Contemporary & Post War Art | 18th March 2015

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33 Broughton Place, Edinburgh EH1 3RRTel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, Glasgow G2 4HGTel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274

Contemporary & Post-War Art

Wednesday, 18th March, 2015 33 Broughton PlaceEdinburgh

Contemporary cover.qxd:26-5-05 J+S cover 18/2/15 10:48 Page 1

Local DeliveriesA&S Pert Removals. Tel. +44 (0)7876 343520.

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Packing and Shipping Please note that we do not packor ship items. The followingsuggested carriers will be ableto arrange packing andshipping; please contact themdirectly to receive a quote. Youmay wish to contact analternative courier.

Smaller items & PicturesMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BF Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: [email protected]

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Arrangements for Sold Lots All bought items will be heldfree of charge at BroughtonPlace until the Fridayfollowing the sale.

Thereafter lots will beremoved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will beavailable at the saleroom onview days and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

T York Place Tram Station


Catalogue: £10

BUYER’S PREMIUM25% up to £50,00020% thereafter. VAT will be charged on the premium at the rate imposed by law.†20% VAT chargeable on the lot itself*5% import VAT on the lot§Droit de Suite (artist’s resale rights)applies(see our Terms and Conditions of Saleand Information for Buyers).

ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844 Fax. 0131 557 8668 email. [email protected]


Wednesday, 18th March, 2015at 11am

Sale Number LT431

ViewingSunday, 15th March 12 noon - 4pmMonday, 16th March 10am - 7pmTuesday, 17th March 10am - 5pmMorning of sale strictly by appointment only

SpecialistsCharlotte [email protected]

Nick [email protected]

Emily [email protected]

Carly [email protected]

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L Y O N & T U R N B U L L

Important informationfor buyers

Telephone biddingIf you are unable to attend the salewe can normally arrange for you tobid on the telephone. This service isavailable entirely at our discretionand at the bidder’s risk. Alltelephone bids must be confirmed inwriting, listing the relevant lots andappropriate number to be called. Werecommend that a covering bid isalso left in the event that we areunable to make the call. We cannotguarantee that lines will beavailable, or that we will be able tocall you on the day, but willendeavour to undertake such bids tothe best of our abilities. All bidrequests must be received an hourbefore the sale.

Methods of PaymentGoods purchased will not bereleased until we have received fullpayment.

Bank TransferPlease find details in any emailinvoice we issue or upon requestfrom our accounts department.

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Credit or Debit CardsPayment can be made by Visa Debit,Maestro, Mastercard or Visa Creditcards. Please note there is a 2%surcharge on credit card paymentsand we do not accept Amex..

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CollectionIt is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not beingheld at our main saleroom.

CITESPlease be aware that lots markedwith the symbol Y contain materialwhich may be subject to CITESregulations when exporting outsidethe EU. For more information visithttp://www.defra.gov.uk/ahvla-en/imports-exports/cites/

BiddingPlease note that all first timebidders at Lyon & Turnbull will beasked to supply the followingdocuments in order to facilitateregistration:

1 – Government issued photo ID(Passport/ Driving licence)

2 – Proof of address (utility bill/ bankstatement)

You may present these documents inperson or, alternatively, fax or emailcopies to us. We may, at our option,also ask you to provide a bankreference and/ or deposit.

At the SalePotential buyers must register andcollect a bidding number before thesale begins, and show that numberif successful in purchasing a lot.Please ensure that the auctioneerrepeats the number correctly whenconfirming the sale. If there is anydoubt at this stage as to thehammer price or buyer it must bebrought to the auctioneer’s attentionimmediately. All lots will be invoicedto the name and address given onyour registration form, which is non-transferable. If you have purchaseda lot you may take your biddingnumber to the accounts departmentand receive an invoice immediately.If you have not been successfulplease leave the number at theRegistration or Reception desks.

In writingBid forms are available at the saleand/or the back of the catalogue.These should be submitted inperson, by post, or by fax as soon aspossible prior to the sale and we willbid on your behalf up to the limitindicated. In the event of receivingtwo identical bids the first onereceived will take precedence. Allbids must be received an hourbefore the sale. This service entirelyat the bidder’s risk.

By telephoneBids submitted by telephone mustbe confirmed in writing.

All royalty charges are paid to theappropriate collecting organisationand no handling costs or additionalfees are retained by the auctioneer.Resale royalties are not subject toVAT.Please note that the royalty paymentis calculated on the rate of exchangeat the European Central Bank on thedate of the sale.More information on Droit de Suiteis available at www.dacs.org.uk

Damage and RestorationOccasionally, when a lot hassuffered extensive damage and/orrestoration it is indicated in thecatalogue. This is mentioned entirelyat our discretion for the benefit ofbuyers. Where there is no mentionof damage and/or restoration thisshould not be taken to mean thatthere is none. It is the buyer’sresponsibility to ensure that thecondition of lots is to theirsatisfaction (see our Terms andConditions of Sale).

Condition ReportsIf potential buyers are unable toinspect lots in person our specialistswill be happy to prepare detailedCondition Reports on individual lotsas quickly as possible. These are forguidance only and all lots are sold‘as found’ (see our standard Termsand Conditions of Sale).

Electrical GoodsLots that were once operated bymains electricity are bought entirelyat the buyer’s risk. They are offeredfor sale for display or historicalpurposes and may not comply withcurrent regulations.

Import/ExportProspective buyers are advised thatseveral countries prohibit theimportation of property containingmaterials from endangered species,including but not limited to rhinohorn, ivory, coral and tortoiseshell.Accordingly, prospective buyersshould familiarize themselves withall relevant customs regulationsprior to bidding if they intend toimport lots to another country.It is the buyer’s sole responsibility toobtain any relevant export or importlicence. The denial of any licence orany delay in obtaining licences shallneither justify the recession of anysale nor any delay in making fullpayment for the lot.

Buying at AuctionThis sale is subject to our standardTerms and Conditions of Sale. If you have not bought at auctionbefore we will be delighted to adviseyou.

EstimatesEstimates are printed below each lotand do not include the buyer’spremium. The sale will beconducted in pounds sterling.

DimensionsDimensions are for guidance only; itis the buyer’s responsibility toensure that they are correct.

Buyer’s PremiumThe buyer shall pay the hammerprice together with a premiumthereon.

25% up to £50,000 / 20% thereafter.

VAT will be charged on the premiumat the rate imposed by law. (see ourTerms and Conditions of Sale).

VATThe symbol † by a lot numberindicates that VAT is payable by thepurchaser at the standard rate onthe hammer price. The symbol * by a lot numberindicates that the lot has beentemporarily imported from outsidethe EU and that VAT is payable bythe purchaser at the rate of 5% onthe hammer price.No VAT is payable on the hammerprice or premium for books boughtat auction.

Droit de SuiteThis symbol § indicates works whichmay be subject to the Droit de Suiteor Artist’s Resale Right, which tookeffect in the United Kingdom on 14thFebruary 2006. We are required tocollect a royalty payment for allqualifying works of art. Under newlegislation which came into effect on1st January 2012, this applies toliving artists and artists who havedied in the last 70 years. This royalty will be charged to thebuyer on the hammer price and inaddition to the buyer’s premium. Itwill not apply to works where thehammer price is less than €1,000(euros). The charge for works of artsold at and above €1,000 (euros) andbelow €50,000 (euros) is 4%. Foritems selling above €50,000 (euros),charges are calculated on a slidingscale.

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1§ HA748/4JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)SUNSET AND ISLANDSWatercolour

12cm x 16cm (5in x 6.25in)

£600-800



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3§ HA710/22SIR ROBIN PHILIPSON R.A.,P.R.S.A., F.R.S.A., R.S.W.,R.G.I., D.LITT., L.L.D.(SCOTTISH 1916-1992)RECLINING NUDESigned and dated 1986 verso,watercolour

11.5cm x 15.5cm (4.5in x 6in)

£800-1,200

2§ HB430/6JAMES HAWKINS(BRITISH b. 1954)CONIVAL AND BEN MOR,ASSYNT1992, signed, acrylic on paper

28cm x 41cm (11in x 19in)

£400-600


4§ HA748/1LEON MORROCCO(SCOTTISH b. 1942)THE DIVING BOARDSigned and dated ‘74, pastelon paper

26.5cm x 26.5cm (10.5in x 10.5in)

£600-800



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5§ HB196/2ARCHIE FORREST(SCOTTISH b. 1950)MARIN MARINA, CALIFORNIASigned, signed and inscribedwith title and dated ‘85 verso,oil on canvas

24cm x 29cm (9.5in x 11.5in)

£1,500-2,000


6§ HB328/2JEANETTE LASSEN(SCOTTISH 20TH CENTURY)STEALING THE LIMELIGHTSigned, signed, titled anddated ‘1998’ verso, oil oncanvas in originalhandpainted artist’s frame

72.5cm x 58.5cm (28.5in x 23in)

£400-600



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8§ HB328/3JEANETTE LASSEN(SCOTTISH 20TH CENTURY)FLOWERS IN THE WINDOWSigned, titled and dated ‘2001’verso, oil on canvas laid onboard in original handpaintedartist’s frame

65cm x 49cm (25.5in x 19.25in)

£300-500

7§ HB328/1JEANETTE LASSEN(SCOTTISH 20TH CENTURY)HOLIDAY FOR ONESigned and titled verso, oil oncanvas in originalhandpainted artist’s frame

90.5cm x 70cm (35.5in x 27.5in)

£500-700


9§ HA796/1DAVID MCCLURE R.S.A.,R.S.W., R.G.I.(SCOTTISH 1926-1998)FISHING BOATS -CARRADALESigned, signed verso, pen andink and watercolour

21cm x 37cm (8.5in x 14.5in)

£600-800



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11§ HA321/1JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)TOWARDS THE ISLE OF MAYSigned and dated 1991,watercolour

28.5cm x 41cm (11.25in x 16in)

£500-700

10 HB400/2JON SCHUELER(AMERICAN 1916-1992)ROMASAIG (185)Signed with initials and dated‘73 in pencil, watercolour

9.5cm x 12cm (3.75in x 4.75in)

Exhibited:Ingleby Gallery, Edinburgh Festival2000

£300-500


12§ HB441/4JACK KNOX R.S.A.(SCOTTISH b. 1936)BEACH TENT (NORTH SEA)Signed ‘John Knox’, titled anddated 1977 verso, oil oncanvas

59.5cm x 45cm (23.5in x 17.75in)

£600-800



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13§ HA795/5TOM SHANKS R.S.W., R.G.I.(SCOTTISH b. 1921)LOCH NESSSigned and dated ‘77, pen, inkand watercolour

28.5cm x 74cm (11.25in x 29in),

unframed

£250-350


14§ HA4/2JOHN BELLANY C.B.E., R.A.,H.R.S.A. (SCOTTISH 1942-2013)FISH WIVESSigned, oil on canvas

92cm x 90cm (36in x 35.5in)

£3,000-5,000



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16§ HA793/2JOHN BELLANY C.B.E., R.A.,H.R.S.A. (SCOTTISH 1942-2013)SATYR IN A LANDSCAPEWatercolour glazed ceramicdish

33.5cm x 33.5cm (13in x 13in)

£300-500

15§ HA793/1JOHN BELLANY C.B.E., R.A.,H.R.S.A. (SCOTTISH 1942-2013)CHRIST ON THE CROSSSigned, signed verso, paintedand glazed ceramic tile


£200-300




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18§ HA795/6GEORGE WYLLIE M.B.E.(SCOTTISH 1921-2012)MATINS AT ST. POP-UP’SEmbossed with title,sculptural assemblage

25cm x 29cm x 17cm

(9.75in x 11.5in x 6.75in)

£400-600

GEORGE WYLLIE

Wyllie defined his works as“scul?ture,’ as he believed that thequestion mark was at the centre ofeverything. This idiosyncratic artistbecame a much-loved public figurein Glasgow and is remembered forhis range of works based in andaround the city. Permanentscul?tures Clydebank Clock andMonument to Maternity remain aseveryday sights and markers ofmeaning for Glaswegians, lingeringin the cultural heritage. While, twotemporary public artworks StrawLocomotive (a full-size steamlocomotive, made entirely fromstraw, suspended from theFinnieston Crane before beingceremonially burned) and PaperBoat (an 80-foot structure whichsailed the Clyde, Thames andHudson rivers as a memorial to thecity’s ship-building heritage),captured local hearts andimagination through their strikingsymbolism of the decline of thecity’s industrial heritage.

