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Distance Education for Japanese Students
Justin Patterson, Marisa Ruiz, Calesha D. Turner-Aaron
University of Phoenix - Online
Courseware Authoring
EDTC 570
Dr. Andrea Edmundson, Facilitator
May 14, 2007
OverviewOverview
Education is very important to the Japanese society, which began with the adoption of Chinese culture in the sixth century (Education in Japan, n.d.). The e-learning market within Japan is rapidly expanding, with course content more than double from $25 million in 1999 to $60 ,million in 2000. By 2110, the market is expected to reach $10 billion with the largest segment coming from the corporate market (Mosnaim, 2001).
Cultural Competency Training Cultural Competency Training JapanJapan
Overview•Cultural color preferences•International perceptions of teachers•Global classroom interaction•Delivery of distance education•Graphics•Gender roles•Preferred music•Language barriers
Cultural Color PreferencesCultural Color Preferences
Before one can understand color preferences, one must realize the significance of the colors that are traditional to the Japanese
YellowYellow – a sacred color in the Far East, or treachery for those in the West.
Red- Passion
Orange- Knowledge and Civilization
Violet- Royal
Blue- Passive or Fidelity
Green- Restful and Fresh
White – Purity and Truth
Black- Gloom (Thompson, 1998)
Cultural Color PreferencesCultural Color Preferences (continued)
Below is a sample of traditional Japanese colors:
(Thompson, 1998)
Consider these choices and the aforementioned meanings when
designing the course structure and layout.
International Perception of TeachersInternational Perception of Teachers
•Japan is a high power distance culture.
•In high power distance cultures, the teacher’s position is highly respected and he/she is expected to strongly guide the student to knowledge.
•Knowledge is often seen as being transferred from teacher to the student, rather than discovered or “constructed”.
(Aoki & Bray, n.d., p. 14)
International Perception of TeachersInternational Perception of Teachers
(Aoki & Bray, n.d., p. 14)
•The desire for a professor who is an expert in his/her field would be likely in a student that sees the professor’s knowledge as an important factor in his/her success.
•Disagreeing with or questioning those in authority is not common when high power distance is the rule.
International Perception of TeachersInternational Perception of Teachers
(Aoki & Bray, n.d., p. 14)
•A “teacher centered” lecture format or a small group teacher led class is more conducive to this view of learning than a student-centered “teacher as facilitator” approach.
International Perception of TeachersInternational Perception of Teachers
(Aoki & Bray, n.d., p. 15)
•The preference Japanese distance education universities have for designing their courses around video broadcasts of lectures may have less to do with a lack appreciation of the benefits of asynchronous modes of instruction than with a strong positive belief in the need of teachers to lecture in order to express character, moral authority and life wisdom.
Global Classroom InteractionGlobal Classroom Interaction
In today's global economic competition, we must regard lifelong learning as an instrument for raising the quality of life and workforce.
Lifelong learning should be a keynational priority (Tuijnman 1996, p7).
Global Classroom InteractionGlobal Classroom Interaction
We believe that open and distance learning certainly play a strategic role to meet the
demands of lifelong learning as well as human resource development in an era, where globalization, technological change and
population aging converged to produce a new situation (Tuijnman 1999, p7).
Global Classroom InteractionGlobal Classroom Interaction
Perceived Administrative Styles of Openand Distance Learning Institutions in
Asia
China Directive & Bureaucratic
Hong Kong Bureaucratic
India Bureaucratic
Indonesia Bureaucratic
Japan Directive
Philippines Directives(Tsui, Zhang, Jegede, Ng, & Kwok, 1999, p.5)
Global Classroom InteractionGlobal Classroom InteractionApplication of Communication and Technology
China Varied progress in application of technologiesImportant roleImprove effectiveness of work and qualityof teaching
Hong Kong Very important roleImprove effectiveness of work and quality ofTeaching
India Supportive roleStreamlining proceduresEasing communication
Indonesia Mixed viewsImportant roleSupportive role
Japan Mixed viewsNot widely used except for TV and radioBroadcastsSupportive role
Philippines Important role
(Tsui, Zhang, Jegede, Ng, & Kwok, 1999, p.7)
Delivery of Distance EducationDelivery of Distance Education
As Japan’s education ministry currently allows universities credit for online courses (Brender, 2001), the best delivery for this form of education would be in the Web Based Training (WBT) format:Features
Video correspondence
Bulletin board-based virtual classroom
Downloadable video/audio lectures from saved correspondence
PowerPoint demonstrations, lectures, and instructions
Multisensory experience for learners
Grades and assistance remarks with quick turn around time
GraphicsGraphics
Japanese art covers a wide range of styles and media.
Painting is the preferred artistic expression.
Woodblock prints known as ukiyo-e produced colorful prints of everything from the news to schoolbooks.
While China is considered the teacher of art to Japan, the Japanese have developed their own, different style.
Japanese art can be seen as miniaturized, irregular, and subtly suggestive.
Japanese art reflects a natural flow, odd numbers, and a “pull” to one side giving a 3D illusion (Japanese Art, n.d.)
Gender Roles in Japan
• You may be thinking that traditional Japanese society is still very conservative and patriarchal. Well, this very well may the case in some sectors, but it is changing in Japan as it has/is in most industrialized nations. In America since the late 1970s studies have shown that there has been a growing cultural shift in the perception of what occupational roles to which each gender may aspire. Traditional roles of nursing and teaching were highly chosen career paths for young women, but these roles have since opened up to a more balanced influx from both males and females.
