Je<e& 86 Jes) ÒeYegle©Ce cegbyeF&, MeefveJeej, lee. 16 ceens peguew, meve 2011 (DebkeÀ 984

ÒeYeg le©Ce DeeÞe³eoeles1) meew. efJece} Je Þeer. ceeOeJe vee³ekeÀ2) meew. veef}veer Je Þeer. jeEJeê jecejeJe ceevekeÀj3) meew. DeveeefcekeÀe yeer. S. S}.S}.yeer.4) kewÀ. veìJe³e& veeje³eCe jecejeJe PeeJeyee5) kewÀ. mee@. ceeseflejece efJevee³ekeÀ pe³ekeÀj6) DeeÐe mebHeeokeÀ kewÀ. efJe<Ceg ke=À<Ce keÀesþejs7) kewÀ. jeJemeensye ®ebêkeÀeble yee}cegkegbÀo Jes}keÀj8) kewÀ. meew. megμeer}e ³eμeJeblejeJe keÀerleeakeÀj

kewÀ. meew. megμeer}e Je Þeer. ceesjséej efJe. ÒeOeeve9) meew. ceerje Je Þeer. jeEJeê veevetpeer oUJeer10) kewÀ. meew. μe}ekeÀe (De©CeÒeYee) μew}kegÀceej

Þeerke=À<CeveeLe oUJeer11) kewÀ. Þeerceleer ®ebHegyeeF& DeeefCe

kewÀ. DeevebojeJe megbojpeer OejeOej12) kewÀ. meew. jesefnCeer (jlveÒeYee) ÞeerkeÀj jeCes13) meew. efve}ercee Je Þeer. metpeve kesÀμeJejeJe jeCes14) kewÀ.Þeerceleer jesPeeyeeF& DeeefCe kewÀ. yeeUejece

kesÀjesyee vee³ekeÀ15) kewÀ. μejo efJevee³ekeÀ keÀerleeakeÀj ³eeb®³ee

mcejCeeLe& DeveeefcekeÀ16) kewÀ. mee@. efo}erHe jIegvebove keÀesþejs17) kewÀ. Þeerceleer keÀce}pee DeevebojeJe DeeEpeke̳e

ÒeYeg le©Ce DeeÞe³eoeles18) kewÀ. efoJeeUeryeeF& Je kewÀ. [e@. JeecevejeJe DeevebojeJe

efJepe³ekeÀj19) kewÀ. efJe<Cegjepe yeeUejece vee³ekeÀ20) De@[. meoeefμeke DeevebojeJe OegjbOej21) kegÀ. keÀmletj ceesþeyeeF& pe³ekeÀj22) kewÀ. keÀceef}veer jceekeÀeble ÒeOeeve23) kewÀ. veìJe³e& μejo Þeerke=À<CeveeLe ieCeHelejeJe oUJeer24) DeeÐe cejeþer }Iegef}HeerkeÀej kewÀ. YegpebiejeJe

jece®ebê ceevekeÀj25) kewÀ. Jeeceve ceesjséej ÒeYeekeÀj26) kewÀ. ®ebêkeÀeble veeje³eCe efJepe³ekeÀj,

kewÀ. kegbÀpeefJenejer Jee³e. peer. leUHeos, kewÀ. ÒeefJeCe®ebêkeÀeble veeje³eCe, efJepe³ekeÀj, kewÀ. JewYeJekegbÀpeefJenejer Jee³e. peer. leUHeos ³eeb®³ee mcejCeeLe&SkeÀ efnleeE®elekeÀ

27) kewÀ. [e@. efJeÐeeOej ®ebêkeÀeble veeje³eCe efJepe³ekeÀj³eeb®³ee mcejCeeLe& efnleeE®elekeÀ

28) kewÀ. HetCe&®ebê kesÀμejerveeLe jeJe Je kewÀ. meew. μeer}eHetCe&®ebê jeJe ³eeb®³ee mcejCeeLe&

29) [e@. jece ieeseEJeojeJe veJe}keÀj30) meew. μegYeebieer jece veJe}keÀj31) meew. jerìe DeeefCe Þeer. ceboej ceeOeJejeJe vee³ekeÀ

leÊJee®ee yeboe peerJe ~ cetleea}e keÀesCe efJe®eejer?

( mLeeHevee : leejerKe 25 Dee@iemì 1923 )www.prabhutarun.com

: mebHeeefokeÀe :megneefmeveer keÀerefle&keÀj

: keÀe³e&keÀejer mebHeeokeÀceb[U :efcevee#eer pe³ekeÀjce³egje vee³ekeÀmebpevee keÀesþejs

Jewpe³ebleer keÀerefle&keÀj

efkebÀcele 1 ©He³ee

mebHeeokeÀer³e

³es js, ³es js HeeJemee....-megneefmeveer keÀerefle&keÀj

efJemleejerle mebHeeokeÀer³e

(Heeve 2 keÀe@uece 1 Jej) (Heeve 2 keÀe@uece 3 Jej)

``keÀeìkeÀesve ef$ekeÀesCe''

-efcevee#eer pe³ekeÀj

`vescesef®e ³eslees ceie HeeJemeeUe, me=äer®eskeÀewlegkeÀ peeCe yeeUe' ³ee DeesUer SskeÀleSskeÀle®e DeeHeues meJee&®es yeeueHeCeog[og[ues. `HeeTme KegUe yeeF&, HeeTmeKegUe' DeMee DeesUer mJe³ebHeekeÀIejeleiegCeiegCele KegUsHeCeeuee Meb=ieejle. Heg{sMeeUe ceeies ueeieueer keÀer `HeeJemee®³eeOeeje, ³esleer PejePeje, PeekeÀesUues veYe,meesmeeìîee®ee Jeeje' keÀefJelesletve Iegcetueeies. keÀOeer `Oeeje DeekeÀeMeer®³eeDece=lee®³ee ' cnCele DebieCeele vee®etve`HeeTme He[t os Ie[esIe[er, efYepet osDeeceg®eer MesleerJee[er' DeMeer efJeveJeCeerkesÀueer peeF&. lees He[eJee cnCetve KeesìîeeHewMee®eer ueeuet®e lej ieeC³eeletve meieUs®eoeKeJeerle. `HeebIeªve DebieeJejer YejpejerMesuee' efnjJeeF& ceie Keguele peeF&. `LeWyeLeWye leȳeele He[leer js, ìHeìHe HeeveeleJeepeleer js' cnCele DeMeeJesUer ceesjeueemeeo Ieeuele `KesU KesUt oesIeeble' Demeeþske̳eele KesU jbies.

