph, Chasing Beauty (powerHouse Books, 2010) and in the private collection of Ralph Lauren’s home.

Eikoh HosoeBarakei (Ordeal by Roses) #32, 1961

Gelatin silver print; Printed in 201111 x 14Signed in pencil on the recto; Signed and titled in pencil on the versoFrame courtesy of CLV Art ServicesEstimate $5,500Donated by the artistcourtesy of Tsuyoshi Saeki

The series is a portrait of the controversial author Yukio Mishima at home. The image is included in the artist’s monograph, Barakei (Shueisha, 1963; Aper-ture, 2008).

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Irving PennChild with Goat, Morocco, 1971

Gelatin silver print mounted on a museum board; Printed in 199114 3/4 x 14 7/8Signed by the artist and titled in ink with original credit stamp on the versoEdition no. 6Frame courtesy of Drummond FramingEstimate $40,000Donated and copyrighted by The Irving Penn Foundation

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FWAB

FWAB

Ed PfizenmaierBest to Go: Vogue Ad, 1960s

Vintage gelatin silver print13 3/4 x 10 3/4Signed and titled in pencil and stamp on the versoFramedEstimate $3,500Donated by the artistcourtesy of Staley Wise Gallery

Daido MoriyamaHip 1979

Gelatin silver print10 x 13 1/4Signed in pencil on the versoFramedEstimate $3,000Donated by the artist

William KleinRed Light, Rome, 1960

Gelatin silver print; Printed c. 200011 3/4 x 18Signed and titled in pencil on the versoEstimate $4,000Donated by the artistcourtesy of Howard Greenberg Gallery

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Hiroshi SugimotoWhite Rhinoceros from the series Dioramas 1980

Selenium-toned gelatin silver print mounted on a 2-ply museum board; Printed in 199213 3/8 x 23Signed in pencil on the recto; Title and edition blindstamped in the marginEdition no. 11/25Frame courtesy of Fine Art Frame WorksEstimate $20,000Donated by the artist

The image is included in the catalog, Hiroshi Sugimoto (Hatje Cantz Verleg, 2010), page 66. “Upon first arriving in New York in 1974, I did the tour-ist thing. Eventually I visited the Natural History Mu-seum, where I made a curious discovery: the stuffed animals positioned before painted backdrops looked utterly fake, yet by taking a quick peek with one eye closed, all perspective vanished, and suddenly they looked very real. I’d found a way to see the world as a camera does. However fake the subject, once photo-graphed, it’s as good as real.”

Jerry N. UelsmannUntitled, 1976 (a.k.a.Philosopher’s Study)

Gelatin silver print; Printed in 199519 3/8 x 14 1/2Signed, titled and year of work in ink and stamp on the verso and the mount verso; Initialed and dated in pencil on the window matEstimate $7,000Donated by the artist

Uelsmann’s work has been exhibited in more than 100 individual shows in the U.S. and abroad over the past thirty years and is in the permanent collections of many museums worldwide. Most recently, the Peabody Essex Museum has hosted the artist’s 50-year retrospective (2012).

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A collection of ten pigment prints. Foreword by Syunichi Nishiyama, President and Founder of Mado-sha Publishing, Tokyo, Japan. All of the prints are matted and presented in a hand-crafted double wall drop spine box, covered in elegant bookbinding cloth and a direct foil-stamped on the cover.Various image sizes printed on 11 5/8 x 16 1/2 paper, matted with 16 x 20 boards: Printed in 2012Signed, titled, dated and editioned by the artist in pencil on the verso; Embossed with Friends Without A Border stamp on each printEdition no. 1/2 of portfolio with artist proof prints from edition of 10; Prints are edition of 25Estimate $8,000Donated by the artist Portfolio courtesy of Cloverleaf Studio

Based in Tokyo, Japan since 1993, James Whitlow Delano has photographed throughout Asia, Latin America and Africa. He balances his time between magazine assignments, projects on social issues, and creating fine-art images. Delano is drawn to Asia because it does not turn away a stranger, who moves on instinct with a Leica camera. “I have lived several lifetimes in two decades without beginning to quench my curiosity.” His finely-crafted black and white images have been extensively exhibited throughout Europe, North America, Asia and Australia, and is in the collections of Museum of Fine Arts Houston, Museum of Photographic Arts, La Triennale di Milano Fine Arts Museum, and Museo Fotografia Contemporanea. His work regularly appears in publications such as the New York Times Magazine, Newsweek, GEO, and Time, among many others. Delano has been cited with the Alfred Eisenstadt Award from the Columbia University Graduate School of Journalism/Life Magazine, NPPA’s Best of Photojournalism, Leica’s Oskar Barnack, and Picture of the Year International, among others.

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IMagInIng aSIa: Two deCadeS onSpecial Portfolio by James whitlow Delano

Tibetan Girls Running, Labrang, Amdo, Tibet, 1996

Aung San Suu Kyi in the Garden of her Rangoon Home, Burma, 1996

Veiled Infant, China, 1995

Bai Junk on Lake Erhai, Yunnan Province, China, 1997

Dong Twins, Zhaoxing, Guizhou, China, 1999

Monk’s Reflection, Chiang Mai, Thailand, 1998

Bago, Myanmar 1998

Janbeyang Holy Mountain, Konkaling Mountains, Kham, Tibet, 2001

Dugout Boats Crossing Rapti River at Chitwan, Nepal, 1997

Monk Atop Steps of Main Prayer Hall at Labrang Monastery, Amdo, Tibet, 2000

Unloading Coal from a Canal Barge, Near Suzhou, China, 1996

SilentAUCTION

Sandi FellmanDeception #31 2012

Pigment print14 x 10 1/2Signed, titled and year of print in pencil on the rectoEstimate $1,000Donated by the artist

Jasmine SwopeThe Tides of El Matador #3 2011

Palladium print14 x 18Signed in pencil on the versoEdition no. 1/9FramedEstimate $1,200Donated by the artist

The image was exhibited at the Kierman Gallery (2012).

Masao YamamotoNakazora #1400 2005

Gelatin silver print; Printed in 20115 x 4 3/4Photographer’s stamp with signature, edition, and date in pencil on the versoEdition no. 19/40Estimate $1,000Donated by the artist

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Ruth OrkinCouple in MG, Florence, Italy, 1951

Gelatin silver print; Printed in 20109 3/8 x 13 3/8Photographer’s blindstamp on the recto; Estate stamp with title, date, copyright date, and signature of executrix, Mary Engel, in pencil on the versoEstimate $1,000Donated by Ruth Orkin Photo Archivecourtesy of Howard Greenberg Gallery

Mike DisfarmerUntitled, c. 1943

Gelatin silver print; Printed c. 200011 7/8 x 7Disfarmer Collection blindstamp on the recto; Disfarmer Collection stamp and edition in pencil on the versoEdition no. 6/75Estimate $1,000Donated by Disfarmer.comcourtesy of Howard Greenberg Gallery

Lorenzo Cicconi MassiUn Altro Mondo 1999

Pigment print; Printed in 20049 1/2 x 9 1/2Signed in ink on the rectoEstimate $1,250Donated by Forma Galleria Milano

Cicconi Massi received the Canon Prize (1999) for this series dedicated to children’s games, as well as the World Press Photo Award (2007). Working also in films, his work is influenced by the observation of human realities and landscapes of his native Italy. His work appears in numerous magazines including Panorama, Venerdi and Vogue.

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Jeff BridgesMichelle Pfeiffer in The Fabulous Baker Boys, 1989

Gelatin silver print; Printed in 20034 x 9 3/8Signed and editioned in ink on the rectoEdition no. 46/150Estimate $750Donated by Rose Gallery

The print comes with the artist’s monograph, Pictures (powerHouse Books, 2003). The image was shot on the set of a film.

Bob ShamisArt Blakey, Harlem 1979

Gelatin silver print; Printed in early 1980s9 x 13 3/8Signed, titled and year of work in pencil on the versoOpen edition, 1 of 5 vintage printsEstimate $2,000Donated by the artistcourtesy of Fourth Street Photo Gallery

The image was taken at Studio Toni deRossi, Verona, Italy.

