Lyon & Turnbull Sale No 312 - Scottish Contemporary & Post-War Art

Scottish Contemporary andPost-War Art

Wednesday 20th April 201133 Broughton PlaceEdinburgh EH1 3RR

EDINBURGH

Catalogue: £10

BUYERS’ PREMIUM25% up to £25,00020% thereafter.VAT will be charged on the premiumat the rate imposed by law.*20% VAT chargeable on the lot itself†5% import VAT on the lot§Droit de Suite (artists’ resale rights) applies(see our Terms and Conditions of Sale andInformation for Buyers).

Scottish Contemporary andPost-War Art

including works from

The Delfina Foundation

The Lehman Brothers Art Collection

Wednesday 20th April 201111am

Sale Number LT312

ViewingSunday 17th April 2pm - 5pmMonday 18th April 10am - 5pmTuesday 19th April 10am - 5pmMorning of the sale strictly by appointment only

SpecialistsElena [email protected]

Nick [email protected]

Rebecca [email protected]

ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844Fax. 0131 557 8668email. [email protected]

By telephone

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Electrical Goods

Lots that were once operated by

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for sale for display or historical

purposes and may not comply with

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At the Sale

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sale begins, and show that number

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Please ensure that the auctioneer

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In writing

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person, by post, or by fax as soon as

possible prior to the sale and we will

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indicated. In the event of receiving

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Under this legislation, we are

required to collect a royalty payment

for all qualifying works of art, where

the artist is still living. This royalty

will be charged to the buyer on the

hammer price and in addition to the

buyers premium. It will not apply to

works where the hammer price is

less than €1,000 (euros). The charge

for works of art sold at and above

€1,000 (euros) and below €50,000

(euros) is 4%. For items selling

above €50,000 (euros), charges are

calculated on a sliding scale.

All royalty charges are paid to the

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(‘DACS’) and no handling costs or

additional fees are retained by the

auctioneer. Resale royalties are not

subject to VAT.

Please note that the royalty payment

is calculated on the rate of exchange

at the European Central Bank on the

date of the sale.

More information on Droit de Suite

is available at www.dacs.org.uk

Damage and Restoration

Occasionally when a lot has suffered

extensive damage and/or restoration

it is indicated in the catalogue. This

is mentioned entirely at our

discretion for the benefit of buyers.

Where there is no mention of

damage and/or restoration this

should not be taken to mean that

there is none. It is the buyer’s

responsibility to ensure that the

condition of lots is to their

satisfaction (see our Terms and

Conditions of Sale).

Condition Reports

If potential buyers are unable to

inspect lots in person our specialists

will be happy to prepare detailed

Condition Reports on individual lots

as quickly as possible. These are for

guidance only and all lots are sold

‘as found’ (see our standard Terms

and Conditions of Sale).

Buying at Auction

This sale is subject to our standard

Terms and Conditions of Sale. If you

have not bought at auction before

we will be delighted to advise you.

Estimates

Estimates are printed below each lot

and do not include the buyer’s

premium. The sale will be

conducted in pounds sterling.

Dimensions

Dimensions are for guidance only; it

is the buyer’s responsibility to

ensure that they are correct.

Buyer’s Premium

The buyer shall pay the hammer

price together with a premium

thereon.

Antiques, Jewellery & Silver and

Pictures (Not Fine Sales)

17.5%

All other sales

(Fine/Special/Collections)

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium

at the rate imposed by law. (see our

Terms and Conditions of Sale).

VAT

The symbol * by a lot number

indicates that VAT is payable by the

purchaser at the standard rate on

the hammer price.

The symbol † by a lot number

indicates that the lot has been

temporarily imported from outside

the EU and that VAT is payable by

the purchaser at the rate of 5% on

the hammer price and the buyer’s

premium.

No VAT is payable on the hammer

price or premium for books bought

at auction.

Droit de Suite

This symbol § indicates works which

may be subject to the Droit de Suite

or Artist’s Resale Right, which took

effect in the United Kingdom on 14th

February 2006.

3

L Y O N & T U R N B U L L

Important informationfor buyers

1 EAA549/4DAVID DONALDSON R.S.A.,R.P., L.L.D.(SCOTTISH 1916-1996)SUZE, VALLÉE DE LADRÔME, FRANCESigned, watercolour andpastel

18.5 cm x 23 cm (7.25in x 9in)

Provenance:Ewan Mundy Fine Art, Glasgow

£400-600


Scottish Contemporary and

Post-War Art

4

2 EAA416/63WILLIAM HUNTERLITTLEJOHN R.S.A., R.S.W.,R.G.I. (SCOTTISH 1929-2006)MOON, MIRROR, FISH IIISigned with initials and dated‘78, watercolour and mixedmedia collage

40cm x 66cm (15.75in x 26in)

£300-500

5 EAC243/9JOHN BAXTER FLEMINGR.S.W. (SCOTTISH 1912-1986)FALLING TIDESigned, watercolour

49cm x 65cm (19in x 26in)

£200-300

4§ FA453/6JAMES BOYD(SCOTTISH b. 1929)NORTHERN SKYEtching, signed, inscribed,dated 1989 and numbered 2/9in pencil, margin

Plate size: 22.5cm x 15cm

(8.9in x 5.9in)

Provenance:Open Eye Gallery, Edinburgh

£150-250

3§ EAA420/20PHILIP SUTTON R.A.(BRITISH b. 1928)IKEN MARSH, SUFFOLKSigned, inscribed and dated1980, oil on canvas, unframed

30cm x 40cm (12in x 15.75in)

£250-400

6§ EAA420/21PIERRE BITTAR(FRENCH b. 1934)PONDSigned, oil on canvas

80cm x 99cm (31.5in x 39in)

£1,000-1,500



Post-War Art

5

7§ EAA420/22PIERRE BITTAR(FRENCH b. 1934)GARDENSigned, oil on canvas

73cm x 92cm (28.75in x 36.25in)

£1,000-1,500

8§ FA665/1HOWARD BUTTERWORTH(SCOTTISH CONTEMPORARY)VIEW OF EDINBURGHCASTLE, SPRINGSigned, acrylic on canvas


Note:Sold to benefit the Sick Kids FriendsFoundation.

£300-500



Post-War Art

6

9 EZ361/3MARDIE BARRIE R.S.W.(SCOTTISH 1931-2004)INLET, EVENING WAVESigned, oil on board

50cm x 62.5cm (19.75in x 24.75in)

£300-500

12§ EAA416/62BLEONARD ROSOMAN R.A.,O.B.E (BRITISH b. 1913)THE KING AND THE HEROSigned, watercolour


Provenance:Fine Art Society, Edinburgh

£300-500

11§ EAA416/68ALFONS B. JASINSKI R.S.W.(SCOTTISH b. 1945)PUZZLES & SPINNING TOPSigned and dated ‘83,watercolour and gouache

25cm x 50cm (9.75in x 19.75in)

£250-400

10§ FA480/1ELIZABETH VIOLETBLACKADDER D.B.E., R.A.,R.S.A., R.S.W., R.G.I., D.LITT.(SCOTTISH b. 1931)STILL LIFE WITH A FANScreenprint, signed andnumbered 62/75

63cm x 86cm (24.75in x 34in)

£300-500

13§ EAA416/13HUGH BUCHANAN(SCOTTISH b. 1958)ST STEPHEN’S CHURCH ISigned, watercolour

65cm x 50cm (25.5in x 19.75in)

£1,000-1,500



Post-War Art

7

14§ EAA416/13AHUGH BUCHANAN(SCOTTISH b. 1958)ST STEPHEN’S CHURCH IISigned, watercolour

65cm x 50cm (25.5in x 19.75in)

£1,000-1,500

15§ EZ794/26GEORGE DEVLIN R.S.W.(SCOTTISH b. 1937)POOL EDGESigned, watercolour

Sheet size: 81cm x 82cm

(32in x 32.25in)

£300-500



Post-War Art

8

16§ FA439/2PETER BOURNE(SCOTTISH b. 1931)COMMON OR GARDENSigned, acrylic on board

27cm x 25.5cm (10.5in x 10in)

£300-500

18 FA535/1IAN FLEMING R.S.A., R.S.W.,R.G.I., L.L.D.(SCOTTISH 1906 -1990)CLEMENTINES WITH WHITEJUGSigned, watercolour

46.5cm x 59cm (18.25in x 23in)

£300-500

17 LB425/3JACK MILLER(BRITISH 1945-2004)THE DRINKERSSigned, pastel

102cm x 77cm (40in x 30.25in)

£400-600

19 EZ349/3DAVID MCLEOD MARTINR.S.W., R.G.I., S.S.A., O.B.E.(SCOTTISH b. 1922)ORIENTAL POPPIESSigned, and inscribed artistlabel verso, oil on canvas

74cm x 74cm (29.1in x 29.1in)

£2,000-3,000



Post-War Art

9

22§ EAA870/15BRUCE MCLEAN(SCOTTISH b. 1944)FACESMixed media

29.5cm x 30cm (11.5in x 12in)

and another six works,mounted on four sheets ofpaper (4)

Note:These works are from BruceMcLean’s student years at GlasgowSchool of Art

£600-800

21§ EAA870/15ABRUCE MCLEAN(SCOTTISH b. 1944)TWO FIGURESSigned, mixed media

34cm x 42cm (13.25in x 16.5in)

and another three works,altogether mounted on 2sheets of paper (2)

Note:These works are from BruceMcLean’s student years at GlasgowSchool of Art

£400-600

20§ EAA416/62LEONARD ROSOMAN R.A.,O.B.E. (BRITISH, b. 1913)BABOON STEALING,TREETOPS, KENYASigned and dated 1983,watercolour

43cm x 59cm (17in x 23.25in)

Provenance:Fine Art Society, Edinburgh

£500-700

23§ FA439/6GRAHAM MCKEAN(SCOTTISH b. 1962)THE FISHERMANSigned, oil on canvas

19cm x 14cm (7.5in x 5.5in)

£200-300



Post-War Art

10

25§ FA439/5GRAHAM MCKEAN(SCOTTISH b. 1962)THE BUSINESS MAN’SPROFILESigned, oil on canvas

44cm x 33.5cm (17.25in x 13.25in)

£400-600

24§ FA439/7GRAHAM MCKEAN(SCOTTISH b. 1962)TOURISTSigned, oil on canvas

19cm x 14cm (7.5in x 5.5in)

£200-300

26§ FA439/3ALAN KING(SCOTTISH b. 1946)SOME PEOPLE WHISPERBUT NO DOUBT THEY LIESigned, oil on canvas


£800-1,200



Post-War Art

11

28§ FA645/2PETER GRAHAM R.O.I.(SCOTTISH b. 1959)HONFLEUR HARBOURSigned, oil on canvas

24cm x 34cm (9.4in x 13.4in)

£200-300

27 LB425/4JACK MILLER(BRITISH 1945-2004)CURTAINSSigned, pastel

62cm x 45.5cm (24.4in x 17.9in)

£300-400

29§ FA147/1DAVID MICHIE R.S.A., R.G.I.,F.R.S.A. (SCOTTISH b. 1928)DECORATED HOUSES,AMSTERDAMSigned, oil on board

56cm x 45cm (22in x 17.7in)

£800-1,200



Post-War Art

12

30§ EAA467/2JOYCE CAIRNS R.S.A., R.S.W.(SCOTTISH b. 1947)GHOSTS ARE ALL AROUNDFOOTDEEMixed media

82cm x 61.5cm (32.25in x 24.25in)

£600-800

32§ EAA420/9SIMON LEWIS(BRITISH CONTEMPORARY)DESKTOP PAINTINGGesso and oil on board


Provenance:Todd Gallery, London

£200-300

31§ FA453/13NANCY HENDERSON(BRITISH CONTEMPORARY)STANDARD BEARERSigned and dated ‘90,gouache

51cm x 55cm (20in x 21.5in)

£250-400

33 FA435/1MAX ERNST(GERMAN 1891-1976)ABERWITZ UND FÜNF UHR TEE(FOLLY AND FIVE O’CLOCK TEA)Colour lithograph on Japanpaper, signed and numbered69/69 in pencil, with theblindstamp of the publisher,Manus Presse

Sheet size: 33cm x 25cm (13in x 10.5in)

Note:An illustration from Lewis Carroll’s‘Wunderhorn’.