MeeUsleuee HeeTme keÀOeer megÆer®eeDeevebo IesTve ³esF&. HeeC³eeleu³eekeÀeieoer nes[îee l³eeJej Deeveboe®es Meer[efcejJele efcejJele Jenele peele. `S DeeF&,HeeJemeele peeT os' ®eer ceie ceveOejCeernesF&. yeeUkeÀjer Je³e Gueìues,MeeUkeÀjer efoJeme Heeueìues keÀer,DeeHeu³eeyejesyej Tve-HeeTmener le©CenesF&. `Oeejeve=l³e' megª nesF&. nesF& veJns;ef®ejle©Ce HeeTme Deepener ns ve=l³eceeCemee®³ee ceveeyejesyej keÀjlees. ceieefMejer<e HeQ®eer ®eejesUer peerJeble nesles;-`HeeTme Leebyeuee, Gve Deeueb, peiemeesvesjer Peeueb'

³ee meesvesjer PeUeUl³ee peieele TveHeeJemee®es ÒeCe³ejbie ceie efcemeUlepeeleele. `Deesuesleer' ³ee efJeMes<eCeeueeiegueeyeer jbie ®e{lees. `meieUerkeÀ[s

Pee[b®e Pee[b, Menj veener ns, ns lejKes[b,' Demeb ceveeuee Jeeìleb. Oejleer®³eekeÀueMeele efjceefPece Oeeje yejmeleelelesJne ceve leg[gbye nesleb, HeeJemeeveb vneleb.leskeÀJeer yeveleb. cnCetve®e lej meieȳee®ekeÀJeeR®³ee keÀeJ³eele HeeTme [eskeÀeJeueeDeens. Fbefoje mebleeb®³ee keÀefJelesleueeHeeTme keÀmee ®ewlev³ece³eer nesTve KesUlejnelees. `HeebIeªve DebieeJejleer YejpejerMesuee' ner Mesu³ee®eer Òeeflecee l³eeb®³eekeÀefJelesle JesieUs®e ªHe IesTve ³esles.ce=®íkeÀefìkeÀeleerue ®ee©oÊe DeeefCeJemeblemesves®es ÒesceyebOe ³ee Mesu³eeuee l³eeyeneue keÀjleele lesJne Mesuee HeebIejCeejerJemegbOeje ceveesYeeJes Òescece³e nesle peeles.`®ee©oÊe ne keÀesCe keÀesþgefve,DebieeJejuee HesÀkeÀerle Mesuee.

Jemeblemesvee JemegbOejsves Pesuegve leesÛo³eeMeer Oejuee, - efkeÀleer megboj!l³eeb®³ee keÀefJelesletve DeveskeÀ ªHes IesTveHeeJemee®es ³esCes nesles. `efkeÀleer ®eelekeÀ®ees®eeRveer H³eeJee Je<ee¥ $eÝlet lejer' nerDemeesMeer kesÀJeU ce{xkeÀjebvee®e veener.meieȳee meieȳeebvee®e Deens.

cee$e HeeTme 26 peguew nesTve ³esleeslesJne ? `yejme Demee keÀer efÒe³ee vepeeF&ue ceeIeeje oejele' ner efJeveJeCeerOeg[keÀeJelees lesJne ? `Keue og:MeemevekeÀer PeeWyelemes OejCeeruee' Demes ªHeOeejCe keÀjlees lesJne? mepeCee®³eekesÀJeU DeeþJeCeer®e Gjleele; DevedDeesuee HeeTme efJejne®³ee peKeceeDeesu³ee keÀjlees lesJne ? Fbefoje meble®eHegvne ceveele yejmeleele. `keÀewueejeJejPe[He Ieeleueer peUOeejebveer....Iesje³eemleJe- ' DeMee efmLeleerleHeeJemeeves yebefomle ceve Deved MejerjHeeJemee®³ee pegv³ee DeeþJeCeeRveer Hesìtve

vegkeÀleer®e SkeÀ ieesä Jee®eveeleDeeueer. ieesäer®ee uesKekeÀceneveiejHeeefuekesÀ®³ee HeeCeerHegjJeþeefJeYeeieele DeefOekeÀejer neslee. lesJne®eel³ee®ee DevegYeJe l³eeves keÀLeve kesÀueeneslee. HeeCeer DeefleMe³e keÀceer ³esles,metvesuee KetHe GMeerjeHe³e&le HeeCeer YejleyemeeJes ueeieles; cnCetve SkeÀ Je³emkeÀjie=nmLe le¬eÀej IesTve Deeues nesles.uesKekeÀeves mebyebefOele DeefOekeÀeN³eebkeÀ[s®eewkeÀMeer kesÀueer. l³eevegmeej le¬eÀejkeÀjCeeN³ee ie=nmLeeb®³ee efJeYeeieeleHeeCeerHegjJeþe J³eJeefmLele ®eeuet neslee.le¬eÀejeruee JeeJe®e veJnlee. HeCe lescneleejs ie=nmLe keÀener SskesÀveele. l³eeb®ebSkeÀ®e cnCeCeb, Keel³ee®ee®e keÀener oes<eDemesue. MesJeìer uesKekeÀeveskegÀlegnueeHeesìer l³eeb®³ee Iejeuee Yesìefoueer. lesJne meeje Gueie[e Peeuee.l³eeb®³ee Iejer ÒeMve HeeC³ee®ee veJnlee.ÒeMve neslee lees cnleejyeeyeeb®ee. l³eeb®ebIej lemeb íesìb nesleb. cneleejyeeyee HeneìsueJekeÀj Gþle DeeefCe keÀener vee keÀenerkeÀjle yemele. ³eecegUs IejeleerueyeekeÀer®³eeb®eer PeesHecees[ nesF&. l³eeJeªveJeeoeJeeoer nesF&. ns meJe& keÀener keÀeUlejerìeUC³eekeÀjlee Iejeleerue metvesvesMekeÌkeÀue ue{Jeueer nesleer. efleves l³eecnleejeyeeyeebvee Keesìs®e meeefieleues keÀermeO³ee HeeCeer keÀceer ³esles. nslet ne keÀercnleejyeeyee Jej®³ee keÀe³ee&ue³eelele¬eÀejDepe& keÀjleerue DeeefCe l³ee®eeHeeþHegjeJee keÀjC³eele l³eeb®ee Lees[e JesUpeeF&ue. lesJe{er®e SkeÀ-oesve DeeþJe[sIejele Meeblelee. Hejbleg efle®³ee ogozJeeves(?)uesKekeÀ ueies®e®e efle®³ee Iejer iesueeDeeefCe efle®ee nslet meeO³e neslee nesleejeefnuee !

