CREATED BY JUAN M. GARCIA

EDTC 6343 Competency 004

MODERN EDITING METHOD WHICH INVOLVES BEING ABLE

TO ACCESS ANY FRAME IN A DIGITAL VIDEO CLIP WITH THE

SAME EASE AS ANY OTHER

Non-Linear Editing

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PROCESS OF SELECTING, ARRANGING AND MODIFYING THE

IMAGES AND SOUND RECORDED ON VIDEOTAPE. CUTTING OF THE

NEGATIVES MADE IT A DESTRUCTIVE PROCESS

Linear video editing

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AN ELECTRICAL SIGNAL THAT CONTINUOUSLY

VARIES IN STRENGTH AS RELATED TO SOME FORM OF

INPUT

Analog

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A MEANS OF RECORDING AUDIO OR VIDEO WHEREBY THE

RECORDED SIGNAL IS A PHYSICAL REPRESENTATION OF

THE WAVEFORM OF THE ORIGINAL SIGNAL

Analog Recording

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A REFERENCE TO A SYSTEM WHEREBY A CONTINUOUSLY

VARIABLE ANALOG SIGNAL IS REDUCED AND ENCODED INTO DISCRETE BINARY BITS THAT ESTABLISH A MATHEMATICAL

MODEL OF AN ORIGINAL SIGNAL OR OTHER INFORMATION

Digital

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A METHOD OF RECORDING IN WHICH SAMPLES OF THE ORIGINAL ANALOG SIGNAL ARE ENCODED ON TAPE OR DISK AS A BINARY INFORMATION

FOR STORAGE OR PROCESSING. THE SIGNAL CAN THEN BE COPIED

REPEATEDLY WITH NO

DEGRADATION.

Digital Recording

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VISUAL MAKE-UP OF A VIDEO PICTURE, INCLUDING SUCH

VARIABLES AS BALANCE, FRAMING, FIELD OF VIEW AND TEXTURE ALL

AESTHETIC CONSIDERATIONS. COMBINED QUALITIES FORM AN

IMAGE THAT’S PLEASING TO VIEW.

Composition

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HORIZONTAL CAMERA PIVOT, RIGHT TO LEFT OR

LEFT TO RIGHT, FROM A STATIONARY POSITION

Pan

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VERTICAL CAMCORDER ROTATION(UP AND DOWN)

FROM A SINGLE AXIS, AS ON A TRIPOD

Tilt

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AN OPTICAL EFFECT IN WHICH THE IMAGE RAPIDLY GROWS

LARGER OR SMALLER AS THOUGH THE CAMERA IS

MOVING CLOSER OR AWAY FROM ITS SUBJECT

Zoom

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ANY DEVICE PLACED ON A LENS OR LIGHT SOURCE

THAT ALTERS THE QUALITY OF THE PASSING LIGHT

Filter

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A LIGHT WHICH IS GENERALLY MOUNTED BEHIND A SUBJECT

TO LIGHT THE SUBJECT’S HAIR AND SHOULDERS

WITHOUT ILLUMINATING A SUBJECT’S FRONT.

Backlight

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THE MAIN LIGHT ON A SUBJECT

Key Light

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MAY BE USED TO REDUCE THE CONTRAST OF A SCENE AND

PROVIDE SOME ILLUMINATION FOR THE AREAS OF THE IMAGE

THAT ARE IN SHADOW

Fill Light

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THE PROPORTION OF PICTURE WIDTH TO HEIGHT

Aspect Ratio

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EVERYTHING HAPPENS ON A 2 DIMENSIONAL PLATFORM.

PICTURES ARE FLAT, WITHOUT DEPTH AND

OFFER ONLY ONE PERSPECTIVE

2D animation

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EVERYTHING HAPPENS ON A 3 DIMENSIONAL PLATFORM.

PICTURES HAVE DEPTH AND OFFER MULTIPLE PERSPECTIVES JUST LIKE

IN REAL LIFE AND HAVE SOFT SUBTLE SHADOWS CASTED ON THE

OBJECTS AND CHARACTERS WITHIN.

3D animation

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COMPRESSED FILE HAS LESS DATA IN IT THAN THE

ORIGINAL FILE

Lossy Compression

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COMPRESSION WHERE NONE OF THE INFORMATION

IS LOST

Lossless compression

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STANDARD FOR THE COMPRESSION OF MOVING

PICTURES AND AUDIO

MPEG-1

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STANDARD ON WHICH DIGITAL TELEVISION SET

TOP BOXES AND DVD COMPRESSION IS BASED

MPEG-2

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STANDARD FOR MULTIMEDIA AND WEB

COMPRESSION

MPEG-4

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AN OMNIDIRECTIONAL (OR NONDIRECTIONAL)

MICROPHONE'S RESPONSE IS GENERALLY CONSIDERED TO BE

A PERFECT SPHERE IN THREE DIMENSIONS

Omnidirectional

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A UNIDIRECTIONAL MICROPHONE IS SENSITIVE TO SOUNDS FROM ONLY ONE

DIRECTION

Unidirectional

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“SHOTGUN” MICROPHONES ARE THE MOST HIGHLY

DIRECTIONAL

Shotgun

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A LAVALIER MICROPHONE IS MADE FOR HANDS-FREE

OPERATION

Lavalier

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The End

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