SEPTEMBER 20, 2019

FAST TRACK INDONESIAC r e a t i v e D i g i t a l E c o n o m y F o r u m

COVER

About MPAThe Motion Picture Association (MPA) and the Motion Picture Association International (MPA-I) represent the interests of the six international producers and distributors of filmed entertainment. To do so, they promote and protect the intellectual property rights of these companies and conduct public awareness programs to highlight to movie fans around the world the importance of content protection. These activities have helped to transform entire markets benefiting film and television industries in each country including foreign and local filmmakers alike.

The organizations act on behalf of the members of the Motion Picture Association of America, Inc (MPAA) which include: Walt Disney Studios Motion Pictures, Netflix Studios, LLC, Paramount Pictures Corporation, Sony Pictures Entertainment Inc., Universal City Studios LLC, and Warner Bros. Entertainment Inc. The MPA and the MPA-I have worldwide operations which are directed from their head offices in Los Angeles and Washington, D.C. and overseen in the Asia Pacific by a team based in Singapore. For more information about the MPA and the MPA-I, please visit www.mpa-i.org and https://www.facebook.com/motionpictureassociation.

About AKATARAAKATARA is a collaborative program between the Creative Economy Agency (Bekraf) and the Indonesian Film Agency (BPI), which aims to facilitate financing and provide access to capital for businesses in the Indonesian film ecosystem. Akatara is expected to become the estuary of BEKRAF’s programs related to cinema and to become a forum that embraces activities in the broadest national cinema.

BPI redefined film as various forms of ‘whatever the moving picture’. This is important and urgent to do in order to respond to new business opportunities in the digital landscape, so that the Indonesian film ecosystem can become more inclusive and whole, especially viewed from the perspective of its economic value. Bekraf and BPI, positioned film as the most appropriate locomotive and medium for promoting the 15 other creative economic sub-sectors such as books, culinary, fashion, music and crafting so that the implementation of Akatara is also expected to be able to embrace these sub-sectors.

The AKATARA program forms are centered on pitching sessions and ‘speed-dating’, a kind of matchmaking between project owners and capital owners. Other sub-programs include training in the form of masterclasses, talks, seminars, and film market classes and exhibitions (expos). AKATARA 2019, like the previous year, still facilitates film production projects and non-film production projects; any business in the film ecosystem such as courses, schools, training, equipment rental, filing, and others. AKATARA facilitates long and short film projects, both documentary, fiction, animation, web-series, television series, content for digital channels, applications, digital platform sites, magazines, distribution and exhibitions. AKATARA invited the cooperation of various stakeholders such as government agencies, SOEs, companies, private sector, individuals, foundations, from within and outside the country, communities, foreign cultural centers, and other parties who have interests in the national film ecosystem.

About BEKRAFOn January 20, 2015, through Presidential Regulation of the Republic of Indonesia Number 6 of 2015 concerning the Creative Economy Agency, President Joko Widodo formed a new non-ministerial institution called the Creative Economy Agency (Bekraf). This agency is responsible for the development of the creative economy in Indonesia. Bekraf is tasked with assisting the president in formulating, establishing, coordinating and synchronizing policies in the creative economy.

Bekraf was appointed by the head of the agency assisted by a deputy, main secretary, and deputies. Bekraf has six deputies.

Bekraf has a vision to develop Indonesia as one of the world economic forces in the creative economy in 2030. To achieve this vision, Bekraf designed six major missions, namely bringing together all of Indonesia’s creative assets and potential to achieve an independent creative economy, creating a conducive climate for the development of creative industries, encouraging innovation in creative fields that have added value and competitiveness in the international world, to open the public’s insight and appreciation of all aspects related to the creative economy, build awareness and appreciation of intellectual property rights, including legal protection of copyright and to design and implement specific strategies to place Indonesia in the world creative economy map.

Bekraf also stipulates that there are 16 sub-sectors of the creative industries which are the focus for management and development. Each deputy then translates the vision and mission above through various excellent programs that can be implemented in the context of the 16 subsectors. The formation of Bekraf is the government’s optimism that the creative economy will definitely be the backbone of the national economy. This is the beginning of a new milestone in Indonesia’s creative economy.