ceuee Jeeìles, ner SkeÀ ÒeeefleefveOeerkeÀ

ieesä Deens. ceeveJee®eer Dee³egce&³ee&oeJee{u³eecegUs meceepeeleerue JejerÿveeieefjkeÀeb®es ÒeceeCe Jee{ues Deens. HetJeeaJe³ee®eer meeþer ieeþCes cnCepesDee³eg<³ee®ee HeÀej ceesþe ìHHee HeejkeÀjC³eemeejKeer iees<ì nesleer. Now lifebegins at 60. Je³ee®eer Gcesoer®eer Je<e&kegÀìgbyee®eer DeeefLe&keÀ Ie[er yemeJeC³eeleveeskeÀjer-OebÐeele Ke®eea Ieeleu³eeJejefveJe=Êeerveblej DeeHeues jentve iesuesuespeerJeve peieC³ee®ee keÀenerpeCeDeeHeeHeu³eeHejerves Òe³elve keÀjleele.keÀener DeeHeu³ee veeleJeb[eceO³es (nes,veeleJeb[-SkeÀJe®eveer! keÀejCeDeepekeÀeue nce oes-nceeje SkeÀ®³eepeceev³eele SKeeos veeleJeb[ Demeues lejerKetHe Peeues.) DeeHeu³ee ceguee®³eeDee³eg<³ee®ee pees keÀeU DeeHeCe MisskesÀuee, lees peieC³ee®ee Òe³elve keÀjleelelej keÀener DeeHeues íbo Hegve©ppeerefJelekeÀjC³ee®³ee ceeies ueeieleele. nuueerIeje-Iejele SKeeo-oesve Deepeer-Deepeesyee Demeleele®e. l³eecegUsDeeOeer®eer efHe{er-veblej®eer efHe{er-Generation Gap -leeCeleCeeJe ns meejsDeHeefjne³e&HeCes Deeues®e. Yeues l³ee®esÒeceeCe keÀceer-DeefOekeÀ Demesue,megmebmke=ÀleHeCee®³ee yegjK³eevesDee®íeouesues Demesue, HeCe cnCetvel³ee®eer GHeefmLeleer vepejsDee[ keÀjlee³esle veener. kegÀþs metvesuee meemet-meemeN³eebveer DeeHeu³ee DeHel³ee®³eeDee³eg<³eele ueg[yeg[ kesÀuesueer ®eeueleveener. lej keÀesCee®es peieeJesieUs íboIej®³eebkeÀjlee [eskesÀogKeer þjleele.l³eelener pej meemet vemesue lej meemeje-metve ³ee veel³eeleuee cenÊJee®ee ogJee®eefveKeUlees. l³ee veel³eeuee JesieUs®e Heoj

(Heeve 1 keÀe@uece 2 Jeªve) (Heeve 1 keÀe@uece 4 Jeªve)

In praise of artists ofPratyush

Those of us who have seen allthe three Pratyush Events willagree that a major share of creditfor their resounding successgoes to our ever vibrantparticipants. One needs toappreciate the fact that most ofthe participants, be it students,professionals, housewives, etchad their daily chores to fulfillduring the day before meeting inthe evening for the practicesessions which at times musthave been quite tiring. Peoplewho have witnessed the practicesessions will know the level offinesse and perfection demandedby Vishwas sir, ourchoreographer, and the creditgoes to the participants, youngand old, that they rose evenly tohis expectations. We also needto appreciate the enthusiasm ofthose participants who not onlytook part in the dances but alsoswitched quickly into importantroles in the plays, which meantthat they had to literally camp onthe stage from beginning to end!!!

Kudos to Yuva Manch, Kudosto the PP youth

-Anila Virag Dhairyawan

“We Rocked Again “What can I say about

Pratyush it was a real hit showagain, it gave mee a platform toshow my talent in the fields ofdance and acting. The making ofModern Ramayan was fantastic,every time I remember thosemoments I smile. The goof upsthat we all made were enjoyable.Both the roles were verychallenging to play. How can weforget our favourite Rajas Ajinka(Sweet Raavan) & PrathameshTalpade (funny Zatayu). After ourone and half month of rehearsalswe all achieved our goal. Themaking of Kalchakra was one ofmy best moments. Everybody inthis play enjoyed a lot. My Haagaho haaga ho and Aeuoo languagewas very challenging for me,thanks to Siddharth, Saurab,Mayura, Bhakti tai, Ashwin dada,Reema vahini, Akshay, AshishDesai, Dishank, Nihar, Rajaskaka for supporting me to playthis kind of role. Special thanks toChandini Ajinkya (Aatya) formaking delicious snacks for all ofus. All of us enjoyed a lot. ThanksBhakti tai for the Haaga holanguage which u wrote for me Ienjoyed playing this role. Danceswere also nice.

It was really nice working withBhakti Tai, Mohnish Shete,Sanjoo Talpade and Pavan,looking forward to working withthem again.

Gþles, efJekeÀue nesles. l³ee®e `SskeÀ pejevee' keÀefJelesleueer SkeÀ DeeþJeCe-

`Gþuee pesJne yebo keÀje³ee GIe[erefKe[keÀer

keÀmes cnCeeuee,DeeþJeles legpe ?``³ee [esȳeeb®eer keÀjerue ®eesjerJeerpe ®eesjìerns®e ceuee Ye³e.''... Òel³eskeÀ

DeeþJeCe efleuee `SskeÀ peje vee' `SskeÀpeje vee' cnCeles Deens. DemeeDeeþJeCeeR®ee G®íeo ceeb[CeejeHeeTme! Menjele DeeHeues meeQo³e& njJetveyemeCeeje HeeTme.

`ieeJeeleerue HeeTmeMenjele DeeueeieìejeieìejeletveJeent ueeieuee....' cnCetve®e

HeeJemeeuee meKee cnCeleevee ogiee&YeeieJele keÀ®ejleele. DeeHeu³ee SkeÀeuesKeele HeeJemee®es mebgoj ªHe meeoj keÀjleekeÀjlee®e LeyeketÀve l³ee cnCeleele.... `HeCePeesHe[îeeleerue mebmeej GOJemle keÀjCeeN³eeHeeJemeeuee ceer meKee keÀmee ceevet ?`melesueer Heelesueer' ®ee mebmeej ieUke̳eeíHejeKeeueer þsJetve kegÀ[kegÀ[CeeN³eeieejþîeele HeeJemeeuee leeW[ osCeeN³ee IejOeefveCeeruee keÀmes efJemeª ?' ns Kejs®eDeens. efceþer veoer®e veJns; lej DeMeeDemebK³e peerJeble yee³eeb®³ee veÐee mewjeJewjenesleele lesJne `vekeÀes vekeÀes js HeeJemee,Demee eEOeieeCee Ieeuetme' Demeb®e cnCeeJebueeieleb.

ueeieleb Deved ueeiele veenerner !cnCepes DeeHeCe DeMee eEOeieeC³eeueeHegªve Gjlees, HeeJemee®³ee jep³eele`Hesles&Jne' cnCelees lesJne HeeJemee®eeíUner Ie[erYeje®ee þjlees. Deevebo®eIe[eYej neslees. YejYeªve Jeent ueeielees;ogLe[er Yeªve.