Simon ChaputUna NY 9L, 2002

Gelatin silver print; Printed in 20028 1/4 x 21 3/4Photographer’s copyright stamp with signature, title, edition, negative number, and print date in ink on the mount versoEdition no. 2/15Estimate $2,000Donated by the artistcourtesy of Howard Greenberg GalleryS40

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Nancy Hellebrand#354 Clouds 2003

Pigment print; Printed in 201216 x 21 1/2Signed, editioned, titled and year of work in pencil on the rectoEdition no. 1/11Estimate $2,200Donated by the artistcourtesy of June Bateman Fine Art

Brigitte CarnochanRanunculus I 1999

Gelatin silver print painted with oils; Printed in 20079 1/2 x 9 1/2Signed, titled, editioned and year of print in pencil on the rectoEdition no. 4/7Estimate $1,500Donated by the artistcourtesy of Photos Gallery / Ruth Silverman

Layers of paints are applied on a gelatin silver print with rolls of 100% cotton, round toothpicks and q-tips instead of brushes to interpret the essence of the subject according to the artist’s imagination. This series of work has been featured in publica-tions such as AfterCapture (2011), Zoom (2009) and Camera Arts Magazine (2006).

Joshua Jensen-NagleLooking out from the Darkness 2007

Pigment print face-mounted on plexi; Printed in 201220 x 20Signed, editioned and name in ink on the back of frameArtist print no. 3/3FramedEstimate $1,900Donated by the artistcourtesy of Anne Reed Gallery

The image has appeared in Canadian Art, National Post and Globe and Mail.

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Tom ChambersMarwari Stallion #3 2009

Pigment print; Printed in 201214 x 14 1/2Signed, titled, editioned, years of work and print in pencil on the versoEdition no. 2/20Estimate $750Donated by the artistcourtesy of Anne Reed Gallery

The image was the poster image for Salong du Automne 2010 in Paris. It was photographed on Martha’s Vineyard.

Ed KashiAetas, Philippines, 1999

Pigment print; Printed in 20128 x 12Signed and editioned in ink on the rectoEdition no. 3/5Estimate $750Donated by the artist

Phillip ToledanoXi 2012

Pigment print16 x 20Signed in pencil on the versoArtist proofEstimate $1,200Donated by the artistcourtesy of Klompching Gallery

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Sheila RockSpinning from the series Spiritus/ St. Pancras 2011

Gelatin silver print; Printed in 201111 5/8 x 10Signed, titled and editioned in pencil on the versoEdition no. 1/25Estimate $2,000Donated by the artistcourtesy of June Bateman Fine Art

Hiromitsu MorimotoSunflower #2 2008

Pigment print; Printed in 20085 x 4Signed and year of work in ink on the rectoFramedEstimate $400Donated by the artistcourtesy of Jayne H Baum Gallery

Brett WestonSpanish Valley 1960

Vintage gelatin silver print7 5/8 x 9 1/2Signed and year of work in pencil on the mount rectoEstimate $3,000Donated by Laurence Jansscourtesy of Four Friends Gallery

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Hiroshi WatanabeAzusa Tukamoto as Osome, Matsuo Kabuki from the series Kabuki Players 2003

Early toned gelatin silver print10 x 10Signed, dated and editioned in pencil on the verso; Photogra-pher’s label with title, edition, and years of work and print in ink on the mount versoEdition no. 23/30Estimate $1,750Donated by the artist

Michael KennaTree Portrait, Study 7, Wakoto, Hokkaido, Japan, 2002

Sepia-toned gelatin silver print; Printed in 20118 1/4 x 7 1/2Signed, editioned and year of work in pencil on the mount rectoEdition no. 5/45Estimate $2,000Donated by the artistcourtesy of Robert Mann Gallery

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Thomas KellnerGenova, Camera di Comercio, Gilded Room, 2005

C-print20 1/2 x 16 1/2Signed, titled, dated and numbered on labelEdition of 20FramedEstimate $1,500Donated by Debora Shriver

Alvin BoothAnamorphosis #09011005 2009

Uniquely toned gelatin silver print27 x 36Signed, editioned and year of print in pencil on the rectoEdition no. 2/7Estimate $6,000Donated by the artist and Nike Lanningcourtesy of Fahey Klein Gallery

The image is an analog image of a Martha Graham dancer, created without photoshop.

Albrecht TübkeCecilia, 2011

C-print12 1/4 x 9 3/4Signed, titled, editioned and year of print in ink on the versoEdition no. 1/6Estimate $2,100Donated by the artistcourtesy of Rose Gallery

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Paul OuterbridgeWoman with Turquoise Dress, Laguna Beach, California, c. 1952

Pigment print; Printed in 200912 3/4 x 8 3/4Signed, editioned and annotations by Graham Howe on the print versoEdition no. 3/25FramedEstimate $2,550Donated and copyrighted by Graham Howe

The print comes with the artist’s monograph, Paul Outerbridge: New Color Photographs from Mexico and California, 1948 - 1955 (Nazraeli Press, 2009). The artist never created prints of this image.

Douglas KirklandBrigitte Bardot, Mexico 1965

Pigment print; Printed in 201214 x 14 1/4Signed and titled in pencil on the rectoEstimate $1,600Donated by the artist and Françoise Kirkland

The print comes with a certificate of authenticity.

Jose PicayoStill Life with Japanese Vase, 1998

Pigment print on Mitsumata paper; Printed in 201212 x 9 1/2Signed, titled and dated in pencil on the versoFramedEstimate $1,500Donated by the artist

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Kensuke KazamaSilent City 2011

Gelatin silver print11 1/2 x 9 1/4Signed in pencil on the rectoEstimate $300Donated by the artist

The image was taken in Kesen-numa city of Miyagi Prefecture, which was severely affected by the 3.11 earthquake and tsunami. Kazama received the Special Award by the Higashikawa Prize (2002) and the Newcomer Award by the Photographic Society of Japan (2006).

Taishi HirokawaTime and Tide - Age of the Tree - #3-2 2003

Gelatin silver print18 1/3 x 13 3/4Signed, titled, and years of work and print in pencil with copyright stamp on the versoCharity editionEstimate $2,000Donated by the artist

Hirokawa’s work has been extensively exhibited through the U.S., Europe and Japan, and is in the collections of Los Angeles Country Museum of Art, San Francisco Museum of Modern Art and Bibliothèque Nationale de France. He has received the New York Art Directors Club Award (1996) and the Annual Award by Photographic Society of Japan (2003). Most recently, Hirokawa has worked as a cinematographer on Tony Takitani (2005) and Flowers (2010).

Takeshi MizukoshiKarakorum - Gasherbrum IV 26,000 Feet from Baltoro Glacier 1979

Gelatin silver print; Printed in 20056 3/8 x 9 5/8Signed and editioned in ink on the verso; Titled and annotation in pencil on the versoEdition no. 7/30Estimate $1,250Donated by the artist

Well-known for his works in the area of alpine and nature shooting, Mizukoshi was awarded the Annual Prize by the Photographic Society of Japan for his monograph, Primeval Forests in Japan (1991) and the Ken Domon Award for Forest Island (1999).

Jun MorinagaWave #1 1972

Gelatin silver print; Printed in 200711 3/4 x 17 1/2Signed, titled and location in pencil on the verso; Annotation in pencil on the versoEstimate $3,000Donated by the artist

In the early 60s, Morinaga assisted W. Eugene Smith who expressed a great affinity for his work. Morinaga was awarded the Annual Prize by the Photographic Society of Japan (1980). His work is in the collections of National Gallery of Canada, Santa Barbara Museum of Art, and Tokyo Metropolitan Museum of Photography.

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presented on the following pages.

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Kazuhiko WashioSeas - on the Horizon 2011

Gelatin silver print6 1/8 x 9Signed in pencil on the versoEdition no. 3Estimate $400Donated by the artist

Washio has been photographing the coast line of Japan for more than 15 years. The image was taken just before the 3.11 tsunami and appears in his self-published catalog, On the Horizon. Proceeds from sales of the catalog go towards helping the victims of the disaster. The print comes with the catalog.