£300-400



Post-War Art

13

34 FA660/2PAT DOUTHWAITE(SCOTTISH 1939-2004)SELF-PORTRAIT, BREAKFASTAT TIFFANY’SSigned and dated ‘82, mixedmedia on paper

83cm x 59cm (32.7in x 23.2in)

£500-600

35§ EAC291/1ALEXANDER CALDER(AMERICAN 1898-1976)MOBILE MODEL SKETCHAND LETTERInk and pastel, signed in theletter ‘Sandy’ and dated ‘18thDec ‘52’

Two sheets framed together:

Drawing: 13cm x 21cm

(5.25in x 8.25in)

Letter: 26cm x 21cm

(10.25in x 8.25in)

£1,000-1,500



Post-War Art

14

Front

Back

36§ LB417/1ELIZABETH VIOLETBLACKADDER D.B.E., R.A.,R.S.A., R.S.W., R.G.I., D.LITT.(SCOTTISH b. 1931)STILL LIFE WITH FLUTESigned and dated 2006, oil oncanvas

28.5cm x 44cm (11.25in x 17.5in)

£4,000-6,000



Post-War Art

15

37 FA469/2SALVADOR DALÍ(SPANISH 1904-1989)MY COUSIN CAROLINETAColour lithograph, signed inpencil and numbered 67/300

61.5cm x 44cm (24.2in x 17.3in)

plate size

Provenance:With original Certificate ofAuthenticity from Robert SillsGallery

£400-600



Post-War Art

16

38§ FA663/9WILLIAM CROZIER(SCOTTISH b. 1930)COMPOSITIONSigned and dated 1963,watercolour

64cm x 49cm (25.2in x 19.3in)

Note:This work dates from the time whenCrozier used Fiona Green as hismodel and it is possible she is thesubject of this work.

£1,000-1,500

39 FA669/2WILLIAM GEAR(SCOTTISH 1915-1997)AUTUMN STUDYSigned and dated ‘87, acrylicon card

64cm x 44cm (25.2in x 17.3in)

£1,500-2,000



Post-War Art

17

42§ FA520/1VICTORIA CROWE R.S.A.,R.S.W. (SCOTTISH b. 1945)UNTITLEDSigned and dated ‘67, mixedmedia on board

41cm x 28cm (16.25in x 11in)

£300-500

41§ LB420/3REBECCA PRICE(BRITISH CONTEMPORARY)SUMMERSigned, inscribed and datedFeb ‘91 on canvas verso,acrylic on canvas

127cm x 122cm (50in x 48in)

Provenance:Jill George Gallery, London

£400-600

40§ LB420/2REBECCA PRICE(BRITISH CONTEMPORARY)SPRINGSigned, inscribed and datedFebruary ‘91 on canvas verso,acrylic on canvas

127cm x 122cm (50in x 48in)


£400-600

43 EZ396/1EDUARDO PAOLOZZI(SCOTTISH 1924-2005)LES MERVEILLESSigned, plaster relief

42cm x 54cm x 2cm

(16.5in x 21.25in x 1in)

£800-1,200



Post-War Art

18

44 FA663/5LAURENCE STEPHEN LOWRYR.A. (BRITISH 1887-1976)THE FOOTBALL MATCHArtist’s proof, signed in penciland numbered 456/850, andstamped by the Fine Art Guild

25cm x 36cm (9.8in x 14.2in)

£700-900

45 FA669/1WILLIAM GEAR(SCOTTISH 1915-1997)LANDSCAPESigned and dated ‘59, andsigned, inscribed and datedDec ‘59 verso, oil on canvas

100cm x 70cm (39.4in x 27.6in)

£4,000-6,000



Post-War Art

19

46 FA663/3DUNCAN GRANT(SCOTTISH 1885-1978)WASHERWOMANLithograph, signed andnumbered 63/350

72.9cm x 52.1cm (28.7in x 20.5in)

£500-700



Post-War Art

20

47§ LB418/2ALEXANDRA GARDNER(SCOTTISH b. 1946)CONTEMPLATIONSigned, pastel

27cm x 17cm (10.5in x 6.75in)

Provenance:Duncan Miller Fine Art, London

£500-700

48 EAC290/2ALEXANDER GOUDIE(SCOTTISH 1933-2004)THE YOUNG SAXOPHONEPLAYERSigned, oil on canvas

95cm x 90cm (37.5in x 35.5in)

£3,000-5,000



Post-War Art

21

50 FA661/6DAVID DONALDSON R.S.A.,R.P., L.L.D.(SCOTTISH 1916-1996)CHURCH IN STIRLINGSHIRESigned, pencil


£150-250

49 FA663/6LAURENCE STEPHEN LOWRYR.A. (BRITISH 1887-1976)PEEL PARKArtist’s proof, signed in pencil,margin

37.5cm x 75.5cm (14.8in x 29.7in)

£400-600

John Houston can and shouldbe considered as the rightfulheir to the Colourist mantle in20th century Scottish Art.Unlike some of hiscontemporaries, he oftenacknowledged that hisintense fascination with boldand effervescent colour canalso be ascribed to an almostsubconscious reaction to thestern and monochromaticgrey sandstone of Edinburgh’sNew Town. Born inBuckhaven in Fife, the seaand sky continued to provideinspiration and subject matterthroughout his career.Houston enrolled at theEdinburgh College of Art andcounted William Gillies, RobinPhilipson and RobertHenderson Blyth asinfluential for his work, whilstDavid Michie, Alan Davie andJeffrey Camp were fellowstudents. He met his futurewife Elizabeth Blackadder atECA and they travelled on astudy scholarship to Italybefore marrying in 1956. Theyboth taught at the collegewhilst also working asexhibiting artists and Houstononly retired in 1989. They



Post-War Art

22

frequently travelled for work,to Japan, France but mostoften Italy and Venice inparticular.

Houston’s oeuvre includesstill life and the human figurebut mostly centres on thelandscape, allowing the artistto truly experiment withcolour, pitch and compositionleading to near abstraction,as dramatically demonstratedin the present work.Houston’s spiritualpredecessors, apart from theScottish Colourists are clearlythe Fauves andExpressionists, Henri Matisseand Emil Nolde in particular.This is conveyed through theexuberance and sensitivitywith which pigment isjudiciously used and paintdefinitively applied to thesurface.

It is rare for a work on thisscale and of Houston andBlackadder’s beloved Veniceto appear on the auctionmarket. The scale inparticular can be seen as atool for the artist in the taskof near-abstraction,demonstrating Houston’s

51 LB399/1JOHN HOUSTON R.S.A.,R.S.W., S.S.A.(SCOTTISH 1930-2008)VENICE, GRAND CANALSERIES NO. 1Signed, oil on canvas

181cm x 120cm (71.25in x 47.25in)

Provenance:Mercury Gallery, London, 1999

£8,000-12,000

interest in the work of theAmerican AbstractExpressionists. Houstonnever fully abandonedfiguration and the spirit ofVenice filters through thelayers of colour on thecanvas. What has alwaysattracted artists to theSerenissima century aftercentury is the abundance oflight reflected in thesurrounding canals, thewealth of colour andmaterials in the city, inheritedfrom its rich history as atrading port with the Nearand Far East. The sensoryexperience of being in Veniceis brilliantly conveyed in thepresent work, whilst theimportance of the city for theartist is clearly palpable.



Post-War Art

23

52 LB419/1JOCK MCFADYEN(SCOTTISH b. 1950)RAINBOW AT CRAMONDSigned, inscribed and dated‘97, gouache

57cm x 75cm (22.5in x 29.5in)

£3,000-5,000



Post-War Art

24

53 LB419/4JOCK MCFADYEN(SCOTTISH b. 1950)DOUBLE NUDEOil on panel

37cm x 47cm (14.5in x 18.5in)

£1,500-2,500

55 FA661/5JOHN HOUSTON R.S.A.,R.S.W., S.S.A.(SCOTTISH 1930-2008)SUNSET, ST. MONANCESigned and dated 1960,watercolour with bodycolour

23cm x 23cm (9.1in x 9.1in)

£150-250

54§ FA557/1TOMMY PERMAN(SCOTTISH b. 1980)COCKBURN STREETFelt tip

49cm x 69cm (19.3in x 27.2in)

£200-300See detail on front cover

56§ EZ361/1JAMES MORRISON R.S.A.,R.S.W., L.L.D.(SCOTTISH b. 1932)MONTROSESigned, oil on board

100cm x 151cm (39.4in x 59.4in)

£3,500-4,500



Post-War Art

25

57§ FA661/1SARAH MCLAREN(SCOTTISH 20TH CENTURY)A STILL LIFE OF POPPIESSigned, watercolour

61cm x 55cm (24in x 21.75in)

£250-400

58 FA661/2GEORGE WRIGHT HALL(SCOTTISH 1895-1974)BIRDS IN THE STUDIOSigned, oil on canvasboard

50cm x 55cm (19.7in x 21.7in)

£300-500



Post-War Art

26

59§ FA632/1JOHN HALLIDAY(SCOTTISH b. 1933)SELF-PORTRAITSigned and dated 1957, andinscribed ‘To Ram’. Penciland charcoal on paper laiddown on paper, unframed

34cm x 25cm (13.4in x 9.8in)

Note:The drawing is dedicated to RamGopal, an Indian classical dancerwho introduced the west to theethos and tradition of this artform.John Halliday met and wasencouraged by Ram Gopal to pursuehis own artistic ambitions.

£200-300

60§ FA618/1JOEL KIRK (BRITISH b. 1948)RESTING TIGERSigned, pastel

29cm x 39cm (11.4in x 15.4in)

£300-400

61§ FA618/2JOEL KIRK (BRITISH b. 1948)TIGER IN THE GRASSSigned, pastel

29cm x 39cm (11.4in x 15.4in)

£300-400

62§ FA439/8DAVID MCLEOD MARTINR.S.W., R.G.I., S.S.A.(SCOTTISH b. 1922)NEAR DUNNINGSigned, watercolour

15cm x 21cm (6in x 8.25in)

Provenance:Roger Billcliffe Gallery, Glasgow

£200-300

71 FA660/1PAT DOUTHWAITE(SCOTTISH 1939-2004)A DAY IN THE COUNTRYSigned and dated ‘82, mixedmedia on paper

39cm x 55.5cm (15.4in x 21.7in)

£300-500

72§ EZ659/1DOUGLAS THOMSON(SCOTTISH b. 1955)HEADSigned, acrylic on paper,unframed

100cm x 68cm (39.5in x 26.75in)

£200-400

73 EAC148/5HAMISH LAWRIE(SCOTTISH 1919-1987)THE BLUE POOLSigned, oil on board

71cm x 91cm (28in x 35.8in)

£400-600

74§ FA185/1JOHNNY MCGUINNESS(SCOTTISH CONTEMPORARY)RED DREAMSSigned, inscribed and dated1985, oil on canvas

141cm x 141cm (55.5in x 55.5in)

£500-700

75§ EAC243/8DAVID SINCLAIR R.S.W.(SCOTTISH b. 1937)SEASCAPESigned, coloured ink on paper

7cm x 9cm (2.8in x 3.5in)

£100-150

67§ FA648/1ANN ORAM R.S.W.(SCOTTISH b. 1956)PALM TREES ANDBUBBLING OCEAN, CROATIASigned, and inscribed artistlabel verso, oil on paper

29cm x 41cm (11.4in x 16.1in)

£300-500

68§ EAC297/4JANE O’MALLEY(BRITISH b. 1944)STILL LIFE AND EVENINGSEA, ST. IVESSigned and inscribed verso,oil on card

15.5cm x 42.5cm (6.1in x 16.7in)

£300-500

69 EAA420/5WILLIAM COLLIE MILNECADENHEAD(SCOTTISH 1934-2009)HEAD OF THE BUACHAILLESigned and dated ‘82, oil onboard

18cm x 22.5cm (7.1in x 8.9in)

Provenance:The Scottish Gallery, Edinburgh,Christmas Exhibition 1983, cat.no. 86

£200-300

70§ EAA416/66ALFONS B. JASINSKI R.S.W.(SCOTTISH, b. 1945)THE SENTINELSSigned and dated ‘82,watercolour and gouache

35.5cm x 30cm (14in x 12in)

£200-300

63§ FA667/3JOHN BYRNE(SCOTTISH b. 1940)PORTRAIT OF A DANCERSigned, gouache

23cm x 23.5cm (9.1in x 9.3in)