11 petveuee Demee®e; DeieoerDemmee®e HeeTme keÀesmeUle neslee veenes? Deeieiee[îeeb®es JesUeHe$ekeÀkeÀesmeUuesues. mee®euesu³ee HeeC³eeletveJeenves cegbieer®³ee ieleerves mejkeÀlemenveMekeÌleer®eer Heefjmeercee ieeþCeejer.ogHeejHeemetve®e HeÀesveeHeÀesveeruee meg©Jeele.``Òel³eg<e' nesCeej vee?'',``jbieMeejoepeJeU HeeC³ee®es keÀe³eneuenJeeue?'' HeCe DeeHeueer keÀueekeÀejceb[Uer ogHeejer oesveHeemetve®e jbieceb®eeJejDeeHeeHeu³ee keÀeceemeeþer npej nesleer....DeeefCe meele Jeepelee mee³ebkeÀeUer ?jbieMeejoe®es meYeeie=n DeHes#esÒeceeCesie®®e Yejuesues. HeeJemeeHeeC³eeletve lecee veyeeUielee jefmekeÀÒesceer Deeues nesles. l³eeleYejle oeYeesUkeÀjner nesles. YeªveHeeJeueer Deece®eer keÀueekeÀej ceb[Uer.

cnCetve®e.... cnCetve®e lej vee yeensjHeeTme neslee; lej Deele meYeeie=neleìeȳeeb®ee HeeTme He[le neslee ?HeeTme®e HeeTme ! YejYeªve. Òescee®ee,DeeHeguekeÀer®ee HeeTme. osCei³eeb®eeHeeTme. keÀewlegkeÀe®ee HeeTme. jefmekeÀÒeeflemeeoe®ee HeeTme. ³ee HeeJemee®eerDeecner ojJe<eea Jeeì Henelees.... Heent.`³es js, ³es js HeeJemee !'

Special thanks to thecommittee members for puttingup this fantastic event. “hip hiphurray”, “We Rocked Again “

- Swapneel Desai

®e{leele DeeefCe l³eeletve®e SKeeos``keÀeìkeÀesve ef$ekeÀesCe'' meejKes veeìkeÀpevceeuee ³esles.

HeCe veJ³ee-pegv³ee efHe{erleerue Deblej nsvesnceer keÀeìkeÀesve ef$ekeÀesCeeleu³eekeÀCee&ÒeceeCes ceesþs Demee³euee®e nJeskeÀe? ieesäerleerue uesKekeÀeves l³eecneleejyeeyeebvee l³eeb®³eemeejK³ee®eSkeÀe Je³emkeÀj ie=nmLeeb®es GoenjCeefoues. les ie=nmLe Heneìs Gþtve efHeÀje³eueepeele. ceie ³eesieemeves, HesHejJee®evenesF&He³e&le Iejeleueer Dee@efHeÀme-MeeUs®eerIeeF&-ie[ye[ mebHeuesueer Demeles. ceieveeleJeb[e®eb nesceJeke&À, yeepeej Jeiewjs.

mebO³eekeÀeUer efmeefve³ej efmeefìPevekeÌueye,efce$e-ceb[Uer, DeeefCe l³eeb®³eeiebceleer-pebceleer. je$eer DeeHeCe DeeefCeDeeHeuee jsef[³ees. cegueiee, metve, veeleJeb[DeeefCe l³eeb®ee ìer.Jner. ³eeb®³eeMeer l³eeb®eekeÀener mebyebOe veener. Òel³eskeÀeuee®e keÀenerDemes DeeoMe& peerJeve peieCes Meke̳e veener.HeCe Dee³eg<³ee®³ee mebO³eekeÀeUermJele:keÀjlee peieleevee®e DeeHeu³ee,DeeHeu³ee ceguee®³ee kegÀìgbyeeuee HetjkeÀpeieC³ee®ee Òe³elve DeeHeCe efveef½ele®ekeÀª MekeÀlees. keÀesCe peeCes, DemeskeÀjleevee SKeeoJesUsme keÀeìkeÀesveef$ekeÀesCee®ee meceYegpe ef$ekeÀesCe nernesF&ue!

Pratyush 2011Pratyush 2011 followed in the

footsteps of Pratyush 2010 &proved to be a grand success.My hearty congratulations to all,the Organizers, theChoreographer, the Artists & theAudience.

It’s a platform for all thePathare Prabhus , old & youngto show their talents in the fieldof drama and dance. The goldenday dawned on 11th June 2011when Pratyush 2011 was held atRang Sharda, Bandra (E) at19.30 hrs, after more than amonth long practice, sometimeslate at night. The drama followedby smart dances proved quiteentertaining.

This years innovative idea ofcommencing the events by theentry of some artists through theaudiences dispersing petals &flowers holding incense cupsstartled the audience who turnedback to see what was falling onthem & got pacified on seeingthe artists in the act.

The way our choreographerMr Vishwas Natekar & hissupportive assistants Mr Aniket& Ms Shraddha helped somenon dancers dance is worthappreciation. Due to Pratyush,we all came to know each othervery well, made new friends inour own community which wouldnot have been possibleotherwise. The flow of eventsfrom drama to dance wasamazing.

Special thanks to theorganizers of Pratyush forencouraging artists from ourcommunity who are notprofessionals in this field &putting up a grand show ratherthan hiring professionals fromoutside to achieve success.

Hoping the next Pratyush willbe a blast with innovative dances& dramas which will be the talkof the town & will be appreciatedby one & all.

Thanking You,-Mr Jatin Dilip Navalkar

`Òel³eg<e 2011'³eboe®ee `Òel³eg<e' HeenC³ee®ee ³eesie 11

petveuee Deeuee. SkeÀ DeeveboeslmeJe®e lees.Je<ee&®³ee ef®ecegj[erHeemetve 80 Je<ee¥®³eeef®ejle©CeeRceOeuee ceveeuee LekeÌkeÀkeÀjCeeje HeCe Deevebo osCeeje meesnUeneslee. DeMee keÀjceCetkeÀ ÒeOeevekeÀe³e&¬eÀceemeeþer efkeÀleer cesnvele Demesue³ee®eer SkeÀ keÀueekeÀej cnCetve ceueeefveef½ele keÀuHevee Deens. DeeHeeHeu³ee#es$eele 24 leeme J³emle Demeuesu³eeHejYetbveer 1-2 ceefnv³eeb®³ee efjnme&uemeeþerefkeÀleer PeesketÀve efoues Demesue ³ee®eerkeÀuHevee®e keÀjeJeer. keÀener mJeeLe&vemeleevee SJe{b dedication HeÀkeÌleceveeves le©Ce Demeuesues meeskeÀepeer®ekeÀª MekeÀleele.