Tsuneo YamashitaAnother Time on the Ryukyu Islands No. 1 2007

Gelatin silver print; Printed in 20098 x 12Signed, titled, dated and location in pencil on the versoEdition no. 1/10Estimate $650Donated by the artist

Known for his images of Okinawa, Yamashita here captures the native shaman ceremony.

Yoshiaki KitaHarijan (India) 2005

Pigment print; Printed in 201220 1/4 x 14Signed, titled, editioned and year of print in pencil on the versoArtist printEstimate $600Donated by the artist

Kita has been photographing extensively worldwide over the past two decades. His work has been exhibited at numerous art festivals including Chicago Art Festival (2011) and Arles Photo Festival (2009).

Hiroshi OhashiBanya (Seaside Inn for Fishermen) 1979

Vintage gelatin silver print6 x 9 1/4Signed in pencil on the versoEstimate $400Donated by the artist

Ohashi has two published monographs, Moss Cosmos (Diamond, 1995) and 1972 Seishun Gunkan Island (Shinjuku Shobo, 2006).

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Katsutoshi HatsuzawaAngel of Homeless 2011

Pigment print7 1/2 x 11 3/8Signed in ink on the rectoEstimate $300Donated by the artist

Hatsuzawa is known for his images of Paris. Here he documents a homeless female in Japan.

Eriko KogaAsakusa Zenzai (Image No. 51) 2004

C-print; Printed in 20086 3/8 x 9 1/2Signed in pencil on the versoEdition no. 1/20Estimate $400Donated by the artistcourtesy of Emon Photo Gallery

The image appears in the artist’s monograph, Asakusa Zenzai (Seigensha, 2011), which intimately portrays an old couple in Asakusa, Tokyo. Her work is in the collections of Bibliothèque Nationale de France and Kiyosato Museum of Photographic Arts.

Ryoichi SaitoHachinohe from the series A Good Day - Japan 2010

Pigment print; Printed in 201211 7/8 x 17 1/8Signed and titled in ink on the rectoEstimate $500Donated by the artist

The image appears in the artist’s monograph, A Good Day - Japan, which depicts the cheerfulness of people in rural areas who have survived in a country with many natural disasters, especially after the 3.11 earthquake and tsunami. Saito received the Newcomer Award by the Photographic Society of Japan for New Map (1992) and the Higashikawa Prize for Lost China (2003).

Nobuyuki TakahashiUntitled 2012

Cibachrome6 1/4 x 9 5/8Signed in ink on the versoEstimate $600Donated by the artist

Known for his images of Niyodo River in Kochi, Takahashi’s images of nature scenes have been extensively exhibited. His work is in the collection of Museum für Kunst und Gewerbe.

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Takeshi ShikamaEvanescence - Landscape #4 2009

Platinum-palladium print on handmade Japanese Gampi paper5 1/2 x 5 1/2Signed, titled, editioned and dated in pencil on the rectoEdition no. 3/15Estimate $1,500Donated by the artistcourtesy of Alan Klotz Gallery

Shikama captures the fleeting moments of all living things coexisting within the forest. His work has been exhibited extensively in the U.S., and is in the collection of The Museum of Fine Arts Houston, among many others.

Masataka NakanoHong Kong 2001

C-print; Printed in 200411 1/2 x 16Signed in ink on the versoEdition no. 10Estimate $1,200Donated by the artistcourtesy of Gallery Art Unlimited

Nakano has received the Newcomer Award of The Photographic Society of Japan for his monograph, Tokyo Nobody (2001), the Ihei Kimura Award for Tokyo Windows (2005), and the Sagamihara Photo-graphic Award in Professional Section for My Lost America (2008).

Naonori NishiyamaBird 2002

C-print; Printed in 20129 1/2 x 9 1/2Signed in ink on the rectoEstimate $650Donated by the artistcourtesy of Emon Photo Gallery

After receiving the “Is Everybody The Same?” Award by Camera Monthly magazine in 1997, Nishiyama’s work has been exhibited extensively. “What would be the color if you combine your past, present and future together in a melting pot…?”

Kazuyoshi NomachiSalt Caravan, Ethiopia 2012

Pigment print10 7/8 x 16 1/4Signed in ink on the versoEstimate $3,000Donated by the artist

Nomachi received awards by the Photographic Society of Japan and the Higashikawa Prize in 1997 for his monograph, Sahara 20 years. His work on Asian and Islamic countries has appeared in leading publications such as National Geographic, Stern and GEO magazines.

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Manabu SomeyaCalcutta 1998

Early gelatin silver print8 7/8 x 11 1/2Signed, titled and dated in pencil on the versoArtist proofEstimate $900Donated by the artist

Since childhood, Someya always held an image of Calcutta that was not the typical “sacred & secular” or “noisy & chaotic”, but something more romantic: a city with sadness and beauty of life. His wish is that his images, taken with a large format camera, will one day bring the beautiful memories of the city back to life for those who live there.

Yoshiaki MaedaCat in Sanya, Tokyo 1997

Gelatin silver print8 1/2 x 5 5/8Signed in ink on the versoEstimate $300Donated by the artist

The image is from Maeda’s monograph, Timetable for Cats (Gabo Ruru, 2004), which is comprised of a series of images published in Tokyo Newspaper.

Takehiko NakafujiParis 2011

Gelatin silver print11 x 7 1/4Signed, titled, dated and year of print in pencil on the versoEstimate $400Donated by the artistcourtesy of Gallery Niépce

Known for his b/w shots of cities, Nakafuji has photographed in many formerly socialist countries. A great many of his works are in the collection of Kiyosato Museum of Photographic Arts.

Seiichi MotohashiVolsovichi Village 1995

Gelatin silver print; Printed in 20119 x 13 1/2Signed and dated in ink on the versoEstimate $900Donated by the artist

Motohashi photographed the life of people who inhabit the polluted area around Chernobyl and also published two books on the subject: From the Winds of Chernobyl and Infinite Embrace. He has received the Ken Domon Award (1998) and the Taiyo Award (1968).

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Mary Durante-YouttPushing Out 2009

Pigment print15 x 10Signed in ink on the rectoArtist proofEstimate $800Donated by the artist

Gyorgy KepesPhoto-Drawing #4 1940s

Gelatin silver print; contact printed; Printed in 1980s10 x 8Signed and dated 1948 in pencil on the versoEstimate $1,500Donated by Michael Shapiro Photographs

Jene YouttPhantom 2008

C-print on metallic paper19 1/2 x 13Signed in ink on the rectoEdition no. 5/20Estimate $850Donated by the artist

The image has received various awards including the Interna-tional Aperture Award - bronze award (2010), and honorable mention, Robert Cornelius Award (2010), International Pho-tography Award (2009) and Prix de La Photographie (2009).

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Sean PerryEvent Horizon from the series Gotham 2005

Platinum-palladium print; Printed in 200710 x 10Signed in pencil on the rectoEdition no. 5/17FramedEstimate $1,350Donated by the artistcourtesy of Stephen L. Clark Gallery

The image was exhibited at the Stephen L. Clark Gallery (2008) and featured in the 2007 AIPAD catalog.

Robert BueltemanAlpine Lupine 2004

C-print; Printed in 200615 x 6 1/2Signed, titled and editioned in pigment on the rectoEdition no. 3/25FramedEstimate $1,500Donated by the artistcourtesy of Anne Reed Gallery

Koichiro KuritaSunbeams from the series Chi-Sui-Ki (Terresphere-Hydrosphere-Atmosphere) 1994

Platinum-palladium print on Japanese handmade paper; Printed in 20028 x 10Signed and editioned in pencil on the recto; Signed, titled, editioned, dated, print year and location in pencil on the versoEdition no. 7/20Estimate $1,600Donated by the artistcourtesy of Sepia Eye

The image was taken in Cape Cod, MA.