Born in Shettleston in 1921, Wyllieserved in the Royal Navy andworked in the Post Office and as acustoms and excise officer, laterdeveloping his creativity andlearning welding at a collegeevening course before finallycommitting to his art full-time in1979, when he was nearly in hissixties. He quickly gained a place inthe Scottish art-world, creatingdefinitive works, befriendingcultural figures including RichardDemarco, Liz Lochhead and JosephBeuys, and serving as president ofthe Society of Scottish Artists. Thispopularity was confirmed with hisaward of an MBE in 2005.

17§ HA795/7GEORGE WYLLIE M.B.E.(SCOTTISH 1921-2012)SEAGULLWelded metal

33cm x 26cm x 10cm

(13in x 10.25in x 4in)

£500-700


19§ HA825/1DAVID MCLEOD MARTINR.S.W., R.G.I.(SCOTTISH b. 1922)JUG AND FLOWERSSigned, inscribed with titleand dated ‘May 1989’ verso,oil on canvas


£1,000-1,500

20§ HA852/1LEON MORROCCO A.R.S.A.(SCOTTISH b. 1942)FIGURE, FRUIT ANDSPANISH RUGSigned, inscribed with titleand dated 1981 verso, pastel

150cm x 110cm (59in x 43.5in)

£1,500-2,500



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21§ HB510/4PETER MCLAREN(SCOTTISH CONTEMPORARY)THE CYCLISTSigned, oil on canvas

178cm x 196cm (70in x 77in)

Provenance:Roy Miles, London, circa 1990.

£7,000-9,000




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22§ HA946/1EARL HAIG O.B.E., A.R.S.A.(SCOTTISH 1918-2009)AUTUMN LANDSCAPESigned, oil on canvas

86.5cm x 112cm (34in x 44in)

£2,000-3,000

Throughout the course of theartist’s long life – Haig died in2009 at the grand age of 91 –he quietly produced a body ofartwork which is nowrecognised as a significantcontribution to the 20thcentury Modern landscapetradition. He spent much ofhis life based at his family’sseat in the Scottish Borders,Bemersyde near Melrose,showing regularly withEdinburgh’s Scottish Galleryfrom the late 1940s. Paintingexcursions took himfrequently to Venice, Italy andthe Dolomites and these

locations feature prominentlyin his output.

His career as an artist was inmany ways hard won. The sonof Field Marshal Haig, thecommander in chief of theBritish army during WW1, asomewhat sickly young Haigstruggled with the large bootshe felt had been left to fillupon his father’s death whenhe was 10 years old. Inaddition, his father’s tacticsand reputation came undermuch scrutiny and criticism inthe period immediately afterthe War, which weighedheavily on his son.

He eventually found anindividual sense of purposeand identity through artthough the revelation of hiscreative talent came about ina somewhat curious way,during his incarceration as aPoW in Italy and latterlySaxony for three years duringWW2. Having begun to sketchand paint while confined, hewent on to attend theCamberwell School of Artupon his return to Britain,studying under artistsincluding William Johnstoneand Victor Pasmore.

Though it is obvious he avidly

absorbed these surroundinginfluences, his work has adistinctive vision andsubsequently a consistencywhich is unusual, particularlyfor an artist whose careerspans such a long period.Haig’s art speaks fluently ofhis great love for his naturalsurroundings and hisfractured, reductiveinterpretation of thelandscape combines cubistand expressionistic values tohighly individual, idiosyncraticeffect.

EARL HAIG


23§ HB441/3EARL HAIG O.B.E., R.S.A.(SCOTTISH 1918-2009)LEADERFOOTSigned, oil on canvas

69cm x 110.5cm (27in x 43.5in)

£1,800-2,000



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24§ HA825/2DAVID MCLEOD MARTINR.S.W., R.G.I. (SCOTTISH b. 1922)AYRSHIRE LANDSCAPE 1989Signed and dated 1989,gouache

54cm x 69cm (21.25in x 27.25in)

£400-600


25§ HB201/1LILLIAN NEILSON(SCOTTISH 1938-1998)STILL LIFE WITH YELLOWFLOWERSOil on board

29cm x 30cm (11.5in x 12in)

£1,000-1,500



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27§ HB97/2LILLIAN NEILSON(SCOTTISH 1939-1998)GREEN GARDENOil on canvas


£800-1,200

26§ HB197/1DONALD MANSON(SCOTTISH b. 1948)MEMORIES OF CHINASigned, oil on canvas

69cm x 59cm (27in x 23.25in)

£400-600


28§ HB325/1DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)SILVER CHALICESigned, signed, inscribed anddated ‘93 verso, oil andcollage on canvas laid onboard

76cm x 63.5cm (30in x 25in)

£3,000-5,000



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29§ HB48/1JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)TULIPS AND DAFFODILSSigned, oil on board

29cm x 12cm (11.5in x 4.75in)

£1,000-1,500


30§ HB343/1JAMES HOWIE(SCOTTISH 1931-2011)MOODY SKYSigned and dated 25.8.68verso, oil on canvas

112.5cm x 127cm (44.25in x 50in)

£4,000-6,000



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31§ HB341/1DONALD MORISON BUYERS(SCOTTISH 1930-2003)STORMY SHORESigned and dated ‘70, oil onboard

61cm x 58cm (24in x 22.75in)

£500-700


32§ HB430/4JAMES HAWKINS(BRITISH b. 1954)LOCHAN BELOW BEINNDEARG MHOR1994, acrylic on paper

41cm x 59cm (16in x 23.25in)

£600-800



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34§ HB430/3JAMES HAWKINS(BRITISH b. 1954)WINTER RIVERSIDE1991, signed, acrylic on paper

41cm x 59cm (16in x 23.25in)

£600-800

33§ HB341/2DONALD MORISONBUYERS(SCOTTISH 1930-2003)DUNES AND YELLOW SKYInscribed with title verso,oil on board

44cm x 90cm (17.25in x 35.5in)

£500-700


35§ FH287/4JOHN BELLANY C.B.E., R.A.,H.R.S.A. (SCOTTISH 1942-2013)EDINBURGHSigned, oil on canvas

100cm x 120cm (39.5in x 47.25in)

£2,000-3,000



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36§ FH287/3JOHN BELLANY C.B.E., R.A.,H.R.S.A. (SCOTTISH 1942-2013)THE “CHRISTINA” AND“AVAIL”Signed, oil on canvas

122cm x 122cm (48in x 48in)

£3,000-5,000


37§ HB503/1ALEXANDER MOFFAT O.B.E.,R.S.A. (BRITISH b. 1943)THE CONSTRUCTORS: FORTHROAD BRIDGE (HOMAGE TOLEGER)Dated 1964 verso, oil on twoconnected boards

183cm x 183cm (72in x 72in)

Note:This work was executed in 1964whilst Moffat was still at EdinburghCollege of Art. He and his goodfriend, artist John Bellany, bothsubmitted a large scale artwork to alocal competition and this piece wasMoffat’s entry, though he cannotnow recall who won! The work wasdirectly inspired by French artistFernand Leger’s ‘heroic’ paintings ofworkers. To young artists likeMoffat, the new bridge was an iconicsymbol of Modernity in Scotland.The optimism reflected in paintingslike this was to be short lived,however, as more austere timesapproached in the 1970s.

£5,000-7,000



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Photograph of John Bellany and Peter Robson with Sandy Moffat’s paintingThe Constructors, February 1964


38§ HB510/6DOUGLAS THOMSON(SCOTTISH b. 1955)HEAD OF A MANSigned, oil on canvas

150cm x 120cm (59in x 47.25in)

£500-700



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39§ HB510/14DOUGLAS THOMSON(SCOTTISH b. 1955)HEAD OF A MANOil on canvas

79cm x 62cm (31in x 24.5in)

£300-500


40§ HA795/1STEVEN CAMPBELL(SCOTTISH 1953-2007)A FISHERMAN IN ASCOTTISH LANDSCAPESigned and dated 1994,inscribed verso, watercolourand pastel

18cm x 35cm (7in x 13.75in),

unframed

£600-800



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42§ HA795/2GEORGE DEVLIN R.S.W.,R.G.I., F.R.S.A., R.B.A., R.O.I.,A.R.W.S. (SCOTTISH 1937-2014)BEHIND THE HARBOURWALLSigned, watercolour andmixed media on paper

58cm x 78cm (22.75in x 30.75in),

unframed

£300-500

41§ HA795/3JOSEF HERMAN(POLISH 1911-2000)WASH DAYPencil, ink and wash

20cm x 25.5cm (8in x 10in),

unframed

£400-600


43 60877/1BEN ENWONWU R.A.(NIGERIAN 1917-1994)TRIO OF DANCING FIGURESSigned and dated 1951,gouache

49.5cm x 12cm (19.25in x 4.75in)

Provenance:Inherited by the current vendor fromtheir uncle-in-law who was governorof education in Nigeria during the50s until decolonisation. He isthought to have known Enwonwupersonally during this period.

£3,000-5,000



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ODINIGWE BENEDICTCHUKWUKADIBIABONAVENTURE ENWONWUis recognised as one ofAfrica’s eminent artists of the20th century and animportant figure in NigerianModernist painting. Further,he is widely considered tohave pioneered theappreciation of this movementin the period post-colonialization and hasenjoyed internationalrepresentation in citiesincluding London, Lagos,Milan, New York, WashingtonD.C., and Boston.

Though sometimes working inthe medium of sculpture andoften inspired by thelandscape of his homecountry, his work is largelyfigurative and a favouritesubject was the depiction oftraditional dancers, usingstylised forms to create asense of movement andrhythm. The work shown herefor sale is a typical example,executed shortly after he hadfinished his artistic training.

His studies were extensive;beginning under Kenneth C.Murray at GovernmentColleges, Ibadan andUmuahia, 1934–37. Enwonwuthen went on to gainqualifications from GoldsmithCollege, London, in 1944,Ruskin College, Oxford, from1944 to 1946 and ultimatelythe Slade School of Fine Arts,Oxford, 1946–48, from whichhe graduated with first-classhonours.

His career has been bothfascinating and at timesexceptional. Enwonwu has, forexample, had a bronzeportrait commissioneddirectly by Queen Elizabeth IIin 1956, and has undertaken apostgraduate in Anthropologyfrom the University CollegeLondon. Perhaps mostfantastically of all, theEnwonwu crater on planetMercury is named in hishonour.


44§ HB450/1DOUG COCKER A.R.S.A.(SCOTTISH b. 1945)THE PALE QUARTETConsisting of four parts,carved wood

Each head approx.

38cm x 28cm x 19cm

(15in x 11in x 7.5in) (4)

£1,000-1,500



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45§ HB449/1ROLF SZYMANSKI(GERMAN 1928-2003)KLEIN FIGUR NO.VII ,SCHIFFS-LEIB1975, edition of 100

20cm high (8in)

£500-700


46§ HB196/3JOHN BOYD(SCOTTISH b. 1937)STILL LIFE OF KITCHENPOTSOil on canvas

51cm x 62cm (20in x 24.5in)

£1,500-2,500



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47§ HB291/1VICTORIA CROWE O.B.E.,R.S.A. (BRITISH b. 1945)ANGELSSigned and dated ‘71,inscribed verso ‘For Dick -glad you’ve found it in the thebook, Victoria Crowe 2014,’mixed media on board

54cm x 74cm (21.25in x 29in)

£800-1,200


48§ HB441/5VALERIE FRASER R.S.W.(SCOTTISH b. 1933)HARBOUR VIEWOil on canvas

51cm x 65cm (20in x 25.5in)

£400-600



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50§ HB334/7CRAWFURD ADAMSON(SCOTTISH b. 1953)SIESTA1992, pastel on paper

86.5cm x 119.5cm (34in x 47in)

Provenance:Purchased directly from the artist bythe current vendor

£400-600

49§ SV369/8GEMMA DOLBEAR(SCOTTISH CONTEMPORARY)LAUNDERETTE, EDINBURGHSigned verso, oil on canvas

132cm x 163cm (52in x 64in)

£300-500


51§ HB334/4EILEEN LAWRENCE(SCOTTISH b. 1946)HEATHLAND WOODSMOKESigned, inscribed with titleand dated 2000, watercolouron paper

127cm x 7.5cm (30in x 3in)

£250-350



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53§ HB335/1ANN ORAM (BRITISH b. 1956)TARIJA. DARK EVENING.Signed, oil on canvas

73.5cm x 49cm (29in x 19.25in)

£1,000-1,500

52§ HB334/3FRED CRAYK(SCOTTISH CONTEMPORARY)BACK GARDEN, COMELYBANK1978, oil on board

14.5cm x 16cm (5.75in x 6.25in)

