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ARCHIECTURE DESIGN STUDIO AIR

LECTURE Stanislav RoudavskiTUTOR Gwyllim & Andy

STUDENT Yujie Wang373827

weekly content

Part I CASE FOR INNOVATION week1, architecture as a discourse week2, computation in architecture week3, parametric design Part II RESEARCH PROJECT week4, cut: development 1 week5, cut: development 2 week6, cut: development 3 week7, cut: Fabricate 1 week8. cut: fabricate 2 PartIII CONCLUSION

PROJECT BACKGROUND The Wyndham city considers the streespace, open space and the parks are aesthetic as the first aspect. The Wyndham city considers the project as the visual art component as the same as the SEED preject. The Wyndham city considers the the social and visual on the local and the internetional community.

WEEK 1 --- EOI CASE DOR INNOVATION: Architecture as a Discourse Discourse reflecting architecture’s social and political impact and responsibility.

-It charting global developments to identify urgent societal tasks for architecture’s attention;-It reflecting architecture’s aesthetic values ;-It charting architecture’s (popular) reception and utilization within society;-It reflecting architecture’s social and political impact and responsibility;-It recuperating architecture’s history (with respect to the aspects listed above);

Jewish Museum in Berlin, ARCHITECT DANIEL LIBESKIND, 1999

“It wouldn’t be until 2001 when Libeskind’s ad-dition to the Jewish Museum finally opened (completed in 1999) that the museum would finally establish a Jewish pres-ence embedded culturally and socially in Ber-lin. “ ------ArchDaily

INNOVATION OF THE ARCHITECTURE

Conceptually, Libeskind wanted to express feelings of absence, emptiness, and invisibility – expres-sions of disappearance of the Jewish Culture. It was the act of using architecture as a means of nar-rative and emotion providing visitors with an experience of the effects of the Holocaust on both the Jewish culture and the city of Berlin.

In order to enter the new museum extension one must enter from the original Baroque museum in an underground corridor. A visitor must endure the anxiety of hiding and losing the sense of direction before coming to a cross roads of three routes. The three routes present opportunities to witness the Jewish experience through the continuity with German history, emigration from Germany, and the Holocaust. Libeskind creates a promenade that follows the “zig-zag” formation of the building for visitors to walk through and experience the spaces within.

One of the most emotional and powerful spaces in the building is a 66’ tall void that runs through the entire building. The concrete walls add a cold, overwhelming atmosphere to the space where the only light emanates from a small slit at the top of the space. The ground is covered in 10,000 coarse iron faces. A symbol of those lost during the Holocaust; the building is less of a museum but an experience depicting what most cannot understand. ------- ArchDaily

WEEK 1 --- EOI CASE DOR INNOVATION: Architecture as a Discourse The Cultural Input - if this term is right - differs from the well developed countries, passing by the de-veloped countries reaching to the poor countries and even the primitive ones (like The Bedouins, The Gipsy), thus the output - architecture - differs, that's on the major scale (global/international).

On the minor scale (local), the cultural input also differs, from city to country, and inside each one, you can find also sub-divisions for the culture - again if this term is right - which I mean for a district for example, so maybe that's why people reacts differently from one place to another.

INNOVATION OF THE ARCHITECTURE

The team prefer to create a modern design, instead of using the traditional design for this sustainable home. The structure is likely a box, covered by perforated panels to protect the house from harsh sun rays. The unique is that the panels may slide, just like a matchbox, in order to control the solar gain. The The latticework perforations are also an Arabic architectural trait. The panels were colored in a sand hue with yellow infusions.

When the panels slide, the inner part of thisgreen building will be emerged. Thanks to the glass walls, natural daylight can be maximized and heat can be absorbed and stored in thermal mass flooring, in winter time. In summer time, the panels can be `closed and thanks to the passive cooling system pro-vided by the natural ventilation, the temperature inside can be maintained, and reducing the needs of electrical powered AC. A cealing vent also helps to remove the hot air.

Green architecture aspects considered also are the energy and water sources. This sustainable home is powered by solar energy, provided by solar thermal panels and photovoltaic panels on the roof. by these, this home can be a net-zero energy structure. A grey water recovery system is also available to recycle water for drip irrigation and toilet.