Provenance:The artist Mary Armour

£300-500

64§ FA648/6JOHN BYRNE(SCOTTISH b. 1940)BRIDESMAIDInk on card

25.4cm x 19.1cm (10in x 7.5in)

Provenance:The Scottish Gallery, SummerExhbition 5th July-2nd August 1997,cat. no. 25

£200-300

65§ FA648/7JOHN BYRNE(SCOTTISH b. 1940)SWEET DREAMSColour etching, artist’s proof.Signed in pencil and inscribedA/P

6.2cm x 6.2cm (2.4in x 2.4in)

and another by the samehand OHYAH! (2)

£200-300

66§ FA662/2NAEL HANNA(IRAQI/SCOTTISH b. 1959)STORMY WATERSSigned and dated ‘98, oil oncanvasboard

24cm x 34cm (9.4in x 13.4in)

£300-500

76§ EAC283/1JOHN CUNNINGHAM(SCOTTISH 1927-2000)STILL LIFE WITH ROSES ANDA FRUIT BOWLSigned, oil on canvas

85cm x 75cm (33.5in x 29.5in)

£2,000-3,000



Post-War Art

27

77 FA550/3JOHN MCNAIRN(SCOTTISH 1910-2009)ST ABBS, STORMY EVENINGSigned, and inscribed verso,oil on board

58cm x 76cm (22.8in x 29.9in)

Provenance:Aitken Dott & Son, Edinburgh

£600-900

80§ FA663/7GRAHAM CLARKE(BRITISH b. 1941)PROSPECT COTTAGELithograph, artist’s proof.Signed and inscribed in pencil

35cm x 54.5cm (13.8in x 21.5in),

arched top

£150-250

79 FA661/7DAVID DONALDSON R.S.A.,R.P., L.L.D.(SCOTTISH 1936-1996)FRONT GARDENSigned and dated ‘87, andsigned and inscribed artistlabel verso, oil on board

29cm x 29cm (11.4in x 11.4in)

£500-700

78§ EAA420/8BONNIE THOMPSON(SCOTTISH b. 1972)STILL LIFE WITH ASPARAGUSAND GOLDEN EGGOil on board

30cm x 50cm (12in x 19.5in)

£300-500

81§ EAC287/2PETER HOWSON(SCOTTISH b. 1958)UNDER THE LAMPLIGHTSigned and dated ‘06, pastel

19cm x 17.5cm (7.5in x 6.9in)

£1,200-1,800



Post-War Art

28

82§ FA545/1JOHN BELLANY R.A., C.B.E.(SCOTTISH b. 1942)WINDMILL SOIREE (1985)Signed, watercolour

37cm x 56cm (14.6in x 22in)

£600-900

85§ EZ794/28ANDA PATERSON R.S.W.,R.G.I. (SCOTTISH b. 1935)HORSE WITH FIGURESigned and dated 68, mixedmedia on board

135cm x 77cm (53in x 30.25in)

£300-500

84§ EAA420/24LOUISE MCNALLY(SCOTTISH b. 1963)HIGH AND DRYSigned and dated ‘06, oil oncanvas

25cm x 30cm (9.8in x 11.8in)

£300-500

83 EZ360/25ALEXANDER GOUDIE(SCOTTISH 1935-2004)CORNFIELD, BRITTANYSigned, pastel

29cm x 42cm (9.75in x 16.5in)

Provenance:Aitken Dott & Son, Edinburgh

£500-700

86 EZ349/5DAVID MCLEOD MARTINR.S.W., R.G.I., S.S.A.(SCOTTISH b. 1922)BOAT AND MARKERS,HASTINGSSigned, and inscribed artistlabel verso, oil on canvas

61cm x 75cm (24in x 29.5in)

£2,000-3,000



Post-War Art

29

87§ EZ794/27ANDA PATERSON R.S.W.,R.G.I. (SCOTTISH b. 1935)VICTIM OF WARSigned and dated ‘67, mixedmedia

101cm x 68cm (39.75in x 26.75in)

£400-600

90§ EZ794/30BRENDA LENAGHAN(SCOTTISH b. 1941)CLOWNSSigned and dated ‘81, oil onboard

91cm x 91cm (35.8in x 35.8in)

£400-600

89§ EZ845/21GEOFFREY ROPER(SCOTTISH b. 1942)WALLED GARDEN, NEWHALLHOUSESigned verso, oil on board

14cm x 20cm (5.5in x 7.9in)


£200-300

88§ EAA420/23HARRY MORE GORDON(SCOTTISH b. 1928)STILL LIFE WITH VASES,FLOWERS, AND SPECTACLESSigned in pencil and dated1995, watercolour

53cm x 75.5cm (20.9in x 29.7in)

Provenance:Francis Kyle Gallery, London

£500-700

91§ EAA486/2JOHN BELLANY R.A., C.B.E.(SCOTTISH b. 1942)STILL LIFE WITH YELLOWBACKGROUNDSigned, oil on canvas,unframed

152cm x 122cm (59.8in x 48in)

£4,000-6,000



Post-War Art

30

92 EAA470/22ALASTAIR MICHIE R.W.A.,F.R.B.S. (BRITISH 1921-2008)G53Signed and dated 1963,gouache

32.5cm x 35cm (12.75in x 13.75in)

Provenance:Traverse Art Gallery, Lawnmarket,Edinburgh

£150-250

95 EAA549/1HUGH ADAM CRAWFORDR.S.A. (SCOTTISH 1898-1982)BATHERS IN ORANGESigned, oil on board

37cm x 38.5cm (14.25in x 15.25in)

£200-300

94§ EAA536/8JOHN HALLIDAY(SCOTTISH b. 1933)FIGURES IN AN AUTUMNALLANDSCAPESigned, oil on board

62cm x 74cm (24.25in x 29in)

£200-400

93 EAA416/139COLIN THOMS(SCOTTISH 1912-1997)UNTITLEDSigned and dated ‘75,gouache

30cm x 55cm (11.75in x 21.5in)

£250-400

96§ EAA486/4JOHN BELLANY R.A., C.B.E.(SCOTTISH b. 1942)GIRL WITH A GOAT’S HEADSigned, and inscribed withnumeral ‘5’ on stretcher, oilon canvas, unframed

152cm x 152cm (59.8in x 59.8in)

£4,000-6,000



Post-War Art

31

97§ EAA536/7GRAHAM MCKEAN(SCOTTISH b. 1962)THE BRASS NECKSigned, oil on canvas

60cm x 48.5cm (23.5in x 19in)

£600-800

100§ EAC243/4IAN COOK R.S.W., R.I.(SCOTTISH b. 1952)RITUALSigned and inscribed artistlabel verso, gouache

34cm x 26.5cm (13.4in x 10.4in)

£200-300

99§ EAA420/14GAY GROSSART(SCOTTISH CONTEMPORARY)EAST LOTHIAN, SUMMERSigned, signed, dated ‘93 andinscribed verso, oil on canvas

127cm x 152cm (50in x 60in)

£600-800

98§ EZ361/4DANNY FERGUSON R.S.W.(SCOTTISH b. 1925-?)COASTAL ROADSigned, oil on canvas

51.5cm x 89.5cm (20.25in x 35.75in)

£500-700



Post-War Art

32

101§ FA663/8GUNTER GRASS(GERMAN b. 1927)BOOT AND FOOTMARKEtching, signed in pencil,dated ‘74, and numbered30/250

33cm x 39cm (13in x 39in) plate size

Exhibited:‘Gunter Grass First LondonExhibition’, Patrick Seale Prints Ltd,London, 22nd May- 11 June 1974.Includes signed exhibition catalogue.

£150-250

102§ EAC297/1DERRICK GUILD(SCOTTISH b. 1963)ADAMMixed media on paper

56cm x 36cm (22in x 14.2in)

£200-300

103§ EAC297/2DERRICK GUILD(SCOTTISH b. 1963)SEEING BUTTERFLIESMixed media on paper

56cm x 36cm (22in x 14.2in)

£200-300

104§ FA647/1PETER DE FRANCIA(FRENCH b. 1921)WEEPING HEADSigned, charcoal

25.5cm x 35.7 cm (10in x 14in)

Exhibited:James Hyman Gallery, London,Peter de Francia, After the Bombing,11 March-15 April 2005

£600-800

114§ EAA420/25PHILIP SUTTON R.A.(BRITISH b. 1928)‘RADMILLARS FLOWERS’Signed, inscribed and dated1981, oil on canvas, unframed


£800-1,200

115§ EZ845/22GEORGE DONALD R.S.A.,R.S.W. (SCOTTISH b. 1943)AROERISMixed media

25.5cm x 25.5cm (10in x 10in)


£300-500

116§ EZ845/23GEORGE DONALD R.S.A.,R.S.W. (SCOTTISH b. 1943)SYMATHUSSigned, mixed media

25.5cm x 25.5cm (10in x 10in)


£300-500

117§ EAC243/5GEORGE BIRRELL(SCOTTISH CONTEMPORARY)THE DUTCH GABLESigned and inscribed verso,gouache

24cm x 24cm (9.4in x 9.4in)

£300-400

118§ EAC31/79BILL WRIGHT R.S.W.(SCOTTISH b. 1931)WINTER SEASigned, watercolour withbodycolour

40.5cm x 38/5cm (15.9in x 15.2in)

£250-400

110§ FA577/1ELIZABETH VIOLETBLACKADDER D.B.E., R.A.,R.S.A., R.S.W., R.G.I., D.LITT.(SCOTTISH b. 1931)LILIES AND POPPIES, 2003Screenprint, signed, printer’sproof aside from an edition of45, unframed

Sheet size: 93cm x 64cm

(36.75in x 25in)

£500-700

111 EAA947/4JOHN CUNNINGHAM(SCOTTISH 1927-2000)IN ANDALUCIASigned, oil on board

34cm x 39.5xcm (13.4in x 15.5in)

£250-350

112§ EAC243/6DAWSON MURRAY R.S.W.,R.G.I.(SCOTTISH CONTEMPORARY)DYING TULIPSSigned and inscribed verso,oil on canvas

29cm x 27.5cm (11.4in x 10.8in)

£200-300

113§ EAC244/2CHRISTINE MCARTHURR.G.I., R.S.W.(SCOTTISH b. 1953)BLACK GRAPES, GREENGRAPESSigned, pastel


£400-600

105§ FA662/3GORDON K. MITCHELL(SCOTTISH b. 1952)NIGHT FLIGHTSigned, oil on card

15cm x 21cm (5.9in x 8.3in)

£300-500

106 EZ823/14DANNY FERGUSON R.S.W.,R.G.I. (SCOTTISH 1925-1993)STILL LIFE WITH MIRRORSigned, oil on board

69cm x 69cm (27.2in x 27.2in)

£300-500

107§ FA670/1DOUGLAS THOMSON(SCOTTISH b. 1955)DEMAGOGUESigned, inscribed on thebackboard, oil on board

74cm x 58.5cm (29in x 23in)

£400-600

108 FA673/1DAVID HOSIE(SCOTTISH b. 1962)THE BAILLIE BARSigned, inscribed and dated2006 verso, oil and gesso onpanel

27cm x 38cm (10.6in x 15in)

£400-600

109 FA673/2DAVID HOSIE(SCOTTISH b. 1962)DANCE TROUPE,SPIEGELTENTSigned, and inscribed anddated 2007 verso, oil on board

43.5cm x 40cm (17.1in x 15.7in)

£400-600

119§ EZ236/5JOHN BELLANY R.A., C.B.E.(SCOTTISH b. 1942)EYEMOUTHSigned, oil on canvas,unframed

91cm x 122cm (36in x 48in)

£2,000-3,000



Post-War Art

33

120§ EZ236/6JOHN BELLANY R.A., C.B.E.(SCOTTISH b. 1942)THE BOAT REGALIUSSigned, oil on canvas,unframed

91cm x 122cm (36in x 48in)

£2,000-3,000



Post-War Art

34

121§ LB418/1ARCHIE FORREST R.G.I.(SCOTTISH b. 1950)ITALIAN REVERIESigned, watercolour


£800-1,200

122§ EAC152/1DAVID MICHIE R.S.A., R.G.I.,F.R.S.A., O.B.E.(SCOTTISH b. 1928)TWO BOUQUETSSigned, oil on canvas

49cm x 59cm (19.25in x 23.25in)