Exhibited:369 Gallery, Edinburgh

£200-300


54§ HB197/2DONALD MANSON(SCOTTISH b. 1948)VIOLIN AND VALENTINESigned, oil on board


£500-700



27

55§ HB336/2WINIFRED MACKENZIE(SCOTTISH 1905-2001)STILL LIFE OF YELLOWFLOWERS ON A BLUE CLOTHSigned, oil on canvas

59.5cm x 44.5cm (23.5in x 17.5in)

£700-900


56§ HB335/2GEOFFREY SQUIRE A.R.S.A.,R.S.W., R.G.I.(SCOTTISH 1923-2012)THE MODELSigned, watercolour andmixed media on paper

38cm x 39cm (15in x 15.5in)

£500-700



28

57§ HB339/5MICHAEL AYRTON(BRITISH 1921-1975)BALCONYSigned and dated ‘52, oil oncanvas

37.5cm x 45.5cm (14.75in x 18in)

£2,000-3,000


58§ HB462/1DAME ELIZABETHBLACKADDER D.B.E., R.A.,R.S.A. (SCOTTISH b. 1931)STILL LIFE WITH COFFEEPOTSigned and dated 1970,watercolour and pencil

58cm x 78cm (22.75in x 30.75in)

£1,500-2,500



29

59§ HA76/1DAME ELIZABETHBLACKADDER D.B.E., R.A.,R.S.A. (SCOTTISH b. 1931)MEDITERRANEAN WOMANSigned and dated 1961, oilpastel on board

20.5cm x 25.5cm (8in x 10in)

£1,000-1,500


60§ HB400/1IAIN ROBERTSON(SCOTTISH b. 1955)CELTIC SOUNDSigned and inscribed with titleand dated ‘95 verso, oil oncanvas

61cm x 25cm ( 25in x 10in)

£400-600



30

62§ HB339/4ALAN DAVIE(SCOTTISH 1920-2014)UNTITLEDSigned and dated ‘06.06’,gouache

29cm x 21cm (11.5in x 8.25in)

£800-1,200

61§ HB510/13WILLIAM JOHNSTONE O.B.E.(SCOTTISH 1897-1981)ABSTRACTSigned with monogram,watercolour

77cm x 57cm (30.5in x 22.5in)

£300-500


63§ SV369/16BARBARA RAE C.B.E., R.A.,R.S.A. (SCOTTISH b. 1943)FIELD CAMPAGNAC, DRYINGSigned, mixed media

56cm x 75cm (22in x 29.5in)

£3,000-5,000



31

64§ HB510/15L. JACK (CONTEMPORARY)RECLINING NUDESigned, oil on canvas

153cm x 183cm (60.25in x 72in)

£300-500


65§ HB510/3PETER HOWSON O.B.E.(SCOTTISH b. 1958)FIGURE BY THE SEASigned and dated ‘89, oil oncanvas

244cm x 214cm (96.5in x 84.25in)

£20,000-30,000



32

Peter Howson’s distinctivecharacters and strong,figurative style are instantlyrecognisable. His depictionsof a violent, working-class,predominantly masculineGlasgow world are favouredby celebrity collectors such asMadonna, Mick Jagger andDavid Bowie and havefeatured on a range of albumcovers for bands includingThe Beautiful South.

Howson trained at GlasgowSchool of Art, paintingalongside other popularcontemporary artists; AdrianWiszniewski, Steven Campbelland Ken Currie. Recognisedfor his commitment to warpainting through his role ofBritish official war artist forthe 1993 Bosnian Civil War forthe Imperial War Museumand then official war painterat the Kosovo War for theLondon Times. The publicrecognition of Howson’s workwas cemented on hisappointment as Officer of theOrder of the British Empire in2009.

Figure by the Sea dates from1987, relatively early inHowson’s career and before

his key war paintingassignments. The compositionis dominated by the burly,boxer figure that recursthroughout his oeuvre but asopposed to later works herethe figure is positioned in arural sea-side location,highlighted in bright, colourful

tones. This location re-appears in a range of large-scale works in oil thatHowson created in this yearincluding The Sisters of Mercyand Flag of Despair. Stillquintessentially Howson in itstechnique and character, thebrighter, rural backdrop is a

welcome tonic to hispredominantly gritty, urbanlocations and speaks of a veryparticular moment in hiscareer.


66§ HB139/1PETER HOWSON O.B.E.(SCOTTISH b. 1958)STUDY FOR THE PENITENTPETERSigned, pastel on tinted paper

58.5cm x 44cm (23in x 17.25in)

£1,500-2,000



33

67§ HB196/1PETER HOWSON(SCOTTISH b. 1958)BEFORE THE FIGHTPastel

46cm x 30.5cm (18in x12in)

£800-1,200


68§ HB385/1PETER MCLAREN(SCOTTISH b. 1964)SUNSET CYCLISTSigned and inscribed with titleverso, oil on board

122cm x 122cm (48in x 48in)

£5,000-7,000



34

69§ HB385/2PETER MCLAREN(SCOTTISH b. 1964)ORKNEY LANDSCAPESigned and inscribed with titleand dated 2014 verso, oil onboard

122cm x 135cm (48in x 53in)

£5,000-7,000




35

70§ HB27/1ADRIAN WISZNIEWSKIA.R.S.A. (SCOTTISH b. 1958)SCENEOil on canvas

156cm x 193cm (61.5in x 76in)

£3,000-5,000

71§ HB510/5JAMES COSGROVE(SCOTTISH b. 1939)MECHANISED HEADSigned and dated ‘89, oil oncanvas

120cm x 121cm (47.25in x 47.5in)

£300-500




36

72§ HB426/2CALLUM INNES(SCOTTISH b. 1962)MAGENTA / CHARCOALBLACKInscribed 11/00 in pencil,signed and dated 2000 verso,watercolour

50cm x 65cm (19.75in x 25.5in)

£1,000-1,500

Callum Innes is an artist verymuch concerned with theprocess of painting and thephysical properties of paintitself.

Born in Edinburgh in 1962and trained at Gray’s Schoolof Art, Aberdeen and theEdinburgh College of Art, herose to prominence afterhaving two major solo showsin public institutions in 1992;at the Institute ofContemporary Art, Londonand the Scottish NationalGallery of Modern Art,Edinburgh before being short-listed for the Turner Prize in1995, which was subsequentlywon by Damien Hirst. He nowexhibits internationally andhis work features in publiccollections across the world,though his studio practice

remains in Edinburgh.

Following his art-schooltraining, Innes was working ina figurative manner until ascholarship opportunity inAmsterdam in 1987-88exposed him to the boldabstract work of artists suchas Barnett Newman andLucio Fontana. He quicklyabandoned his figurative styleand became focused on thepursuit of clarity in painting.This radical break in hispractice makes Self-Portraitof 1987, an abstractcomposition with a lingeringfigurative quality all the morerare and striking, positionedas it is on the cusp ofbreakthrough into theapproach that wouldcharacterise his oeuvre forthe following twenty years.

Innes is best known for hisExposed Paintings series, thestriking, meditative worksthat are created by a refinedprocess of addition andsubtraction; adding layers ofpaint to the canvas that arethen gradually stripped awayusing turpentine to leave onlyghostly traces of pigment.Innes thinks of these worksas a process of unveiling,rather than having destructiveconnotations and has likenedit to alchemy; thetransformation of work-a-daymaterials into precious gold.

This deliberate andconsidered approach totechnique is consistent inInnes’ practice, across avariety of series: AgitatedVerticals, Resonance, IsolatedForms, and Monologue, all of

which he established between1989-1992 and has continuedworking on, refining andevolving ever since. Thisdeliberation and dedicationalso crosses over into thewatercolour medium, whereInnes uses various brushesand sponges to layer andremove washes of colour,with only hints of the full-strength colour left lingeringaround the edges, as inMagenta/Charcoal of 2000. Inthe Identified Forms series,rather than strip the paintaway using turpentine loadedbrushes, rags or sponges,Innes flicked turpentine on tothe not-quite-dry paint,allowing the solvent to dripdown the surface, dissolvingthe paint and leaving onlytraces of pigment in its wake.

CALLUM INNES




37

73§ HB207/1CALLUM INNES (SCOTTISH b. 1962)TWO IDENTIFIED FORMSSigned, dated 2007 andinscribed with title verso, oilon canvas


£7,000-10,000


74§ HB426/1CALLUM INNES(SCOTTISH b. 1962)SELF PORTRAITSigned, inscribed and dated‘Aug ‘87’ verso, oil on canvas

208cm x 208cm (82in x 82in)

£3,000-5,000



38

75 HB426/3JOHN BYRNE(SCOTTISH b. 1940)PARIS SELF-PORTRAITInscribed ‘Rue de St Andredes Arts, Paris,’ watercolourand pencil on paper

20cm x 14cm (8in x 5.5in)

£800-1,200




39

77§ HB334/12SIR EDUARDO PAOLOZZIK.B.E., R.A., H.R.S.A.(SCOTTISH 1924-2005)MECHANISED HEAD1990, plaster

43cm x 23cm x 26cm

(17in x 9in x 10.25in)

Provenance:Gifted directly by the artist from hisstudio to the current vendor

£2,000-3,000

76§ HA795/8BENNO SCHOTZ R.S.A.(ESTONIAN/SCOTTISH1891-1984)FIGURE OF A SHIP-WELDERSignature inscribed to base,cement fondue, on a woodenplinth

58cm x 28cm x 18cm

(22.75in x 11in x 7in) (including

plinth)

£800-1,200




40

Born in Bombay (nowMumbai), India in 1954, AnishKapoor has since the 1970slived and worked in London,studying at Hornsey College ofArt and Chelsea School of Artthroughout that decade. Hisintensely distinctive sculpturalworks have made him a nameacross the creative andconnoisseurial worlds, and itis no exaggeration to describehim as one of the mostinfluential artists of our time.Representing Britain at theXLIV Venice Biennale in 1990,Kapoor went on to win theTurner Prize in 1991, wasawarded a C.B.E. in 2003 anda knighthood in 2013, forservices to the visual arts. Hehas had solo shows in suchinstitutions as the RoyalAcademy of Arts and theTurbine Hall at Tate Modern.

Kapoor’s simultaneousgravitas and popularity maybe attributed to theinstantaneous grasp hissculpture achieves over theviewer‘s mind and feelings;the work asks of you bothengagement andastonishment, casting a spellon their audience on severallevels, and they are oftentheatrical, as the word“audience” suggests.Frequently executed atextremes of scale, Kapoor’swork is both a feat ofengineering and oftransmutation of form. Heworks in the most physical,tangible and earthly ofmaterials – pigment, stainlesssteel, stone, resin and wax –yet his sculptures utiliseunderstanding of what mightbe termed the physical

sciences through art tosuggest, through the utterlyphysical, the unutterable, andeventually the metaphysical.

The concave (therefore alsoconvex) disc, perhaps thesculptural form at which hiswork most comes to restphilosophically, is the modelor epitome of these qualities.The viewer is drawn to lookinto the strangebottomlessness of thereflective surface, absorbedby the work through its depthof pigmentation and theendlessly shape-shiftingforms created within the lowbowl. This mesmerising,dream-holding quality meansthat the viewer experiencesand feels the work asopposed to merely observingit; the sculpture engages itsviewer, or holder, at asuggestive and psychological,as well as a pleasing physical,level. This work is the productof the artist’s profoundcapacity to render in form hiscontinuing conversation withthe world that speaks aboutlight and darkness, presenceand absence, the solid andthe intangible.

The work illustrated here forsale is one such classic discform. Created as one of asmall, exclusive limitededition run for the recipientsof a prestigious arts award inthe UK in 2011, it is one of thefew examples in this seriescoloured in the blood-redpigment which is soimportant in Kapoor’s work.

The domestic scale is also ahighly unusual and desirablequality given the morefamiliar and all but“untameable”, vastproportions of Kapoor’s work.

ANISH KAPOOR


78§ HA864/1ANISH KAPOOR C.B.E., R.A.(INDIAN/BRITISH b. 1954)RED DISCSigned and dated 2011 verso,coated stainless steel

30cm (11.75in) diameter

£40,000-60,000



41




42

80§ HB400/3HADRIAN PIGOTT(BRITISH b. 1961)“BOY”Inscribed and dated 1995,soap in original ‘Rexona’packaging

10cm x 6cm (4in x 2.5in)

81§ HB107/3GEOFFREY CLARKE(BRITISH b. 1924)BROKEN FORMAluminium

19cm x 10.5cm (7.5in x 4.25in)

£2,000-3,000

79§ HB107/2GERALD LAING(BRITISH 1936-2011)PRINTSigned, inscribed, dated andnumbered ‘London 1965’22/46, painted stainless steel

42.5cm (16.75in) long

£1,000-1,500

Note:Hadrian Pigott was represented byVictoria Miro Gallery in the 1990s,showing extensively and makingwork that often looked at theexcesses of consumer culture.Examples of his soap sculptureswere purchased by the SaatchiGallery and his work featured in theYoung British Artists V exhibition.