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John DelaneyHimalayan Boy 1992

Toned gelatin silver print; Printed in 19988 5/8 x 8 1/2Signed, titled and editioned in pencil on the versoEdition no. 2/10Estimate $1,000Donated by the artist

Sunil GuptaUntitled #2 from the series Imagining Childhood: Living with HIV in Delhi 2006

Lamda print; Printed in 200612 1/8 x 18 1/4Signed, titled, editioned, years of work and print in ink on the verso 1 of special editionEstimate $3,000Donated by the artistcourtesy of Sepia Eye

Phil BorgesHowa, 8 2005

C-print; Printed in 201120 x 20Signed in pencil on the verso; Title and annotation printed in ink and editioned in pencil on the rectoEdition no. 6/35FramedEstimate $1,600Donated by the artist and Julee Geier

Awash Fontale, EthiopiaHowa will be the first girl in her family’s history not to be circumcised. In spite of the morbidity and long-term health consequences due to the procedure, most Afar girls look forward to their “salot” (circumcision ceremony). They emerge from the ceremony with renewed respect in the community and are then, and only then, eligible for marriage. An uncircumcised female would bring shame to herself and her entire family. Before the elders voted to end female circumcision in Awash Fontale essentially 100% of girls were circumcised before the age of 12. The print comes with a certificate of authenticity.

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S89John McDermottThe West Gate - Angkor Thom, Angkor, Cambodia 2008

Pigment print; Printed in 201220 x 40Signed and editioned in ink on the recto; Signed, titled, editioned, and years of work and print in pencil on the versoEdition no. 29/40Estimate $3,000Donated by the artistcourtesy of McDermott Gallery

The image was photographed before a wooden ramp and support brackets were erected at, and around, the site. The print comes with a certificate of authenticity.

Tri LuuHue, Vietnam 2010

Cyanotype; Printed in 20127 x 10Signed, titled, editioned, name and finger print in ink on the rectoArtist proof no. 1/3Estimate $1,500Donated by the artist

John WillisTuol Sleng/Emperor’s Palace Composite 2009

Pigment print; Printed in 20116 1/2 x 13 3/4Signed, titled, editioned and year of work in pencil on the back of the frameEdition no. 6/12FramedEstimate $2,000Donated by the artistcourtesy of Gallery Kayafas

Willis created the series to examine humanity’s ability to repeat injustice. At Tuol Sleng, a former public school which turned into a torture and execution prison during the Khmer Rouge era in late 70s, visitors often respond emotionally to the persecu-tor’s images by using graffiti and defacing the images. At another tour-ist site in Phnom Penh, the Emperor’s Palace has a large courtyard lined with deteriorating frescoes representing the Reamker, Cambodia’s epic poem portraying trust, loyalty, love and revenge.

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Gerald FörsterLittle Angel - Nepal from the series Light Years Project 1994

Gelatin silver print; Printed in 200117 3/4 x 23Signed, titled, editioned, and years of work and print in pencil on the versoEdition no. 4/9Frame courtesy of Fine Art Frame Works$4,500Donated by the artistcourtesy of Stephen Cohen Gallery

The Light Years Project is an experi-ment in photo-poetic portraiture in more than twenty countries spanning across five continents.

Hamid Sardar-AkhamiChin ‘Dai Elder, Mindat, Burma, 2012

Gelatin silver print19 7/8 x 26 1/2Signed in ink on the rectoEdition no. 1/9Estimate $1,800Donated by the artist

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Enna DeerLost Knight on Backgammon Board from the series Lost Knight 2004

C-print; Printed in 201216 3/4 x 24Signed in pencil on the versoUnique print of this sizeEstimate $1,800Donated by the artistcourtesy of Anne Reed Gallery

Yong Hee KimCherry Blossom, #8295 2010

Pigment print20 x 30Stamped with name, title, print type, edition, and email in ink on the versoEdition no. 1/5Estimate $2,000Donated by the artist

William WegmanFrame up, 1993

Pigment print; Printed in 201210 x 8Signed in ink on the rectoEdition no. 21/30Estimate $750Donated by the artist

The image features Fay and her daughter, Betty.

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Ellen SilvermanCuban Kitchen - Havana 2012

Pigment print20 x 13 1/4Signed, titled, edtioned and dated in pencil on the versoEdition no. 2/8Estimate $650Donated by the artist

Raphael ShammaaTree on Brackish Pond, Yarmouth Port, Cape Cod 2010

Pigment print; Printed in 20129 1/4 x 13 3/4Signed, editioned, and years of work and print in pencil on the versoArtist proof no. 1/3Estimate $650Donated by the artist

Linda CummingsDrawing Water I from the series Stirring the Waters 2010

Pigment print on Hahnemuhle Rag20 x 13 1/4Signed, titled, editioned and year in pencil on the versoEdition no. 1/3 of this size, total edition size of 10Estimate $1,600Donated by the artistcourtesy of d|mcontemporary

The print comes with a 68-page exhibition catalog of the series with an essay by April Gornik (d|mcontemporary Gallery, 2010). The series was taken on the Farm River in coastal Connecticut. Rooted in her performance-based ‘slip’ photographs during the 90s, Cummings’ photographic process takes her down river in a kayak using a paddle to navigate, but also to literally stir, splash or stroke, and sometimes draw on the surface of the water.

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Michael AmorusoOff the Leash 2004

Gelatin silver print; Printed in 20129 x 9Signed, titled, editioned and year of print in pencil on the versoEdition no. 6/15Estimate $500Donated by the artist

David SimontonHumber House, Greenville, Pitt County, North Carolina, November 1999 from the series Of This Place: Photographs from North Carolina

Gelatin silver print; Printed in 200818 x 18Signed, titled, editioned and print year in pencil on the versoEdition no. 2/5Estimate $1,000

“North Carolina, the third-fastest-growing state in the US, is at a turning point, losing many of its distinctive characteristics to cookie-cutter franchises. As a witness to an inevitable transition,” Simonton photographs as a way of remembering.

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George McClintockCrêpier 1979

Gelatin silver print; Printed in 201114 x 14Signed, titled, and years of work and print in ink on the versoEstimate $500Donated by the artist

The image was exhibited at Salon Ciel (2012).

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Amy TouchetteCircus Sideshow Dressing Room, Coney Island from the series Shoot the Arrow: A Portrait of the World Famous *BOB* 2004

Gelatin silver print; Printed in 20129 3/8 x 14 Signed and editioned in pecil on the versoEdition no. 1/10Estimate $1,600Donated by the artistcourtesy of June Bateman Fine Art

The series depicts a Brooklyn-based female burlesque dancer who is a central part of the neo-burlesque movement that began in New York City in the 90s. Touchette’s recently created Super-8mm film that supplements the still photography series was shown at the 2012 New York Photo Festival.

Stephanie DworkinWonder Wheel from the series Coney Island 2008

Pigment print on Hahnemuhle Rag; Printed in 201214 x 14Signed in ink on the recto; Signed, titled, editioned, dated, and website in ink on the versoArtist proof no. 2/5Estimate $550Donated by the artist

Various images from the series have been featured in juried exhibitions.

Irene KungNuvole 2 2011

Pigment print15 3/4 x 26 3/4Signed and editioned in pencil on the rectoEdition no. 2/5Estimate $2,500Donated by the artistcourtesy of Forma Galleria Milano

Kung was trained as a painter and has exhibited her work at the Forma Galleria (2012), Bozar - Centre for Fine Arts (2012), Chiaroscuro Contemporary Art (2012) and Photographica Fine Art Gallery (2010) among many others. Her work is in the Hermes Collection, Paris.

