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Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

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Page 1: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Digital Imagery: creation and

importance in the visual arts

Tuesday 1st December 2009

Sue Newton-Short

London Metropolitan University

Page 2: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 3: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 4: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 5: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Interior of the grand salon of S.S. Aquitaine

Page 6: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 7: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

100 years of inspiring designers

George II, c. 1745

in mahogany

FP reproduction c. 1930s

in walnut

Page 8: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

19th November 2002

The chairs arrive.

Page 9: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Staff at the ready

Page 10: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Our dust busters arrive

Page 11: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

…..and get started!

Page 12: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 13: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

chairsFrederick Parker Gallery

Page 14: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

chairs

Page 15: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

recent additions to the collection

The Polyprop

Designed by Robin Day

1963

The Antelope chair

Designed by Ernest Race

1951

Recycled plastic bottles

Designed by Jane Atfield

1996

Page 16: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

The Silhouette chair

Designed by William Warren

2002

fpf349

Page 17: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

The Frederick Parker Foundation Mission

Statement

The trust seeks to encourage and promote chair and furniture history,

design and manufacture.

Page 18: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Annual cleaning

Page 19: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Labelling the chairs

Page 20: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Shelves cleaned and Chairs replaced

Page 21: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

http://www.frederick-parker-foundation.org

Page 22: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

carvingscarvings

Page 23: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

archive

Frederick Parker & Parker Knoll

business records, accounts & board minutes

Their sales catalogues

Sales catalogues of their competitors

Page 24: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Photographs and sample materials of Frederick Parker and Parker Knoll products

Page 25: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Drawings of all private commissions

Page 26: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 27: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 28: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 29: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University
Page 30: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Our aim

To make the Frederick Parker collections and company archive accessible to as wide an audience as possible

Page 31: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Our objectives To collate known information and images into

searchable databases of the chairs, carvings and archive

To publish catalogues of the chair collection and the carving collection

To establish a common format with similar collections and determine best practice

to gain museum accreditation status

to continue to utilise the collection for study purposes

Page 32: Digital Imagery: creation and importance in the visual arts Tuesday 1 st December 2009 Sue Newton-Short London Metropolitan University

Thank you