£400-600


82§ HB511/1DAMIEN HIRST(BRITISH b. 1965)SKULLSigned and inscribed ‘ForLynn,’ pen on CrucibleTheatre notepaper

21cm x 14.5cm (8.25in x 5.75in)

£1,000-1,500



43

83§ HB511/2DAMIEN HIRST(BRITISH 1965)SHARKSigned and inscribed ‘ForLynn’, pen on CrucibleTheatre notepaper

21cm x 14.5cm (8.25in x 5.75in)

£1,000-1,500


84§ HB430/2NAEL HANNA(IRAQI/SCOTTISH b. 1959)COASTAL SCENE IN GREYSigned, oil on canvas

46.5cm x 73cm (18.25in x 28.25in)

£1,000-1,500



44

86§ HB439/1DAVID MCLURE(SCOTTISH 1926-1998)FISHING BOATS AT LOW TIDESigned, oil on canvas

30cm x 39cm (11.75in x 15.25in)

£2,000-3,000

85§ SV484/11ALEXANDER GOUDIE(SCOTTISH 1933-2004)DAWN LOCTUDYSigned, oil on canvas

23.5cm x 54cm (9.25in x 21.25in)

£400-600


88§ FE290/6SIR ROBIN PHILIPSON R.A.,R.S.A., R.S.W., R.G.I., D.LITT.(SCOTTISH 1916-1992)MARTYRDOM 1, 1967Mixed media on canvas


£1,000-1,500



45

87§ HB190/1DOUGLAS THOMSON(SCOTTISH b. 1955)BLACK DOOR, 2003Signed, signed and inscribedwith title verso, oil on canvas

90cm x 100cm (35.5in x 39.5in)

£400-600


89§ HB48/4CAROLINE MCNAIRN(SCOTTISH 1955-2010)PORTRAITSigned, pastel andwatercolour


£400-600



46

91§ HB190/2DOUGLAS THOMSON(SCOTTISH b. 1955)THE PROUD MAN, 2000Signed and inscribed with titleverso, oil on canvas


£250-350

90§ HA990/3WILLIAM CROSBIE R.S.A.(SCOTTISH 1915-1999)PORTRAIT OF A WOMANWITH A BLACK CAPESigned and dated IXIV, oil oncanvas

100cm x 74cm (39.25in x 29in)

£800-1,200


93§ HA825/4JAMES FULLARTON(SCOTTISH b. 1946)PINK AND RED POPPIESSigned, oil on canvas

90cm x 105cm (35.5in x 41.25in)

£2,000-3,000



47

92§ HB175/1JAMES DOWNIE ROBERTSONR.S.A., R.S.W.(SCOTTISH 1931-2010)PLANT FORMSSigned and dated ‘73, oil onboard

68cm x 107cm (26.75in x 42in)

£1,000-1,500


94§ FG412/13JAMES FULLARTON(SCOTTISH b. 1946)REFLECTIONSSigned, oil on canvas


£700-900



48

96§ SV369/13CLAIRE HARRIGAN R.S.W.(SCOTTISH b. 1964)CHERRY BLOSSOM ANDCHINESE CLOTHAcrylic and oil pastel on paper

57cm x 77cm (22.5in x 30.25in)

£500-700

95 HB342/3DONALD MANSON(SCOTTISH CONTEMPORARY)ZEPHYRSigned, oil on canvas

59cm x 89.5cm (23.25in x 35.25in)

£500-700


97§ HB426/4JOHN LOWRIE MORRISONO.B.E. (SCOTTISH b. 1948)MORNING LIGHT,PITTENWEEMSigned, signed, titled anddated ‘2009’ verso, oil oncanvas

14cm x 14cm (5.5in x 5.5in)

£500-700



49

99§ HB458/1JAMES HAWKINS(BRITISH b. 1954)STAC POLAIDHSigned and dated ‘90, signedand inscribed with title verso,watercolour

22cm x 28cm (8.5in x 11in)

£300-500

98§ HB334/2RAYMOND GILLESPIE(BRITISH CONTEMPORARY)WHITE SAILSigned with initials and dated‘91, acrylic on paper

31cm x 12.5cm (12.25in x 5in)

Exhibited:Thomas Caldwell Gallery, Belfast

£150-250


100§ HA825/3DAVID GLUCK(BRITISH 1939-2007)STILL LIFE IN THE STUDIOSigned, watercolour

73cm x 102cm (28.75in x 40in)

£300-500



50

102§ HA4/4DAVID ABERCROMBIEDONALDSON R.S.A., R.P.,L.L.D. (SCOTTISH 1916-1996)VILLAGE CHURCHSigned, oil on canvas

49cm x 49cm (19.25in x 19.25in)

£600-900

101§ HA795/4JACK KNOX (BRITISH b. 1936)WHEATSHEAF AND BROWNJUGSigned, oil on canvas laid onboard

24cm x 34cm (9.5in x 13.5in)

£400-600


103§ HB322/1WILLIAM WILSON(BRITISH CONTEMPORARY)STAGWelded metal

Approx. 180cm x 177cm x 77cm

(71in x 69.5in x 30in)

£2,500-3,500



51

104§ HB440/1JACK KNOX R.S.A.(SCOTTISH b. 1936)GROUSE WITH RED HEADSigned, signed and dated ‘86verso, oil on canvas


£700-900


105§ HA4/5DAVID ROSS WARRILOW(SCOTTISH b. 1956)TURBO SHELL1990, oil on board


£400-600



52

107§ HA4/6DAVID ROSS WARRILOW(SCOTTISH b. 1956)NAUTILUSSigned verso, oil on board


£400-600

106§ HA346/1SUE BIAZOTTI(SCOTTISH CONTEMPORARY)ARDSKEENISH, ISLE OFCOLONSAYSigned, oil on canvas

89cm x 120cm (35in x 47.25in)

£200-300


108§ HB430/1ALBERTO MORROCCO O.B.E.,R.S.A., R.S.W.(SCOTTISH 1917-1998)CAT UNDER THE TABLESigned and dated ‘86, oil oncanvas

36cm x 100cm (14in x 39.5in)

£3,000-5,000



53

109§ HB436/1ALBERTO MORROCCO O.B.E.,R.S.A., R.S.W.(SCOTTISH 1917-1998)THE ARTIST’S WIFE ANDCHILDSigned and dated ‘62,charcoal

49cm x 35cm (19.25in x 13.75in)

£600-800


110§ HB399/5ANDREW HOOD (BRITISH b. 1964)HARVESTERS IN PROVENCESigned, oil on board

31cm x 44cm (12.25in x 17.25in)

Provenance:Directly from the artist

£300-500



54

112§ HB399/6ANDREW HOOD(BRITISH b. 1964)A VIEW FROM MY HOTELWINDOW, DELHISigned, oil on board

34cm x 35cm (13.5in x 13.75in)


£300-500

111§ HB510/16DOUGLAS THOMSON(SCOTTISH b. 1955)TRIO OF YOUTHSSigned, oil on canvas

105cm x 65cm (41.25in x 25.5in)

£300-500


113§ HB473/1GORDON MITCHELL R.S.A.,R.S.W., R.G.I.(SCOTTISH 1952)ILLUSIONSigned and dated ‘78, oil oncanvas

99cm x 65cm (39in x 25.5in)

£1,500-2,500



55

114§ HB97/3LILLIAN NEILSON(SCOTTISH 1938-1998)WEE FISHERSigned and dated (1970)

and inscribed with title verso,oil on board.

29cm x 60cm (11.25in x 23.5in)

£500-700


115§ HB503/2JOHN BELLANY C.B.E., R.A.(SCOTTISH 1942-2013)PORTRAIT OF GRAHAMMARTIN - ARCHITECT ANDFRIENDSigned, inscribed with titleand dated ‘83, pen and ink

85cm x 59cm (33.5in x 23.25in)

and a further two by the samehand (3)

£2,000-3,000



56

116 HB342/2DONALD MANSON(SCOTTISH CONTEMPORARY)CHOCOLATE CHERRY CAKESigned, oil on canvas

58cm x 48.5cm (22.75in x 19in)

£500-700


117§ FG412/15ARCHIE FORREST(SCOTTISH 20TH CENTURY)BEDSIDE BOUQUET 1Signed, oil on linen


£800-1,200



57

118§ HB48/5CAROLINE MCNAIRN(SCOTTISH 1955-2010)JAZZ FIGURESOil on canvas, indistinctlysigned

29cm x 29cm (11.5in x 11.5in)

and another, a pair (2)

£1,000-1,500


119§ HA554/11STEVEN CAMPBELL(SCOTTISH 1952-2007)FIGURE IN THE WOODSOil on wallpaper fragment


£1,500-2,000



58

THE STEVEN CAMPBELL TRUSTLyon & Turnbull are pleased to be selling the following lots (119-126) on behalf ofThe Steven Campbell Trust.

The Trust was founded in 2009, gaining charitable status in 2010. Thefundamental aim of the Trust is to seek to broaden creative thinking and creativeoutput in individuals and communities of practice in a manner which reflects theinnovative and imaginative works of Steven Campbell. Steven Campbell was oneof the most influential artists of his time and his work made a significant andunique contribution, enhancing the international recognition and reputation ofScottish Art. The work of the Trust is cross-disciplinary involving formal andinformal education at local, national and professional level supporting students,young creative artists, undergraduates and postgraduates covering education,training and research as well as the development of individual's capabilities,skills and understanding.


120§ HA554/3JACK KNOX(BRITISH b. 1936)WELLSigned and indistinctlyinscribed with title, mixedmedia and watercolour onpaper

58cm x 77.5cm (22.75in x 30.5in)

£300-500



59

121§ HA554/13ALEXANDER MOFFAT O.B.E.,R.S.A. (BRITISH b. 1943)THE MINOTAURSigned, signed and dated2008, oil on canvas

121.5cm x 174cm (47.75in x 68.5in)

£1,500-2,500


122§ HA554/9SAM AINSLEY(SCOTTISH CONTEMPORARY)BRUISED AND TENDER LOVESigned, titled and dated 2008verso, collage and mixedmedia

14cm x 14cm (5.5in x 5.5in)

and another ‘BetweenConnection and Loss’, a pair(2)

£200-300



60

123§ HA554/10JOHN MACKECHNIE R.S.A.(SCOTTISH b. 1949)MOVING TARGET 1Archival ink and acrylic onperspex


Exhibited:Panter and Hall, London

£200-300


124§ HA554/2JOHN BYRNE(SCOTTISH b. 1940)DESSIE LOVES ?Signed, oil on canvas, in ahand-painted frame

75cm x 60cm (29.5in x 23.5in)

£6,000-8,000



61


125§ HA554/4ALASDAIR GRAY(SCOTTISH b. 1934)DOMESTIC CONVERSATIONSigned, numbered 12/90 anddated ‘01.01.2006’ to margin,silkscreen print

38cm x 49cm (15in x 19.25in)

£200-300



62

126 HA554/1BRUCE MCLEAN(SCOTTISH b. 1944)WAITER WAITER THERE’S AGEORGE VANTONGERLOO INMY BROWN WINDSOR2010, photograph


£2,000-3,000


127§ HB334/6BRUCE MCLEAN(SCOTTISH b. 1944)WHITE WOMAN GREY MANRED LINO, 1985Signed and numbered 35/100in pencil, screenprint withhandcolouring

79.5cm x 96.5cm (31.25in x 38in)

Exhibited:The Scottish Gallery, Edinburgh

£500-700

63

Prints & Multiples

Whilst many artists arecontent to establish anartistic territory and workwithin it, Bruce McLean haskept moving. Like manyseminal artists, including hisart school contemporariesGilbert and George, McLeanrebelled against what he sawas formal academicismpropagated by the teaching ofAnthony Caro and Phillip Kingduring his time at St. Martin’sSchool of Art.

It was this discontent withinstitutionalised art thatprovoked such an unusualartistic trajectory. Sculpture,

photography or complexperformance art; McLeanseems to skip freely acrossany categorisation. He waseven in a band for a time,Nice Style, playing alongsidethe Kinks and Ian Drury intheir 1970’s heyday. Hispractise has increasinglyturned towards painting andprintmaking; suitable vehiclesfor his parodies of theexpressionistic style popularin the 1980s and suited to hissomewhat punky aesthetictendencies.