£800-1,200

123 EAC287/1JOHN CUNNINGHAM(SCOTTISH 1927-2000)MIRRIEST OF NICHTISSigned, oil on canvasboard

29cm x 34cm (11.4in x 13.4in)

£1,500-2,000

125§ EZ845/25GEORGE DONALD R.S.A.,R.S.W. (SCOTTISH b. 1943)CHEASPESMixed media

25.5cm x 25.5cm (10in x 10in)


£300-500

126§ FA439/4MARY FEDDEN R.A.(BRITISH b. 1915)TABLE STILL LIFE WITHGRAPESSigned and indistinctly dated,gouache

11cm x 15.5cm (4.25in x 6.25in)

£800-1,200

127 EAA420/7SARAH RAPHAEL(BRITISH 1960-2001)PENNY II, 1991Oil on canvas

15cm x 29cm (5.9in x 11.4in)

Provenance:Agnew’s, London

£300-500

124§ EZ845/24GEORGE DONALD R.S.A.,R.S.W. (SCOTTISH b. 1943)SELYMBRAMixed media

25.5cm x 25.5cm (10in x 10in)


£300-500

35



Post-War Art

129§ EAB393A/18JAMES MORRISON R.S.A.,R.S.W., L.L.D.(SCOTTISH b. 1932)NO. 146 BELHAVEN TERRACESigned and dated 1974, oil oncanvas


Provenance:The Estate of the Late Jean GordonWelsh

£800-1,200

36



Post-War Art

128 FA657/1CHARLES CAMERON BAILLIE(SCOTTISH 2OTH CENTURY)MOTHER AND CHILDSigned and dated ‘61, oil onboard

35.5cm x 22.5cm (14in x 8.9in)

£1,200-1,500

132§ EAA947/6GEORGE DEVLIN R.S.W.(SCOTTISH b. 1937)AFTERNOON BY THE MEDSigned, pastel

21cm x 22.5cm (8.25in x 8.77in)

£200-300

133§ FA445/1CYNTHIA FRASER(SCOTTISH CONTEMPORARY)NUDE STUDIES IN GREENSigned, watercolour andbodycolour

52cm x 74cm (20.5in x 29.1in)

£200-300

134§ FA440/1HUGH MCINTYRE(BRITISH b. 1943)THE VINE AT JOE’S BEACHHOUSESigned and dated ‘94, andsigned, inscribed and dated‘94 verso, oil on canvas

54cm x 48.5cm (21.3in x 19.1in)

£300-500

131§ EAA420/4ALAN HERRIOT(BRITISH CONTEMPORARY)THE ARGONAUTSigned, watercolour

45cm x 65cm (18in x 25.5in)

£400-600

37



Post-War Art

130§ FA131/1DUNCAN SHANKS R.S.A.,R.S.W. (SCOTTISH b. 1937)BETWEEN SHOWERS,CROSSFORDSigned, signed and inscribedverso, oil on board

79cm x 88cm (31in x 34.75in)

Provenance:The Scottish Gallery, Edinburgh

£1,500-2,000

136§ EZ794/29WILLIAM JAMES LAIDLAWBAILLIE R.S.A., R.S.W., R.G.I.,H.R.A. (SCOTTISH b. 1923)STUNTED PALMSSigned and dated 1964, oil oncanvas

61cm x 91cm (24in x 35.8in)

£500-700

38



Post-War Art

135§ EAC85/1PETER MCLAREN(SCOTTISH b. 1964)OUTINGMixed media

68cm x 102.5cm (26.75in x 40.5in)

£1,000-1,500

139 EAA467/3JAMES CUMMING R.S.A.R.S.W. (SCOTTISH 1922-1991)ABSTRACTIONSigned, gouache


£200-300

140§ EAA420/11HUW WILLIAMS(WELSH b. 1968)UNTITLEDOil on canvas

150cm x 180cm (59in x 71in)

£800-1,200

141§ EAA369/1AVRIL PATON(SCOTTISH b. 1941)CENTRAL PARKSigned, watercolour withbodycolour

110cm x 82cm (43.3in x 32.3in)

£500-800

138§ EV150/1DAVID HOSIE(SCOTTISH b. 1962)BEDROOM MIRRORSigned and dated ‘98, signedand inscribed verso, oil onboard

152cm x 122cm (61in x 48in)


£200-300

39



Post-War Art

137§ EAA420/26ALAN KILPATRICK(BRITISH CONTEMPORARY)SUNSET AND SKY IAcrylic on canvas, unframed

120cm x 120cm (47in x 47in)

Provenance:Bourne Fine Art, Edinburgh

£1,000-1,500

144§ FA439/1GRAHAM MCKEAN(SCOTTISH b. 1962)TO SERVE AND PROTECTSigned, oil on canvas

48.5cm x 39cm (19in x 15.25in)

£600-800

145§ LB420/1PETER GRAHAM R.O.I.(SCOTTISH b. 1959)YACHTS IN HARBOURSigned and dated ‘91, oil oncanvas

77cm x 57cm (30.3in x 22.4in)

£500-700

146§ FA439/10ALEXANDER ROBB(SCOTTISH b. 1950)BOWL OF GREEN APPLESSigned with monogram, oil oncanvas

29cm x 29cm (11.5in x 11.5in)

£400-600

143§ EAA416/15JONATHAN GIBBS(BRITISH, CONTEMPORARY)JAPANSigned and dated 1985 verso,acrylic and charcoal on linen,unframed

152cm x 121.5cm (59.75in x 47.5in)

£500-800

40



Post-War Art

142§ EAC152/2ETHEL WALKER(SCOTTISH b. 1941)CRANBERRY GLASSSigned, gouache

54cm x 59cm (21.25in x 23in)

£1,000-1,500

41



Post-War Art

147§ LB399/2ELIZABETH VIOLETBLACKADDER D.B.E., R.A.,R.S.A., R.S.W., R.G.I., D.LITT.(SCOTTISH b. 1931)AMARYLLIS, 1987Signed, watercolour

76cm x 56.5cm (30in x 22.5in)

£5,000-7,000

42



Post-War Art

223§ EAC283/2DAVID MCLEOD MARTINR.S.W., R.G.I., S.S.A.(SCOTTISH b. 1922)HARVEST, EAGLESHAMSigned and dated 1962,watercolour

54cm x 75cm (21.25in x 29.5in)

Exhibited:Royal Scottish Society of Painters inWatercolour, Edinburgh

£400-600

152 EAC244/1JOHN CUNNINGHAM(SCOTTISH 1927-2000)JUG OF ANEMONESSigned, oil on canvasboard

28.5cm x 28.5cm (11.25in x 11.25in)

£500-800

153§ EAC43/6GREGOR M. SMITH R.S.W.(SCOTTISH b. 1944)IN SUMMERWINDSigned and dated 1977,signed, inscribed and datedverso

168cm x 158cm (66in x 62in)

£500-800

154§ EAC243/1GREGOR M. SMITH R.S.W.(SCOTTISH b. 1944)SPIN DRIFTSigned and dated 1975, oil oncanvas

112cm x 120cm (44in x 47.5in)

£300-500

155§ FA67/1JANET PATTERSON(SCOTTISH b. 1941)TETE-A-TETE AT NIGHTSigned and dated 1986, mixedmedia on paper

80cm x 122cm (31.5in x 48in)

£400-600

156 FA121/1EDUARDO PAOLOZZI(SCOTTISH 1924-2005)ELEPHANTIncised with signature andnumbered 119/3000, plasticmoulded sculptural box

29.5cm (11.5in) high

£600-800

157 FA121/2EDUARDO PAOLOZZI(SCOTTISH 1924-2005)UNTITLEDEtching, signed and inscribed

14.5cm x 10cm (5.75in x 4in)

Provenance:Gift to vendor’s mother.

£300-500

158 FA472/1GEORGES ROUAULT(FRENCH 1871-1958)JEAN-FRANCOIS NEVERSINGS ALLELUIA (MISEREPLATE 25)Aquatint, signed and dated1923 in plate

59cm x 42cm (23.2in x 16.5in) plate

size

£200-400

159 FA121/3LE CORBUSIER(CHARLES-EDOUARDJEANNERET)(FRENCH 1887-1965)LE CHEVALCharcoal

28cm x 21.5cm (11in x 8.5in)

£400-600

160 FA469/1SALVADOR DALÍ(SPANISH 1904-1989)LA LICORNEColour lithograph, signed inpencil and numbered 132/300

48cm x 58.5cm (18.9in x 23in)

plate size

Provenance:With original Certificate ofAuthenticity from Robert SillsGallery

£400-600

161 FA678/2GEORGE ELMSLIE OWENR.B.A. (BRITISH 1899-1964)STILL LIFE WITH PINEAPPLESigned and dated 1956,gouache

31cm x 41.5cm (12.2in x 16.3in)

£300-500

162 FA678/4GEORGE ELMSLIE OWENR.B.A. (BRITISH 1899-1964)STILL LIFE WITH GREEKMOTIFSSigned and dated 1950,gouache

32cm x 47cm (12.6in x 18.5in)

£300-500

163§ EAC243/7DAVID SINCLAIR R.S.W.(SCOTTISH b. 1937)GREEN LANDSCAPESigned, gouache

8.7cm x 10.5cm (3.5in x 4in)

£150-200

147A§ FA439/9JAMES DOWNIE ROBERTSONR.S.A., R.S.W., R.G.I.(SCOTTISH b. 1931)PENINSULASigned, gouache

14.5cm x 21cm (5.5in x 8.25in)

Provenance:Roger Billcliffe Gallery, Glasgow

£200-300

148§ FA661/3JACK KNOX R.S.A., R.S.W.,R.G.I. (SCOTTISH b. 1936)WHEATSHEAFSigned, and signed, inscribedand dated ‘95 verso, acrylic oncanvasboard

30cm x 25cm (11.8in x 9.8in)

£300-500

149§ EAA416/95BARBARA RAE R.S.A., R.S.W.(SCOTTISH b. 1943)RAIN, PIER,KINLOCHMOIDARTSigned, inscribed and dated‘81 Aug, mixed media


Provenance:The Scottish Gallery, Edinburgh

£700-900

150§ EAA947/7IRENE LESLEY MAIN(SCOTTISH b. 1959)SUN AND SEA, MUSTIQUESigned and dated 1995, oil onboard

30cm x 35cm (11.75in x 13.75in)

£400-600

43



Post-War Art

165 EAA446/3DAVID MCCLURE R.S.A.,R.S.W. (SCOTTISH 1926-1998)NUDE - DREAM OF SUMMERSigned and dated ‘63, signedand inscribed verso, oil onboard


£700-900

164§ EAA459/1JOHN HOUSTON R.S.A.,R.S.W., S.S.A. (1930-2008)HEDGEROW AND WILDFLOWERS, FIFESigned, oil on canvas

58cm x 86.5cm (23in x 34in)

£1,000-2,000

167 EAA900/101CAREL WEIGHT R.A.(BRITISH 1908-1997)STORM OVER SHEPHERD’SBUSHOil on canvas


Exhibited:Leicester Galleries, London, CarelWeight 1946, no. 170

£1,000-2,000

44



Post-War Art

166§ FA645/1ALMA WOLFSON(SCOTTISH b. 1942)SEIL SOUNDSigned, gouache

40cm x 78cm (15.7in x 30.7in)

£400-600

170 FA663/1PATRICK PROCTOR(BRITISH 1936-2003)BLUE BOY WITH CARNATIONsigned in pencil andnumbered 435/500

54cm x 39cm (21.3in x 15.4in)

£200-300

169§ FA661/8JAMES H. FAIRGRIEVE R.S.A.,R.S.W. (SCOTTISH b. 1944)AUTUMN STILL LIFESigned, acrylic on board

79cm x 110cm (31.1in x 43.3in)

£500-700

45



Post-War Art

168 EAC290/1ALEXANDER GOUDIE(SCOTTISH 1933-2004)STILL LIFE IN WHITESigned, oil on canvas

62cm x 74cm (24.5in x 29.25in)

£2,000-4,000

172 FA453/2MICHAEL AYRTON R.A.(BRITISH 1921-1975)MINOTAUR ENRAGED, 1963Charcoal on paper

69cm x 44cm (27in x 17.25)

Exhibited:The Roberts - Paintings and Workson Paper by Colquhoun andMacBryde, The Scottish Gallery,Edinburgh March 2010.