Demee®e efJe®eej keÀjlee keÀjlee ceer1997-1998 ®³ee keÀeUele iesuees.meeefnl³e mebIeeleerue ³egJeeceb®e®ee lees HeefnueekeÀe³e&¬eÀce. íesìîee le©Ce-le©Ceeb®eer leerÒes#eeie=neleerue eEo[er. meew. vebefolee OegjbOejvesyemeJeuesueer ve=l³es, efJenbie®es efJeveeso-efkeÀmmesJe l³ee®eer efMemleye× De@eÅkeÌìie JeiewjsceveëHeìueeJej Deeues. `³egJeeceb®e' ³eeceveeves-leveeves le©Ce DemeCeeN³eeb®eer leerHeefnueer®e efþCeieer nesleer. 13 Je<ee&le l³eeefþCeieer®es ªHeeblej `Òel³eg<e'meejK³eeefJeueesYeveer³e FJnWìceO³es Peeues.jbieMeejosleerue Òel³eskeÀ HejYetuee l³ee®eeDevegYeJe Deeuee. SkeÀ efveKeU Deevebo ³eekeÀjceCegkeÀer®³ee keÀe³e&¬eÀceeletve efceUeuee.

He[Ðee®³ee Heeþu³ee DeeefCe Heg{u³eekeÀueekeÀejeb®es neefo&keÀ DeefYevebove.³egJeeceb®e®³ee Òel³eskeÀ meom³eeuee JemegneefmeveerleeF¥vee Oev³eJeeo. l³eeb®³eeÒe³elveebcegUs Deecner FlekeÀe Deevebo YeesietMekeÀuees.

peelee peelee SkeÀ ÒesceU met®eveeëkeÀener kegÀìgbyes ³ee meesnȳeeuee F®íeDemetve ³esT MekeÀueer veenerle keÀejCeeflekeÀerì-Heeme®ee oj (©He³es 600-300)l³eebvee PesHet MekeÀuee veener. keÀenerpeCeebveer ner J³eLee yeesuetve oeKeefJeueer,leer®e ceer DeeHeCeeHeg{s ceeb[lees³e. ³eeJejefJe®eej keÀjC³eeme DeeHeCe meJe& met%eDeenele.

Once again CONGRATES TOYOU ALL.

Oev³eJeeo.-megveerue pe³ekeÀj

2 / ÒeYegle©Ce cegbyeF& MeefveJeej, efo. 16 peguew 2011

ÒeYegle©Ce cegbyeF& MeefveJeej, efo. 16 peguew 2011 / 3

efJenbie vee³ekeÀmce=efleefoveë 9 petve

11 petve 2011

`Òel³eg<e'®eer #eCeef®e$es

4 / ÒeYegle©Ce cegbyeF& MeefveJeej, efo. 16 peguew 2011

íe³eeef®e$ekeÀejë vebot OegjbOej

ÒeYegle©Ce cegbyeF& MeefveJeej, efo. 16 peguew 2011 / 5

`nme os let!'`nme os let!'`nme os let!'`nme os let!'`nme os let!'

-vebokegÀceej efJepe³ekeÀjnandusuhas03@gmail.com

efpeÎer 1964Hegvne SkeÀoe cesncetouee IesTve

Deepe®³ee ³ee DeveesK³ee ieeC³ee®eerDeesUKe keÀªve osle Deens. cesnceto®eerpeeot keÀener Deewj®e. HeCe Deepe®eb ieeCebefveJe[C³ee®eb Keeme keÀejCe cnCepes ceVee[s ³eeb®eer iee³ekeÀer. SKeeob Meeðeer³emebieerleeJej DeeOeejuesue ieeCeb Demesue lejceVee [s ³eeb®eer efveJe[ kesÀueer pee³e®eer.l³eebveer DeveskeÀ ÒekeÀej®eer ieeCeer iee³eueerDeensle. jesceBefìkeÀ Òesceieerle Demees keÀer,osMeYekeÌleerHej ieerle Demees. Yepeve DemeeskeÀer, nuekebÀHegÀuekebÀ efJeveeso ieerle Demees.meJe&ÒekeÀej®³ee ieerleeble l³eebveer jbie YejueeDeens DeeefCe leer ueeskeÀefÒe³ener PeeueerDeensle. Deepe®eb ieeCeb `efpeÎer' ³eeef®e$eHeìeleerue Deens. Lees[meb Meeðeer³eyeepee®eb ieeCeb Deens. HeCe ceVeeoebveer ³eeieeC³eele cesnceto®eb j[Ceb, efJeJnUCeb,Gmeemes ìekeÀCeb, l³ee®eb ceO³es®e vee®eCeb,l³ee®ee efJeueeHe, l³ee®eb og:Ke meJe&keÀenerFleke̳ee efJeveesoer {bieeves HesMe kesÀueb DeenskeÀer Hetíes cele.

cesnceto DeeefCe MegYee Keesìs oesIesefJeJeen ceb[Heele Demeleele. l³eeb®³ee

efJeJeenele MegYee Keesìs®ee yeeHe OegceeU KeesIeeuelees. MegYee Keesìsuee Iejele keÀeW[tveþsJelees. MesjJeeveer Ieeleuesuee cesncetopeefceveerJej GHe[e He[uesuee Demelees. nejlegjs legìuesues. peJeU®e efJePeuesuebnescekegbÀ[. vesnceerÒeceeCes mebLeue³eerleerueoesve DeesUer cesnceto®eer efJeueeefHekeÀe.ogefve³ee yeveevesJeeues megve ues cesjer keÀneveerjes³es cesjer ceesnyyele le[Hes cesjer peJeeveerH³eejkeÀer DeeieceW leve yeove peue ie³eepeeves efHeÀj ke̳eeW meleeleer nw ogefve³ee cegPesH³eej keÀer Deeie ceW leveyeove .....peue ie³ee.

cesnceto j[le j[le Gþlees. nesceeleuebSkeÀ peUkebÀ ueeketÀ[ íeleerMeer keÀJeìeUtvecnCelees, H³eej keÀer Deeie ceW leve yeove peueie³ee' j[lee j[lee leesue peeTveceb[Heeleerue KeebyeeJej DeeHeìlees leve yeovepeue ie³ee' ceb[Heeleues jbieer yesjbieer efoJesHesìleele.ceQ jeslee efHeÀª yeeoueeWkeÀer lejneLeb[er Deens Yeª HeeieueeWkeÀer lejnepeeves efHeÀj ke̳eeW peueeleer nw ogefve³ee cegPesH³eej keÀer Deeie ceW....