Influenced by the AmericanPop Art movement, McLean

employs irreverent humour totackle the pretensions of theart world and manages toconfront wider social issueswithout being sanctimonious.A typical instance was in 1972when the artist was offeredan exhibition at the TateGallery and McLean, in aperfect example of hissatirical style, elected for a‘retrospective’ lasting merelyone day.

BRUCE MCLEAN


128§ HB441/1BRUCE MCLEAN(SCOTTISH b. 1944)HORIZONTAL DAWNSigned and numbered 9/60,hand-finished screenprint

153cm x 115.5cm (60.25in x 45.5in)

£2,000-3,000



64

129§ HB441/2BRUCE MCLEAN(SCOTTISH b. 1944)VERTICAL DUSKSigned and numbered 9/60,hand-finished screenprint

153cm x 115.5cm (60.25in x 45.5in)

£2,000-3,000


130§ HB399/7BRUCE MACLEAN(SCOTTISH b. 1944)SPAGHETTLI ALLE VONGOLETWICESigned and dated 1995,inscribed with title andnumbered 332/500 in pencil tomargin, screenprint

59cm x 79cm (23.25in x 31in)

£600-800



65

132§ HA346/5ASHLEY COOK(SCOTTISH CONTEMPORARY)RELAXING WITH YOURPRINCESigned numbered 2/7 anddated ‘87, mixed media

53.5cm x 79cm (21in x 31in)

£100-150

131§ HB454/1FRED DEAKIN(CONTEMPORARY BRITISH)GOING PLACESSigned, dated ‘96 andnumbered 1/15 in pencil tomargin, screenprint

62cm x 86cm (24.5in x 34in)

£300-500


133§ HB332/15STEPHEN CONROY(SCOTTISH b. 1964)LIVING THE LIFESigned, titled and numbered6/10 in pencil to margin,etching

31.5cm x 24cm (12.5in x 9.5in)

£300-500



66

135§ HB332/1KEN CURRIE(SCOTTISH b. 1960)UNION ORGANISERSigned and dated 1987 inpencil to margin, numbered10/20, lithograph


£300-500

134§ HB332/2STEPHEN CONROY(SCOTTISH b. 1964)WINDSCALESigned, titled and numbered1/10, etching

31.5cm x 23.5cm (12.15in x 9.25in)

£300-500


136§ HB334/5BARBARA RAE C.B.E., R.A.,R.S.A. (SCOTTISH b. 1943)VENUS AND JARDINIERE,1997Signed and inscribed with titlein pencil to margin, numbered8/15, etching

29cm x 39.5cm (11.5in x 15.5in)


£400-600



67

137§ HB466/1BARBARA RAE C.B.E., R.A.,R.S.A. (SCOTTISH b. 1943)WHITE DOG WASH, 2000Signed, inscribed with titleand numbered 30/40,screenprint

92cm x 120cm (36in x 47in)

£800-1,200


138§ HB332/4KEITH MACINTYRE(BRITISH b. 1959)ANGEL MASKSigned, dated ‘91 andnumbered 5/32 in pencil,colour lithograph


and another by the samehand, a pair (2)

£400-600



68

140§ HB463/2GEORGES ROUAULT(FRENCH 1871-1958)AU PRESSOIR LE RAISIN FUTFOULE, FROM MISEREREInitialled and dated 1992 inplate, aquatint

40cm x 48.5cm (15.75in x 19in),

unframed

£700-900

139§ HB286/1IAN FLEMING(SCOTTISH 1906-1994)AND THEY GROW FATSigned and numbered (7/20)to margin, inscribed ‘ToEdward Gage, With thanks,’etching

17cm x 22.5cm (6.25in x 9in)

£250-350


141§ HB334/8PAT DOUTHWAITE(SCOTTISH 1939-2002)KIMONO, 1987Signed and numbered 5/20,hand coloured lithograph

76cm x 56.5cm (30in x 22.25in),

unframed


£150-250



69

143§ HA796/3EDWARD GAGE R.S.W.(SCOTTISH 1925-2000)QUEEN OF THE BIRDSSigned and numbered 9/38 tomargin, colour lithograph

59.5cm x 44.5cm (23.5in x 17.5in)

£200-300

142§ HB447/1GRAHAM SUTHERLAND O.M.(BRITISH 1903-1980)CHAUVE SOURISFrom the ‘Bestiary Suite’1967, artist’s proof (inscribed‘Epreuve l’artiste’)

and signed in pencil tomargin, colour lithograph

66cm x 50cm (26in x 19.75in)

£500-700


144§ SV369/12ELSPETH LAMB R.S.A.(SCOTTISH CONTEMPORARY)TEMPE, TRIPYCHIndistinctly titled, screenprint

101cm x 251cm (39.75in x 98.75in)

£1,200-1,800



70

Elspeth Lamb is an expertprintmaker with a long-standing commitment to thedevelopment of printmakingthrough her diverse repertoireof silkscreen, collage,lithograph, screen-printingand papermaking. Lambtrained at the Glasgow Schoolof Art, ManchesterMetropolitan University andthe Tamarind Institute ofLithography, University ofNew Mexico. She then spenttwenty years teaching atEdinburgh College of Art,latterly as Head of thePrintmaking Department,before ending all heracademic teachingcommitments in 1999 to focus

on her freelance work asartist and educator. Sincethen she has organised anddelivered printmaking andpapermaking workshopsacross Scotland andundertaken residenciesinternationally.

Fairy tales, myths and thetheme of enchantment arelong-standing inspirations forLamb. While a long-heldfascination with Japaneseculture was given the spaceto expand with a ten-weekresidency in Japan in 2000.Once there she studied undermaster craftsmen to learnmoku hanga, traditionalwoodcut printing using water-based inks to create vivid

colours and transparencies.She returned to Japan againin 2002 to undertake researchfor her successful book,Papermaking forPrintmakers. Around thesame time, Lamb alsoproduced an artist’s bookNagasawa Cantrips. Cantripsis an old Scots word formagic, while Nagasawa is therural area where she stayed,so literally Nagasawa Magic.This title reveals the dualinfluences of the prints:incorporating traditional andmodern printmakingtechniques and referencingboth Eastern and Westernthinking on arts, alongsidesome of Lamb’s own favouritethemes and emblems.

Lamb is an R.S.A.Academician, and an electedmember of the Society ofScottish Artists and RoyalGlasgow Institute. Her work isincluded in majorinternational collectionsincluding the JapaneseConsular Collection, TheBritish Council and the JoanMiro Foundation Collection.The five works offered herefrom private collectionsclearly demonstrate hermodern approach andcommitment to vibrant colourand texture.

ELSPETH LAMB


145§ SV369/5ELSPETH LAMB R.S.A.(SCOTTISH CONTEMPORARY)THE BURIED MIRRORSigned and titled, screenprint

96cm x 76cm (37.75in x 30in)

£200-300



71

147§ SV369/7ELSPETH LAMB R.S.A.(SCOTTISH CONTEMPORARY)ARIADNESigned and inscribed with titleand dated ‘90, screenprintand collage

135cm x 101cm (53in x 40in)

£300-500

146§ HA346/3ELPSETH LAMB R.S.A.(SCOTTISH CONTEMPORARY)21: CHINESE SIGNSSigned and inscribed withtitle, screenprint onhandmade paper

25cm x 30cm (9.75in x 11.75in)

Exhibited:‘Cornerstones,’ Compass GalleryGlasgow, May 1992.

£150-250


148§ SV369/2ELSPETH LAMB(SCOTTISH CONTEMPORARY)DANAIDS 1Signed and inscribed with titlein pencil, monotype andcollage

78cm x 107cm (30.75in x 42in)

£200-400



72

150§ HB334/1WILLIAM GEAR R.A., F.R.S.A.(SCOTTISH 1915-1997)ORANGE AND BLACKABSTRACTSigned and dated ‘49 in pencilto margin, numbered 17/25,colour lithograph

24.5cm x 38cm (9.5in x 15in)

Exhibited:Belgrave Gallery, St Ives

£250-350

149§ HB332/3PETER HOWSON O.B.E.(SCOTTISH b. 1958)THE BIG MATCHSigned, titled, dated ‘89 andnumbered 6/30 in pencil tomargin, lithograph

42cm x 56cm (16.5in x 22in)

£300-500




73

153§ HB452/1JANE CAREY(BRITISH CONTEMPORARY)TIMING IS RIGHTSigned, inscribed with titleand numbered 4/10 in pencilto margin, etching

44cm x 39.5cm (17.25in x 15.5in)

£150-250

152§ HB463/1JOHN BELLANY C.B.E., R.A.(SCOTTISH 1942-2013)CELTIC MAIDENSigned, titled and numbered78/80 in pencil to margin,etching aquatint

95.5cm x 75.5cm (37.5in x 29.5in),

unframed

£250-350

151§ HB395/1DAME ELIZABETHBLACKADDER D.B.E., R.A.,R.S.A. (SCOTTISH b. 1931)VENICE CATSSigned, inscribed with titleand marked p.p. in pencil tomargin, studio stamped,etching

33cm x 36.5cm (13in x 14.5in)

(including margins)

£300-500




74

154 HB449/2RONALD BROOKS KITAJ(AMERICAN 1932-2007)BACON 1Signed and dated 8/70 inpencil to margin, screenprint;ROGER BISSIERE(FRENCH 1886-1964),OCTOBRE, Signed, numbered87/150 in pencil to margin,colour lithograph; KARELAPPEL (DUTCH 1921-2006),UNTITLED, Signed andnumbered 136/200 in pencil tomargin, screenprint; andanother, indistinctly signedand numbered 49/60 in pencilto margin, screenprint, allunframed (4)

£1,000-1,500


155§ HB334/11JOCK MCFADYEN(SCOTTISH b. 1950)CRAMOND 11, 1992Signed, inscribed with title,dated and numbered 3/30 inpencil to margin, etching

33cm x 26.5cm (13in x 10.5in),

unframed

Exhibited:William Jackson Gallery, London

£250-350



75

157§ HB334/9WILL MCLEAN M.B.E., R.S.A.,R.S.W. (SCOTTISH b. 1941)SEA SHRINE2000, mixed media andcollage on paper

41cm x 27.5cm (16in x 10.75in),

unframed

£300-500

156§ HB334/10JOCK MCFADYEN(SCOTTISH b. 1950)PUB STRIPPER, 1992Signed, inscribed with titleand numbered 10/35 in pencil,etching

76cm x 58cm (30in x 22.75in),

unframed

Exhibited:William Jackson Gallery, London

£250-350


158§ HB329/4ANTONI TAPIES(SPANISH b. 1923)UNTITLED (EYE)Signed and numbered 33/50to margin, lithograph

75cm x 105.5cm (29.5in x 41.5in)

£400-600



76

160§ HB336/1CHARMING BAKER(BRITISH b. 1964)WHAT A STRANGE ANDBEAUTIFUL THING LIFE, 2010Signed and inscribed AA tomargin in pencil, numbered35/95 and studio stamped,giclee print

58cm x 84cm (22.75in x 33in)

£800-1,200

159§ HB329/5DAVID HOCKNEY(BRITISH b. 1937)THE SHOP WINDOW OF ATOBACCO STOREFrom ‘Illustrations forFourteen Poems by C.P.Cavafy,’ etching with aquatint

36cm x 24cm (14.25in x 9.5in)

£150-250


161§ HB399/2GERALD LAING(BRITISH 1936-2011)THE KISSSigned, dated 2007, inscribedwith title and numbered 76/90in pencil to margin,screenprint

110cm x 94cm (39.5in x 37in)

Exhibited:Sims Reed Gallery, Bury Street

£2,500-3,500



77

162§ HB399/3GERALD LAING(BRITISH 1936-2011)DOMESTIC PERSPECTIVE,2009Signed, inscribed with titleand dated in pencil to margin,artist proof and numbered10/10 in roman numerals,screenprint

128cm x 68cm (50.5in x 26.75in)

Exhibited:Sims Reed Gallery, Bury Street

£2,000-3,000


163§ HB463/3BERNARD BUFFET(FRENCH 1928-1999)THE MICROSCOPESigned in plate, signed inpencil to margin and signedand dated ‘69 verso,lithograph

72.5cm x 56cm (28.5in x 22in),

unframed

£300-500



78

165§ HB399/8VINCENT POOLE(BRITISH CONTEMPORARY)SUMMER IN THE CITYSigned and numbered 1/19 inpen, printed with title, signedverso, digital print on perspex,mounted on aluminium

70cm x 39cm (27.5in x 15.25in)


£200-300

164 HB454/2JEFF KOONS(AMERICAN b. 1955)ART MAGAZINE ADS 1988-89Signed, dated and numbered33/80 in pencil to margin,colour lithograph

90cm x 70cm (35.5in x 27.5in)

Note:Originally, part of portfolio of fourcolour lithographs

Exhibited:Anthony d’Offay Gallery, London

£700-900


166§ HB329/3SIR EDUARDO PAOLOZZI(SCOTTISH 1924-2005)AGILE COIN GROSSDECISION LOGICSigned, dated 1970 andnumbered ‘40/100.’ From theZero Energy ExperimentalPile, Volume 1, PetersburgPress. Lithograph andscreenprint on astrolux paper,laminated to clear acrylic.