£1,000-1,500

46



Post-War Art

171§ FA663/4DAVID HOCKNEY(BRITISH b. 1937)THE FRENCH SHOPLithograph, signed in penciland dated ‘71 and numbered486/500

53.5cm x 45cm (21.1in x 17.7in)

£2,000-3,000

175 EAC297/3WILLIAM HUNTERLITTLEJOHN R.S.A., R.S.W.,R.G.I. (SCOTTISH 1929-2006)STILL LIFE WITH TARGETSInscribed verso, oil on canvas

59cm x 90cm (23.2in x 35.4in)

£400-600

174 FA622/1PAT DOUTHWAITE(SCOTTISH 1939-2002)MYSELF AS A BOY WITH AHAIR-LIPSigned, inscribed and dated‘94, watercolour

75cm x 55cm (29.5in x 21.7in)

£500-600

47



Post-War Art

173§ EAA555/1QU LEI LEI (CHINESE b. 1951)TREASURE WHAT YOU HAVEMixed media

77.5cm x 90cm (30.5in x 35.4in)

Note:From the artist’s Millenium series.

£3,000-4,000

177§ LB423/1HELEN FLOCKHART(SCOTTISH b. 1963)FLY FLY MAGGOT PIE, 1994Oil on canvas

69.5cm x 54cm (27.5in x 21.25in)

Provenance:Rebecca Hossack Gallery, London

£1,000-1,500

48



Post-War Art

176 LB425/1ROMAN VISHNIAK (RUSSIAN/AMERICAN 1897-1990)CARPATHO, RUTHENIAGelatin silver print, signedand dated 1938, unframed

35.2cm x 27.6cm (13.75in x 11in)

£1,000-1,500

180§ LB397/1JOYCE CAIRNS R.S.A., R.S.W.(SCOTTISH b. 1947)BANDAGES DON’T HEALSigned, and inscribed verso,oil on board

122cm x 182cm (48in x 71.7in)

£1,000-1,500

179§ EAC187/2JAMES SPENCE R.S.W., R.G.I.(SCOTTISH CONTEMPORARY)COMPOSITION IN SHADES OFVIOLETSigned and dated 1969, mixedmedia

35cm x 21.5cm (13.75in x 8.5in)

£200-300

49



Post-War Art

178 LB419/3JOCK MCFADYEN(SCOTTISH b. 1950)BEN NEVISOil on board

51cm x 75cm (20in x 29.5in)

£3,000-5,000

182§ FA678/6ETHEL WALKER(SCOTTISH b. 1941)IN THE MOUNTAINSSigned, oil on board,unframed

61cm x 92cm (24in x 36.2in)

£1,000-1,500

50



Post-War Art

181§ FA678/5ETHEL WALKER(SCOTTISH b. 1941)BURNING BUSHSigned and inscribed artistlabel verso, oil on board

90cm x 69cm (35.4in x 27.2in)

£1,500-2,000

184§ EAC243/2EWAN DOUGLAS R.G.I.(SCOTTISH CONTEMPORARY)CUMBRAESigned, acrylic andwatercolour


£300-500

185 EAA577/1IAN HAMILTON FINLAY C.B.E.(SCOTTISH 1925-2006)THE LITTLE SEAMSTRESSSilkscreen, with RichardDemarco

47cm x 59.5cm (18.5in x 23.25in)

£150-250

186 FA30/1IAN HAMILTON FINLAY C.B.E.(SCOTTISH 1925-2006)A WATERLILY POOL-H’ARBOURNeedlework with colouredthreads

28cm x 19.5cm (11in x 7.7in)

£800-1,200

51



Post-War Art

183 FA648/2WILLIAM BURNS R.S.A.,R.S.W. (SCOTTISH 1921-1972)SEA MINESigned and dated 1964, oil onboard

126cm x 101cm (49.5in x 39.75in)

Exhibited:Aberdeen Art Gallery and Museum,William Burns Memorial Exhibition,1973/4, no. 16The Scottish Gallery, Edinburgh,Post-War Scottish Masters, 1985,no. 97

£2,000-3,000

Wallinger, ShirazehHoushiary, Tacita Dean andKeith Tyson, amongst manyothers. There are some whoattribute the artistic buzz ofSouth London and the EastEnd in that era to Delfina’spresence.

Seen as an internationalmodel, the residencyprogramme provided a sort ofstudent extension for theRoyal College, a stepping-stone into the real world. In1996 The Telegraph describedthe Delfina Studio’s Trust as“one of the most remarkableartistic colonies in Britain.”

The pictures offered here arefrom Delfina’s personalcollection, all by formerresident artists of The DelfinaStudios Trust during thatexciting time. The proceedsfrom the sale will go towardssupporting residencies andbursaries for a newgeneration of artistsbenefiting from The DelfinaFoundation, founded in 2007,as the successor to theDelfina Studios Trust. Filling agaping hole in culturalexchange between Britain andthe Middle East, the DelfinaFoundation is an unparalleledconduit for personal

development for artists fromdiverse cultural backgroundsBased in a small townhousenear Buckingham Palace, theFoundation is less concernedwith providing studio spacethan with providing a platformfor dialogue, exhibitions andfacilitating artistic exchange.

The Delfina Studios Trust,established in London in 1988was the brainchild of DelfinaEntrecanales, consisted ofthirty-four studios, exhibitionspaces and an artists’ house,thus creating, until its closurein 2006, the UK’s largestinternational residency space.Having moved out ofinsufficient premises inStratford into a formerchocolate factory nearLondon Bridge, the Studioshoused foreign visitors aswell as local talent.Residents included a numberof Turner Prize nominees andwinners, Anya Galliccio, Mark

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187§ LB421/12ROMAN MIRCEA(ROMANIAN b. 1958)PORTRAIT OF DELFINACarved painted wood

100cm x 50cm x 50cm

(39.5in x 19.75in x 19.75in)

£700-900

The following lots are offered from the Collection of DelfinaEntrecanales to benefit the work of the Delfina Foundation

189§ LB421/11JIAN JUN XI(CHINESE/BRITISH b. 1962)DEMONSigned, inscribed and dated1989 verso, oil on canvas,unframed

160cm x 120 cm (62.99in x 47.24in)

£600-800

190§ LB421/5MAURICIO ORTIZ(COSTA RICAN b. 1963)SMALL YELLOW HEADSigned and dated 1993 verso,oil on canvas, unframed

25cm x 25cm (9.75in x 9.75in)

£300-500

191§ LB421/6MAURICIO ORTIZ(COSTA RICAN b. 1963)RED BUTTERFLYOil on canvas, unframed

121cm x 121cm (47.5in x 47.5in)

£500-700

188§§ LB421/9ALEXANDER GUY(BRITISH b. 1962)ELVISSigned on stretcher, oil oncanvas

120cm x 80cm (47.24in x 31.49in)

£1,000-1,500

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Works from the Delfina Collection

54



192 LB421/3TRACEY EMIN ET AL10 SUPASTORE SUPASTARSNine individually-framed prints, portfolio published 1998 by SupastoreProductions in an edition of 50. Printed by Michael Taylor, Paupers Press, inconjunction with an exhibition at the Tomato Building, London 1998

To include:Tracey Emin ‘It’s what I’d like to be’, Anya Gallacio ‘Untitled’, GaryHume ‘Untitled’, Sue Noble and Tim Webster, ‘Mom is Wrong’, Simon Bill,Simon Periton, George Hopton, Sarah Staton and Tomato Each signed,inscribed ‘NdC’, aside from edition of 50 and dated 1998 (9)

42cm x 59cm (16.5in x 23.25in) each

£3,000-5,000

194 LB421/10STEPHEN FARTHING(BRITISH b. 1950)NOTEPAD LIVERPOOLSigned, inscribed and dated1993 verso, oil on canvas

50cm x 70 cm (19.68in x 27.55in)

£300-500

195§ LB421/13MAXINE MASON(BRITISH CONTEMPORARY)ANGEL STREETSigned, inscribed and dated1996, oil on canvas, unframed

140cm x 200 cm (55.11in x 78.74in)

£800-1,200

196§ LB421/16SALLY MOORE(BRITISH b. 1962)NOT PLAYING GAMESSigned, inscribed and dated1990, verso, oil on canvas

80.5cm x 121cm (31.75in x 47.5in)

£500-700

55



193 LB421/7EVA DAVIDOVA(BULGARIAN b. 1969)FIGURE STUDYSigned verso, oil on canvas,unframed

200cm x 210 cm (78.75in x 82.75in)

£2,000-3,000

197§ LB421/1TIM SHAW(BRITISH CONTEMPORARY)LIFE FRIEZECement fondu onhessian-covered board

38cm x 25.5cm (15in x 10in)

Provenance:Duncan Campbell, London

£600-800

198§ LB421/2TIM SHAW(BRITISH CONTEMPORARY)ALL RUBBronze, signed and inscribedon base of plinth

35.5cm x 15cm x 9cm

(14in x 6in x 3.5in)

£1,500-2,000

56



199§ LB421/4MAO WEN BIAO(CHINESE b. 1950)PLATFORMSigned, signed, dated 1993and inscribed verso, oil oncanvas

60cm x 110cm (23.5in x 43.5in)

£2,000-4,000

surprises the viewer. In hercommission for the DuveenGalleries at Tate Modern in2002 she used molten sugarpoured onto the floor like acarpet, which spread out andhardened, changingappearance with time. Herworks Because Nothing hasChanged (2000), featuring abronze tree adorned withporcelain apples and BecauseI Could Not Stop (2002)showing a similar bronze treewith real apples left to rotemphasise her debt to thetraditional genre of Still Lifepainting and the sub-genre ofmemento mori: paintings ofdelightful and luxuriousworldly objects juxtaposedwith a skull, or a group ofoverly ripe and rotting fruit, orfish, aiming to remind us ofthe passing of time and ourown mortality.

The idea of cycles oftransformation and de/re-generation inherent in theorganic world lies at thecentre of Gallaccio’s work.Because of their conceptualnature, her installations oftenrespond to their proposedlocation and are site-specificor historically resonant. Herearly work in particular wasoften on an enormous scale,such as the thirty-four tonnecube of ice she installed in anold pumping station inWapping, East London in1996, which melted over time,accelerated by a ball of rocksalt buried at its core. Assuch her installations are

often impossible for privatecollectors to acquire. Thepresent lot however is anopportunity to acquire adomestic-scale work by thisacclaimed artist, closelylinked to the installationAspire (1999) for the IkonGallery in Birmingham, wherecandles were suspended fromthe ceiling on large disks andallowed to burn, producingconstantly changing waxsculptures and filling thespace with the aroma of wax.

Gallaccio is a Professor in theDepartment of Visual Arts inthe University of California,San Diego. She frequentlyexhibits in Rome, London,Zurich, Brussels, LosAngeles, New York, Basel andAmsterdam and her work iscollected by major culturalinstitutions such as Museumof Contemporary Art, Sydney,The Seattle Art Museum, theTate Gallery and the SouthGallery in London and theVictoria and Albert Museum.

Paisley-born Anya Gallacciograduated from GoldsmithsCollege of Art in 1988 and isone of the leading Britishsculptors of her generation.She was part of the group ofartists that graduated fromGoldsmiths in the late 1980sand early 1990s that becameknown as the Young BritishArtists. The group includesTracy Emin, Damien Hirst,Sam Taylor-Wood, SarahLucas and Gary Hume andthey distinguished themselveswith a series of artist-ledexhibitions, often held indisused warehouses in theLondon Docklands, one of theearliest of which was Hirst’s1988 Freeze show, whichGallaccio participated in. Shewas nominated for the TurnerPrize in 2003.

Gallaccio’s work centres onthe transient and ephemeral.She frequently uses organicmaterials such as fruit,flowers, ice and wax in herinstallations. She placed tenthousand rose heads on a bedof their stalks for the 1992work Red on Green andallowed them to wither duringthe course of the exhibition.Gallaccio often states that herwork is both a performance,because the pieces change inthe course of the exhibition,and a collaboration, becausethe change is not alwayspredictable or indeedcontrollable. She often usesmaterials in unexpected ways,creating an illusion whichthen challenges and

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59



200§ LB421/8ANYA GALLACCIO(SCOTTISH b. 1963)UNTITLEDChair, wax candles, additionalcandles and bucket

80cm x 45cm x 45cm

(31.5in x 17.75in x 17.75in)

£5,000-7,000

202† LB257/2BERT STERN(AMERICAN b. 1930)KATE MOSS NUDEDye pigment print on heavyarchival matt paper, signedand editioned 7/50

Image size: 28cm x 36cm

(11in x 14in)

£2,000-3,000

60

201§ LB425/2DAVID BAILEY(BRITISH b. 1938) ANDRALPH STEDMAN(BRITISH b. 1936)BASTARD BROTHERS, SPORTAID 1986Signed by each artist andnumbered 33/33

76.5cm x 58cm (30.25in x 23in)

Note:This work was produced as part ofBob Geldof’s Sport Aid in 1986continuing on the work that BandAid (1984) and Live Aid (1985) did inraising funds to support faminerelief in Africa.