MegYee Keesìsuee p³ee Iejele keÀeW[tve

Shri Ganeshayanamaha -Sanjoo Talpade

There is a time in life when youfeel that all those unfulfilleddreams have come true and thoseunexplored experiences have justbeen met. That one line can betermed as the recall that I havewhenever I think about ‘Pratyush’.

Being a media professional itbecomes very difficult to rate theprojects that you have donebecause each of it has the sameamount of efforts and planning thatyou are required to put in. Butwithout a doubt I would termPratyush as one of the experiencesthat stands out in the list of work thathave done in the past and probably itwould stay as that specialexperience in the future as well.

Prior to the opportunity thatwas given to me, of directing theplay for this year’s Pratyush, I hadlimited and vague knowledgeabout the community and thecommendable job that themembers of Pratyush are doing tokeep the PP culture alive. Theperson whom I thank for thisopportunity is Mahesh mama(Mahesh Kothare). I had theprivilege to work with him as adialogue writer for his sci-fic,Zabardast. He always made mefeel like an equal on the set. That isthe hallmark of all creativelyevolved people; they never talk youdown but make you feel like you area partner in their vision. It wasMahesh mama’s son, Adinath whorecommended me to theorganizing committee of Pratyush.

The beginning to thesuccessful product began atBarista in Shivaji Park where I metGunjarav, Moya and Deepak. I was

struck by the positivity andoptimism that these guys have withinthem. Gunjarav wanted a thriller whichwould grip the audience, we werethrowing many ideas around when Iremembered a spoof that I had writtensome time ago..and I suggested it…,Gunjarav was enthusiastic aboutit…he said..done done..lets do it.. evenMoya and Deepak gave a thumbs upon the idea. It took a while for this feelingto sink within me, because I couldimagine the kind of faith and confidencethe three of them gave me.

Then the rehearsalscommenced. They say for anydrama, it is the team that matters.And I was glad to be blessed withteam which had people, who werealthough not professional actorsbut thoroughly professional inwhatever was assigned to them. Iwas mighty impressed during therehearsals observing thededication and determination of theparticipants. It was amazing to seepeople, who are professionals intheir respective fields, come aftertheir office hours especially for theplay practice sacrificing theirregular routine. The main virtue ofall participants was listening to thedirector and keeping theirprofessional status at bay, this issomething that defines the term‘being disciplined and grounded’.

Whenever you direct people youare in a position of power andsometimes a strict attitude can putoff your actors as they are verysensitive human beings. But luckilyfor me, my mom has given me aguru mantra earlier on in my career.She told me that “people who wanttoo much perfection throw a lot ofpoison. They resemble the kalki

snake… Hissing at everyone andpissing off everyone… So youhave to couple perfection withlove…Be like Krishna who danceson the hood of the poisonoussnake kalki…Let love dominateover perfection”. This advice hasalways helped me and till date allmy actors share a beautifulrelationship with me, some havebecome a part of my family.

The rehearsals were going onsmoothly but there was a twist inthe tale. I had to fly to Jakarta todirect a spiritual play for myclients, this meant a gap of 12days. But my favorite assistantPavan made sure things werenormal in my absence, heconducted the rehearsals andthings went on without a hitchand when I came back my actorsand the organizing committeetold me how much they hadmissed me. But I had missed myactors more because I can easilysay this (and I am not saying thisbecause this is my community)that in our community actors arefar better than other actorsacross the globe, they are moresincere dedicated and most

importantly cultured.The day of the play is etched in

my memory for two prominentreasons, one for the heavy rainsthat lashed the city and created abig worry amongst us regarding theattendance of the audience andtwo, for the incredible turnout thatwe eventually got when the showwas to commence. I was happy tosee the theater full of people fromour community making it to theplay despite of the water-loggedroads and the dark clouds whichhad not stopped pouring. And justlike the hit turn out, even the showwas a great hit. The act reflectedthat it was the team effort that hadmade it a hit. Had it not been thatfunny idea of creating a spoof onRamayan popping in my mind, hadit not been Gunjarav, Moya andDeepak showing their instant faithin me, had it not been Bhakti whoskillfully scripted that second halfwhich got the community peoplesuper-entertained and had it notbeen for Vishwas and his dancerswho added that graceful andelegant flavor to the show thatPratyush 2011 would have been a

þsJeuesueb Demeleb l³ee Ieje®³ee íHejeJejcesnceto ®e{lees. ef®eceCeerletve Oegje®es ueesìyeensj He[le Demeleele -ceQ jeslee efHeÀª yeeoueeWkeÀer lejneyeele peye ceQ keÀª cegnmes efvekeÀues OegDeeBpeue ie³ee peue ie³ee cesjs efoue keÀepeneBpeeves efHeÀj ke̳eeW meleeleer nw ogefve³ee cegPesH³eej keÀer Deeie ceQ....

cesnceto DebieeJej®es keÀHe[s HeÀe[lees.l³ee®³ee leeW[eletve peesjoej JeeHeÀ yeensjHe[les.F<keÀ cegPekeÀes ve®eelee jne nw meoeke̳ee ke̳ee meHeves efoKeelee jne nwmeoepeeves efHeÀj ke̳eeW meleeleer nw ogefve³eecegPes

H³eej keÀer DeeieceW....ceb[Heele yeB[Jeeues PeesHeuesues

Demeleele. l³eeleuee SkeÀ peCe, ceesnve®eesìer Gþtve cesnceto®es keÀHe[s þerkeÀþekeÀkeÀjlees. cesnceto l³ee®³eeyejesyej vee®ekeÀjlees. meieUs yeB[Jeeues Gþtve `keÀcemeHìWyej'®eer Oetve JeepeJeleele. MesJeìerOegceeU cesnceto®eer MesjJeeveer osKeerueIesTve peelees.ef®e$eHeì - efpeÎer 1964mebieerle - Sme.[er.yejceveiee³ekeÀ - ceVee [sieerle - nmejle pe³eHegjerkeÀueekeÀej - pee@³e cegKepeea, DeeMeeHeejsKe, cesnceto, MegYee Keesìs, OegceeU.