84cm x 58cm (33in x 22.75in)

£400-600



79

168§ HB329/1SIR EDUARDO PAOLOZZI(SCOTTISH 1924-2005)HUMAN FATE AND WORLDPOWERSSigned, dated 1970 andnumbered ‘40/100.’ From theZero Energy ExperimentalPile, Volume 1, PetersburgPress. Lithograph andscreenprint on astrolux paper,laminated to clear acrylic

84cm x 58cm (33in x 22.75in)

£400-600

167§ HB329/2SIR EDUARDO PAOLOZZI(SCOTTISH 1924-2005)HOLLYWOOD WAX MUSEUMSigned, dated 1970 andnumbered ‘40/100.’ From theZero Energy ExperimentalPile, Volume 1, PetersburgPress. Lithograph andscreenprint on astrolux paper,laminated to clear acrylic

84cm x 58cm (33in x 22.75in)

£400-600


169§ HB399/4ADAM NEATE (BRITISH 1977)TRIPTYCH WITH CHAIRSigned and dated 2007,numbered 26/50 in pencil tomargin, studio stamped,screenprint

71cm x 155cm (28in x 61in)

£600-800



80

170 HB501/1JULIAN SCHNABEL(AMERICAN b. 1951)MONTAUKSigned and dated 2001 inpencil, inscribed andnumbered AP III/X, serigraph

70cm x 90cm (27.5in x 35.5in)

£2,000-3,000


171§ HB399/1IAN DAVENPORT(BRITISH b. 1966)ROYAL BLUE ETCHING, 2011Signed and dated in pencil tomargin, numbered 2/30,colour etching

83cm x 79cm (32.75in x 31in)

Exhibited:Alan Cristea Gallery, Cork Street

£800-1,200



81

172§ HB441/6IAN HAMILTON FINLAY(SCOTTISH 1925-2006)AND EVEN AS SHE FLED I...(IN COLLABORATION WITHJOHN NASH)1987, lithograph

and two further works by thesame hand, ‘And Even as SheFled 2’ and ‘A proposal for agarden built on a slope’ (3)

£400-600


173§ HB441/9IAN HAMILTON FINLAY(SCOTTISH 1925-2006)DIE HEIMAT IST NICHT DASLAND (IN COLLABORATIONWITH ANDREW WHITTLE),1995, Signed and numbered8/75 in pencil to margin,screenprint

66cm x 84cm (26in x 34.5in)

£800-1,200



82

174§ HB441/8IAN HAMILTON FINLAY(SCOTTISH 1925-2006)A ROCK ROSE(COLLABORATION WITHRICHARD DEMARCO)1971, screenprint

38cm x 55cm (15in x 21.5in)

£1,000-1,500


175§ HB441/7IAN HAMILTON FINLAY(SCOTTISH 1925-2006)EVENING/SAILScreenprint


£1,000-1,500

END OF SALE



83


84

The following expressions withtheir accompanyingexplanations are used by Lyon &Turnbull as standardcataloguing practice. Our use ofthese expressions does not takeaccount of the condition of thelot or the extent of anyrestoration.

Buyers are recommended toinspect the propertythemselves. Written conditionreports are usually available onrequest.

Name(s) or RecognisedDesignation of an Artist withoutany Qualification In our opinion a work by theartist

Attributed to...In our opinion probably a workby the artist in whole or in part.

Studio of ... / Workshop of ...In our opinion a work executedin the studio or workshop of theartist, possible under hissupervision


IndexCataloguing Terms

Circle of ...In our opinion a work of theperiod of the artist and showinghis influence.

Follower of ...In our opinion a work executedin the artist’s style but notnecessarily by a pupil.

Manner of ...In our opinion a work executedin the artist’s style but of a laterdate

After ...In our opinion a copy (of anydate) of a work of the artist.

Signed ... /Dated ... /Inscribed ... /In our opinion the work hasbeen signed/dated/inscribed bythe artist.

BearsSignature ... /Date ... /Inscription ... /In our opinion thesignature/date/inscriptionappears to be by a hand otherthan that of the artist.

Dimensions are given heightbefore width.

Adamson, C., 50Ainsley, S., 122Ayrton, M., 57

Baker, C., 160Bellany, J., 14, 15, 16, 33, 34,

115, 152Biazotti, S., 106Blackadder, Dame E., 58, 59,

151Boyd, J., 46Buffet, B., 163Buyers, D.M., 31, 33Byrne, J., 75, 124

Campbell, S., 40, 119Carey J., 153Clarke, G., 81Cocker, D., 44Conroy, S., 133, 134Cook, A., 132Cosgrove, J., 71Crayk, F., 52Crosbie, W., 90Crowe, V., 47Currie, K., 135

Davenport, I., 171Davie, A., 62Deakin, F., 131Devlin, G., 42

Neate, A., 169Neilson, L., 25, 27, 114

Oram, A., 53

Paolozzi, Sir E., 77, 166, 167,168

Philipson, Sir R., 3, 88Pigott, H., 80Poole, V., 165

Rae, B., 63, 136, 137Robertson, I., 60Robertson, J.D., 92Rouault, G., 140

Schnabel, J., 170Schotz, B., 76Schueler, J., 10Shanks, T., 13Squire, G., 56Sutherland, G., 142Symanski, R., 45

Tapies, W., 158Thomson, D., 38, 39, 87, 91, 111

Warrilow, D.R., 105, 107Wilson, W., 103Wiszniewski, A., 70Wyllie, G., 17, 18

Innes, C., 72, 73, 74

Jack, L., 64Johnstone, W., 61

Kapoor, A., 78Kitaj, R.B., 154Knox, J., 12, 101, 104, 120Koons, J., 164

Laing, G., 79, 162, 163Lamb, E., 144-148Lassen, J., 6, 7, 8Lawrence, E., 51

Macintyre, K., 138Mackechnie, J., 123Mackenzie, W., 55Manson, D., 26, 54, 95, 116Martin, D.M., 19, 24McClean, W., 157McClure, D., 9, 28, 86McFadyen, J., 155, 156McLaren, P., 21, 68, 69McLean, B., 126-130McNairn, C., 89, 118Mitchell, G., 113Moffat, A., 37, 121Morrison, J.L., 97Morrocco, A., 108, 109Morrocco, L., 4, 20

Dolbear, G., 49Donaldson, D.A., 102Douthwaite, P., 141

Enwonwu, O.B.C.B., 43

Finlay, I.H., 172-175Fleming, I., 139Forrest, A., 5, 117Fraser, V., 48Fullarton, J., 93, 94

Gage, E., 143Gear, W., 150Gillespie, R., 98Gluck, D., 100Goudie, A., 85Gray, A., 125

Haig, E., 22, 23Hanna, N., 84Harrigan, C., 96Hawkins, J., 2, 32, 34, 99Herman, J., 41Hirst, D., 82, 83Hockney, D., 159Hood, A., 110, 112Houston, J., 1, 11, 29Howie, J., 30Howson, P., 65, 66, 67, 149


85

www.freemansauction.com

Alasdair Nichol [email protected]

This rare collection of world famous American and Europeanpainters from Corot and Boudin to Benson and Hassam hasbeen in private hands and unseen for nearly 100 years.

JEAN BAPTISTE CAMILLE COROT(french 1796-1875)

"GARDEN GATE"Signed 'Corot' bottom left, withpartial label verso oil on canvas13 x 18 1/4 in. (33 x 46.4cm)$60,000-80,000(detail)

www.freemansauction.com

Modern & Contemporary Artfeaturing a Private Collection

Auction 05/03/15 ROY LICHTENSTEIN(american, 1923-1997)

“THE RIVER”from “landscape series”

1985, from the edition of 60Color lithograph, woodblock and screenprint40 x 55 1/2 in. (101.6 x 141cm)$60,000-80,000 (£38,000-52,000)(detail)

Anne Henry +1 [email protected]

Visit our website or call +1 267.414.1256to purchase a catalogue.


86

1. DEFINITIONS

In these Conditions of Sale (Sellers):

“Auctioneer” means Lyon & Turnbull Ltdor its authorised auctioneer, asappropriate;

“Buyer“ is the person who makes thehighest possible bid or offer accepted bythe auctioneer, and/or such person’sprincipal where bidding as agent;

“Buyer‘s Premium” is the commissionpayable by the Buyer on the HammerPrice at the rates set out in the SaleCatalogue Guide to Prospective Buyersand an amount in respect of applicableVAT;

“Hammer Price” is the highest bidaccepted by the auctioneer by the fall ofthe hammer or in the case of a post-auction sale, the agreed sale price;

“Item” means each and every itemconsigned for sale following expresswritten agreement between Lyon &Turnbull and the Seller;

“Lot“ means each Item offered for saleby Lyon & Turnbull;

“Lower Estimate” means the lowestimate provided by Lyon & Turnbull tothe Seller in relation to each Item, or inrelation to any Item which Lyon &Turnbull holds on behalf of the Seller;

“Lyon & Turnbull” means the companywhich has its registered office at 33Broughton Place, Edinburgh, EHI 3RRregistered in Scotland No. 191166

“Net Sale Proceeds” are the HammerPrice, less commissions and othercharges, of the Lot sold, to the extentreceived by Lyon & Turnbull in clearedfunds;

“Proposed Sale” means the intendedsale through which the items will besold on

“Purchase Price” is the Hammer Priceand applicable Buyer‘s Premium;

“Reserve” means the lowest price belowwhich an item cannot be sold;

“Upper Estimate” means the highestimate provided by Lyon & Turnbull tothe Seller in relation to each Item, or inrelation to any Item which Lyon &Turnbull holds on behalf of the Seller;

“Terms of consignment” means thestipulated terms and rates ofcommission on which the Auctioneeraccepts instructions from Sellers ortheir agents;

“You”, “Your” means the seller

“Us”, “Our”, “We” etc refers to Lyon &Turnbull Ltd

The singular includes the plural andvice versa as appropriate.

2. WARRANTY OF TITLE ANDAVAILABILITY

The Seller warrants:-

(a) that you are the true owner of theproperty consigned or are properlyauthorised by the true owner to consignit for sale and are able to transfer goodand marketable title to the property freefrom any third party claims.

(b) that all requirements have beencomplied with, legal or otherwise,relating to any export or import of theproperty consigned, all duties and taxesin respect of the export or import of thelot have (unless agreed in writing withus) been paid and, so far as you and any

principal for whom they are acting inrelation to the lot are aware, all thirdparties have complied with suchrequirements in the past.

(c) that you have provided Lyon &Turnbull with any and all informationconcerning the item’s provenance orany concerns expressed by thirdparties concerning its ownership,condition, authenticity, attribution, andexport or import history; and

(d) Unless the Seller advises Lyon &Turnbull in writing to the contrary ondelivery of the item to Lyon & Turnbull,there are no restrictions on Lyon &Turnbull rights to reproducephotographs or other images of theitem in connection with the sale or anyother marketing which will be done inaccordance with good taste anddecency.

3. PREPARATION FOR SALE

(a) Lyon & Turnbull shall decide theway in which a lot may be included inthe sale, how any lot is described andillustrated in the catalogue or anyreport, and the marketing, promotion,date, place and conduct of the sale.

(b) Lyon & Turnbull will instruct,consult with, and rely on, any outsideexperts or restorers, agents or otherthird parties, and carry out such otherdue diligence, inquiries, research ortests in relation to the property or itsprovenance, either before theProposed Sale as it may deemappropriate in its reasonable discretion.

(c) Any oral or written estimate orevaluation or report provided by Lyon& Turnbull is a genuinely held opiniononly. It may not be relied on as aprediction of the selling price or value ofthe Item, and may in Lyon & Turnbull’sabsolute discretion be revised fromtime to time.

(d) The Seller acknowledges thatattribution of Items is a matter ofopinion and not of fact, and isdependent upon (amongst other things)information provided by the Seller, thecondition of the property, the degree ofresearch, examination or testing that ispossible or practical in thecircumstances, and the status ofgenerally accepted expert opinion at thetime of cataloguing

4. TERMS OF SALE

The Seller acknowledges that lots aresold subject to these Conditions and onthe Terms of Consignment as notified tothe consignor at the time of the entry ofthe lot.