£700-900

Other Properties

205§ EAC191/13MAURICE COCKRILL(BRITISH b. 1936)2 LITTLE OAK TREESigned with initials, inscribed,and dated ‘06, ink onJapanese paper

67cm x 49cm (26.4in x 19.3in)

Provenance:As stated by the artist, MauriceCockrill, came originally with agroup of unframed works from theartist’s studio

£300-500

206§ FA678/1JAMES HAWKINS(SCOTTISH b. 1954)SILVER BIRCHSigned and dated ‘86, acrylicon card

22cm x 34cm (8.7in x 13.4in)

£300-500

207§ FA678/3JAMES HAWKINS(SCOTTISH b. 1954)BELOW THE SGURR,WINTER, PMSigned, and iscribed anddated 1990 verso, acrylic oncard

29cm x 41cm (11.4in x 16.1in)

£300-500

204§ EAC191/9MAURICE COCKRILL(BRITISH b. 1936)LOOKING EAST 3Signed with initials, inscribed,and dated ‘06, ink withwatercolour on Japanesepaper

67cm x 48cm (26.4in x 18.9in)

Provenance:As stated by the artist, MauriceCockrill, came originally with agroup of unframed works from theartist’s studio

£300-500

61



Post-War Art

203§ FA594/1JAMES HAWKINS(SCOTTISH CONTEMPORARY)TWISTED TREES ABOVELOCH LURGAINNSigned, and inscribed anddated 1998 stretcher verso,acrylic on canvas

110cm x 152cm (60in x 43in)

£3,000-5,000



Post-War Art

62

208§ FA679/1NAEL HANNA(IRAQI/SCOTTISH b. 1959)MOONLIGHT AND SALMONNETS, LUNAN BAYSigned, oil on panel

48cm x 118cm (19in x 46.5in)

£1,000-1,500

209§ FA679/2NAEL HANNA(IRAQI/SCOTTISH b. 1959)ANGUS CREELSSigned, oil on canvas

38.5cm x 98cm (15in x 38.5in)

£1,000-1,500

210§ FA679/3NAEL HANNA(IRAQI/SCOTTISH b. 1959)BLUE VASESigned, oil on board

80cm x 92cm (31.5in x 36.25in)

£1,000-1,500



Post-War Art

63

211§ LB425/5DAVID TINDLE R.A.(BRITISH b. 1932)THE ARTIST’S WIFE, ASLEEPOil on board

13.2cm x 12.5cm (5.25in x 5in)

Provenance:Redfern Gallery, London

£300-500

214§ FA648/3JOCK MCFADYEN(SCOTTISH b. 1950)CANAL LOVERSSigned and dated ‘91,gouache

75.5cm x 57.5cm (29.7in x 22.6in)

£500-700

213 FA648/4HENRY INLANDER(BRITISH 1925-1983)STILL WATERSSigned, oil on canvas

78cm x 97cm (30.7in x 38.2in)

Provenance:The Leicester Galleries, London

£800-1,200

212§ LB425/6DAVID TINDLE R.A.(BRITISH b. 1932)BURNING THE STUBBLE ATNIGHTGouache, artist’s letterenclosed verso

11.1cm x 21cm (4.25in x 8.25in)

Provenance:A gift from the artist to the currentowner.

£200-300



Post-War Art

64

215§ EAA291/1BRUCE MCLEAN(SCOTTISH b. 1944)UNTITLEDScreenprint, signed andnumbered 18/40

120cm x 150cm (47.25in x 59in)

and another by the samehand, a pair (2)

£400-600

216§ FA453/1KARIN S. KROMMES(LUXEMBOURG b. 1979)LEFTOil on panel, signed and dated2004 verso

99cm x 79cm (39.25in x 31in)

£500-700

217 FA453/3VERONICA HARRIS(BRITISH CONTEMPORARY)TYCHAE AND HERATTENDANTSEtching, signed, inscribed,dated 4.11.97 in plate andnumbered 1/15 in pencil

Plate size: 19.5cm x 27.5cm

£250-400

218§ FA453/7PHILIP BRAHAM(SCOTTISH b. 1959)STUDY FOR SULPHUR WINDSigned with initials and dated‘97, and inscribed,watercolour

14cm x 20cm (5.5in x 7.9in)

£250-400

228 EAC295/1A COLLECTION OF NINEMOMART CHRISTMAS‘CARDS’Including 2002: HowardHodgkin, 2003: Lucien Freud,2004: Paul McDevitt, 2005:David Hockney, 2006: RonMueck, 2007: Sarah Lucas,2008: Richard Hughes,2009:Catherine Yass, 2010:Toby Ziegler & Joel Peers (9)

Various sizes

£400-600

229 LB424/1PETER ANDERSON(SCOTTISH CONTEMPORARY)IGGY POPSilver gelatin print, signedand numbered 2/25, bearingphotographer’s blind stamp.Framed in the artist’s handcrafted welded steel frame

52cm x 63cm (20.5in x 27.75in)

£300-500

230 LB424/2PETER ANDERSON(SCOTTISH CONTEMPORARY)DENNIS HOPPER, LONDON1982Silver gelatin print, signedand numbered 2/25, bearingphotographer’s blind stamp.Framed in the artist’s handcrafted welded steel frame

60cm x 70cm (23.5in x 27.5in)

£300-500

224§ FA453/12WILLIAM JAMES LAIDLAWBAILLIE R.S.A., R.S.W., R.G.I.,H.R.A. (SCOTTISH b. 1923)THE STAGEPVA on board, artist labelverso

45cm x 60.5cm (17.75in x 23.75in)

£500-700

225 FA453/14JAMES MILNE(SCOTTISH CONTEMPORARY)THE DISAPPEARINGLANDSCAPEOil, pastel and gouache


£200-400

226 EAC285/1VICTOR VASARELY (FRENCH/HUNGARIAN 1908-1997)ZETT (1989)Serigraph print in two halves,signed in pencil and inscribedwith edition code VV 309, froman edition of 300, this one212/300, unframed

88.9cm x 91.4cm (35in x 36in)

plate size

Provenance:Circle Fine Art Corporation. Includesoriginal documentation.

£200-300

227 LB425/7JULIAN COTTRELL(BRITISH CONTEMPORARY)CLOWNUnique polaroid, signed,inscribed and dated 1974,unframed

21.2cm x 27.3cm (8.25in x 10.75in)

£100-150

219 EAA420/28BRITISH CONTEMPORARYMOTORWAY & PYLONSAcrylic on card laid on paper

54.5cm x 54.5cm (21.5in x 21.5in)

£200-400

220 LB419/2JOCK MCFADYEN(SCOTTISH b. 1950)LOCHBOISDALE, SOUTH UISTOil on board

31cm x 45.5cm (12.25in x 17.5in)

£1,500-2,000

221 FA453/8ALOIS WACHSMAN(CZECH 1898-1942)HLAVA ZENY, 1997Pencil, stamped with studiostamp

20.5cm x 13cm (8in x 5.25in)

£250-400

222§ FA453/10DAVID MACH R.A.(SCOTTISH b. 1956)‘IT TAKES TWO’Screenprint, signed andnumbered 2/50


£250-400

223§ EAC243/3IAN COOK R.S.W., R.I.(SCOTTISH b. 1952)INDUSTRIAL LANDSCAPEGouache

44cm x 32.5cm (17.25in x 12.75in)

£250-400

231 FA637/1BERT STERN(AMERICAN b. 1929)MARILYN (THE LAST SITTING)Cibachrome print, signed,numbered 132/250

48cm x 48cm (18.9in x 18.9in)

Provenance:Includes Certificate of Authenticity,Johnathan Poole Fine Art

£1,000-1,500



Post-War Art

65

232 FA10/1ANDY WARHOL(AMERICAN 1928-1987)ELECTRIC CHAIRColour silkscreen, APXXXVI/L, unframed

90cm x 121.5cm (35.4in x 47.8in)

Provenance:Alan Cristea

Note:Editions Bischofberger Zurich,Copyright Factory Editions

£800-1,200

233§ EAA420/15THOMAS FLORSCHUETZ(GERMAN b. 1957)RICOCHET XIIICibachrome print mounted onaluminum. Signed, inscribed,dated ‘97/’99 and numbered1/2 verso

146cm x 97cm (57.5in x 38.2in)

and another by the samehand, a pair (2)

£2,000-3,000



Post-War Art

66

236§ FA648/5FELIM EGAN (IRISH b. 1952)TWIN PEAKS, 1990Signed and inscribed ‘ForTerry’ and dated 1990 verso,acrylic and mixed media oncanvas

40.5cm x 40.5cm (15.9in x 15.9in)

£400-600

237§ EAA420/17ROSIE SNELL(BRITISH b. 1971)UNDERTOWSigned, inscribed and dated2001 verso, oil on board,unframed

140cm x 213cm (55in x 84in)

£800-1,200

238§ EAA420/18PETER DAVIS(BRITISH b. 1937)UNTITLED, 3MM LILACGloss and satinwood oncanvas, unframed

107cm x 199cm (42in x 78.25in)

Provenance:Slewe Gallery, Amsterdam

£600-800

235§ FA663/2PATRICK HUGHES(BRITISH, b. 1939)SUNLIGHTScreenprint, signed in penciland dated ‘74, and inscribedand numbered 35/75

81cm x 60cm (31.9in x 23.6in)

£200-300

67



Post-War Art

234§ EAA420/19PAUL MORRISON(BRITISH b. 1966)UNTITLEDAcrylic on canvas, unframed

183cm x 269cm (72in x 106in)

Note:Liverpool-born Paul Morrisonstudied at Sheffield City Polytechnicand Goldsmiths College of Art.

An artist firmly aware of the greatBritish landscape painting tradition,one glimpses the influence of boththe tradition of herbarium andbotanical studies and the visionarylandscapes of Samuel Palmer in hiswork. Morrison foregoes traditionalperspectival construction of spaceand instead produces‘disorientating optical illusionsweaving between representationand abstraction’. The artist favoursworking on a large scale, both oncanvas and directly on environmentsurfaces to astounding resultswhich play with the viewer’sexpectations of size and space.

Paul Morrison has exhibited at theLas Vegas Art Museum, theBloomberg SPACE, London, TheContemporary Museum, Honolulu,South London Gallery, London,Fundació Joan Miró, Barcelona andThe Museum of Modern Art, NewYork among others. He lives andworks in Sheffield and London.

£5,000-7,000

241 EAC140/21JAY WHOLLEY(AMERICAN b. 1942)UNTITLED, 2000Iron on paper

43.2cm x 32.4cm (17in x 12.8in)

£300-500

242 EAC140/22JAY WHOLLEY(AMERICAN b. 1942)UNTITLED, 2000Iron on paper

43.2cm x 32.4cm (17in x 12.8in)

£300-500

243 EAC140/16PETER ROSTOVSKY(RUSSIAN b. 1970)BATHERSOil on panel in two pieces,unframed

25.4cm x 20.3cm (10in x 8in)

£300-500

240§ EAC140/19GEORGES ROUSSES(FRENCH b. 1947)ALEX, 2000/2003Signed in pencil, inscribedand numbered 13/30, inkjetprint on paper

67cm x 85cm (26.4in x 33.5in)

£1,000-1,500

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239§ EAC140/18GEORGES ROUSSES(FRENCH b. 1947)LE MANS, 1994/2004Signed in pencil, inscribedand numbered 15/30, inkjetprint on paper

67cm x 98cm (26.4in x 38.6in)

£1,000-1,500

The following works are from the Collection ofLehman Brothers Holdings Ltd.

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Works from the Collection of

Lehman Brothers Holdings Ltd.