About BPIIndonesian Film Board (Badan Perfilman Indonesia/BPI) is the manifestation of the Article 67 of Law number 33/2009 on cinema stating that “the community can participate in the cinema organization”. BPI was created to increase the community involvement in cinema (Article 68). BPI defines film as artwork containing ideas or ideas in the form of moving pictures. They prioritise films that provide aesthetic statements and experiences, and have educational, entertainment and/or socio-cultural functions. Cinema includes all elements related to production process, distribution, exhibition, appreciation, education and film archiving. Indonesian films are movies that are made by or using Indonesian resources whose Intellectual Property Right is owned either entirely or partly by Indonesian citizen or Indonesian legal entity. Film festival is defined as film celebration activities in the forms of movie screening programs including other activities aiming to increase the appreciation on films and/or cinema development concentrated in specific location, area and region.

This appreciation includes competition, award, discussion etc. The cinema development includes movie market, film financing etc. Film awarding is recognition of achievement in the field of cinema.

BPI’s tasks and functions are organising film festivals inside the country, participating in foreign film festivals, organising Indonesia film week in foreign countries, promoting Indonesia as a film location shooting to foreign filmmakers, giving inputs to improve Indonesian cinema, conducting researches and development on Indonesian cinema, giving appreciations, facilitating the financing of certain selected high quality movies.

BPI’s vision is the realisation of a competitive, just and beneficial Indonesian film industry for the society. Their mission is to implement the mandate of the Law number 33/2009 on cinema and BPI’s Articles of Association.

About AprofiFounded in 2013, Associations of Indonesian Film Producers (APROFI) is a professional and independent organization that consists of film producers, including but not limited to professional individuals and companies in Indonesia. APROFI is drivien with goals to provide a better ecosystem in the film industry and produces good Indonesian films that is uncompromising in quality.

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C O N T E N TIntroductionThe combination of vastly improved technology, high rates of internet connectivity, and a growing demand for quality screened entertainment is great news for audiences, creators and distributors of streamed video. The data promises much: By 2023, VOD revenues in the Asia Pacific region are reported to reach over USD 42 billion while more than 323 million paying subscribers will have signed up for VOD services.

True, VOD growth is a global phenomenon, however India and South East Asia constitute some of the most exciting markets to watch. Existing players are looking to cement a foothold, while proposed services from major U.S and Chinese studios raise expectations by the day. Smartphone adoption and connectivity continue to rise exponentially. The region boasts a massive youth population – one that is increasingly tech savvy and hungry for content – who will continue to stimulate demand for great product and competitive offers.

In the 2019 edition of the Fast Track Creative Digital Economy Forum Series (Fast Track), we zoom in on streaming services and invite expert speakers to assess the current state of the market and where it might develop. Leading VOD company representatives will present a snapshot of the market; production experts will take a deep dive into some of the standout projects made for the streaming sector; and key stakeholders will highlight the opportunities and address the challenges for the sector.

Fast Track will look at how best to stimulate a vibrant digital economy. Welcome to the show.

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Digital Economy Overview

98%WATCH VIDEOS

ONLINE

268.2MPOPULATION

150MINTERNET USERS

50%STREAM TV CONTENT VIA

THE INTERNET

86%INTERNET USERS USE

USE E-COMMERCE

2H 52MDAILY TV VIEWING

TIME*

*Broadcast, streaming and video-on-demand.Source: Digital 2019: Indonesia, WeAreSocial

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PROGRAM

Image from Westworld,HBO

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Welcome & Keynote Remarks• Agung Sentausa – Director/ Head of Film

Financing, BPI & Founder, AKATARA• Stephen Jenner – VP, Communications, Asia

Pacif ic, Motion Picture Association

Session 1: Identifying the current commercial digital video market, available services, and future trends.

The VOD landscape has evolved rapidly in recent years. The market involves a growing number of local, regional and international services. Expectations are running high on the upcoming launch of services from major studios. How are VOD services distinguishing their offer from their competitors? What works and what doesn’t? What are the trends worthy of note? How will the industry keep the customer satisf ied?

Friday2 0 S E P T E M B E R 2 0 1 9

1330 - 1345

1345 - 1445

Moderator:

Robert Ronny - Writer, Director & Producer, Legacy Pictures

Panel:

• Dr. Guntur S. Siboro – Country Head, HOOQ Indonesia

• Ayu Paramita Arif in Putri – Manager Video Business Development, Telkomsel

• Varun Mehta – Country Manager, Viu Indonesia

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Session 2: The f ilmmaker’s view, creative partnerships and future opportunities for the production sector.