5. STANDARD SELLER FEES ANDCHARGES (Subject to VAT)

(1) Commission: 15% is charged on theselling price of each lot, (subject to aminimum charge of £30). Loss anddamage warranty: 1.5% on value of lotssold. Photography: min charge £30.Online Listing: £10 per lot.

(2) Transport: Items for sale must beconsigned to the sale room by anystated deadline and at your expense. Wemay be able to assist you with thisprocess. When organised on theSeller’s behalf the provision of transportwill be contracted to third parties. Feesfor transport will be deducted at theinitial settlement.

(3) Illustrations: The cost of any

illustrations will be borne by the Seller ,unless agreed otherwise prior. Thecopyright in respect of such illustrationsshall be the property of us, theauctioneers, as is the text of thecatalogue.

6. RESERVES

(a) You are entitled to place, prior to theauction, a reserve on any lot consigned,being the minimum hammer price atwhich that lot may be sold. Reservesmust be reasonable and we may declineto offer goods which in our opinionwould be subject to an unreasonablyhigh reserve.

(b) Firm reserves may be no greaterthan lower pre-sale estimate level.

(c) A reserve once set cannot bechanged except with our agreement.

(d) You may not bid or instruct or permitany other person to bid on your behalfon your own property. If the Sellerbreaches this prohibition, Lyon &Turnbull may treat the Seller as boundas Seller and as Buyer but withoutthe benefit of Lyon & TurnbullAuthenticity Guarantee or the reserve,and/or pursue other remedies.

(e) We may sell lots below the reserveprovided we account to you for the samesale proceeds as you would havereceived had the reserve been thehammer price.

7. LOSS & DAMAGE WARRANTY

(a) Subject to condition 7(c) below Lyon& Turnbull will assume liability for lossor damage to an item, commencing atthe time that item is taken into physicalcontrol and possession by Lyon &Turnbull and ceasing on the earliestdate of;

(i) when risk passes to the Buyer of thelot following its sale;

(ii) for unsold lots, when the lot isreleased to the Seller, or, within 3months of the sale;or

(iii) 6 months from the date of delivery toLyon & Turnbull for items still in thepossession of Lyon & Turnbull but notconsigned for sale (unless part of along-term storage agreement).

(b) Lyon & Turnbull shall charge a lossand damage warranty fee of 1.5% of thehammer price, plus VAT.

(c) If any loss or damage should occurto the lot during the period identified inparagraphs (a) above, Lyon & Turnbull’sliability to compensate the Seller inrespect of that loss shall be restricted toa maximum of the upper estimate, oractual loss incurred, whichever is lower.This compensation will be subject to adeduction of a 1.5% loss & warranty fee(subject to VAT).

8. UNSOLD ITEMS

(1) If an item is unsold it may, with yourconsent, be re-offered at a future sale.Where in our opinion an item is notsuitable for a future sale we may eitherrequest (a) you collect such items fromthe saleroom promptly on being soinformed. We shall be entitled to chargeyou for storage costs, charges shall bemade at a reasonable daily rate; or (b)suggest that the item be transferred toa secondary saleroom for sale withoutreserve. All transferred lots will be soldfor the best price on the day, this maynot bear any reflection on the item’s

original estimate. Lyon & Turnbull arenot liable for any items (whether it beselling price or loss & damage) whentransferred.

(2) Aftersales: We reserve the right toaccept an after-auction offer on a lot onbehalf of the seller, at the agreedreserve price or above, for up to 48hours after the original auction. Inwhich case the same charges will bepayable as if such lots had been sold atauction and so far as appropriate theseConditions apply.

9. LOT WITHDRAWAL

If a Seller wishes to withdraw a lotorganised for sale, a withdrawal fee willapply;

(a) if withdrawn over 28 working daysprior to the sale, this will be charged at10% of the mid estimate along with anyancillary charges incurred (such asphotography), all subject to VAT at thecurrent rate.

(b) if withdrawn within 28 working daysof the sale, this will be charged at 20%of the mid estimate along with anyancillary charges incurred (such asphotography), all subject to VAT at thecurrent rate.

(c) Lyon & Turnbull may withdraw a lotfrom the proposed sale without anyliability if:

(i) Lyon & Turnbull reasonably believesthat there is any doubt as to the lot‘sauthenticity or attribution; or

(ii) it reasonably doubts the accuracy ofany of the Seller’s warranties; or

(iii) the Seller breaches any provisions ofthe Conditions of Sale in any materialrespect; or

(iv) the lot suffers from loss or damageso that it is not in the state in which itwas when Lyon & Turnbull took deliveryof it.

(d) if an item is withdrawn from saleunder Condition 9(c) (i), or (iv), the Sellershall not be charged a withdrawal feeand the item shall be returned to theSeller or dealt with pursuant to Clause8, as the Seller decides.

10. AUTHORITY TO DEDUCTCOMMISSION AND EXPENSES ANDRETAIN PREMIUM AND INTEREST.

The Seller authorises us to deductcommission at the stated rate, and allexpenses incurred for your accountfrom the hammer price, and consents toour right to retain beneficially thepremium paid by the Buyer inaccordance with these Conditions ofSale and any interest earned on the saleproceeds until the date of settlement.

11. NON-PAYMENT BY THE BUYER

(a) Lyon & Turnbull will, where itconsiders appropriate, take reasonablesteps to investigate the ability of biddersto pay for lots and will use reasonableendeavours, in consultation with theSeller, to enforce payment of theHammer Price by any Buyer.

(b) Lyon & Turnbull, in consultation withthe Seller, will decide whether to pursueany of the remedies available to it,including those set out in Condition 10of the Condition of Sale (Buyers)including the right to cancel the saleand return the property to the Seller.Lyon & Turnbull will inform the Seller ofany action which it contemplates taking

14/5

CONDITIONS OF SALESELLERS


17. DATA PROTECTION

In connection with the management andoperation of our business and themarketing and supply of Lyon &Turnbull’s services, or as required bylaw, we may ask the Seller to providepersonal information about themselvesor obtain information about the Sellerfrom third parties (e.g. creditinformation). Lyon & Turnbull will notgive out personal information except asmay be required by law.

If you would like further information onLyon & Turnbull policies on personaldata, or to make corrections to yourinformation, please contact us on +44(0)131 557 8844.

18. LAW AND JURISDICTION

(a) Governing Law: These Conditions ofSale and all aspects of all matters,transactions or disputes to which theyrelate or apply shall be governed by, andinterpreted in accordance with, Scotslaw

(b) Jurisdiction: The Seller agrees thatthe Courts of Scotland are to haveexclusive jurisdiction to settle alldisputes arising in connection with allaspects of all matters or transactions towhich these Conditions of Sale relate orapply.

against the Buyer.

(c) lf the Seller elects to take actionagainst any Buyer on its own behalfLyon & Turnbull will provide the Sellerwith such assistance as may bereasonably necessary to pursue thataction.

(d) The Seller hereby agrees to informLyon & Turnbull of any action which itchooses to take against the Buyer toenforce payment of the amount due tothe Seller.

(e) In the event that a Buyer fails to payfor a lot in accordance with theConditions of Sale for Buyers, that lotwill be treated in the same way as anunsold or collected lot.

12. SETTLEMENT PAYMENTS

Subject to full payment by the Buyer,payment of the net proceeds of sale dueto you will be made over to you 28working days following a sale. Providedwe have received cleared funds.Payment will be made by cheque orBACS (if requested).

13. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Sellers)shall apply to sales by private treaty.

(b) Private treaty sales made underthese Conditions are deemed to besales by auction and subject to ouragreed charges for Sellers and Buyers.

(c) Lyon & Turnbull undertakes toinform the Seller of any offers itreceives in relation to an item prior toany Proposed Sale, excluding thenormal method of commission bids.

(d) For the purposes of a private treatysale, if a lot is sold in any othercurrency than Sterling, the exchangerate is to be taken on the date of sale.

14. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law byreason of our negligence) or similarlyfor the safety of the property of personsvisiting prior to or at a sale.

15. GENERAL

(a) We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctionsby any person.

(b) Any notice to any Buyer, Seller,bidder or viewer may be given by email,or if not available then first class mail,in which case it shall be deemed to havebeen received by the addressee 48hours after posting.

(c) Notices to Lyon & Turnbull should bein writing and addressed to NickCurnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting thereference number specified at thebeginning of the sale catalogue.

(d) Should any provision of theseConditions of Sale be heldunenforceable for any reason, theremaining provisions shall remain in fullforce and effect.

(e) These Conditions of Sale are notassignable by either party without theother’s prior written consent, but arebinding on the seller’s successor andrepresentatives. No act, omission ordelay by Lyon & Turnbull shall bedeemed a waiver or release of any of itsrights.

(f) The contract between the parties maybe varied by the parties by agreementand in writing.

16. AGENCY

Lyon & Turnbull acts as agent solely forand in the interests of the Seller. We donot act for Buyers in this role and doesnot give advice to Buyers. When Lyon &Turnbull make a statement about a lot itis doing so on behalf of the Seller of thelot.

The Auctioneer normally acts as agentonly and disclaims any responsibility fordefault by Sellers or Buyers.

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CONDITIONS OF SALE (Buyers)

The Auctioneer carries on business withbidders, Buyers and all those present inthe auction room prior to, or in connectionwith, a sale on the following GeneralConditions and on such other terms,conditions and notices as may be referredto herein..

1. DEFINITIONS

In these Conditions of Sale (Buyers):

"Auctioneer" means Lyon & Turnbull Ltdor its authorised auctioneer, asappropriate;

"Hammer price" means the level ofbidding reached (at or above any reserve)when the Auctioneer brings down thehammer;

"Lot" means each Item offered for sale byLyon & Turnbull;

"Purchase Price" is the Hammer Priceand applicable Buyer's Premium;

"Reserve" means the lowest price belowwhich an item cannot be sold;

"Total amount due" means the hammerprice in respect of the lot sold togetherwith any premium, Value Added Tax orother taxes chargeable and any additionalcharges payable by a defaulting Buyerunder these Conditions;

“You”, “Your” means the Buyer

“Us”, “Our”, “We” etc. refers to Lyon &Turnbull Ltd

The singular includes the plural and viceversa as appropriate.

2. AGENCYLyon & Turnbull acts as agent solely forand in the interests of the Seller. We donot act for Buyers in this role and does notgive advice to Buyers. When Lyon &Turnbull make a statement about a lot it isdoing so on behalf of the Seller of the lot.

The Auctioneer normally acts as agent

only and disclaims any responsibility fordefault by Sellers or Buyers.

3. BIDDING PROCEDURES AND THEBUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfyany security and credit references orarrangements before entering the auctionroom to view or bid;

(b) The maker of the highest bid acceptedby the Auctioneer conducting the saleshall be the Buyer and any dispute shallbe settled at the Auctioneer's absolutediscretion.

(c) Once made, no bid may be withdrawn.

(d) Our right to bid on behalf of Sellers isexpressly reserved up to the amount of anyreserve.

(e) The right to refuse any bid is alsoreserved.

(f) Commission Bids: While prospectiveBuyers are strongly advised to attend theauction and are always responsible for anydecision to bid for a particular lot andshall be assumed to have carefullyinspected and satisfied themselves as toits condition we shall, if so instructed,clearly and in writing execute bids on theirbehalf. Neither the Auctioneer nor ouremployees nor agents shall be responsiblefor any failure to do so. Where two or morecommission bids at the same level arerecorded we reserve the right in ourabsolute discretion to prefer the first bidso made.

(g) Telephone Bids: If a prospective Buyermakes arrangements with us prior to thecommencement of the sale we will usereasonable efforts to contact them toenable them to participate in bidding bytelephone. We do not accept liability forfailure to do so or for errors andomissions in connections.

(h) Online Bidding: We will use reasonable

efforts to carry out online bids and do notaccept liability for equipment failure,inability to access the internet or softwaremalfunctions related to execution of onlinebids/ live bidding.

4. INCREMENTS

Bidding increments shall be at theAuctioneer's sole discretion.

5. THE PURCHASE PRICE

For each lot purchased a Buyer'sPremium of 25% is payable on the first£50,000 of the hammer price, 20%thereafter. VAT at the appropriate rate ischarged on the Buyer's Premium. No VATis payable on the hammer price orpremium for printed books or unframedmaps bought at auction.

Live online bidding is subject to anadditional 3% premium (charged by thelive bidding service provider Invaluable).This additional premium is subject to VATat the appropriate rate as above.