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Monica KaralesProm 2011

Gelatin silver print9 3/4 x 13 1/4Signed, titled and editioned in pencil on the versoEdition no. 1/2Estimate $2,000Donated by the artist

David RudinThe Little Cowboy, Gyantse, Tibet, 2007

Gelatin silver print; Printed in 201210 1/4 x 10 1/2Signed, titled, editioned, print year and copyright in pencil on the versoEdition no. 1/25Estimate $400Donated by the artist

Bill BurkeBicycle Repair, Phnom Penh, 1998

Gelatin silver print; Printed c. 200115 7/8 x 19 7/8Signed, titled and dated in ink on the rectoEstimate $2,500Donated by the artistcourtesy of Howard Greenberg Gallery

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Pamela SinghFaçade, 2000

Gelatin silver print7 x 7Signed in pencil on the versoEstimate $2,000Donated by the artistcourtesy of Sepia Eye

Daido MoriyamaCherry Blossoms 1972

Gelatin silver print8 7/8 x 13 1/4Signed in pencil on the versoEstimate $3,000Donated by the artist

Nandita RamanUntitled #7 2009

Pigment print; Printed in 201020 x 16Edition no. 1/12FramedEstimate $1,000Donated by the artist

The image received the Cos Project Prize by Daylight Magazine (2011). It has been published in the Sunday Guardian and Marg magazines and is in the permanent collection at the Snite Museum of Art.

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Barbara MenschNathan’s Famous 2000

Selenium-toned gelatin silver print15 x 15Signed, titled, editioned and year of work in pencil on the versoEdition no. 5/10Estimate $3,000Donated by the artist

Todd WebbLeft Bank Laundry, Paris 1950

Gelatin silver print; Printed in 1970s 12 1/2 x 9 1/2 Signed, titled, dated in ink on the recto; Copyright stamp with print date on the verso Estimate $2,500Donated by Howard Greenbergcourtesy of Howard Greenberg Gallery

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Walker EvansJoe’s Autograveyard, Pennsylvania, 1935

Pigment print; Printed in 201114 x 30 1/8Titled, editioned and annotation of the printer on the rectoEdition no. 4/146Estimate $3,000Donated by John T. Hillcourtesy of Martson Hill Editions

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Arthur LeipzigT.W.U. Rally 1947

Gelatin silver print; Printed c. 200315 1/8 x 19 1/2Signed in pencil and photographer’s stamp on the versoEstimate $2,500Donated by Judith Leipzigcourtesy of Howard Greenberg Gallery

Harold FeinsteinScreaming on the Cyclone, Coney Island 1952

Gelatin silver print; Printed in 201111 1/2 x 7 1/2Signed, titled, editioned and year of work in pencil on the versoEdition no. 1/20Estimate $1,800Donated by the artistcourtesy of Anne Reed Gallery

The print comes with a certificate of authenticity.

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Dan Nelkin“Waiting for the Judge” Otsego County Fair 2004

C-print18 7/8 x 18 7/8Signed, titled and editioned in ink on the versoArtist proof no. 3/3Estimate $1,000Donated by the artist

Don PennyWink V4 (The Eye) 2009

Pigment print; Printed in 201118 1/2 x 12 1/3Signed in pencil on the recto and versoArtist proof no. 2Estimate $1,500Donated by the artist

Ken Rosenthal Seen and Not Seen #1426-1 2001

Toned gelatin silver print; Printed in 200115 x 15Signed, titled, editioned and year of work in pencil on the versoEdition no. 1/25Estimate $1,000Donated by the artistcourtesy of Klompching Gallery

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Raymond AdamsBrooklyn Navy Yards at Sunrise, 6 May 2010 from the series New York at Dawn 2010

Pigment print mounted on Sintra; Printed in 201220 x 30Signed, titled and dated in ink on the mount versoEdition no. 1/5$2,000Donated by the artist

The image was exhibited at Greenwich House Music School (2011).

Jamey StillingsAerial View, May 22, 2009

Pigment print15 5/8 x 10 3/8Signed and editioned in pencil on the versoEdition no. 15/30Estimate $750Donated by Nazraeli Press

The print is a part of the deluxe edition book, The Bridge at Hoover Dam (Nazraeli Press, 2011), which comes in a clamshell box.

Ellen KaplowitzRice Fields in the Cordillera Mountains, Philippines 2009

C-print20 x 30Signed in pen on the mount versoEdition no. 1/20FramedEstimate $3,000Donated by the artist

The image was a part of a photo essay in Natural History Magazine regarding fields as world heritage sites.

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Jefferson HaymanEmpire State Building 2000

Gelatin silver print; Printed in 200211 1/2 x 7 3/4Signed, titled and editioned in pencil on the versoArtist proofEstimate $1,100Donated by the artistcourtesy of Arcadia Fine Arts

Janet RussekPregnancy I, 2005

Gelatin silver print16 x 12 1/2Signed, titled, editioned and dated in pencil in the marginEdition no. 2/10Estimate $1,600Donated by the artistcourtesy of Scheinbaum & Russek Ltd.

Vincent CianniMacy’s Thanksgiving Day Parade, NYC c. 1980

Gelatin silver print; Printed in 200119 1/4 x 13Signed, titled, and years of work and print in pencil on the versoUnique printEstimate $2,000Donated by the artist

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Lorraine GraceyMadison Avenue 2006

Gelatin silver print; Printed in 20088 1/4 x 12Signed in pencil on the versoEstimate $700Donated by the artist

Alfred WertheimerPrelude to the Kiss 1956

Gelatin silver print; Printed in 200617 1/2 x 11 3/4Signed in ink on the recto; Signed and titled in pencil, and stamp on the versoEstimate $1,600Donated by the artist

Elvis Presley and his date for the day, Barbara Gray, under the stairwell at the Mosque Theater, Richmond, VA, June 30th, 1956.

Slawomir ZulawinskiUntitled #86 1990

Gelatin silver print; Printed in 199310 3/4 x 7 1/2Signed in ink on the rectoArtist proof no. 2Estimate $1,500Donated by the artist

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Yoshi AbeUntitled 2001

C-print10 1/2 x 10 1/2Signed in ink on the versoEdition no. 7/15Estimate $1,200Donated by the artist

Thomas HoltonBored, 2011

Pigment print14 5/8 x 22Signed, titled, editioned and date of work in ink on the versoEdition no. 1/10Estimate $2,200Donated by the artistcourtesy of Sasha Wolf Gallery

The image has appeared in Aperture (2007) and NY Times (2008, 2012), and was exhibited at the Sasha Wolf Gallery (2008) and the NY Public Library (2008).

Hai ZhangUntitled from the series Don’t Follow Me, I’m Lost 2010

Pigment print; Printed in 201211 x 16 1/2Signed, titled, editioned, dated and location in pencil on the versoEdition no. 2/15Estimate $750Donated by the artist

The image has been exhibited at the Luise Ross Gallery (2012) and included in various presenta-tions at Queens Museum of Art, India China Institute of the New School and Brooklyn Public Library, among others. It is included in the book, Pressures and Distortions, City Dwellers as Builders and Critics: Four Views (Rafael Vinoly Architects’ Research Fellowship, 2012).

Jerry AtnipNo. 214 2009

Pigment print; Printed in 201220 x 20Signed in pencil on the rectoEdition no. 5/20FramedEstimate $1,700Donated by the artist

The image is included in the artist’s monograph, Gone South (CIA Publishing, 2011). It was fea-tured in South by Southeast photo magazine.

Joseph McDonaldDragonfly 2008

Pigment print; Printed in 201219 1/2 x 15 1/2Signed in pencil on the rectoEdition no. 3/15Estimate $900Donated by the artistcourtesy of Anne Reed Gallery

John CyrMark Sink’s Developer Tray 2010

Pigment print20 x 17Signed, titled, editioned and year of work in ink on the versoEdition no. 1/10Estimate $1,500Donated by the artistcourtesy of Catherine Edelman Gallery

Cyr photographs developer trays used by artists so that the photography community will remember specific, tangible printing tools that have been a seminal part of the photographic experience for the past hundred years. The image has been exhibited at the Catherine Edelman Gallery (2012) and published in Time Lightbox, Aperture Exposurers, NPE, Wired RAW File, PDN Photo Annual, New York Phoot Awards, and Daylight Multimedia.