Gender Roles in Japan
• Japan’s perceived patriarchal nature has been supported by institutionalized Confucianism. This religion teaches, among other tenets, obedience to authority and encourages a hierarchical society with men holding sway over women and children.
Gender Roles in Japan
• Traditional Japanese values such as harmony, solidarity and loyalty were reinforced when the country became a global technological leader. These vales found themselves being played out in gender roles that divided men and women between office and house work. Men were dedicated to their jobs which they often had at the same company for life, working in a team environment where loyalty was unquestionable. Women had dominion over the home, making all financial decisions so that men could devote all their energy to their jobs.
www.spraguephoto.com/stock/images/001_499/016.jpg
Gender Roles in Japan
• But over the past twenty years government statistics show that women have gradually been moving to work outside the home. Reasons for this include women’s rights movements and the need to maintain living standards. Most importantly, modern-day Japanese are putting off marriage or deciding to stay single. Most women cite the desire for marriage at some point but within an egalitarian household, while men desire traditional wives.
Gender Roles in Japan
• The Western idea of the macho male does not hold credence in Japanese society, Their Confucian sensibility seeks a more well-rounded male who is well-educated in literature and the arts and is physically well-trained. Another element in the mix is that women now outnumber men in higher education, and their numbers are climbing in the Japanese workforce.
• Gender roles in Japan are only a part of the larger cultural system that is defined by group dynamics and obedience to a higher authority.
Gender Roles in Japan
• In the online classroom, it is important to keep the larger cultural context of groups in mind. Group projects and assignments done by consensus would be a natural fit for this society.
Preferred Music
• Japanese taste in music runs the gamut from traditional to pop music.
• Gagaku: music which was performed at Court among the nobility.
• Noh: Drama developed in 14th century with its own music called Nohgaku. there had developed the artistic Noh Noh is highly stylized and symbolic drama, and is usually performed by a few male actors and musicians (Japanese music, n.d.).
Preferred Music
• Popular Music: The Japanese love of jazz was interrupted during WWII while it was banned. After WWII the Japanese resumed their interest in various musical styles ranging from samba to American jazz
• In more recent times influence from the United Stated is arguably dominant. Rock, soul, and folk music from the U.S. are widely appreciated by the Japanese (Japanese music, n.d.).
• For further information the following Web site is a good resource:
• http://www.bridgewater.edu/~dhuffman/soc306/S98grp1/music.html
Shamisen
• The shamisen is a Japanese three-stringed instrument
• The shamisen isshamisen is used for accompaniment of two types of vocal music: melodious singing and narrative singing.
• Click on the following link for an example of shamisen playing:• http://www.youtube.com/v/q
WJrMA3zJ5o
J-pop
• Japanese pop or J-pop refers, in general terms to Japanese pop culture that is Western-influenced. Initially spurred on by rock n’ roll, the craze for pop music with a Western sound started in 1956
• Initially cover bands created their own version of Western hits which inspired, arguably the future success of karaoke (J-pop, 2007).
Japanese Slang
• Slang can easily have two or more different meanings to the untrained ear. To give you a sampling of the way the Japanese use slang, consider the following example:
• Salaryman is the Japanese term for a going-nowhere white-collar worker. This word is pronounced in English by the Japanese to denote someone who is a cog in the system, and is being worked to death. This is just one of the many insights I am sure instructors of Japanese peoples may come across (Salaryman, 2007).
Conclusion
To close, it is the unique pieces of individual groups that make up a “culture.” For designers looking to develop materials for educating those in a foreign land, consider this competency and make it a point to explore the culture thoroughly. It will only make the eventual class that much more of a success!
ReferencesReferencesAoki, K., & Bray, E. H. (n.d., December 12). Learning styles of distance learners in Japan:
Cultural considerations. Retrieved May 14, 2007, from http://aide.nime.ac.jp/research/aoki%20%&Bray%.pdf
Brender, A. (2001) Japan Will Allow Universities to Grant Credit for Online Courses The Chronicle for Higher Education Retrieved May 13, 2001 from http://chronicle.com/free/2001/03/2001032901u.htm
Education in Japan (n.d.). Retrieved May 13, 2007 from
http://en.wikipedia.org/wiki/Education_in_Japan
Japanese Art. (n.d.). Retrieved May 14, 2007 from
http://en.wikipedia.org/wiki/Japanese_art#Aesthetic_concepts
Mosnaim, I. (2001) Gilat Communications to provide e-learning solutions toInterlect Japan The Street Retrieved May 13, 2001 from http://www.thestreet.com/tech/themarker/1376879.html
Thompson, G. (1998) Retrieved May 14, 2007 from
http://www.temarikai.com/meaningoftraditionalcolors.htm#Generalized%20Color
References (continued)
Tsui, C., Zhang, W., Jegede, O., Ng, F., & Kwok, L. (1999, April/May). Perception of administrative styles of open and distance learning institutions in Asia - a comparative study. Retrieved May 13, 2007, from http://www.ouhk.edu.hk/CRIDAL/papers/tsuic2.pdf
Tuijnman, A. C. (1996). The expansion of adult education and training in Europe: Trends and issues. Retrieved May 14, 2007, from http://www.ouhk.edu.hk/CRIDAL/papers/tsuic2.pdf
Tuijnman, A. C. (1999, June). International perspectives on lifelong learning. Retrieved May 14, 2007, fromhttp://www/ouhk.edu/hk/CRIDAL/papers/tsuic2.pdf