How well has the production community adapted to doing business with the VOD industry? We hear from local and international f ilmmakers on their experiences creating content for VOD players, track the developing relationship between the production community and the VOD services, and assess what shows will work for Indonesian audiences and those further af ield.

Moderator:

Nora Mediana – Managing Director, Moxienotion

Panel:

• Sakti Parantean – Co-Managing Director, Fremantle Indonesia

• Reza Servia – Producer, StarVision Plus• Kimberley James – VP, Production, HBO Asia

Original Productions• Shanty Harmayn – Co-Founder & CEO, BASE

Entertainment• Mike Wiluan – CEO, Inf inite Studios

Coffee Break

1445 - 1545

1545 - 1600

Friday2 0 S E P T E M B E R 2 0 1 9

Session 3: Opportunities and challenges for growing the online video ecosystem / Protecting the content value chain.

How can stakeholders work together to stimulate a vibrant online video ecosystem? How is the curated streaming video sector stimulating jobs and contributing to the digital economy? What can be learned from global best practice? Does piracy present the biggest challenge to the legitimate VOD ecosystem?

Moderator:

Linda Gozali – Producer, MAGMA Entertainment & APROFI

Panel:• Sheila Timothy – Producer & COO, PT Lifelike

Pictures• Andi Boediman – CEO, Ideosource

Entertainment

1600 - 1700

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SPEAKERSImage from Grisse,

HBO

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LindaG O Z A L I

Concluding her 25th anniversary in the Capital Markets, Linda Gozali teamed up with her brother, Charles Gozali, to expand MAGMA Entertainment in pursuant of her overdue passion as a film producer, following the footsteps of her father and founder of Garuda Film, the legendary Hendrick Gozali.

Towards the second half of 2016, with Indonesia coming into the limelight by exerting potentially lucrative box office growth and expanding its local content market share simultaneously, Linda recognises it is time to recapitalise IP content from Garuda Film as well as MAGMA’s very own by forming up partnerships and collaborations across Asia in pursuit of global achievements, financial harvest and respectable recognition.

MAGMA currently is working on an Indonesian superhero movie franchise slate, as well as the upcoming action cinematic franchise based on MAGMA’s renowned IPs in collaboration with Paragon Pictures, remakes of Garuda Films classics 1981 Best Picture cinematic IP Perempuan Dalam Pasungan, and finally, an international collaboration with respected Korean producer for Kampung Kubur.

Producer, MAGMA Entertainment & APROFI

AndiB O E D I M A N

As a strategist and dealmaker, he successfully initiated & facilitated the MediaCorp & KLN as the highest value digital media deal in Indonesia.

Andi sits as a Board Director in Bhinneka.com, the leading O2O (online to offline) e-commerce specialising in computers and IT products, communications goods, and consumer electronics (3C).

With his strong background in the creative industry, he is currently holding the position as Chairman of Ideoworks, a Google Premiere SME.

To fulfill his passion for education, he founded IDS Education, offering bachelor degree in Design, Animation & Filmmaking in partnership with Griffith University Australia.

Andi’s past position was the Chief Innovation Officer at Plasa.com — a subsidiary of PT. Telkom Indonesia. Bringing eBay and Microsoft as a strategic partner, he was the key strategist in building the company foundation, from envisioning the road map, creating the business model and setting up the team to build the company from ground up.

Chief Executive Officer, Ideosource Entertainment

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ShantyH A R M A Y N

Shanty Harmayn is an Indonesian film producer and Chief Executive of BASE Entertainment. She co-founded BASE Entertainment in 2017, a Jakarta and Singapore based film studio with focus on development, financing, production and distribution. BASE is developing projects primarily in Indonesia, the Philippines and other markets.