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Tony O’BrienA Quiet Moment, Monastery of Christ in the Desert, 1995

Gelatin silver print; Printed in 200912 1/2 x 18 3/4Signed, titled, editioned, dated and location in pencil on the versoEdition no. 4/35Estimate $1,200Donated by Verve Gallery of Photographycourtesy of Scheinbaum & Russek Ltd.

Margo DavisMonk, Angkor Wat, 2001

Gelatin silver print11 x 10 3/4Signed in pencil on the versoEstimate $600Donated by the artistcourtesy of Throckmorton Fine Art

David ScheinbaumBeng Melea, Cambodia, 2008

Gelatin silver print12 x 16 1/2Signed, titled and editioned in pencil on the mount recto; Signed in pencil on the front of window mat; Stamp and label with print information on the mount versoEdition no. 2/36Estimate $1,600Donated by the artistcourtesy of Scheinbaum & Russek Ltd.

S134

S135

S136

S134

S135

S136

Elaine LingMyanmar, Land of the Mythical Bird #2, 2011

Pigment print from the scan of a P55 4x5 negative22 1/2 x 17Signed, titled and year of work in pencil on the versoEdition no. 3/18Estimate $1,200Donated by the artist

Kenro IzuAngkor #158, Ta Prohm, Cambodia, 1994

Platinum-palladium print; Printed in 199813 x 19 1/8Signed, year of print and negative number in pencil on the recto; Stamp with signature, title, edition, negative number, year of print in pencil on the mount versoEdition no. 16Estimate $1,500Donated by the artistcourtesy of Friends Without A Border

Brian EnglishCarved Elephant 2010

Gelatin silver print10 x 13 3/8Signed, titled and editioned in pencil on the versoEdition no. 8/25Estimate $500Donated by the artistcourtesy of Throckmorton Fine Art

The image was published in Parabola Magazine Volume 35 No. 4 (Winter 2010-2011).

S137

S138

S139

S137

S138

S139

S140

S141

John T. HillLooking South from 42nd Street c. 1983

Pigment print24 x 19Signed, titled, editioned and year in ink on the rectoArtist proofEstimate $2,500Donated by the artist

Manuel CarrilloSanta Rosa, Guanajuato, 1960

Gelatin silver print8 x 10Signed by the artist in pencil in the marginEstimate $1,600Donated by Verve Gallery of Photographycourtesy of Scheinbaum & Russek Ltd.

S142 Sal LopesHorse Spirit - #43 2009

Platinum-palladium print; Printed in 201216 x 11 1/4Signed, titled, editioned, location and print type in pencil on the verso; Titled, editioned and location in pencil on mount versoEdition no. 8/25Estimate $1,500Donated by the artist

The image was taken at a horse ranch near Cleveland, Ohio and is in the collection at the Cleveland Museum of Art.

S140

S142

S141

Imogen CunninghamCalla with Leaf c. 1929

Gelatin silver print; Printed in 19979 3/8 x 7 3/8The print is debossed with the artist’s facsimile signature and chop; The Imogen Cunningham Trust label on the mount versoEstimate $1,800Donated by The Imogen Cunning-ham Trust

The print was made from the original negative and printed by Rondal Partridge, son of Imogen Cunningham.

Louis FauerStaten Island Ferry 1946

Gelatin silver print; Printed in 19818 x 8Signed in pencil on the versoEstimate $5,000Donated by Howard Greenbergcourtesy of Howard Greenberg Gallery

S143

S144

S143

S144

S145

S146

S147

Amanda MeansPrayer Plant, 1990

Gelatin silver print18 3/4 x 15Signed and titled in pencil on the versoEstimate $1,200Donated by the artist

Go SugimotoUntitled from the series Paper-Work 2006

Selenium-toned gelatin silver print; Printed in 20067 x 7Signed, titled, editioned, year and print type in pencil on the versoEdition no. 1/10Estimate $1,500Donated by the artist

Dana BuckleyDahlia 2001

Platinum print; Printed in 20016 1/4 x 6 1/4Signed, titled, dated and editioned in pencil on the versoEdition no. 1/20Estimate $650Donated by the artistcourtesy of Howard Greenberg Gallery

S147

S146

S145

S148

S149

S150

Monica DenevanConvergence, China 2011

Gelatin silver print15 x 15Signed, titled, editioned and print date in pencil on the versoEdition no. 9/25Estimate $1,200Donated by the artistcourtesy of Scott Nichols Gallery

The image is included in the artist’s catalog, The River Anthology: Portraits from Burma (Tao Evolution Gallery, 2007).

Kenro IzuDruk #469, Bhutan, 2006

Platinum-palladium print; Printed in 201019 x 13Signed, year of print and negative number in pencil on the recto; Photographer’s stamp with signature, title, edition, negative number, year of print in pencil on the mount versoEdition no. 5/20Estimate $3,500Donated by the artistcourtesy of Howard Greenberg Gallery

The image is included in the artist’s monograph, Bhutan Sacred Within (Nazraeli Press, 2007), and was exhibited at the Rubin Museum of Art (2007).

Bill KaneLittle Big Horn Panorama 01 2011

Pigment print6 x 15Signed, titled, editioned and year of the print in pencil on the versoArtist proofEstimate $1,200Donated by the artistcourtesy of Modernism Gallery

S148

S149

S150

S151

S152

Gianni Berengo GardinVenezia 1958

Gelatin silver print; Printed in 200115 x 10Signed in ink on the recto and copyright stamp on the versoEstimate $3,500Donated by Forma Galleria Milano

Berengo Gardin’s images capture surreal moments which embrace the subtle oddi-ties of the human condition. His work has been exhibited at The Museum of Modern Art, the Rochester Eastman House and the Bibliothèque Nationale of Paris. The Lausanne Musée de l’Elysée hosted his retrospective (1991).

Frederic BrennerBukhara - Central Asia, U.S.S.R. 1986

Gelatin silver print; Printed c. 20009 1/2 x 14 1/8Signed in ink on the rectoEstimate $3,000Donated by the artistcourtesy of Howard Greenberg Gallery

S151

S152

S153

S154

S155

Marc RiboudThanksgiving Parade, New York, 1990

Gelatin silver print; Printed c.20059 1/2 x 14Signed, titled and dated in pencil on the recto; Annotation in pencil on the versoEstimate $2,500Donated by the artistcourtesy of Howard Greenberg Gallery

Aaron SiskindLima 98 1974

Gelatin silver print; Printed in 1980s10 x 9 1/2Signed, titled and dated in ink on the recto; Titled, dated and annotation in pencil on the versoEstimate $4,000Donated by Howard Greenbergcourtesy of Howard Greenberg Gallery

Ehren JosephMaasai Fertility Dance 2010

Pigment print; Printed in 201216 x 24Signed and editioned in pencil and embossed on the rectoEdition no. 1/5Estimate $750Donated by the artist

On assignment shooting a portrait of the Leakey Family in a remote part of the Great Rift Valley, Joseph captured images of 30 Maasai women performing a fertility dance for those who could not bear children.

S153

S155

S154

S156

S157

S158

David MaiselHistory’s Shadow 2012

Pigment print13 1/8 x 9 7/8Edition no. 25/25Estimate $750Donated by Nazraeli Press

The print is a part of the deluxe-edition book, History’s Shadow (Nazraeli Press, 2011), which comes in a clamshell box.

Yumiko IzuSecret Garden #29 2006

Platinum-palladium print; Printed in 200610 x 8Signed, titled, editioned and year in pencil on the rectoArtist proof no. 1Estimate $1,000Donated by the artistcourtesy of Staley Wise Gallery

Marcia CooperUntitled 2011

C-print15 x 10Label with signature, name, title, year, print year, edition, media, and dimensions of image and frame on the versoEdition no. 2/5FramedEstimate $800Donated by the artist

The image of a found site references Robert Motherwell’s Elegy series.

S156

S157

S158

S159

S160

Matthew PillsburyVictorian Garden 2012

Pigment print12 1/2 x 15 3/4Signed, titled, dated and editioned in pencil on the rectoEdition no. 1/20Estimate $2,200Donated by the artistcourtesy of Bonni Benrubi Gallery

With long exposures to create images of both interior and public spaces, people in the scenes are translated into ethereal traces that become ghosts of our collective experience. Pillsbury brings viewers to places that make up the fabric of everyday life.