244§ EAC140/5GÜNTER FÖRG(GERMAN b. 1952)UNTITLED, 2001Signed and dated 2001,watercolour on paper

74.9cm x 111.5cm (29.5in x 43.9in)

Note:Born in Bavaria in 1952, Förg is oneof the most widely recognisedcontemporary German artists, hiswork represented in a number ofinternational galleries from the TateModern to Munich’s Pinakothek derModerne via the San FranciscoMuseum of Modern Art. He isstrikingly of his generation both inhis questioning of Modernism(tainted for post-war artists by itsassociation with Fascism) and in hisfascination with the experience offragmentation. This painting notonly demonstrates the influence ofMondrian’s geometric style onFörg’s work, but is also typical indisplaying the artist’s exploration ofthemes of physical resistance andseparation, the strong vertical linesforming a barrier on the pictureplane resonant of prison bars, yetleaving our gaze free to penetrateinto the softer atmosphere beyond.

£2,000-3,000

that he discovered a newphotographic technique:having been obliged to placethe bag containing hisundeveloped films throughairport security, he laterdiscovered unexpected linesand colours had infiltrated theimages, caused by theirexposure to X-rays. Thusrather than simply depictingthe object of his travel, theimages testified to the journeyitself, complimenting theartist’s dual focus on thephotographic subject and thephysical properties of themedium.

The discovery of this newphotographic techniqueinspired Beshty to furtherexperimentation. In a seriesof eleven photograms entitledPicture Made by My Handwith the Assistance of Light,2006, the artist first bendssilver gelatin paper intoabstract sculptures, exposingthem to light from all angles,before smoothing them backinto the finished image, inwhich irregular polygons inwhite, gray and black waltzacross the surface.’[2] Boththis series and his depictionof the Berlin defunct Iraqiembassy were presentedtogether to great criticalacclaim in New York’sWallspace exhibition ‘TheMaker and the Model’, in2006, with ArtForum’s DavidVelasco drawing comparisonswith Man Ray and Laszlo

Moholy-Nagy’s experimentalphotography.[3]

Writing about the two series,Artnews critic Eric Bryantdeclares ‘in both bodies ofwork, Beshty is trying tomake explicit the essentialquality of the artwork as anobject rather than animage.’[4] Indeed, the artisthas continued to explore thistheme in a series ofsculptural works; glass,shatter-proof boxes mouldedto fit perfectly inside astandard Fedex box, thenshipped to whichever galleryor exhibition they are next dueto appear in. As the boxes areremoved from theirpackaging, their crackedspider-webbed surfacesattest to the voyage they havemade, their physical lives asart objects and exhibits, andpose difficulties for museumcurators as their ‘damage’defines them.

Walead Beshty now lives andworks in Los Angeles.

[1] Moret, A. “Tastemakers 2009:Walead Beshty.” Los Angeles TimesMagazine. 2009.[2] Gopnik, B. ‘Brought Into theFold.’ The Washington Post, May23rd 2009.[3] Velasco, D. “Walead Beshty.”Artforum International, vol. 45, no. 4(2006): 310.[4] Bryant, E. ‘The Indecisive Image.’ARTnews, March 2008.

British-born artist WaleadBeshty is profoundly engagednot only with questionsintrinsic to the medium ofphotography itself, but also tothe realities of internationalpolitics in a post-9/11 world.

Born in London, he chose topursue his studies across theAtlantic, graduating from YaleUniversity School of Art,before bursting onto thecontemporary art radar withhis first solo show in NewYork in 2004, when he ‘quicklycaptured the attention of theinternational art world withhis probing meditations onpolitical and socialconditions.’ [1]

Although primarily known forhis photographic works,Beshty operates acrossdiverse media, includingsculpture. Throughout hisoeuvre he displays aconsistent fascination withthe notion of travel, how weare marked by the places wepass through, and how theexperience of travel itself ischanging, with increasedsecurity measures inresponse to terrorist attacks.From 2001 to 2006 the artistvisited the defunct IraqiDiplomatic Mission in theformer East Berlin,photographing the site anumber of times, and findingin it a symbol of shiftingnotions of place andsovereignty. It was whilereturning from such a trip

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245§ EAC140/1WALEAD BESHTY(BRITISH b. 1976)PICTURE MADE BY MY HANDWITH THE ASSISTANCE OFLIGHT, 2006Photogram on gelatin silverpaper

175cm x 105cm (68.9in x 41.3in)

£6,000-8,000

251§ EAC140/4WILLIE DOHERTY(IRISH b. 1959)BELIEVING, 1988Colour coupler print

100.3cm x 151.1cm (39.5in x 59.5in)

£1,000-1,500

252 EAC140/6NAOYA HATAKEYAMA(JAPANESE b. 1958)SLOW GLASS #108, 2001Chromogenic print mountedon aluminium

90cm x 120cm (35.4in x 47.2in)

£1,000-1,500

253 EAC140/10KUNIHIKO KATSUMATA(JAPANESE b. 1967)SKYLINE OSAKA #2, 2002Signed and inscribed with titleand ‘multiple ed. 1/10’ verso,colour photograph

45.7cm x 55.9cm (18in x 22in)

£200-300

254 EAC140/11KUNIHIKO KATSUMATA(JAPANESE b. 1967)SKYLINE OSAKA #5, 2002Signed and inscribed with titleand ‘printed in Jan. 2004,multiple ed. 1/10’ verso,colour photograph

45.7cm x 55.9cm (18in x 22in)

£200-300

255 EAC140/12KUNIHIKO KATSUMATA(JAPANESE b. 1967)SKYLINE TOKYO, 2002Signed and inscribed with titleand ‘multiple ed. 2/10’ verso,colour photograph

45.7cm x 55.9cm (18in x 22in)

£200-300

256 EAC140/14FARIS MCREYNOLDS(AMERICAN b. 1977)UNTITLED (SHIP)Oil and printing ink on canvas

27.3cm x 34.9cm (10.7in x 13.7in)

£300-500

257§ EAC140/17GEORGES ROUSSES(FRENCH b. 1947)CLICHY, 1999/2004Signed in pencil, inscribedand numbered 15/30, inkjetprint on paper

85cm x 67cm (33.5in x 26.4in)

£1,000-1,500

258§ EAC140/20GEORGES ROUSSES(FRENCH b. 1947)KOBLENTZ, 2000/2003Signed in pencil, inscribedand numbered 22/30, inkjetprint on paper

85cm x 67cm (33.5in x 26.4in)

£1,000-1,500See frontispiece on page 2

246§ EAC140/23PAUL WINSTANLEY(BRITISH b. 1954)STAIRWELL COil pastel on paper

Image size: 59cm x 44cm

(23.25in x 17.25in)

£700-900

247§ EAC140/2PIERRE BURAGLIO(FRENCH b. 1939)TSigned with initial and dated1980, mixed media

70cm x 30cm (27.6in x 11.8in)

£1,000-1,500

248§ EAC140/3PIERRE BURAGLIO(FRENCH b. 1939)LE “16”Signed, inscribed and dated2004 on frame verso,watercolour on paper

63cm x 48cm (24.8in x 18.9in)

£1,000-1,500

249§ EAC140/7JOHN HILLIARD(BRITISH b. 1945)MIXED LIGHTING, 2001Giclée iris print on paper

83cm x 89cm (32.7in x 35in)

£700-900

250§ EAC140/8JOHN HILLIARD(BRITISH b. 1945)CROSS-CONTAMINATION -ENTRANCE HALL, 2001Giclée iris print on paper

83cm x 86cm (32.7in x 33.9in)

£700-900

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259§ EAC140/9CARLA KLEIN(DUTCH b. 1970)UNTITLED, 2007Oil on canvas, unframed

149.9cm x 350.5cm (59in x 138in)

Note:This work by Dutch artist CarlaKlein, born in 1970 in Zwolle andtrained in The Hague andAmsterdam, is an ambiguous piecethat subtly questions notions ofmedia and genre, space and scale.The painting emerged from a roadtrip taken by the artist along thewest coast of the United States,grounded in a modern traditionimmortalised by Kerouac yet evokingtimeless notions of pilgrimage anddiaspora, and in it the artistexamines a very modern experienceof travel whilst also celebrating anage-old device of ekphrasis. Whilstskilfully executed in a traditionalpainterly style, complete withatmospheric sky redolent of Dutchold master seascapes, Klein also

consciously draws attention to thepainting’s photographic origins,black lines at its edge echoing thenegatives of the snapshots she tookduring her journey beforereproducing them on canvas. Thework hovers too between aphotographic realism- this is clearlya landscape- and an abstractevocation of mood, hinting at thetraveller’s awe at the seeminginfinity of the landscape stretchingbefore them, mirrored in itsimpressive scale, but also, with itsclearly defined picture planecontained within its white edges,reproducing the contained space ofthe windscreen from which thisworld is experienced.

£4,000-6,000

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unruly world of nature beyondtheir walls.

In Innocent When You Dream,however, Kürten has movedbeyond the urban world, intothe forest itself, devoid of allhuman presence. Now naturequite literally moves into theforeground, in a quiet pastoralscene of water and sky, rocksand trees, with a subtlepalette of white, grey andbrown enlivened by the yellowgreen of spring growth, nolonger threatening, simplythere. Despite its realism,however, this image is aconstruction in which theguiding hand of the artist isclearly present: look moreclosely amidst the detailedtrees and pebbles of the riverbed and one begins toglimpse the obsession withtexture and patterns whichinfuse all of Kürten’spaintings, rococo whirls and

knots of Celtic intricacyforming an alternative artist’ssignature. This two-tieredsurface, the initial glancefollowed by a new focus, istypical of the artist’s work. Asa child he collected samplesof kitsch 1970’s wallpaper,and their patterns repeat likea refrain throughout hispaintings, evoking the surrealwhorls of Van Gogh’s StarryNight and the curlicues whichembrace Klimt’s maidens.

Born in Germany in 1969,Stefan Kürten trained underMichael Buthe (1944-94) atthe KunstakademieDüsseldorf before continuinghis studies at the Art Instituteof San Francisco, where helater taught. His work is heldin the Museum of Modern Art,New York, and the SaatchiGallery, London. He lives andworks in Düsseldorf and NewYork.

The strength of Kurten’spaintings is less theirunraveling of the limitationsof the built world than theirsense of the spaciousmysteries surrounding it. –David Franken, ArtForum,September 2002.

In Kürten’s work nature is anexuberant, almost sinisterforce, abundant frondsbursting from lush forest orcreeping from suburbangardens, encroaching uponthe man-made andthreatening to engulf it. Inpaintings such as TheHandsome Family, andUltramarine II (SaatchiGallery, London, 2004) weobserve his uneasyfascination with bourgeoisexistence, as he depicts thestatus symbols of modernliving, objets d’art in crispminimalist interiors thatcontrast sharply with the

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260§ EAC140/13STEFAN KURTEN(GERMAN b. 1963)INNOCENT WHEN YOUDREAMSigned, inscribed and dated2004 verso, oil on canvas

120.7cm x 149.9cm (47.5in x 59in)

£5,000-8,000

Note:Born in 1969, Melik Ohanian livesand works in Paris and New York.Alongside numerous individualexhibitions dedicated to the artistworldwide he has representedFrance in a number of biennalesincluding the Sao Paolo Biennale2004, the Moscow Biennale in 2005and the 52nd Biennale di Venezia,2007. Practising in diverse mediaincluding installation, film, andphotography, a central tenet of theartist’s work is the notion of timeand space. In his series ‘Selected

Recordings’ Ohanian confronts theviewer with a palpable and oftenfamiliar environment that isnevertheless geographicallyanonymous and suspended in time,bearing the trace of human activityyet empty of our presence.Apparently arbitrarily chosen, eachscene in the series seems to favourthe simple act of recording overaesthetic judgement, its titledifferentiated from its companionsonly by a number. Melik Ohaniancontinues to work on the series.