6. VALUE ADDED TAX

Value Added Tax is charged at theappropriate rate prevailing by law at thedate of sale and is payable by Buyers ofrelevant lots.

(1) Lots affixed with (†): Value Added Taxon the hammer price is imposed by law onall items affixed with a dagger (†). Thisimposition of VAT maybe because theSeller is registered for VAT within theEuropean Union and is not operatingunder a Margin Scheme.

(2) Lots affixed with (*): A reduced rate ofValue Added Tax on the hammer price of5% is payable. This indicates that a lothas been imported from outwith theEuropean Union. This reduced rate isapplicable to Antique items.

(3) Lots affixed with [Ω]: Standard rate ofValue Added Tax on the hammer price andpremium is payable. This applies to itemsthat have been imported from outwith the

European Union and do not fall within thereduced rate category outlined above.

7. DROIT de SUITE

This symbol § indicates works which maybe subject to the Droit de Suite or Artist'sResale Right, which took effect in theUnited Kingdom on 14th February 2006.We are required to collect a royaltypayment for all qualifying works of art.Under new legislation which came intoeffect on 1st January 2012 this applies toliving artists and artists who have died inthe last 70 years. This royalty will becharged to the Buyer on the hammer priceand in addition to the Buyer’s premium. Itwill not apply to works where the hammerprice is less than €1,000 (euros). Thecharge for works of art sold at and above€1,000 (euros) and below €50,000 (euros)is 4%. For items selling above €50,000(euros), charges are calculated on asliding scale. All royalty charges are paidto the Design and Artists Copyright Society(‘DACS’) and no handling costs oradditional fees are retained by theauctioneer. Resale royalties are notsubject to VAT. Please note that the royaltypayment is calculated on the rate ofexchange at the European Central Bankon the date of the sale. More informationon Droit de Suite is available atwww.dacs.org.uk.

8. PAYMENT

(1) Within 7 days of a lot being sold youwill:

(a) Pay to us the total amount due in cashor by such other method as is agreed byus. We accept cash, bank transfer (detailson request), debit cards and Visa orMasterCard credit cards. We do not acceptAmerican Express.

(b) Please note there is a surcharge of 2%when using credit cards.

(c) Please note that under The MoneyLaundering Regulations 2007 we cannot

BUYERS


16. GENERAL

(a) We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.

(b) Any notice to any Buyer, Seller, bidderor viewer may be given by email if notavailable then first class mail in whichcase it shall be deemed to have beenreceived by the addressee 48 hours afterposting.

(c) Notices to Lyon & Turnbull should be inwriting and addressed to Nick Curnow at33 Broughton Place, Edinburgh EH1 3RR,quoting the reference number specified atthe beginning of the sale catalogue.

(d) Should any provision of theseConditions of Sale be held unenforceablefor any reason, the remaining provisionsshall remain in full force and effect.

(e) These Conditions of Sale are notassignable by either party without theother's prior written consent. No act,omission or delay by Lyon & Turnbull shallbe deemed a waiver or release of any of itsrights.

(f) The contract between the parties maybe varied by the parties by agreement andin writing.

17. DATA PROTECTION

In connection with the management andoperation of our business and themarketing and supply of Lyon & Turnbull'sservices, or as required by law, we mayask the Buyer to provide personalinformation about themselves or obtaininformation about the Buyer from thirdparties (e.g. credit information). Lyon &Turnbull will not give out personalinformation except as may be required bylaw.

If you would like further information onLyon & Turnbull policies on personal data,or to make corrections to yourinformation, please contact us on +44 (0)131 557 8844..

The Buyer hereby agrees to the release byLyon & Turnbull of the Buyer’s name andcontact details to the seller or the seller’ssolicitor in the event of any disputebetween Lyon & Turnbull and the Buyerand/or Lyon & Turnbull and the Seller.Lyon & Turnbull will give prior writtennotice of the release of any such details tothe Seller of the Seller’s solicitor.

18. FORCE MAJEURE

Lyon & Turnbull shall be under no liabilityif they shall be unable to carry out anyprovision of the Contract of Sale for anyreason beyond their control including(without limiting the foregoing) an act ofGod, legislation, war, fire, flood, drought,failure of power supply, lock-out, strike orother action taken by employees incontemplation or furtherance of a disputeor owing to any inability to procurematerials required for the performance ofthe contract.

19. LAW AND JURISDICTION

(a) Governing Law: These Conditions ofSale and all aspects of all matters,transactions or disputes to which theyrelate or apply shall be governed by, andinterpreted in accordance with, Scots law

(b) Jurisdiction: The Buyer agrees that theCourts of Scotland are to have exclusivejurisdiction to settle all disputes arising inconnection with all aspects of all mattersor transactions to which these Conditionsof Sale relate or apply.

accept cash payments over ¤15,000(euros).

(2) Any payments by you to us may beapplied by us towards any sums owing byyou to us howsoever incurred and withoutagreement by you or your agent, whetherexpress or implied..

9. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you havepurchased and paid for not later than 7working days following the day of theauction or upon the clearance of anycheque used for payment whichever islater. We can provide you with a list ofshippers. However, we will not beresponsible for the acts or omissions ofcarriers or packers whether or notrecommended by us.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the Buyer’s responsibility toascertain collection procedures,particularly if the sale is not being held atour main sale room and the potentialstorage charges for lots not collected bythe appropriate time.

(5) Export of goods: Buyers intending toexport goods should ascertain (a) whetheran export licence is required and (b)whether there is any specific prohibitionon importing goods of that character, e.g.items that may contain prohibitedmaterials such as ivory or rhino horn. Itis the buyer’s sole responsibility to obtainany relevant export or import licence. Thedenial of any licence or any delay inobtaining licences shall neither justify therecession of any sale not any delay inmaking full payment for the lot.

10. REMEDIES FOR NON·PAYMENT ORFAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the Sellersand on their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the followingrights and remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the contract for sale of thatlot and/or any other lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).

(d) to remove, store and insure the lot inthe case of storage, either at our premisesor elsewhere and to recover from you allcosts incurred in respect thereof;

(e) to charge interest at a rate notexceeding 1.5% per month above thecurrent base rate on all sums outstandingfor more than 7 working days after thesale;

(f) to retain that or any other lot sold to youuntil you pay the total amount due;

(g) to reject or ignore bids from you oryour agent at future auctions or to imposeconditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or which become due to youtowards the settlement of the total amountdue by you and to exercise a lien over anyof your property in our possession for any

purpose until the debt due issatisfied.satisfied.

11. DESCRIPTIONS AND CONDITION

(1) Whilst we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective Buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. ProspectiveBuyers also bid on the understanding that,inevitably, representations or statementsby us as to authorship, genuineness,origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonablyheld and only accept liability for opinionsgiven negligently or fraudulently. Subjectto the foregoing neither we the auctioneeror our employees or agents accept liabilityfor the correctness of such opinions andno warranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are given.Please note that photographs/imagesprovided may not be fully representative ofthe condition of the lot and should not berelied upon as indicative of the overallcondition of the lot.

(2) Condition reports: Condition reportsare provided on our website or uponrequest. The absence of a report does notimply that a lot is without imperfections.Large numbers of such requests arereceived shortly before each sale anddepartment specialists and administrationwill endeavor to respond to all requestsalthough we offer no guarantee. Anystatement in relation to the lot is merelyan expression of opinion of the Seller orLyon & Turnbull and should not be reliedupon as an inducement to bid on the lot.Lots are available for inspection prior tothe sale and you are strongly advised toexamine any lot in which you areinterested prior to the sale. Our conditionreports are not prepared by professionalconservators, restorers or engineers. Ourcondition report does not form anycontract between Lyon & Turnbull and theBuyer. The Condition Reports do not affectthe Seller’s obligations in any way.

(3) Estimates: Estimates are placed oneach lot to help Buyers gauge the sumsinvolved for the purchase of a particularlot. Estimates do not include the Buyer’sPremium or VAT. Estimates are a matterof opinion and prepared in advance.Estimates may be subject to change andare for guidance only and should not berelied upon.

(4) Catalogue Alterations: Lot descriptionsand estimates are prepared in advance ofthe sale and may be subject to change.Any alterations will be announced on thecatalogue alteration sheet, made availableprior to the sale. It is the responsibility ofthe Buyer to make themselves aware toany alterations which may have occurred.

(5) Electrical Goods: are sold as “works ofart” only and if bought for use must bechecked over for compliance with safetyregulations by a qualified electrician first.Use of such goods is entirely at the risk ofthe Buyer and no warranties as to safetyof the goods are given.

(6) Upholstered items: are sold as “worksof art” only and if bought for use must bechecked over for compliance with currentsafety regulation. Use of such goods isentirely at the risk of the Buyer and nowarranties as to safety of the goods aregiven. Lyon & Turnbull provide noguarantee as to the originality of anywood/material contained within the item.

(7) Special terms may be used in

catalogue descriptions of particularclasses of items (Books, Jewellery,Paintings, Guns, Firearms etc.) in whichcase the descriptions must be interpretedin accordance with any glossary appearingin the catalogue. These notices and termswill also form part of our terms andconditions of sales.

12. BOOKS, CLOCKS & WATCHES

(1) Books-Collation: If on collation anyNAMED item in the sale catalogue provesdefective, in text or illustration the Buyermay reject the lot provided he returns itwithin 21 days of the sale stating thedefect in writing. This, however, shall notapply in the case of unnamed items,periodicals, autographed letters, musicM.M.S., maps, drawings NOR in respect ofdamage to bindings, stains, foxing,marginal worm holes or other defects notaffecting the completeness of the text NORin respect of Defects mentioned in thecatalogue, or at the time of sale, NOR inrespect of lots sold for less than £300.

(2) Clocks & Watches: All lots are sold “asseen”, and the absence of any reference tothe condition of a clock or watch does notimply the lot is in good condition andwithout defects, repairs or restorations.Most clocks and watches will have beenrepaired during their normal lifetime andmay now incorporate additional/newerparts. Furthermore, Lyon & Turnbullmakes no representation or warranty thatany clock or watch is in working order. Asclocks and watches often contain fine andcomplex mechanisms, Buyers should beaware that a general service, change ofbattery or further repair work, for whichthe Buyer is solely responsible, may benecessary. Buyers should also be awarethat Lyon & Turnbull cannot guarantee awatch will remain waterproof if the back isremoved. Buyers should be aware that theimporting watches such as Rolex, FrankMuller and Corum into the United States ishighly restricted. These watches cannot beshipped to the USA and only importedpersonally.

13. CITES

Please be aware that all lots marked withthe symbol Y are subject to CITESregulations when exporting these itemsoutside the EU. These regulations may befound at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

Lyon & Turnbull accepts no liability for anylots which may be subject to CITES buthave not be identified as such.

14. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers)shall apply to sales by private treaty.

(b) Private treaty sales made under theseConditions are deemed to be sales byauction and subject to our agreed chargesfor Sellers and Buyers.

(c) Lyon & Turnbull undertakes to informthe Seller of any offers it receives inrelation to an item prior to any ProposedSale, excluding the normal method ofcommission bids.

(d) For the purposes of a private treatysale, if a lot is sold in any other currencythan Sterling, the exchange rate is to betaken on the date of sale.

15. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation, safety and securityarrangements. Accordingly, neither theAuctioneer nor our employees or agentsshall incur liability for death or personalinjury or similarly for the safety of theproperty of persons visiting prior to, duringor after a sale.

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Local DeliveriesA&S Pert Removals. Tel. +44 (0)7876 343520.

Thistle RemovalsTel: +44 (0)7836 774712Email: [email protected]

New Leaf RemovalsTel: +44 (0)7999 926261Email:[email protected]

Packing and Shipping Please note that we do not packor ship items. The followingsuggested carriers will be ableto arrange packing andshipping; please contact themdirectly to receive a quote. Youmay wish to contact analternative courier.

Smaller items & PicturesMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BF Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: [email protected]

Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail: [email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close,CreekmoorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Aardvark Art Services LtdBirks Farm, Ballam RoadLytham, Lancashire FY8 4NLTel: +44 (0)1253 794673Fax: +44 (0)1253 730580Email:[email protected]

Arrangements for Sold Lots All bought items will be heldfree of charge at BroughtonPlace until the Fridayfollowing the sale.

Thereafter lots will beremoved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will beavailable at the saleroom onview days and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

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33 Broughton Place, Edinburgh EH1 3RRTel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, Glasgow G2 4HGTel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274


Wednesday, 18th March, 2015 33 Broughton PlaceEdinburgh


Documents

Contemporary & Post War Art | 18th March 2015