Brett WestonAbstraction 1973

Vintage gelatin silver print7 5/8 x 9 1/2Signed and year of work in pencil on the mount rectoEstimate $3,000Donated by Laurence Jansscourtesy of Four Friends Gallery

S160

S159

SILENT AUCTION bOOKSWe are pleased to present the following books, magazines and other special item as part of our silent auction.

B201Michael J. Benari, The Third EyeBenariFoto, 2010Signed first edition, 28 pp., b/w illustrations throughout, 9 ½ x 11”, softcover.Courtesy of the artistGuide value: $45

B202Tom Chambers, Entropic KingdomModernbook Gallery, San Francisco, 2012Signed first edition, 112 pp., 58+ four-color illustrations, 11 x 11”, hardcover.Courtesy of the publisherGuide value: $75

B203Michael Crouser, Los TorosTwin Palms Publishers, Santa Fe, 2007Signed first edition, 180 pp., 130 four-color illustrations, 11 x 9”, caseboundCourtesy of the publisherGuide value: $60

B204Yuichi Hibi, NecoNazraeli Press, Portland, 2008Signed and numbered (no. 447/500) first edition, 140 pp., 76 illustrations, 16 x 13”, hardbound.Courtesy of the publisherGuide value: $100

B205Kenro Izu, A Thirty Year RetrospectiveNazraeli Press, Portland, 2010Signed first edition, 140 pp., 100 duotone illustrations, 15 x 11”, hardbound.Courtesy of the artistGuide value: $75

B206Kenro Izu, Bhutan: The Sacred WithinNazraeli Press, Tucson, 2008Signed first edition, 96 pp., 72 duotone illustrations, 17 x 14”, hardbound.Courtesy of the artistGuide value: $75

B207Geir Jordahl, Searching for True NorthModernbook Gallery, San Francisco, 2007First edition, 164 pp., 127 duo-tone illustrations, 13 x 9 ¼”, cloth-bound hardcover.Courtesy of the publisher Guide value: $40

B208Fred Lyon, San Francisco ThenModernbook Gallery, San Francisco, 2010First edition, 112 pp., 70 dual-color illustrations, 11 x 9/5”, cloth-bound hardcover.Courtesy of the publisherGuide value: $65

B209Norman Mauskopf, Dark HorsesIntroduction by Bill BarichTwin Palms Publishers, Santa Fe, 1988Signed slipcased edition no. 16/100, 112 pp., 80 sheet-fed gravure plates, 10 x 14”.Courtesy of the publisherGuide value: $150

B210John McDermott, Elegy: Reflections on AngkorForeword by Kenro Izu, Introduction by Roland EngMcDermott Gallery, Siem Reap, Cambodia, 2009Signed first edition, 256 pp., 104 tritone illustrations, 12 x 12”, hardboundCourtesy of the artistGuide value: $75

B211Robert & Shana ParkeHarrison, CounterpointTwin Palms Publishers, Santa Fe, 2008Signed first edition, 72 pp., 33 four-color illustrations, 14 x 11”, casebound.Courtesy of the publisherGuide value: $65

B212Mark Steinmetz, SummertimeNazraeli Press, Portland, 2011Signed first edition, 54 pp., 45 duotone illustrations, 15 x 12”, hardbound.Courtesy of the publisherGuide value: $75

B213John Willis, Views from the ReservationEssay by Kent Nerburn, Contributions from the Lakota peopleCenter for American Places at Columbia College Chicago, Chicago, 2010Signed first edition with a CD, Heartbeat of the Rez, 184 pp., illustrated throughout, hardbound.Courtesy of the artistGuide value: $55

B214John Willis and Tom Young, Recycled RealitiesText by Martha A. SandweissCenter for American Places, Santa Fe 2006Signed first edition, 80 pp., 60 color illustrations, 9 ¾ x 11 ¼”, hardbound.Courtesy of the artistsGuide value: $50

B215Various artists, Photographs Not Taken: A Collection of Photographers’ EssaysEdited by Will Steacy, Introduction by Lyle RexerDaylight, Chapel Hill, 2012First edition, 232 pp., 8 x 5 ½”.Courtesy of the publisherGuide value: $14.95

B216Various artists, The Mercy Project/ InochiEdited by James Whitlow DelanoMado-sha Publisher, Tokyo, Japan, 2010First edition, 161 pp., 118 color illustrations, 10 ¼ x 8”, hardbound.Courtesy of the editorGuide value: $80

B217Daylight Magazine Available Issues: 2- 4 and 6-9Courtesy of the publisherGuide value: $70

Special Editions with a Print:S120Jamey Stillings, The Bridge at Hoover DamNazraeli Press, Portland, 2011Limited special edition no. 15/30 which comes with a print in a clamshell box, 128 pp., 60 color illustrations, 17 x 13 ½”.Courtesy of the publisher

S156David Maisel, History’s ShadowNazraeli Press, Portland, 2011Limited special edition no. 25/25 which comes with a print in a clamshell box, 72 pp., 43 color illustrations, 16 x 12”.Courtesy of the publisher

15th ANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTIONAbsentee and Phone Bid Form December 4, 2012

Name:

Address:

Tel:

Fax:

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Special Instructions:

Phone or Absentee (Please circle one) Note that phone bids can only be placed for live lots.

YOUR TOP BID FOR ABSENTEELOT NUMBER ARTIST NAME TITLE OR DESCRIPTION & EMERGENCY BID FOR PHONE

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$

$

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$

$

$

$

$

Total Bid Amount $

Shipping and Handling $ 50

Entry Fee or Special Print by Wendy Sacks $ 50 or $500

Note:– Valid credit card information is required in order to place absentee/phone bids.– You will be notified by Friends if you made a successful bid within five business days after the auction.

Delivery Options:

By UPS Ground Service with insurance for the final amount in the U.S.: additional $50 charge

(Note: All of the artwork will be delivered before the holiday)

Pick up at the office of Friends Without A Border by December 21 (Friday)

Please execute these bids on my behalf

Signature:

Date:

Payment by: VISA Amex Mastercard Discover

Card Number: Expiration Date:

Security Code (3 or 4 digit #): Name on the Card:

Bidder Number _________Friends Without A Border1123 Broadway, #1210New York, NY 10010tel 212-691-0909 fax 212-337-8052e-mail: fwab@fwab.org

BOARD MEMBERSRonald Ablow, M.D.David ChangNerou Cheng, C.P.A. Kenro IzuVéronique LeeMatthew Magenheim Tina PattersonDavid L. Pugatch, M.D.Michael SternAyako Weissman

HONORARY ADVISORSYasushi AkashiKong Seung

ADVISORSPeter GrilliMichèle R. HainesYoshiaki IshizawaSidney Sass

MEDICAL ADVISORSAshwin Balagopal, M.D.Rethy K. Chhem, M.D., R.R.C.P.C.Michael Cohn, O.D.G.A.P. Ganepola, M.D., F.A.C.S.

Masao Iwasato, M.D.Masumi Kamachi, M.D.Nal Oum, M.D.B. Allen Weiss, M.D., F.A.C.S.Susanne M. Werner, R.N., B.S.N.

DENTAL MEDICAL ADVISORSCharles F. Craft, D.D.S.

ARCHITECTURAL ADVISORSMamoru KaiJeffrey KapecKan MorimotoKazuna Tanaka

NEW YORK OFFICEChristopher Hest, CEOAkiko AraiJenni CheersBryant Cheng

JAPAN OFFICEAkio Matsushima

FRIENDS wITHOUT A bORDER

Even if you are not able to physically attend the 15th annual Friends

of Friends Photography Auction on December 4, 2012, you will be

able to bid on photographs and books by filling out the absentee/

phone bid form and mailing or faxing it to Friends Without A Border by

3:00pm EST on December 4.

The auctioneer will accept bids from those present at the auction in

addition to absentee and phone bids. Live bids may be executed

lower than the top bid you place. If matching bids are entered by two

or more parties, the first bid received by Friends will take precedence.