£2,000-4,000

END OF SALE

261§ EAC140/15MELIK OHANIAN(FRENCH b. 1969)SELECTED RECORDINGS#084Lambda print mounted onaluminium

124cm x 200cm (48.8in x 18.7in)

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77

Anderson, P., 229, 230Ayrton, M., 172

Bailey, A., 201Baillie, C.C., 128Baillie, W.J.L., 136, 224Barrie, M., 9Bellany, J., 82, 91, 96, 119, 120Beshty, W., 245Biaq, M.W., 199Birrell, G., 117Bittar, P., 6, 7Blackadder, E., 10, 36, 110, 147Bourne, P., 16Boyd, J., 4Braglio, P., 247, 248Braham, P., 218British Contemporary, 219Buchanan, H., 13, 14Burns, W., 183Butterworth, H., 8Byrne, J., 63, 64, 65

Cadenhead, W.C.M., 69Cairns, J., 30, 180Calder, A., 35Clarke, G., 79Cockrill, M., 204, 205Cook, I., 100, 223Cottrell, J., 227Crawford, H.A., 95Crowe, V., 42Crozier, W., 38Cumming, J., 139, 152Cunningham, J., 76, 111, 123

Dali, S., 160Dali, S., 37Davidova, E., 193Davis, P., 238de Francia, P., 104Devlin, G., 132Devlin, G., 15Doherty, W., 251Donald, G. 115, 116, 124, 125Donaldson, D., 1, 50, 79Douglas, E., 184Douthwaite, P., 34, 71, 174

Egan, F., 236Emin, T., and others, 192

Ernst, M., 33

Fairgrieve, J.H., 169Farthing, S. 194Fedden, M., 126Ferguson, D., 98, 106Finlay, I.H., 185, 186Fleming, I., 18Fleming, J.B., 5Flockhart, H., 177Florschuetz, T., 233Forrest, A., 121Fraser, C., 133Förg, G., 244

Gallacio, A., 200Gardner, A., 47Gear, W., 39, 45Gibbs, J., 143Gordon, H.M., 88Goudie, A., 48, 83, 168Graham, P., 28, 145Grant, D., 46Grass, G., 101Grossart, G., 99Guild, D., 102, 103Guy, A., 188

Hall, G.., 58Halliday, J., 59, 94Hanna, N., 66, 208, 209, 210Harris, V., 217Hatakeyama, N., 252-255Hawkins, J., 203Hawkins, J., 206, 207Henderson, N., 31Herriot, A., 131Hilliard, J., 249, 250Hockney, D., 171Hosie, D., 108, 109Hosie, D., 138Houston, J., 51, 55, 164Howson, j., 80Hughes, P., 235

Inlander, H., 213

Jasinski, A.B, 11, 70Jeanneret, C-E. (Le Corbusier),159

Kilpatrick, A., 137King, A., 26Kirk, J., 60, 61Klein, C., 259Knox, J., 148Krommes, K.S., 216Kurten, S., 260

Lawrie, H., 73Le Corbusier (C-E. Jeanneret),159

Lei, G.L., 173Lenaghan, B., 90Lewis, S., 32Littlejohn, W.H., 2, 175Lowry, L.S., 44, 49

Mach, D., 222Main, I.L., 150Martin, D.M., 19, 62, 86, 151Mason, M., 195McArthur, C., 113McClure, D., 165McFadyen, 52, 53McFadyen, J., 178, 214, 220McGuinness, J., 74McIntyre, H., 134McKean, G., 23, 24, 25, 97, 144McLaren, P., 135McLaren, S., 57McLean, B., 21, 22, 215McNairn, H., 77McNally, L., 84McReynolds, 256Michie, A., 92Michie, D., 29, 122Miller, J., 17, 27Milne, J., 225Mircea, R., 187Mitchell, G.K., 105Monart Christmas 'cards', 228Moore, S., 196Morrison, J., 56, 129Morrison, P., 234Murray, D., 112O'Malley, J., 68Ohanian, M., 261Oram, A., 67Ortiz, M., 190, 191Owen, G.E., 161, 162

Paolozzi, E, 43, 156Paterson, A., 85, 87Paterson, J., 155Paton, A., 141Perman, T., 54Price, R., 40, 41Proctor, P., 170

Rae, B., 149Raphael, S., 127Robb, A., 146Robertson, J.D., 147ARoper, G., 89Rossoman, L., 12, 20Rostovsky, P., 243Rouault, G., 148Rousses, G., 239, 240, 267, 258

Shanks, D., 130Shaw, T., 197, 198Sinclair, D., 75, 163Smith, G.M., 153, 154Snell, R., 237Spence, J., 179Stedman, R., 201Stern, B., 202, 231Sutton, P., 3, 114

Thompson, 78Thoms, C., 93Thomson, D., 72, 107Tindle, D., 211, 212

Vasarely, V., 226Vishniak, R., 176

Walker, E., 142, 181, 182Warhol, A., 232Weight, C., 167Wholley, J., 241, 242Williams, H., 140Winstanley, P., 246Wolfson, A., 166Wright, B., 118

Xi, J.J., 189

INDEX TO ARTISTS

AuctionSunday May 15that 2pm

Upcoming atFreeman’s

www . f r e em a n s a u c t i o n . c om

Inquiries:anne henrydirect tel: [email protected]

aimee pfliegerdirect tel: [email protected]

Catalogue $35

ExhibitionsWednesday May 11thThursday May 12thFriday May 13thSaturday May 14th

Please contact the departmentor www.freemansauction.comfor further details

Modern & Contemporary Art 05/15/11

FREEMAN’S

1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275

Fax: 215.563.8236

www.freemansauction.com

PABLO PICASSO (Spanish 1881-1973)“TÊTE DE FEMME NO. 5(PORTRAIT DE DORA MAAR)”1939, from the edition of 105Color aquatint and drypoint on Archesimage 11 13/16 x 9 3/8 in. (29.7 x 23.8cm)[Bloch 1337]provenance:Collection of Richard Scrushy, Vestavia,AlabamaSold to benefit HealthSouth shareholders,Birmingham, Alabama$30,000-40,000

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Fine PaintingsThursday, 2nd June, 201133 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

WILHELMINA BARNS-GRAHAM(SCOTTISH 1912-2004)UNTITLED – MARGARET SERIES 1958Oil on canvas

70.8cm x 90.8cm (27.75in x 35.75in)

£12,000-16,000

One of six paintings from the Barns-GrahamCharitable Trust to be offered in theJune Fine Paintings sale.

Viewing timesSunday 29th May 2pm - 5pmMonday 30th May 10am - 5pmTuesday 31st May 10am - 5pmWednesday 1st June 10am - 5pm (limited viewing)Morning of Sale by appointment only

EnquiriesNick CurnowTel: +44 (0)131 557 [email protected]

Elena RatchevaTel: +44 (0)207 930 [email protected]

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STANDARD TERMS &CONDITIONS OF SALE

Lyon & Turnbull carries on business withbidders, buyers and all those present inthe auction room prior to, or inconnection, with a sale on the followingGeneral Conditions and on such otherterms, conditions and notices as may bereferred to herein.

1. DEFINITIONS

In these Conditions:

(a) “Auctioneer” means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

(b) “deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source but which isunequivocally described in the catalogueas being the work of a particular creatorand which, at the date of the sale, had avalue materially less than it would havehad if it had been in accordance with thedescription;

(c) “hammer price” means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

(d) “terms of consignment” means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

(e) “total amount due” means thehammer price in respect of the lot soldtogether with any premium, Value AddedTax chargeable and any additional chargespayable by a defaulting buyer under theseConditions;

(f) “sale proceeds” means the net amountdue to the seller, being the hammer priceof the lot sold less commission at thestated rate, Value Added Tax chargeableand any other amounts due to us by theseller in whatever capacity and howeverarising;

(g) “You”, “Your”, etc. refer to the buyer asidentified in Condition 2.

(h) The singular includes the plural andvice versa as appropriate.

2. BIDDING PROCEDURES AND THEBUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfyany security arrangements before enteringthe auction room to view or bid;

(b) the maker of the highest bid acceptedby the auctioneer conducting the saleshall be the buyer at the hammer priceand any dispute about a bid, which mustbe raised before the next lot is offered,shall be settled at the auctioneer’sabsolute discretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may be withdrawn.

(e) Our right to bid on behalf of the selleris expressly reserved up to the amount ofany reserve and the right to refuse any bidis also reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon.Antiques, Jewellery & Silver and Pictures(Not Fine Sales)17.5%.

All other sales (Fine/Special/Collections)25% up to £25,000 / 20% thereafter.VAT will be charged on the premium at therate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer price isimposed by law on all items affixed withan asterisk (*) or dagger (†). Value AddedTax is charged at the appropriate rateprevailing by law at the date of sale and ispayable by buyers of relevant lots.

6. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due in cashor in such other way as is agreed by us.We accept cash, bank transfer (details onrequest), Switch or Debit Cards and Visaor MasterCard (please note there is asurcharge of 1.5% (VAT included) whenusing credit cards). We do not acceptAmerican Express.

(2) any payments by you to us may beapplied by us towards any sums owingfrom you to us on any account whateverwithout regard to any directions of you oryour agent, whether express or implied.

7. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you havepurchased and paid for not later than fourworking days following the day of theauction or upon the clearance of anycheque used for payment after which youshall be responsible for any removal,storage and other associated charges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being held atour main saleroom and the potentialstorage charges for lots not collected bythe appropriate time.

8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the followingrights and remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the sale of that lot and/orany other lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

(e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;

(f) to retain that or any other lot sold toyou until you pay the total amount due;

(g) to reject or ignore bids from you oryour agent at future auctions or to imposeconditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right to

retain possession of) any of your propertyin our possession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the seller andon their behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

9. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for thesafety of the property of persons visitingprior to or at a sale.

10. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumedto have carefully inspected and satisfiedthemselves as to its condition we shall ifso instructed clearly and in writing executebids on their behalf. Neither theauctioneer or our employees or agentsshall be responsible for any failure to doso. Where two or more commission bidsat the same level are recorded we reservethe right in our absolute discretion toprefer the first bid so made.

11. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneer andto you that the seller is the true owner ofthe property consigned or is properlyauthorised by the true owner to consign itfor sale and is able to transfer good andmarketable title to the property free fromany third party claims.

12. AGENCY

The auctioneer normally acts as agentonly and disclaims any responsibility fordefault by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of thelot.

14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)

(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damagewarranty: 1.5% on value of lots sold.Photography: max £40 mono per lot, max£250 colour. Internet Marketing Service:£10 per lot.

(2) If a vendor wishes to withdraw a lotconsigned for sale, a withdrawal fee willapply; this will be charged at 15% of themid estimate with any photographycharges incurred and all subject to VAT atthe current rate.

15. DESCRIPTIONS AND CONDITION

(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. Prospectivebuyers also bid on the understanding that,inevitably, representations or statementsby us as to authorship, genuineness,

origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonablyheld and accept liability for opinions givennegligently or fraudulently. Subject to theforegoing neither we the auctioneer or ouremployees or agents or the seller acceptliability for the correctness of suchopinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are herebyexcluded. This Condition is subject to thenext following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.

(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

16. FORGERIES

Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition aswhen bought, and is accompanied byparticulars identifying it from the relevantcatalogue description and a writtenstatement of defects. If we are satisfiedfrom the evidence presented that the lot isa deliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected theaccepted view of scholars and experts asat the date of sale or (2) you personally arenot able to transfer a good and marketabletitle to us, you shall have no rights underthis condition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

17. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.

18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the sellerand/or the auctioneer as appropriate.

(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.

19. Any notice to any buyer, seller, bidderor viewer may be given by first class mailin which case it shall be deemed to havebeen received by the addressee 48 hoursafter posting.

20. Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,paintings, guns, firearms etc) in whichcase the descriptions must be interpretedin accordance with any glossary orguidance notes appearing in thecatalogue. These notices and terms willalso form part of our terms and conditionsof sales.

21. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions or ofthe Terms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditionsshall be construed as having full force andeffect.

22. Scottish law applies to theinterpretation of these Conditions.

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Local DeliveriesLocal deliveries can bearranged by A&S Pert Re-movals.Telephone 07876 343520.

Packing and ShippingPlease note that we do notpack or ship items. The fol-lowing suggested carrierswill be able to arrangepacking and shipping;please contact them di-rectly to receive a quote.You may wish to contact analternative courier.

Smaller itemsMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BFTel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email:[email protected]

Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail:[email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close, Creek-moorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Fine Art CarriersGallery Support Group37 Cremer StreetLondon E2 8HDTel: +44 (0)20 7729 6692Email:[email protected]

Arrangements for Sold LotsAll bought items will be heldfree of charge at BroughtonPlace until the Friday follow-ing the sale.

Thereafter lots will be re-moved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will be avail-able at the saleroom on viewdays and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2011. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

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email. [email protected]

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78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274

Documents

Lyon & Turnbull Sale No 312 - Scottish Contemporary & Post-War Art