BASE’s current projects are Joko Anwar’s upcoming horror film, Perempuan Tanah Jahanam, co-produced with Ivanhoe Pictures, CJ Entertainment and Rapi Films; Bebas, a film by producer duo Mira Lesmana and Riri Riza; Trese, a Netflix Original Animated Series based on a popular Filipino graphic novel series by Budjette Tan and Kajo Baldissimo and Guru-Gura Gokil, a drama comedy produced by leading actress Dian Sastrowardoyo. Shanty Harmayn has produced award winning Indonesian films such as: Sang Penari (2011) by Ifa Isfansyah - Best Indonesian Film 2011 and Indonesia’s Foreign Language entry to Academy Awards 2012, The Photograph by Nan Achnas - Special Jury Prize at Karlovy Vary International Film Festival 2008 and Garuda Di Dadaku, a childrens’ soccer hit film in 2009. Garuda Di Dadaku became a well-known IP in Indonesia with sequel film Garuda Di Dadaku 2 (2011) and 2 seasons of Keluarga Garuda Di Dadaku TV Series (2014-2015).

Educated at Stanford University, she also co-founded Jakarta International Film Festival - JiFFest (1999) and InDOCS (2002). She now sits on the board of InDOCS and Association of Film Producer Indonesia (APROFI) and Advisory Board of Singapore Media Festival.

Co-Founder & Chief Executive Officer, BASE Entertainment

KimberlyJ A M E S

An Emmy-winning Producer with a career spanning 20 years across three continents and 50 countries, Kimberly’s experience ranges from scripted to reality, kids to sports, often juggling multiple productions at a time. She is a member of the Producer’s Guild of America and currently the Vice President of Production for HBO Asia’s Original Productions Department.

Before joining HBO, Kimberly produced for James Franco on The Long Home, a feature film he directed and starred in, and Making A Scene With James Franco, an Emmy-nominated web series for AOL with more than 18 million views. She also managed the NY unit of The Pretenders, directed by Franco with a theatrical release in 2019.

She produced 12 award-winning seasons of The Amazing Race (US, Asia, Australia, and Israel versions). Her short film Across The Tracks won 8 awards including Best Narrative, Director’s Choice, and The African Academy Award for Best Diaspora Short.

Other credits include: Public Morals, executive produced by Steven Spielberg and directed by Ed Burns, 5 Flights Up starring Morgan Freeman and Diane Keaton, The Last Five Years starring Anna Kendrick and Jeremy Jordan.

Vice President, Production, HBO Asia Original Productions

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StephenJ E N N E R

Stephen Jenner is the Vice President, Communications, of the Asia-Pacific Region for the Motion Picture Association International whose global mission is to advance and support the film, television and streaming content industry. Stephen manages all communications, public relations and educational outreach projects, with the objective of promoting and protecting the commercial and creative interests of the MPA’s represented studios and Asia’s screen communities.

Prior to his role with the MPA, Stephen worked as a special projects and communications consultant for screen industry associations throughout the Asia-Pacific region. He has also been involved in the film and television industry, both as a writer and producer for a number of television series, screen novelizations, short films, documentaries, and television commercials, winning the Australian Film Institute (AFI) Byron Kennedy Award in 2000 for establishing Inside Film Magazine and the Inside Film Awards.

Stephen has worked with large global media organizations, including Getty Images and image.net Ltd. in various senior roles. He held the position of Managing Director of Inside Film Magazine and Executive Producer Inside Film Awards from 1996 to 2001. Stephen graduated from the University of Leicester in the UK with degrees in English and Philosophy.

Vice President, Communications,Asia Pacific Region, Motion Picture Association

NoraM E D I A N A

Nora has 23 years of experience in the film, TV, and digital media industry managing the acquisition, sales, distribution and marketing of hundreds of content across multi-platforms in Asia. She is currently active in importation and distribution of foreign films in Indonesia under her own company, Moxienotion.

With her experience and knowledge, Nora is also a researcher and a consultant in her field providing in-depth information and professional advice in the industry. Nora was previously with BBC Worldwide as Territory Manager and was responsible for Digital Media business and sales of Format and TV content across South-East Asia. Prior to that she was with Golden Village Pictures in Singapore and Warner Bros. in Indonesia looking after film Marketing and Distribution.

Before setting up Moxienotion, Nora joined consulting firm Artisan Gateway, and managed and ran various projects, including cinema investment research, cinema ticketing system, and advocacy work in Indonesia with Motion Picture Association.