Friends staff, board members and volunteers may bid at the auction for

themselves, or they may execute bids for absentees.

Absentee and phone bids must be submitted in advance with valid

credit card information. In the case that the absentee bid is successful

the credit card will be charged on the night of the auction. Placing an

absentee bid is considered authorization for this transaction.

To place a phone bid, please indicate this on your bid form. Please note

that phone bids can be placed only for live lots, and that volunteers

helping with phone bids cannot facilitate placing bids on silent lots.

You must provide us with a phone number where you can be reached

on the night of the auction, Tuesday December 4, 2012 from 6:00 to

8:30pm EST, and the lots that you are interested in bidding on. In case

of any problem with phone lines, we advise you to provide emergency

bids on the form. You will be contacted one hour before your first lot will

be auctioned and you will be bidding live via telephone with other bidders

during the live auction.

HOw TO PLACE AbSENTEE AND PHONE bIDS

Admission and a paddle number for the auction is $50. Payment by

check or cash is preferred. Those who order the special print by Wendy

Sacks, available for $500, are entitled to free admission.

Payment for all work is due the night of the auction, without exception.

All property is “as is.” Neither Friends Without A Border nor the artist

makes any express or implied warranty or representation as to the

condition of any lot offered in the auction, and no statement made at

any time, whether oral or written, shall constitute such a warranty or

representation. Descriptions of condition are not warranties. Accordingly,

all lots should be viewed personally by prospective bidders to evaluate

the condition of the property offered in the auction. Please feel free to

contact Friends for a report on the condition of any prints. Be reminded

that each lot is “as is” and all transactions are final. Unless a lot is

identified as part of a limited edition, no edition limit should be assumed.

Unless a lot is identified as having been printed in a certain year, no date

of printing can be guaranteed. The highest bidder acknowledged by

the auctioneer will obtain the item: in the event of any dispute between

bidders, the auctioneer will have final discretion and his record shall be

binding and conclusive. If the auctioneer decides that any opening bid is

below the value of the article offered, he may reject the bid and withdraw

the article from the auction.

ImPORTANT NOTICE

PARTICIPATING ARTISTS

Berenice Abbott (3)Yoshi Abe (S128)William Abranowicz (14)Raymond Adams (S121)Michael Amoruso (S99)Jerry Atnip (S132)Lyndie Benson (5)Gianni Berengo Gardin (S151)Alvin Booth (S55)Phil Borges (S87)Frederic Brenner (S152)Jeff Bridges (S39)Dana Buckley (S147)Robert Buelteman (S83)Bill Burke (S107)Brigitte Carnochan (S44)Manuel Carrillo (S141)Tom Chambers (S46)Simon Chaput (S40)Vincent Cianni (S124)Lorenzo Cicconi Massi (S38)Michael Clinton (7)Lois Conner (8)Marcia Cooper (S158)Linda Cummings (S97)Imogen Cunningham (S143)John Cyr (S131)Margo Davis (S135)Enna Deer (S95)John Delaney (S85)James Whitlow Delano (32)Monica Denevan (S148)Mike Disfarmer (S37)Mary Durante-Youtt (S79)Stephanie Dworkin (S103)Brian English (S139)Elliott Erwitt (13)Walker Evans (S111)Louis Fauer (S144)Harold Feinstein (S115)Sandi Fellman (S33)Gerald Förster (S91)Lorraine Gracey (S127)Sunil Gupta (S86)Katsutoshi Hatsuzawa (S68)Jefferson Hayman (S122)Nancy Hellebrand (S42)John T. Hill (S140)Lewis Hine (2)Taishi Hirokawa (S62)Thomas Holton (S129)Don Hong-Oai (20)Horst P. Horst (23)Eikoh Hosoe (25)Kenro Izu (S138, S149)Yumiko Izu (S157)Joshua Jensen-Nagle (S43)Ehren Joseph (S155)Bill Kane (S150)

Ellen Kaplowitz (S119)James Karales (4)Monica Karales (S105)Ed Kashi (S47)Kikuji Kawada (16)Kensuke Kazama (S61)Thomas Kellner (S53)Michael Kenna (S52)Gyorgy Kepes (S80)Yong Hee Kim (S94)Douglas Kirkland (S57)Yoshiaki Kita (S63)William Klein (29)Eriko Koga (S69)Irene Kung (S104)Koichiro Kurita (S84)Masatomo Kuriya (21)Arthur Leipzig (S114)Saul Leiter (11)Elaine Ling (S137)Loewy and Puiseux (15)Sal Lopes (S142)Tri Luu (S90)Yoshiaki Maeda (S75)David Maisel (S156)Michael Massaia (22)George McClintock (S101)Steve McCurry (18)John McDermott (S89)Joseph McDonald (S133)Amanda Means (S145)Barbara Mensch (S112)Takeshi Mizukoshi (S59)Hiromitsu Morimoto (S49)Jun Morinaga (S60)Daido Moriyama (28, S110)Seiichi Motohashi (S77)Takehiko Nakafuji (S76)Masataka Nakano (S72)Dan Nelkin (S118)Naonori Nishiyama (S73)Kazuyoshi Nomachi (S74)Tony O’Brien (S134)Hiroshi Ohashi (S64)Ruth Orkin (S36)Paul Outerbridge (S56)Irving Penn (26)Don Penny (S117)Sean Perry (S82)Ed Pfizenmaier (27)Richard Phibbs (24)Jose Picayo (S58)Matthew Pillsbury (S159)Eliot Porter (1)Nicholas Prior (12)Nandita Raman (S108)Marc Riboud (S153)Herb Ritts (17)Sheila Rock (S48)Ken Rosenthal (S116)

David Rudin (S106)Janet Russek (S123)Wendy Sacks (Special Print)Ryoichi Saito (S67)Hamid Sardar-Akhami (S92)Lynn Saville (10)David Scheinbaum (S136)Bob Shamis (S41)Raphael Shammaa (S98)Takeshi Shikama (S71)Ellen Silverman (S96)David Simonton (S100)Pamela Singh (S109)Aaron Siskind (S154)Manabu Someya (S78)Peter Steinhauer (19)Jamey Stillings (S120)Go Sugimoto (S146)Hiroshi Sugimoto (30)Jasmine Swope (S35)Nobuyuki Takahashi (S70)William Thompson (9)Phillip Toledano (S45)Amy Touchette (S102)Albrecht Tübke (S54)Jerry N. Uelsmann (31)Kazuhiko Washio (S65)Hiroshi Watanabe (S51)Todd Webb (S113)William Wegman (S93)Alfred Wertheimer (S125)Brett Weston (S50, S160)John Willis (S88)Masao Yamamoto (S34)Tsuneo Yamashita (S66)Jene Youtt (S81)Hai Zhang (S130)George S. Zimbel (6)Slawomir Zulawinski (S126)

CONTRIBUTORS

Commerce GraphicsDisfarmer.comFraenkel GalleryJulee GeierHoward GreenbergHerb Ritts FoundationJohn T. HillThe Estate of Don Hong-OaiGraham HoweThe Imogen Cunningham TrustThe Irving Penn FoundationLaurence JanssThe Estate of James KaralesFrançoise KirklandNike LanningJudith LeipzigThe Estate of Harry H. Lunn, Jr.Michael Shapiro PhotographsNazraeli PressThe Estate of Eliot PorterAndrea RaisfeldRose GalleryRuth Orkin Photo ArchiveDebora ShriverVerve Gallery of PhotographyElaine Zimbel

AUCTION COMMITTEE MEMBERS

William AbranowiczJohn BennetteJean ConlonThierry DemontBrian EnglishMargit ErbHoward GreenbergKenro IzuChazz LeviSarah MorthlandDebra ShriverGregory WakabayashiRick WesterAlice Zimet

THANKS

Friends Without A Border would like to express profound gratitude to everyone who makes the annual Friends of Friends Photography Auction possible: all participating photographers, contributors, committee members and sponsors.

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