This culture contain in Egypt’s strong so-lar rays and combine them with an innoca-tion design. The solar energy is the efficiency and sustainable power in the house design . Also the design of the passive cooling system is another problem.

The sustainable Building Dsign of Slides solar House, 2012

WEEK 2 --- EOI CASE FOR INNOVATION: Computation in architecture

Based on a rapid development in the capabilities of computational power, together with huge advances in computer-controlled production processes, parametric tools have produced not simply an advance-ment, but a clear revolution in architecture. These tools have profoundly effected how we conceptualize the design of buildings, and how we orchestrate their construction.Paralleling the development of parametric models within architecture has been the adoption of certain natural computation models from the field of computer science. Natural computing is a field of com-puter science that takes inspiration from systems found in nature and employs them to solve complex problems in a computational environment. While this encompasses a wide range of disciplines, the two of particular interest to architects have been genetic algorithms and the modelling of swarm intelligence. ------Towards a Parametric Planning

UK Pavilion for Shanghai World Expo 2010 ARCHITECT Heatherwick Studio

Beneath the Seed Ca-thedral and the land-scaped surface area is a canopied and naturally ventilated entrance and exit sequence for the Seed Cathedral. This circulation zone, run-ning along three edges of the site, contains a narrative of three in-novative environmental installations designed by London-based de-sign studio, Troika. They are: Green City, Open City, and Living City. ------ ArchDaily

INNOVATION OF THE ARCHITECTUREThe creation of the extraordinary and complex Seed Cathedral structure and the landscape architecture was achieved through close collaboration between construction managers Mace, lead engineers Adams Kara Taylor, services engineers Atelier Ten and highly skilled Chinese engineers and contractors. In or-der to reduce unnecessary transportation, 75% of the materials for the UK Pavilion have been sourced from within a radius of 300km around Shanghai. It is also the British government’s intention that most of the materials of the UK Pavilion will be reused or recycled at the end of the Expo.

The UK Foreign & Commonwealth Office believe that the Seed Cathedral and UK Pavilion site will prove to be one of the Shanghai Expo’s star attractions. Even before the start of the Shanghai Expo, that belief already has some substance; ever since Heatherwick Studio’s design was first publicised in Shanghai in 2009, along with the scores of other national pavilion designs, it has been consistently ranked in the top five in terms of public popularity, and the Seed Cathedral has already been nick-named Pu Gong Ying, translated as ‘The Dandelion’ by the Chinese public.

After the Expo just as dandelion seeds are blown away and disperse on the breeze, the Seed Cathedral’s 60,000 optic hairs, each one containing the huge potential of life, will be distributed across China and the UK to hundreds of schools as a special legacy of the UK Pavilion at the 2010 Shanghai Expo. ------ ArchDaily

WEEK 2 --- EOI CASE FOR INNOVATION: Computation in architecture

The students from Columbia University used the parametric design process as a pretext to bring ele-ments of the tea ceremony to the project. They created a spatial sequence that takes advantage of the re-spective entrances and the seats assigned to the tea master and the two guests using them as “focal points and attractors” that, modulated by Grasshopper, shape the tea house according to how they imagine it. Although there is a disconnect between the intention of using rigid geometries and the limited availabil-ity of material, everything was controlled and resolved through adjustments made possible by the use of parametric software.

DIGITAL TEA HOUSE 2010 UNIVERSITY OF TOKYO

Team "130008252010": the pavilion the sunlight filtering through the roof, which consist-ed of a bold but gentle triangu-lar composition, would fall on a similar pattern on the floor. The overlapping of the light and floor pattern lasts only briefly. The ef-fect is quite delicate, bringing to mind the platform at the Katsura Imperial Villa that was designed for observing the full moon in August, which occurs on one night only.

Team "Space of waves": took the technical qualities of pressboard to its limits, bending it as far as possible to obtain a curva-ture effect inspired by the imper-fect forms of the cup used during the tea ceremony. The cylindrical pavilion – following the shape of the cup – is dematerialised and is composed of tilted “waves” of plywood that, thanks to incisions made through the numerical con-trolled machines, create the space of the pavilion.

Team "Columbia": They created a spatial sequence that takes advantage of the re-spective entrances and the seats assigned to the tea master and the two guests using them as “fo-cal points and attractors” that, modulated by Grasshopper. The disconnect between the intention of using rigid geometries and the limited availability of material, everything was controlled and resolved through adjustments made possible.