Managing Director, Moxienotion

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VarunM E H T A

Varun is the Country Head for Viu in Indonesia. Viu has firmly entrenched itself as the dominant OTT platform for Asian entertainment & Varun leads Indonesia with a vision of making Viu the home for high quality content creators and premium content consumers. He is passionately involved in the creation of the best Indonesian series and movies, collaborating with top directors and production houses in Indonesia. Over the last 18 years, he has successfully set up consumer businesses in APAC and SAARC markets for video products and services, and has been a speaker & panelist at various direct to consumer business conferences across Asia.

With more than 18 years years of track record in monetizing products and services in his career across ASEAN & SAARC region, Varun thrives on the start-up energy & has built and mentored passionate teams. Varun’s specialties lie in the OTT business, original content creation, high energy start-up establishment & growing to viable business models, customer lifetime value management, ARPU enhancement, business intelligence, mass consumer monetization, strategic relationship management, distributed geographical operations management and an out of box thinking approach.

Starting in Vuclip since 2013, Varun is now the Country Manager for Indonesia and leading Viu as arguably the number 1 premium OTT platform in Indonesia through a combination of Consumer and Content focus.

Country Manager, Viu Indonesia

In 2010, after a decade of running an award-winning boutique production company specializing in documentaries features and television commercials, Sakti Parantean joined Fremantle Indonesia, shifting his focus and career ambitions towards television. In the years that followed, Sakti would go on to produce hundreds of hours of primetime television, helming huge tent-pole programs including MasterChef Indonesia, Indonesia’s Got Talent, Indonesian Idol and XFactor Indonesia.Recognizing the power of the internet and the future of content creation, Sakti pioneered and then oversaw the development and implementation of the Brand Partnership and New Media Department of Fremantle Indonesia, which focused on creating opportunities in the social and digital space and inviting brand involvement, engagement and inclusion. Since its inception, the Fremantle Indonesia Brand Partnership and New Media Department has gone on to amass an impressive 2 billion views across nearly 30 channels on the YouTube platform alone.

Beginning in 2019, Sakti moved into his current leadership role as Co-Managing Director Fremantle Indonesia and with him comes yet another new and inventively visionary agenda for the future. A vision intent on elevating Fremantle Indonesia onto the world stage by developing and producing high-end, scripted, episodic drama in cooperation with Wahana Kreator, one of the most esteemed and admired scriptwriting and story design operations in South East Asia. This newly forged partnership between Fremantle Indonesia and Wahana Kreator has just announced the development of their first two titles, The Sacred Riana: Bedtime Stories and The Ex-Addicts Club.

Co-Managing Director, Fremantle Indonesia

SaktiP A R A N T E A N

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Image from The Sacred Riana,Fremantle

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Ayu Paramita Arif inP U T R I

Ayu is responsible for the promotion and the marketing of Maxstream. She also manages Maxstream Original Production. Ayu has experience in pricing and content development of Telkomsel’s products.

Manager Video Business Development, Telkomsel Writer, Director & Producer, Legacy Pictures

RobertR O N N Y

Robert Ronny is a versatile and passionate filmmaker. After graduating from New York Film Academy, he directed and produced several feature films in Indonesia and several other countries. In 2014, he established Legacy Pictures, a production house focused on producing quality feature films.

Legacy Pictures has produced feature films such as Kapan Kawin (2015), Kartini (2017) and Firegate (2017), and has produced many successful coproduction feature films with very famous and established production houses in Indonesia, such as Miles Film (Ada Apa Dengan Cinta 2), Starvision (Critical Eleven) and Screenplay Films (I Love You from 38,000 Feet, Jailangkung, Sebelum Iblis Menjemput, and Gundala).

Many of the films that he has produced, directed or written have been successful commercially and have garnered much acclaim in both the Indonesia film awards circuit and the international film awards circuit.

Kartini garnered 14 Nominations in Festival Film Indonesia including Best Picture (the most nominated film that year), Critical Eleven – nominated for Best Director, Best Actor and Win for Best Actress at the Asian Creative Academy Awards.

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AgungS E N T A U S A

Agung Sentausa is an architecture graduate who jumped into the movie industry in 1999. Throughout his 20 year career in the industry, he has been engaged as a director in feature film productions, music video clips, commercials, documentaries, workshop mentor, and has worked with Indonesia’s large and leading companies, international enterprises, and world-class national organisations.