(cont. on page 6 col 2)

-ÒeoerHe keÀesþejsnmejer jsKee

Regd. No. MH/MR/WEST/169/2009-20011 6 / ÒeYegle©Ce / 16 peguew 2011 RNI NO. 14613/67

yees[& Dee@HeÀ kebÀì^es} ÒeYegle©Cee®³ee cee}keÀer®es ns He$e mvesnsμe eEÒeìme&, 320-De μeen DeB[veenj Fb[. Fmìsì, De-1, Oevejepe efce} kebÀHeeTb[, meerleejece peeOeJe ceeie&, }esDej Hejs}, cegbyeF&-13 ³esLes íeHetve Heeefjpeele yeer-3, ³egefve³eve yeBkeÀ ScH}e@F&pe keÀes-Dee@He. new. meesmee³eìer, Heìs} Fmìsì,peesieséejer (He.), cegbyeF&-400 102 ³esLetve Òeefme× kesÀ}s. keÀe³ee&}³e otjOJeveer : 678 00 44

ÒeYegle©Cee®eer [e³ejeryeeUe pees pees js

meew. ceerleeueer DeeefCe Þeer. DeefYeefpele keÀesþejs, Heg$e, Keej.meew. vesne DeeefCe Þeer. JewYeJe ÒekeÀeMe efJepe³ekeÀj, Heg$e, Dee@mìsefue³eemeew. iee³e$eer DeeefCe Þeer. n<et&ue vebokegÀceej vee³ekeÀ, Heg$e DecesefjkeÀe

Deel³eeyeeF& veeJe yeesueeDeeje ÒeeflekeÀ Deefpebke̳e,Deeefjle JewYeJe efJepe³ekeÀj

veeboe meewK³eYejs14-5-11 Þeer. efvekesÀle efkeÀjCe veJeuekeÀj kegÀ. eqmcelee jepeerJe MesÆer (Deeble%ee&leer³e)25-5-11 Þeer. jesnve jepeve ÒeOeeve kegÀ. Hetpee DeefJeveeMe peesMeer (Deeble%ee&leer³e)24-6-11 Þeer. n<e&ue DeMeeskeÀ OejeOej kegÀ. Ssée³ee& jJeervêveeLe cegjebpeve (Deeble%ee&leer³e)

cejCe25-5-11 Þeer. ÒemeVe megjsMe Oew³e&Jeeve, Je³e 53, yeesefjJeueer2-6-11 Þeer. megosMe yeeUejece jeCes, Je³e 88, Keej4-6-11 Þeer. ®ebêneme ³eogveeLe JewÐe, Je³e 56, þekegÀjÜej21-6-11 Þeerce. ceerveue ceesjséej keÀerefle&keÀj Je³e 82 efJeuesHeeuex

®egkeÀer®eer og©mleerieleebkeÀer `veeboe meewK³eYejs' ceO³es kegÀ. DeHeCee& efceeEueo J³eJenejkeÀj DeeefCe Þeer. Deeefol³e

JeeueeJeuekeÀj Demes ke=ÀHe³ee Jee®eeJes.

~~ Þeer Fbêe³eCeerÒemevve ~~ ~~ Þeer ieg©osJe oÊe ~~~~ Þeer Fbêe³eCeerÒemevve ~~ ~~ Þeer ieg©osJe oÊe ~~~~ Þeer Fbêe³eCeerÒemevve ~~ ~~ Þeer ieg©osJe oÊe ~~~~ Þeer Fbêe³eCeerÒemevve ~~ ~~ Þeer ieg©osJe oÊe ~~~~ Þeer Fbêe³eCeerÒemevve ~~ ~~ Þeer ieg©osJe oÊe ~~

ÒekeÀemJe ke@ÀìjmeÒekeÀemJe ke@ÀìjmeÒekeÀemJe ke@ÀìjmeÒekeÀemJe ke@ÀìjmeÒekeÀemJe ke@Àìjme&MegYe cebieue, mJeeiele meceejbYe...... menueer, meccesueve!

Deecner, DeMee cebieue Òemebieer ©®ekeÀj pesJeCee®eer J³eJemLee keÀjC³eeme meppe Deenesle.hee"ejs ÒeYetb®³ee JewefMeäîehetCe& heoeLee¥®eer J³eJemLee, MeekeÀenejer/ceebmeenejer pesJeCee®es ®eJeoej

iejceeiejce KeeÐe heoeLe& efve³eesefpele JesUer heesn®eefJeC³ee®eer, efJelejCe Deeoer mesJee!efJeMes<ele: meeieghegjer, iees[er yeìeìer, Deveveme meebyeejs F. DeeefCe lemes®e hebpeeyeer ef[Mesme,

iegpejeLeer ef[Mesme efMeJee³e mepeeJeì - jes<eCeeF& HeÀe|ve®ej Deeoer J³eJemLee osKeerue keÀjlees.KeejceOeerue iee³e$eer cebefojeMespeejerue Heeþejs ÒeYet %eeleer meYeeie=nele SkeÀcesJe Deecneuee®e

ceeieCeer Demeles.mebheke&À :

ÒeJeerCe OegjbOejef[. 13, yeBkeÀ Dee@HeÀ Fbef[³ee, Je=boeJeve meesmee³eìer, ogmejer keÀesue [eWiejer uesve,

mJeeceer efvel³eevebo ceeie&, DebOesjer (het.) cegbyeF&-400 069.HeÀesve : 2684 09 26 Ye´ceCeOJeveer : 9969104388

ÒeYegle©Ceeme osCeieermeew. mJeeleer DeeefCe Þeer. meboerHe Mejo osmeeF&

³eebpekeÀ[tve l³eeb®eer keÀv³ee efoHleer efn®³eeHejer#esleerue ³eMeeÒeerl³eLe& ©. 200/-

Þeerce. nsceuelee kesÀMeJe keÀesþejs ³eebpekeÀ[tvel³eeb®eer keÀv³ee ÒeepekeÌlee efn®³ee Hejer#esleerue³eMeeyeÎue ©. 501/-

Þeer. jepeve ieeseEJeojeJe ÒeOeevekeÀ[tve l³eeb®³eemegHeg$ee®³ee efJeJeeneÒeerl³eLe& ©. 151/-

meew. Debpeueer efceueerbo OejeOej ³eebpekeÀ[tvel³eeb®eer keÀv³ee GÊeerCe& Peeu³eeyeÎue ©. 500/-`Òel³eg<e' meeþer efouesu³ee osCei³eeyeWPe keÀueskeÌMeve, (lejbie efJepe³ekeÀj) 50,000/-meejmJele yeBkeÀ 25,000/-eqJnef[³eeskeÀe@ve 25,000/-

Þeerce. ceeOegjer efJenbie vee³ekeÀ 13,000/-Þeer. jJeervê jecejeJe ceevekeÀj 10,000/-Þeerce. Òeefceuee ceOegkeÀj leUHeos 5,400/-meew. ves$ee, Þeer.Deefpele ceesjesyee efJepe³ekeÀj 5,000/-Þeerce. megneefmeveer megneme keÀesþejs 5000/-Òee. megneefmeveer DeMeeskeÀ keÀerefle&keÀj 5000/-[e@. Fbot MekeÌletj 5000/-Þeerce. efÒe³eebkeÀe ÒeYeekeÀj 5000/-Þeer. yevmeer OegjbOej 5,000/-[e@. efveJesefolee 5000/-peevnJeer keÀerefle&keÀj 5000/-Þeer. efceeEueo J³eJenejkeÀj 3,000/-Sme. Sce. pe³ekeÀj Je efJe¬eÀce pe³ekeÀj 2000/-megveerue pe³ekeÀj 2000/-[e@. veeruee DebpeveerkegÀceej JesuekeÀj 1001/-meew. G<ee,[e@. De©Ce JemeblejeJe pe³ekeÀj 1001/-meew. veerlee DeeefCe Þeer. efceeEueo meWefpele 1001/-Þeer. efceeEueo ceveesnj meWefpele 1,001/-

Ramayan: Direction, Acting &mainly casting was too good. Youchose a topic which was verysensitive but when it came alive itturned out to be sensational. Therewere few flaws which have to beoverlooked as there were manymeasurable good things. I thinkSanjeev has given his bestcontribution in making this playrock. I would like to add 2 linersabout few Ramayan performersbelow.

Rajas, next entire year you willbe remembered as Ravan amongall PPs. Your acting was superband for sometime people musthave felt that Ravan was not adangerous Rakshas, rather was agreat humorous person. I don’tknow if you have any previousstage experience but you were thecoolest on the stage.

Siddarth, need not mention yourperformance as I have seen youlast year and even this time youshowed good energy in buildingsynergy with other co-stars. Youwere excellent in deliveringdialogues and expressing timelyreactions.

Sanjana, I think you have keptyour acting shut-ted down for a longtime. You have such good talentwhich you should let flow freely.People love watching you, so donot stop and keep it flowing.

I would love to write on all thecharacters featured in this play buthave to restrict only to the aboveprime characters. Laxman,Hanuman and other new faceswere seen on stage and have donea good job despite being firsttimers. I am sure people will wish tosee you again next year.Lagna 2050: I feel this topic was abrilliant imagination. Imaginingloosing Pathare Prabhu traditionand culture 40 years ahead iscertainly a serious subject. I thinkthe way we are heading to 2050there is high possibility that wemay lose our culture. I think peopleshould think seriously about thisand try to make the next generationunderstand the importance of ourtradition & culture. I am sure we willnot see any Pathare Prabhu familyliving in the style shown in thedrama in the year 2050.

People performed very well asper directions. I liked the

Hejer#esleerue meg³eMeceeO³eeefcekeÀ Meeueevle Hejer#ee

(oneJeer) (SSC)

kegÀ. Deefoleer cesIeoerHe pe³ekeÀj, 93.27 %Þeer. DeCe&Je efJe¬eÀeble efJepe³ekeÀj, 89.64 %kegÀ. Jewpe³ebleer efJeéeeme DeeEpeke̳e, 86.36 %

kegÀ. JewYeJeer jepesMe osmeeF&, 77 %kegÀ. jefmekeÀe DeYe³e ceevekeÀj, 74 %

Þeer. Deceesue efkeÀjCe megjsvê J³eJenejkeÀj, 70 %G®®e ceeO³eefcekeÀ Meeueevle Hejer#ee

mee³evmekegÀ. mee³eueer efceeEueo OejeOej, 87.67 %

keÀe@ceme&kegÀ. YekeÌleer ÒeCeJesMe Oew³e&Jeeve, 80 %

Þeer. efJe¬eÀeble efoueerHe vee³ekeÀ, 67.67 %

ef[Hueescee Fve HeÀe³eveeeqvMe³euece@vespeceWì, (³egefveJnefme&ìer Dee@HeÀ v³et

Fbiueb[)meew. ÒeepekeÌlee Deefcele jepeHetjkeÀj (HetJee&Þeceer®eer

ÒeepekeÌlee kesÀMeJe keÀesþejs)

Sce. Sme. keÀe@cH³egìj mee³evme(ke@ÀefueHeÀesefve&³ee)

Þeer. efJeYeJe meejbie DeeieemekeÀj

Þeer. efme×kegÀceej OejeOej 1000/-meew. peevnJeer peieoerMe keÀerefle&keÀj 1000/-Þeer. ÒeJeerCe ceevekeÀj 1000/-meew. ÒeefleYee peieoerMe keÀerefle&keÀj 1000/-(@Þeerce. G<ee DeeefCe Þeer. JemeblejeJe DeevebojeJeOejeOej ³eeb®³ee mcejCeeLe&)Þeer. JeerjHeeue jecejeJe jeCes 501/-meew. De#eoe, Þeer. Deefpele leUHeos 251/-

Pratyush 2011: Another Rocking Event with GreatPerformance & Hard Efforts of All Participants & Yuva

performances of Siddarth, Saurabh& Mayura. They were very naturaland appropriate in their dialoguedelivery and acting.

There were few dialoguesmainly targeting a specific personwhich should have been avoided.This short play had some extendedscenes which should have beenavoided.Fashion Show (Benz): Thanks toBenz for supporting this event. Wegot to see good trendy westerndesigner wear. Your Model teamexhibited Graceful Ramp Walk. Ithink many Sokajee’s gotopportunity to witness GlamorousLive Cat Walk for the first time.Dances: I appreciate Natekar Sir, Ithink our team has found a Gem.Sir thanks again in supporting ouryoung team on performing mindblowing dances. All our YUVAdancers have rocked again. I haveno words to express about thedances & choreography. Lookingforward to see you next year to setthe stage on fire with some moregreat dance performances. SoNAACHTEY RAHO! & SIR AAPNACHAATEY RAHO!

Summing up, the entire eventwas exciting with dance & actperformances but flow of the showwas missing in comparison to lastyear's show which was wellconnected from start to end. Thisyear there were some leakages onthat linkage.

This year it was like surfing TVchannels rather than getting stuckto chair with excitement to watchnext part of the show.

Overall the show wasEntertaining, Rocking & this timeGlamorous.

--Charudutta Dhairyawan

success.The entire experience of

working for Pratyush is somethingthat cannot be quantified and maybe that is the reason why this onearticle would not suffice my needto pen down the whole experience.But I close out by saying that, hereis big thank you to all those peoplewho went, out of the way to makethe show a super success. Thejourney was worth it and even if it isover, the relations that I developedon the way are here to stay forever.

(cont. on page 5 col 2)