WEEK 3 EOI: CASE FOR INNOVATION: Parametric Dasign

With scripting, computer programming becomes integral to the digital design process. It provides unique opportunities for innovation, enabling the designer to customise the software around their own predilec-tions and modes of working. It liberates the designer by automating many routine aspects and repetitive activities of the design process, freeing-up the designer to spend more time on design thinking. Scripting Cultures: •Investigates the application of scripting for productivity, experimentation and design speculation; •Offers detailed exploration of the scripting of Gaudi’s final realised design for the Sagrada Família, lead-ing to file-tofactory digital fabrication;•Features projects and commentary from over 30 contemporary scripting leaders, including Evan Doug-lis, Marc Fornes, Sawako Kaijima, Achim Menges, Neri Oxman, Casey Reas and Hugh Whitehead of Foster + Partners;

Digital fabrication has been a pop-ular discussion among architecture and design professionals. Students are digitally fabricating their mod-els and building their own person-alized 3D printers. As the technol-ogy rapidly evolves, larger objects are being fabricated at more af-fordable prices. Today we may be digitally fabricating furniture and tomorrow we might be 3D print-ing our house. Architects and de-signers are jumping on board and exploring the capabilities of this game changing technology.

INNOVATION OF THE ARCHITECTURE Corporate Headquarters becomes a “Green Building”: through innovative and pioneering measures, the implementation of ecological sustainability criteria will be combined with the creation of a state-of-the-art working environment.

Deutsche Bank is in the process of modernizing and renovating its company headquarters, the two tow-ers in Frankfurt am Main. The goal is to create an ecologically sustainable office building - with a reme-dial design setting world-wide standards. With the remediation of our headquarters we want to make an active contribution to climate protection.

The greatest refurbishment of a building undertaken in Europe will create one of the most eco-friendly high-rise buildings in the world – the headquarters of Deutsche Bank in Frankfurt.

Here some data that demomstrate “Greentowers” – innovative sustainability:98% of the materials recycled; 55% savings in electricity; 74% savings in water;

Reliable and efficient technologies are used and optimally integrated for the renovation of the Taunusan-lage property. Several technical systems have been optimized, redeveloped or newly developed for the Greentowers project. In our use of water, we are installing the world’s most advanced flushing technology.

“Green Tower” - Duetsche Bank 2011ARCHITECT BY MARIO BELLINI ARCHITECT

INNOATION OF ARCHITECTUREThese holes were critical as they expanded the performance range of the system. While traditional form-finding methods focus on structural behaviour of material form resulting in monoparametric assessment criteria, the aim of this project was the exploration of a multiparametric approach. Thus the additional capacity of the perforated membrane system to modulate visual permeability as a differentiated exhibi-tion screen was understood as being intrinsically related to the structural form.

In order to instrumentalise this relation, two operations were of critical importance for the design pro-cess: first, the parametric specification and subsequent confection of each membrane patch defined by boundary points and cutting lines expressed within the object coordinate space of the patch and, second, the pretensioning action defined through the relocation of the object boundary points towards anchor points described in the coordinate space of the exhibition room. Feeding back information between ex-amining different values of local

Form-finding and dynamic relaxation

WEEK 3 EOI: CASE FOR INNOVATION: Parametric Dasign

It has the unique advantages enabled by parametric modelling design from a series of relationships. provides opportunities for innovation, generating various options that are controlled by the series of relationships. opportunity to explore various outcomes directed by a theme. the designer does not pre-dict the outcome, the design is not restrictive or imposed (freedom) but rather developed in relation to parameters, the object is not static but responds to relationships. parametric modelling as a tool which complements the creative process. manipulation of scale, texture, mass and generating various options for the optimum selection of the final outcome.

In the project presented here, the material con-sists of nylon fabric with different elasticity in the warp and weft direction. An additional design as-pect was the introduc-tion of holes cut into the fabric that considerably alter the behaviour of the membrane.

WEEK 4 - EOI: RESERCH PROJECT: CUT DEVELOP

Matrix of the definitions 1. Boolean _ curver attraction_ Circle 2. Boolean _ point attraction_ Circle 3. Boolean _ fuction _ Circle 4. Boolean _ multiFunction _ Circle 5. Boolean _ usingSet_ Circle

curve intersection _ curve attractor _ circle

curve intersection _ multifunction _ circle

curve intersection _ function_ circle

exlicitedgrid _ curve attracor _ circle

exlicitedgrid _ function _ circle

exlicitedgrid _ multiduction _ circle

surfacegrid _ curve attracor _ circle usingsurfacenormal _ curve attracor _ circle

surfacegrid _ function_ circle usingsurfacenormal _ function_ circle

surfacegrid _ multifunction _ circle usingsurfacenormal _ multifunction _ circle

The museum’s unique copperfaçade is perforated to simu-

lated dappled light filtering through a canopy of trees, cre-

ating an abstract pattern that complements the de Young’s

parkland setting.

To create the perforation de-sign for the façade, architects Herzog & de Meuron super-imposed abstracted digitized photographs of tree canopies onto each elevation of the de

Young and its four-sided tower.

De Young Museum Herzog & de Meu-

ron

McCormick Tribune Campus Center - OMA Rather than stacking activities in a multi-storey building, we opted to arrange each programmatic ele-ment of the Campus Center in a dense single plane that would foster an urban condition. To achieve this, in 1997 OMA carried out a study to map the “desire lines” of stu-dent foot traffic across the campus. These intersecting diagonal paths are maintained inside the Campus Center itself, linking the multiplic-ity of activities via a network of interior streets, plazas, and urban islands that form neighborhoods: 24-hour, commercial, entertain-ment, academic, recreation, and other urban elements in micro-cosm.

WEEK 5 CASE STUDY FOR THE POFORATE

For 150 years now, RMIG has been producing a wide-rang-ing spectrum of perforated and embossed metal sheets for designers and architects. Perforated sheet are used for both technical and decora-tive purposes and are manu-factured bespoke to customer specifications and expecta-tions – with an inconceivable number of possible additional processing stages possible. The sheets can be edged, em-bossed, be furnished with fas-tening eyelets or boast lasered contours, too. The corpora-tion also upgrades the surfac-es of sheet stainless steel or aluminum as required, for example with powder-coated finishes for indoor or outdoor use, retroactive galvanizing of sheet steel or eloxy-coating for aluminum.

Architects tend to use the metal sheets for sun protec-tion systems, for decorative facades, for indoor wall clad-ding, for stringer staircases or as flooring, to name but a few possible applications. The robust and long-lived materi-als have prime load-bearing properties that enable very slender structures that way very little, too.

This is another case that get-ting idea from landscape, especially, the vegetation.

Adopting the imagery of Sen-dai’s characteristic landscape, the steel panels are perforated

with a hole-pattern based on a photograph of a Zelkova tree

canopy.

Restaurant Aoba-Tei Hitoshi Abe

The frames showed to be really dense, however it

is still visible throughout the interior.

perforated surface design is the unique

advantages enabled by parametric modelling

design from a series of relationships. Design ap-proach that synchronises

with the wyndham’s vi-sion of moving forward

and generating a

Articulated Cloud NedKahn

Andre de Gou-veia Residence Vincent Parreira For recreating the self identity of the Portugal Residence in Paris. The ground floor facade which corresponds to the theatre and the showroom is an enve-lope creating gold dyed perforated aluminium boards in the same way of the “calzada” floor. This “moucharabieh” second skin gives a new identity to the build-ing, a gold black and red baroque touch, a Portu-guese perfume in Paris.

Dior Ginza Office of Kumiko Inui The Dior Ginza act as an architecture discourse by in-terpreted at the scale of the city, the plaid and diagonal pattern wraps thetaught skin for the build-ing, disguising the scale and internal organization of floor levels and program. In this case, the façade was developed as a double-lay-ered skin comprised of two independentwhich given an idea of using 2 surfaces to attractthe drivers driven from both direction for the Gateway design.

1. The perforated and gilded aluminum scareen in applied to the public building like a semi-transparect wallpaper. 2. The site is circumscribed by a calcada tile pattern, repeated in the perforation patterns of the screens.

3. The representational qualities of the facade are transferred as lighting effects on the interior. 4. The suspended screen casts shadows of the calcada pattern on the interior surface

5. At night, the skin becomes a more transparent veil to interior.

ANDRE DE GOUVEIA RESIDENCE Paris France; Vincent Parreira of AAVP Architecture and Antonio Architecte CASE STUDY

1. Analyse and manipulate the relationship between parametrically controlled perforations in parametric design2. Different individuals integrate together into a community that functions as an interdependent system. 3. Capture the interdependent sense of community in Wyndham into the gateway design4. Wyndham maintains a sense of community in moving forward to the future. 5. The gateway design approach is to represent the coherence of Wyndham.

The perforation in the screen which contain two size are consid-ering the cost of the fabration.

Pattern of the perforation on the shadows to create the clear two size of the pores of the shadow effect.

The light & shadowDrawings and scale models allowed architects not only to communicate with the builders and their clients, but also to experiment with alternative design solutions and test them on paper for form and function before they were committed to stone. They allowed more people to become involved in the design process, and allowed the architects to develop more intricate designs. Our group made two sketch models for testing and experienc-ing the idea based on our design concept at this stage. The ‘Vortex –penetration’ model is more concentrate on experiencing the methods that we learned through the cases of innovation and the CUT case study projects. However, the second model is more con-centrate the shadow effect of the design which will create a dynamic view for the drivers.

WEEK 6 - EOI: RESEARCH PROJECT: CUT DEVELOP PHYSICAL MODEL EXPERIENCE IN LIGHT

The two layers of the perforation create the color effect and the movement of the shadows.

The frame structure of the model to create the free facade fo the de-sign intent.

WEEK 7 - EOI: RESEARCH PROJECT CUT: FABRICATE Review the perforation design

THE ANDRE DE GOUVEIA RESIDENCE, Paris, Frace, AR-CHITECT of Vincent Parreia ------ the gilded aluminum fa-cade comprised 1150 x 2500mm panels with the two different size of the pore which are 20x4mm and 25x7mm. The perfo-ration with the two standard pore size will create the semi- transparent wall paper. It is applied the light effect throught the perforation screen. ForEOI the design from a series of relation-ships. provides opportunities for innovation, generating vari-ous options that are controlled by the series of relationships. opportunity to explore various outcomes directed by a theme. the designer does not predict the outcome, the design is not re-strictive or imposed (freedom) but rather developed in relation to parameters, the object is not static but responds to relation-ships. parametric modelling as a tool which complements the creative process. manipulation of scale, texture, mass and gen-erating various options for the optimum selection of the final outcome.

ANALYSE THE RELATIONSHIP OF PORE OPENING SIZES IN CASE STUDY AND HOW IT IS EASILY FAB-RICATED AND ITS FORMULA OF PORES PRODUCE A VISUAL EFFECT ON THE FINAL OUTCOME.

It required the understanding of multiple levers of filtering to maintain brightness in the home and a new sense of distance to the public realm. Through these de-sign techniques, it successfully became the house on the cul de sac with a “Bright sense of existence” in suburban Tokyo. ----- studio green blue

optical illusion

layering

texture

shadow

light

WEEK 8 - EOI RESEARCH PROJECT CUT FABRICATE Competition advantage design

Wyndham maintains a sense of community in moving forward to the future. Differ-ent individuals integrate together into a community that functions as an interdepen-dent system.

Capture the interdependent sense of community in Wyndham into the gateway de-sign and the community’s aspirations to move forward into the future. Attract inter-est and discussions by the message behind the gateway and the innovation in tech-nique used to generate the design. The gateway design approach is to represent the coherence of Wyndham and to open a window of opportunity for the community to elevate itself into international scene.

analyse and manipulate the relationship between parametrically controlled perfora-tions which integrate into a whole unique system that will generate discourse regard-ing its visual, representative, interactive and innovative approach.

Our design approach focuses towards enriching a sense of place while ad-vancing the community forward through the reflection of vernacular iden-tity in a contemporary reinterpretation . Our technical achievements focus on the use of parametric architecture which generates innovative design, attuned to time saving in terms of pre-fabricated installation and cost saving in terms of mass-produced compo-nents without compromising the design. We are confident that our com-bination of parametric design strengths and passion for creating a sense of place is in line with the Wyndham vision in designing an innovative, iconic gateway that will establish a sense of community while moving forward into the future.

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CONCLUSION WITH KEY WORDS

INNOVATION

CULTURE

PROJECTDIGITAL DESIGN

COMPUTATION DESING

PERFORATION DESIGN

COMMUNITY

MATERIAL

OPYIMIZATION

VISUAL