His feature film debut, Garasi, was screened in many international, world class film festivals. A self-penned screenplay, Road to Led, won the by-invitation pitch competition; has been optioned and currently in production planning with 21st Century Fox.

He is currently the head of film financing facilitation at the Indonesia Film Board and the founder of Akatara: Indonesia’s Film Market and Business Forum.

Director/ Head of Film Financing, BPI & Founder, AKATARA

RezaS E R V I A

Reza Servia is a producer at StarVision Plus.

He was the executive producer for many films such as Lampor: The Flying Casket, Ghost Writer, Brokenhearts, Kehormatan di balik kerudung, Cinta di saku celana, Hafalan shalat Delisa, Malaikat tanpa sayap, Sajen, Belok Kanan Barcelona, and Shy Shy Cat.

He was the producer for 20 Forever and the line producer for Get Married 3.

Producer, StarVision Plus

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Dr. Guntur S .S I B O R O

Guntur led HOOQ, the first premium video-on-demand service available across Asian countries, to launch its service in Indonesia on April 2016. Now, HOOQ Indonesia is considered the largest premium video-on-demand service in Indonesia; a promising digital business transformation driven by strategic partnership with Telkomsel, Telkom, FirstMedia, Smartfren, Ovo and Grab. Guntur himself is a true witness of transformation of a digital migrant, coming from traditional telco into pay tv industry and now into a digital startup.

Guntur was previously CMO of Indosat (2007-2010) and CEO of Aora TV (2010-2015). Guntur has a PhD in Marketing from Universitas Indonesia, an MBA from Monash University (Australia) and a Master of Engineering from Cornell University (USA).

Country Head, HOOQ Indonesia

SheilaT I M O T H Y

Sheila Timothy spent years of her life in advertising and music business. She is also on the board of recording Company PT REMACO which was founded by her late father, Eugene Timothy, and one of the oldest recording company in Indonesia.

In 2008, she and her husband, Luki Wanandi, established their new film company, Lifelike Pictures. She produced Pintu Terlarang (The Forbidden Door) for Joko Anwar. The film then went on to win best film in Puchon International Fantastic Film Festival (PIFAN) in 2009.

In 2012 she produced her second feature film, Modus Anomali, written and directed also by Joko Anwar. Modus Anomali got its first publicity when it won the Bucheon Award at the 4th Network of Asian Fantastic Films (NAFF), a part of Puchon International Fantastic Film Festival (PIFAN) in South Korea from 18 to 20 July 2011. Modus Anomali premiered in South by Southwest Film Festival (SXSW) in March 2012, and was released in Indonesia in April 2012.

Her third feature, Tabula Rasa, a family drama exploring the anthropology of food and how it interconnects different people and relationships, was released in September 2014. Tabula Rasa received 4 awards in Indonesian Film Festival 2014.

Sheila was also the chairman of the Association of Indonesian Film Producers (APROFI) from 2013 to 2016.

Producer & Chief Operating Officer, PT Lifelike Pictures

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MikeW I L U A N

Mike Wiluan is the CEO of Infinite Studios, a Singapore based content and production services studio with facilities in Indonesia. As CEO and a majority shareholder, Mike has continually developed the studio’s capabilities in content curation, talent, technology and infrastructure. Today, Infinite Studios is a full-fledged studio participating in all strategic areas of the media value chain.

Mike has overseen the development and production of multiple feature films, television live action, animation series and short films as executive producer and producer roles. Infinite Studios is a partner, co-producer and services provider to global networks such as HBO, Disney, Netflix and Turner, Warner Brothers and Discovery Channel. In parallel, localised partnerships in ASEAN also form the basis of the studio’s ability to delve into specific markets such as Singapore, Indonesia, Philippines and Thailand.

More recently, Mike Wiluan’s role has become more immersive in development, writing, directing and show-running live action television and feature film projects. His feature film and television credits include HBO Asia’s Serangoon Road, Grisse, Netflix’s Night comes for us and Headshot. His work includes Buffalo Boys which was Singapore’s 2019 submission to the Academy Awards and global hit Crazy Rich Asians. Other titles are listed in IMDB. Mike Wiluan also chaired the Singapore International Film Festival for 4 years.

Chief Executive Officer, Infinite Studios

Digital Economy Overview

Programme

Speakers

Partners

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INSIDE COVER

33FAST TRACK 2019

Co-Organized by: