Lyon & Turnbull Sale No 358 - Scottish Contemporary & Post-War Art

Scottish Contemporaryand Post-War Art

Wednesday 15th August 201233 Broughton PlaceEdinburgh EH1 3RR

Catalogue: £10

BUYERS’ PREMIUM25% up to £25,00020% thereafter.VAT will be charged on the premiumat the rate imposed by law.†20% VAT chargeable on the lot itself*5% import VAT on the lot§Droit de Suite (artists’ resale rights)applies(see our Terms and Conditions of Saleand Information for Buyers).

Contemporary Scottish andPost-War Art

Wednesday 15th August 2012at 11am

Sale Number LT358

ViewingSunday 12th August 2pm - 5pmMonday 13th August 10am - 5pmTuesday 14th August 10am - 5pmMorning of sale strictly by appointment only

SpecialistsNick [email protected]

Charlotte [email protected]

ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844Fax. 0131 557 8668email. [email protected]

L Y O N & T U R N B U L L

Important informationfor buyers

2

By telephone

Bids submitted by telephone must

be confirmed in writing.

Telephone bidding

If you are unable to attend the sale

we can normally arrange for you to

bid on the telephone. This service is

available entirely at our discretion

and at the bidder’s risk. All

telephone bids must be confirmed in

writing, listing the relevant lots and

appropriate number to be called. We

recommend that a covering bid is

also left in the event that we are

unable to make the call. We cannot

guarantee that lines will be

available, or that we will be able to

call you on the day, but will

endeavour to undertake such bids to

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ascertain collection procedures,

particularly if the sale is not being

held at our main saleroom.

Electrical Goods

Lots that were once operated by

mains electricity are bought entirely

at the buyer’s risk. They are offered

for sale for display or historical

purposes and may not comply with

current regulations.

Bidding

At the Sale

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on or before the day of sale. We will

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residence, and may require a bank

reference. Potential buyers must

collect a bidding number before the

sale begins, and show that number

if successful in purchasing a lot.

Please ensure that the auctioneer

repeats the number correctly when

confirming the sale. If there is any

doubt at this stage as to the

hammer price or buyer it must be

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please leave the number at the

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In writing

Bid forms are available at the sale

and/or the back of the catalogue.

These should be submitted in

person, by post, or by fax as soon as

possible prior to the sale and we will

bid on your behalf up to the limit

indicated. In the event of receiving

two identical bids the first one

received will take precedence. They

must be received at the very latest

at least an hour before the sale. We

will do our utmost to execute these

bids but we offer this service entirely

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qualifying works of art. Under new

legislation which came into effect on

1st January 2012, this applies to

living artists and artists who have

died in the last 70 years.

This royalty will be charged to the

buyer on the hammer price and in

addition to the buyers premium. It

will not apply to works where the

hammer price is less than €1,000

(euros). The charge for works of art

sold at and above €1,000 (euros) and

below €50,000 (euros) is 4%. For

items selling above €50,000 (euros),

charges are calculated on a sliding

scale.

All royalty charges are paid to the

Design and Artists Copyright Society

(‘DACS’) and no handling costs or

additional fees are retained by the

auctioneer. Resale royalties are not

subject to VAT.

Please note that the royalty payment

is calculated on the rate of exchange

at the European Central Bank on the

date of the sale.

More information on Droit de Suite

is available at www.dacs.org.uk

Damage and Restoration

Occasionally, when a lot has

suffered extensive damage and/or

restoration it is indicated in the

catalogue. This is mentioned entirely

at our discretion for the benefit of

buyers. Where there is no mention

of damage and/or restoration this

should not be taken to mean that

there is none. It is the buyer’s

responsibility to ensure that the

condition of lots is to their

satisfaction (see our Terms and

Conditions of Sale).

Condition Reports

If potential buyers are unable to

inspect lots in person our specialists

will be happy to prepare detailed

Condition Reports on individual lots

as quickly as possible. These are for

guidance only and all lots are sold

‘as found’ (see our standard Terms

and Conditions of Sale).

Buying at Auction

This sale is subject to our standard

Terms and Conditions of Sale. If you

have not bought at auction before

we will be delighted to advise you.

Estimates

Estimates are printed below each lot

and do not include the buyer’s

premium. The sale will be

conducted in pounds sterling.

Dimensions

Dimensions are for guidance only; it

is the buyer’s responsibility to

ensure that they are correct.

Buyer’s Premium

The buyer shall pay the hammer

price together with a premium

thereon.

Antiques, Jewellery & Silver and

Pictures (Not Fine Sales)

20%

All other sales

(Fine/Special/Collections/

Contemporary)

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium

at the rate imposed by law. (see our

Terms and Conditions of Sale).

VAT

The symbol † by a lot number

indicates that VAT is payable by the

purchaser at the standard rate on

the hammer price.

The symbol * by a lot numberindicates that the lot has been

temporarily imported from outside

the EU and that VAT is payable by

the purchaser at the rate of 5% on

the hammer price and the buyer’s

premium.

No VAT is payable on the hammer

price or premium for books bought

at auction.

Droit de Suite

This symbol § indicates works which

may be subject to the Droit de Suite

or Artist’s Resale Rights which took

effect in the United Kingdom on 14th

February 2006. We are required to

collect a royalty payment for all


Contemporary Scottish and

Post-War Art

3

1§ FC844/2JACK KNOX R.S.A.(SCOTTISH b. 1936)BATHING HUTSSigned, pastel

19cm x 27cm (7.5in x 10.75in)

£300-500

2§ FD65/124JACK FIRTH R.S.W.(SCOTTISH 1912-2010)PLAQUE FOR MERLINSigned, gouache

34cm x 32cm (13.5in x 12.5in)

£300-500

3§ FD65/94GEORGE MCGAVIN(BRITISH 20TH CENTURY)CULROSSSigned with monogram,pastel

29.5cm x 44.5cm (11.5in x 17.5in)

£200-300

5§ FD65/28AGORDON BRYCE R.S.A.,R.S.W. (SCOTTISH b. 1943)BEN STACK, SUTHERLANDSigned and dated ‘74,watercolour

51cm x 71cm (20in x 28in)

£300-500



Post-War Art

4

4§ FC835/1PERPETUA POPE(SCOTTISH b. 1916)TURKISH FARM, ORTA KOYSigned, oil on canvas


£700-900



Post-War Art

5

6§ FD139/1DONALD MANSON D.A.(SCOTTISH b. 1948)STILL LIFE WITH VIOLIN BOWAND BOUQUETSigned, oil on panel

45cm x 89cm (17.75in x 35in)

£500-700

7§ FD131/3VICTORIA CROWE O.B.E.,D.H.C., F.R.S.E., M.A.(R.C.A.)R.S.A., R.S.W.(SCOTTISH b. 1946)THE HEALING HERB, VIOLASigned, inscribed andnumbered 31/75, screen print


£200-300

8§ FD261/1JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)NIGHT SKY OVER THE BASSROCKSigned and inscribed andnumbered 85/100, screenprint

23cm x 35.5cm (9.25in x 14in)

£200-300

10§ FD65/122IAN FLEMING R.S.A., R.S.W.(SCOTTISH 1906-1994)REQUIEM FOR CLEARANCESSigned, watercolour

47cm x 67cm (18.5in x 26.5in)

Exhibited:Royal Society of Watercolourists,1986, no.3

£300-500



Post-War Art

6

9§ FD251/1JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I.(SCOTTISH 1930-2008)MOON OVER SEASigned, oil on board

28.5cm x 28.5cm (11.5in x 11.5in)

£1,000-1,500



Post-War Art

7

11§ FD89/1NAEL HANNA(SCOTTISH/IRAQI b. 1959)INTO THE BLUESigned, oil on canvasboard


£1,000-1,500

12§ FC903/5ALEXANDER DOBKIN(ITALIAN 1908-1975)LEMONADE THROUGH ASTRAWSigned in plate, lithograph

29.5cm x 44cm (11.5in x 7.25in)

£200-300

13§ FC903/3BRUCE MCLEAN(SCOTTISH b. 1944)FEMALE NUDE ON A GREENGROUNDSigned and dated 1986,numbered 5/25, screen print

107cm x 78cm (42in x 30.75in)

£300-500

14§ FD130/1IAN HAMILTON FINLAY(SCOTTISH 1925-2006) ANDJIM NICHOLSONHOMAGE TO MODERN ARTInscribed in plate, screenprint

75cm x 53cm (29.5in x 20.75in)

£800-1,000



Post-War Art

8

15§ FD65/126SYLVIA VON HARTMANN(SCOTTISH CONTEMPORARY)MUTATO NOMINESigned and dated 1984, mixedmedia on paper

76cm x 55cm (30in x 21.5in)

£400-600



Post-War Art

9

17§ FD192/1PAT DOUTHWAITE(SCOTTISH 1939-2002)THE PATTERNED CLOAKSigned and numbered 11/20in pencil, lithograph


£150-250

19§ FD313/1NEIL DALLAS BROWN R.S.A.(SCOTTISH 1938-2003)PLUMMETSigned, oil on canvas

102cm x 61cm (40in x 24in)

£200-300

18§ FD336/7CHRISTINE MCARTHUR(SCOTTISH b. 1953)OUTSIDE FLORENCESigned, watercolour andacrylic

19cm x 19cm (7.5in x 7.5in)

£200-300

16§ FD156/2JAMES D. ROBERTSONM.B.E., R.S.A., R.S.W., R.G.I.(SCOTTISH 1931-2010)LANDSCAPESigned, oil on canvas

96cm x 102cm (38in x 40in)

(unframed)

£2,000-3,000

20§ FD376/2SIR ROBIN PHILIPSON R.A.,R.S.A., R.S.W., R.G.I., D.LITT.,L.L.D. (SCOTTISH 1916-1992)WOMEN OBSERVEDInscribed and dated 1980 onlabel verso, pastel andwatercolour

42cm x 61cm (16.5in x 24in)

£3,000-5,000



Post-War Art

10

21§ FD65/3DRUMMOND MAYO R.S.W.(SCOTTISH b. 1929)PEASANT DANCEsigned, oil on board

20.5cm x 20.5cm (8in x 8in)

£200-300

22§ FD65/55TOM HUTCHESON R.G.I.(SCOTTISH 1922-1999)RUST, RED AND GREY,LANARKSHIRESigned and dated ‘83, mixedmedia

26cm x 28cm (10.25in x 11in)

£200-300

23§ FD381/1ELIZABETH BLACKADDERD.B.E., R.A., R.S.A., R.S.W.,R.G.I., D.LITT.(SCOTTISH b. 1931)CHINESE CIRCUS ACROBATS 1Signed and dated 2002, oil oncanvas

25.5cm x 31cm (10in x 12in)

Provenance:Browse and Darby, London

£1,800-2,400



Post-War Art

11

24§ FD65/101ETHEL WALKER(SCOTTISH b. 1941)CHRISTENING JUGSigned, acrylic

14.5cm x 19cm (5.75in x 7.5in)

£150-250

25§ FC978/3JOAN RENTON R.S.W.(SCOTTISH b. 1935)THROUGH THE GAPSigned, watercolour

35.5cm x 51cm (14in x 20in)

£200-300

26§ FD141/1WILLIAM JOHNSTONE O.B.E.(SCOTTISH 1897-1981)GREEN AND BLACKSigned, ink and watercolour

76cm x 57cm (30in x 22.5in)

£400-600



Post-War Art

12

27§ FD141/7WILLIAM JOHNSTONE O.B.E.(SCOTTISH 1897-1981)BLACK, PINK AND GREYSigned, pen and ink andwatercolour, unframed

76cm x 57cm (30in x 22.5in)

£300-500

28§ LT2012/1ALEXANDER GOUDIE R.P.(SCOTTISH 1933-2004)STILL LIFE WITH GLASSDECANTERSsigned, oil on canvas

64cm x 77cm (25in x 30.25in)

£2,000-3,000



Post-War Art

13

29§ FD122/1RICHARD DEMARCO C.B.E.,H.R.S.A., R.S.W., S.S.A.(SCOTTISH b. 1930)CANONGATE KIRKSigned and dated ‘59, oil onboard

45.5cm x 66.5cm (18in x 26in)

(unframed)

£300-500

30§ FD171/1PHILIP REEVES R.S.A.,R.S.W., R.G.I.(SCOTTISH b. 1931)IMPASSESigned, mixed media andcollage


£250-350

31§ FD85/1PETER HOWSON O.B.E.(SCOTTISH b. 1958)APPREHENSIONSigned, pastel

31cm x 22.5cm (12in x 9in)

£500-700



Post-War Art

14

32§ FD85/2PETER HOWSON O.B.E.(SCOTTISH b. 1958)BLUE EYESSigned, pastel

28cm x 21cm (11in x 8.25in)

£500-700

33§ FD85/3PETER HOWSON O.B.E.(SCOTTISH b. 1958)THE MINERSSigned, pastel

45.5cm x 60cm (17.75in x 23.75in)

£1,500-2,000



Post-War Art

15

34 FD65/117GWYNETH LEECH(AMERICANCONTEMPORARY)REQUIEM FOR A DEAD CITYSigned and dated 1987,charcoal

98cm x 69cm (38.5in x 27.25in)

£200-300

35§ FD65/102KEITH DUNKLEY(BRITISH b. 1942)THE BARROWSigned and dated ‘82, oil onboard

24cm x 24cm (9.5in x 9.5in)

£200-300



Post-War Art

16

36§ FD361/2PETER MCLAREN(SCOTTISH b. 1964)STILL LIFE WITH POPPIESSigned, inscribed and dated2007, oil on board


£2,500-3,500

Since his well-receivedEdinburgh College of Artdegree show in the 1980s,McLaren has attracted theattention of dealers andcollectors alike. As well asfinding ready representation,most notably from TheScottish Gallery in Edinburghand Portland Gallery inLondon, he has shownregularly in the Royal ScottishAcademy and Royal GlasgowInstitute.

Though McLaren’s still lifesare redolent of the ScottishColourists’ legacy, his style isperhaps best described asExpressionist and his workhas been exhibited alongsideMarcus Lupertz and GeorgBaselitz in the past. Hisapproach to composition andhandling has been describedas akin to performance; thevitality of the brushwork andvibrancy of the paletteattesting to this. Though his

work encompasses both stilllife and landscape, McLaren’s‘action’ paintings are perhapsthe most representative ofthis energetic approach. Hisdepictions of drivers andcyclists in abstracted motionare particularly popularamongst collectors,containing a great sense ofimmediacy and fun, sweepingthe viewer along for the ride.

McLaren has alwaysmaintained that he does not

draw inspiration fromnegative emotion and ratherpaints to express euphoria,explaining his widespreadappeal. Some of the workshere have never been seenbefore on the market anddemonstrate his currentpreoccupations with theOrkney landscape.

37§ FD361/1PETER MCLAREN(SCOTTISH b. 1964)STILL LIFE WITH CLARICECLIFF BOWLSigned, inscribed and dated2009, oil on board

113cm x 82.5cm (44.5in x 32.5in)

£4,000-6,000



Post-War Art

17

38 FC155/1SUE WILLIAMSON(SOUTH AFRICAN b. 1941)SCRUBLAND LANDSCAPEInscribed ‘Artist’s Proof’,signed and dated ‘76 in pencilto margin, screenprint

33cm x 50cm (13in x 19.75in)

(plate size)

£400-600



Post-War Art

18

40§ FC978/4MARDI BARRIE R.S.W.(SCOTTISH 1931-2004)HOUSES ON A HILLSIDESigned, oil on canvas

35.5cm x 51cm (14in x 20in)

£300-500

39§ FA113/1BARBARA RAE C.B.E., R.A.,R.S.A., S.S.A.(SCOTTISH b. 1943)BELMULLET, COUNTY MAYOSigned, gouache on paper

15cm x 21cm (6in x 8.25in)

£300-500

41§ FA594/1JAMES HAWKINS(SCOTTISH CONTEMPORARY)TWISTED TREES ABOVELOCH LURGAINNSigned, and inscribed anddated 1998 stretcher verso,acrylic on canvas

110cm x 152cm (60in x 43in)

£2,000-3,000



Post-War Art

19

42§ FC781/5GEORGE MCGAVIN(BRITISH 20TH CENTURY)PRIESTESSSigned with monogram,watercolour and gold leaf

72cm x 53cm (28.5in x 21in)

£250-350

43§ FD131/1ADAM BRUCE THOMSONP.P.R.S.W., R.S.A.(SCOTTISH 1885-1976)THE ISLAND OF LISMORESigned, pencil and wash


£300-500

44 FC920/83JYOTI M. BHATT(INDIAN b. 1934)LADY AND A BIRDSigned, inscribed and dated1961 verso, oil on canvas

35.5cm x 56cm (14in x 22in)

£300-500



Post-War Art

20

Jyoti Bhatt is one of India’sforemost contemporaryartists, with a career thatspans several decades and anumber of disciplines. Heunderwent extensiveacademic training; studyingin Baroda, Rajasthan, Naplesand New York. It was in thelatter city that he learned thepractise of intaglioprintmaking in the 1960s. Onhis return to India, Bhatt tookup a teaching position at theFaculty of Art at M.S.U.Baroda.

Famously experimental, Bhatthas mastered numerousmediums over the course ofhis career. Painting was hisinitial love and characteriseshis first phase between themid-1950s and 60s. Anintensive focus onprintmaking followed whichremains the best known andmost influential area of hisoutput. Fellow artists JeramPatel, Bhupen Khakhar andGulammohammed Sheikhalso took up the practise andcollectively the group became

known as The Baroda School.Latterly, Bhatt embracedphotography. Feelingpassionately about thegradual disappearance ofIndia’s folkloric culture in theface of consumerism, Bhattextensively documented theartistic traditions of theGujarat area. This body ofwork is valued highly amongsocial historians and is anachievement that willdoubtless gain increasingsignificance in the face oftime and continuing progress.

In spite of hisexperimentation, a cohesiveaesthetic underpins Bhatt’spractise. Best described as aplayful assimilation of Popand Folk art, he explores andcelebrates his culture in acolourful and stylized fashion.His work is featured innumerous internationalcollections including TheMuseum of Modern Art inNew York, The SmithsonianInstitute in Washington D.C.and The British Museum inLondon.

45 FC920/75JYOTI M. BHATT(INDIAN b. 1934)FACES IN SILVERSigned and dated ‘68, oil andwood relief

114cm x 114cm (45in x 45in)

Exhibited:Biennale of Sao Paulo, 1969

£400-600



Post-War Art

21

46 FC920/78JYOTI M. BHATT(INDIAN b. 1934)A FACE WITH XSigned and dated ‘69, oil andwood relief


Exhibited:Biennale Sao Paulo, 1969

£300-500

47 FC920/81JYOTI M. BHATT(INDIAN b. 1934)A FACESigned and dated ‘68, oil oncanvas

60cm x 44cm (19.75in x 17.5in)

Exhibited:Biennale Sao Paulo, 1969

£300-500



Post-War Art

22

48 FC920/79JYOTI M. BHATT(INDIAN b. 1934)WAITING WOMANSigned and dated ‘60, oil onboard

74cm x 49cm (29in x 19.5in)

£300-500

49 FC920/84JYOTI M. BHATT(INDIAN b. 1934)SELF PORTRAIT IN NEWYORKSigned, inscribed andnumbered 2/15, intaglio print

41cm x 27cm (16in x 10.5in)

and two further prints by thesame hand (3)

£100-200



Post-War Art

23

50 FC920/80JYOTI M. BHATT(INDIAN b. 1934)KASHMIRI GIRLSigned and dated ‘59, oil onboard

58.5cm x 44.5cm (23in x 17.5in)

£300-500

51§ FC920/87GEORGINA VROUSOU MILLS(SCOTTISH 1916-1993)IMPRESSIONSigned and inscribed anddated ‘67 verso, oil on canvas


Exhibited:First Edinburgh Open, 1967, no.133

£300-500



Post-War Art

24

52 FC920/82JYOTI M. BHATT(INDIAN b. 1934)LANDSCAPESigned and dated ‘63, oil oncanvas


£300-500

55§ FC920/86GEORGINA VROUSOU MILLS(SCOTTISH 1916-1993)THE TABLESigned, inscribed and dated1960 verso, oil on canvas

71cm x 87cm (28in x 34.25in)

£300-500

54§ FC920/74GEORGINA VROUSOU MILLS(SCOTTISH 1916-1993)STILL LIFESigned, inscribed and dated1964 verso, oil on canvas


£300-500

53 FC920/85JYOTI M. BHATT(INDIAN b. 1934)ASHRAMASigned and inscribed‘Baroda’, metal relief

33cm x 25.5cm (13in x 10in)

£100-200

56§ FD152/1JOHN CUNNINGHAM R.G.I.(SCOTTISH 1926-1998)FRUIT, CARNATIONS ANDMUSIC (A TRIBUTE TO SIRMALCOLM SARGENT)Signed, inscribed and dated‘93 label verso, oil on canvas


£3,000-5,000



Post-War Art

25

57§ FD65/70EARL HAIG O.B.E., R.S.A.(SCOTTISH 1919-2009)STUDY IN MAUVE ANDGREENSigned, watercolour


£300-500



Post-War Art

26

59§ FD336/3IRENE LESLEY MAIN(SCOTTISH b. 1959)BRITANNIA BAY, MUSTIQUESigned, signed and inscribedand dated 1996 backboard,mixed media


£300-500

58§ FD336/5CAROLINE BAILEY(BRITISH CONTEMPORARY)THE SQUARE, POROSSigned, watercolour


and another by the same hand(2)

£400-600

60§ FC978/1SIR ROBIN PHILIPSON R.A.,P.P.R.S.A., R.S.W., R.G.I.,L.L.D., D.LITT.(SCOTTISH 1916-1992))THE ETERNALSigned, inscribed and dated1978 on label on thebackboard

58cm x 79cm (22.75in x 31in)

£3,000-5,000



Post-War Art

27

61§ FD141/3WILLIAM CROZIER A.R.S.A.(SCOTTISH 1897-1930)ELGIN CATHEDRALPen and Ink, unframed


and another by the samehand in charcoal, unframed(2)

£200-300

62§ FD141/4WILLIAM JOHNSTONE O.B.E.(SCOTTISH 1897-1981)RED, GREEN AND YELLOWSigned and dated “71,watercolour

33cm x 24cm (13in x 9.5in)

£200-300

63§ FD406/2JOHN BELLANY C.B.E., R.A. ,H.R.S.A. (SCOTTISH b. 1942)SCOTTISH ODYSSEYSigned, oil on canvas


£4,000-6,000



Post-War Art

28

64§ FD406/5JOHN BELLANY C.B.E., R.A. ,H.R.S.A. (SCOTTISH b. 1942)FISH HOUSE, ST ABBEYSigned, oil on canvas

122cm x 91cm (48in x 36in)

£4,000-6,000



Post-War Art

29

65§ FD139/2DONALD MANSON D.A.(SCOTTISH b. 1948)TOPIARY GARDEN BY THELAKESigned, oil on panel


£400-600



Post-War Art

30

66§ FD139/4DONALD MANSON D.A.(SCOTTISH b. 1948)STILL LIFE WITH FLOWERS,BIRDS AND PINEAPPLESigned, oil on panel

98cm x 96cm (38.5in x 37.75in)

£600-800

67§ FD112/2ALBERTO MORROCCO O.B.E.,R.S.A., R.S.W.(SCOTTISH 1917-1998)LAURIE READINGSigned and dated ‘51, bearsMorrocco Estate back label,pencil and chalk on paper

43cm x 57cm (17in x 22.5in)

£1,500-2,000



Post-War Art

31

68§ FD406/1GRAEME WILCOX(SCOTTISH 20TH CENTURY)GIRL UNDERWATERSigned, oil on canvas

137cm x 91cm (54in x 36in)

£3,000-4,000



Post-War Art

32



Post-War Art

33

John Bratby is undoubtedlyone of the most notablefigures in 20th Century BritishArt, both artistically and interms of reputation. Taking upthe Realist baton from Sickertand the Camden Town Group,Bratby developed anExpressionistic take on thestyle, painting in a mannerthat led to the coining of theterm ‘Kitchen Sink Realism’.‘Kitchen Sink’ soon began tobe used in reference toliterature, theatre and film ofthe day that also explored thebanality of Post-War Britishlife. Bratby had clearlycaptured something of the1950s British zeitgeist and hissuccess after leaving theRoyal College of Art was swiftand remarkable.

Born in Wimbledon in 1928,Bratby found solace from histurbulent childhood inpainting and gained entry tothe Royal College of Art in theearly 1950s. Thequintessential artisticeccentric, he was known tobeg and sleep rough in HydePark or the attics of the RCA.Once graduated, Bratbyenjoyed a meteoric rise topublic and critical renown. Hewas a clever self-publicistand happy to provide

salacious details of hisbohemian lifestyle to areceptive media. In manyways, Bratby was Britain’sfirst celebrity artist, andplayed the media game veryastutely. The internationalaccolades rolled in and Bratbywon the Guggenheim Awardfor three consecutive yearsbetween 1956 and 1958.

Perhaps inevitably, a backlashcommenced in the 1960s asPop Art rose to popularity andBritain no longer wanted toexamine itself through thegrubby mirror of realism.Bratby remained popular with

self-portraiture. It solvescompositional difficulties andconnotes introspection andself-reflection – the artistallowing the viewer to look athim through his own eyes.Expressionistically rendered,the Germanic influence ofOskar Kokoshka and theGerman School is also highlytangible here.

Bratby and the Kitchen SinkSchool have enjoyed recentcritical re-examinations,including a significantretrospective in the NationalPortrait Gallery in 1991.

the buying public, however,and turned his hand to writingsemi-autobiographical novelsduring this decade. The 1970ssaw his personal life becomeincreasingly colourful and hispalette followed suitaccordingly. Most of hisportraiture was producedduring the late 1970s andearly 1980s. This self-portraitshows the artist, his cat andthe detritus of a presumablychaotic studio reflected in alarge gilt mirror. FromParmigianino to PierreBonnard, artists have longused the mirror as a device in

69§ FC781/13JOHN BRATBY R.A.(BRITISH 1928-1992)SELF PORTRAITSigned, oil on canvas

111cm x 121cm (43.75in x 47.5in)

£2,500-3,500

70§ FD183/2ALASDAIR GRAY(SCOTTISH b. 1934)TWO VIEWS OF KATYMITCHELLInk and watercolour

92cm x 72cm (36.5in x 28.25in)

Provenance:Sorcha Dallas, Glasgow

£2,000-3,000



Post-War Art

34

71§ FD183/1ALASDAIR GRAY(SCOTTISH b. 1934)MOTHER AND CHILDMixed media over silkscreen2007

50cm x 34.5cm (19.75in x 21.5in)

£1,500-2,000

72§ FD172/2WILLIAM GEAR(SCOTTISH 1915-1977)DARK INTERIORSigned and dated ‘58, mixedmedia


£1,500-2,000



Post-War Art

35

73§ FD141/6RUDOLPH DE SANCTIS(ITALIAN 20TH CENTURY)ADAM AND EVESigned and dated ‘68, penand ink sepia

41cm x 17.5cm (16in x 7in)

£150-250

74§ FD355/8NEIL DALLAS BROWN(SCOTTISH 1938-2003)GIRL LYING ON A BEDSigned, pencil

36cm x 31cm

£100-200

75§ FD355/2PAT DOUTHWAITE(SCOTTISH 1939-2004)BLACK GIRLOil on canvas

143.5cm x 89cm (56.5in x 35in)

£1,500-2,500



Post-War Art

36

76§ FC978/2DAVID MCCLURE R.S.A.,R.S.W., R.G.I.(SCOTTISH 1926-1998)LAMP AND VIOLIN 1Signed and dated ‘78, oil onboard

35.5cm x 46cm (14in x 18in)

£2,000-3,000



Post-War Art

37

77§ FC997/2CYRIL WILSON(SCOTTISH 1912-2003)THE HARBOURSigned and dated ‘51, pen andink and watercolour

35.5cm x 48.5cm (14in x 19in)

and another by the samehand (2)

£200-300

78§ FD141/2WILLIAM CROZIER A.R.S.A.(SCOTTISH 1897-1930)ELGIN CATHEDRALCharcoal, unframed

24.5cm x 29cm (9.75in x 11.5in)

and a companion a pair,another view of the samesubject (2)

£200-300

79§ FC488/1JACK FIRTH R.S.W.(SCOTTISH 1917-2010)LOOKING ACROSS THESOUNDSigned and dated ‘54,gouache on paper

37.5cm x 54cm (14.75in x 21.25in)

£300-500



Post-War Art

38

81§ FC990/1DAVID MACBETHSUTHERLAND R.S.A.(1883-1973)EARLY SPRING, PLOCKTONSigned and dated 1969, oil oncanvasboard

57cm x 74cm (22.5in x 29in)

£600-800

80§ FD616/2GLEN SCOULLER(SCOTTISH b. 1950)BOATS IN AMEDITERRANEAN HARBOURSigned, watercolour

52.5cm x 70cm (20.75in x 27.5in)

£400-600

82§ FD376/1SIR ROBIN PHILIPSON R.A.,P.P.R.S.A., R.S.W., R.G.I.,D.LITT., L.L.D.(SCOTTISH 1916-1992)ROSE WINDOW AND FALLENWARRIOR 1Signed, watercolour

56cm x 90cm (22in x 35.5in)

Exhibited:Scottish Gallery, Festival Exhibition1961, no.22

£3,000-5,000



Post-War Art

39

83§ FD343/1BARBARA BALMER R.S.A.,R.S.W., R.G.I.(SCOTTISH b. 1929)BRIGHT POSIE (sic)Signed, watercolour


£200-300

84§ FD336/8CHRISTINE MCARTHUR(SCOTTISH b. 1953)EARLY MORNING NEARSIENNASigned, watercolour andgouache

24.5cm x 27cm (9.5in x 10.5in)

and two further works by thesame hand (3)

£300-500



Post-War Art

40

85TOBY PATERSON (SCOTTISH b. 1974)THE SEASON’S REVERSE 2Signed on label verso, acrylic on MDF panel

100.5cm x 184cm (40in x 72in)

Note:

This work dates from 2000.

£3,000-5,000

The success of a wave oftalented young GlasgowSchool of Art graduates inrecent years has cementedthe city’s status as one ofEurope’s most excitingcreative epicentres. TobyPaterson is notable amongthem, enjoying both publicrenown and criticalappreciation since winningthe Becks Future Award in2002.

Producing paintings, reliefs,sculptural assemblages and

murals, Paterson has apassion for Modernistaestheticism and isparticularly influenced by theutilitarian stylization ofConstructivism, the pairedback formal play of the St IvesSchool and Post War‘Utopian’ architecture by LeCorbusier and Mies van derRohe.

Though Paterson’s artsuccessfully takes Modernismand reinvents it for acontemporary audience, he

also explores the realitiesbehind the movement’sideologies. Today, thearchitecture of this period islargely perceived to havefailed in its purpose; the1960s tower blocks andestates failing tosympathetically assimilatewith or enhance the urbanlandscape, reading asbrutalist as opposed tominimalist. Paterson’s workseeks to re-discover theoriginal ideal behind suchdesigns, exploring why they

were perhaps destined to failin their actualisation. This iswhy works such as ‘TheSeason’s Reverse II’ are sosuccessful. When isolated onan entirely blank background,the utopian purity andmasterful simplicity of thedesign is able to be read asoriginally envisaged.



Post-War Art

41

86§ FD143/1JAKE HARVEY(SCOTTISH b. 1948)POACHER’S DREAM IISigned with initials and dated‘91 in the cast, bronze

112cm (44in) on wooden plinth

£3,000-5,000



Post-War Art

42

89§ FC346/420TH CENTURY DANISHSCHOOLSCARAB BEETLEBronze

56cm x 11cm (22in x 4.25in)

£200-300

87§ FC486/1JONATHAN CLARKE(BRITISH 20TH CENTURY)Numbered 8556, sand castaluminium in threeinterlocking sections

12cm high

£400-600

88§ FC486/2JONATHAN CLARKE(BRITISH 20TH CENTURY)Numbered 8556, sand castaluminium in threeinterlocking sections

21cm high

£400-600



Post-War Art

43

91§ FD347/1ARCHIE FORREST(SCOTTISH b. 1950)ANNEPainted terracotta, signed onthe wooden base

38cm (15in) overall

£500-700

90 FC346/220TH CENTURY CANADIANSCHOOLBRONZE FORMBronze

48cm high (including base)

£300-500

92§ FD57/3BENNO SCHOTZ(ESTONIAN 1891-1984)TOWER FORMSigned, bronze with greenpatina

35cm high (including base)

£1,000-1,500

93No lot



Post-War Art

44

94§ FC499/1NATHAN COLEY (SCOTTISH b. 1967)IN LOVING MEMORYSigned, inscribed A/P and dated ‘10, photographand gold leaf, unframed

27cm x 20cm (10.5in x 8in)

Note:Sold with a thank you note for work carried out by the ownerat Jupiter ArtLand

£800-1,200



Post-War Art

45

One of Scotland’s leadingartistic talents, Nathan Coleylives and works in Glasgow.As with many of today’sbiggest names, Coley cameto public attention afterreceiving a Turner Prizenomination in 2007. He hasbeen critically well-receivedfor considerably longer,however, and in the past haswon the Artist Award,Scottish Arts Council Award(1996 & 2003), the HenryMoore Fellowship, CreativeScotland Award and the Artfor Architecture Award. Heworks mainly in thedisciplines of photography,video, installation andconstruction.

Coley is intrigued by the builtenvironment and his workoften investigates themeaning structures areimbued with by those thatplan and build them, and howthat meaning can besubverted by specific eventsor the re-interpretations ofothers. There is often asecular element to his

artworks, with places andsignifiers of worship arecurring theme.

Edinburgh is the site ofseveral of Coley’s mostsignificant pieces, perhapsthe best known being ThereWill Be No Miracles Here, alarge scale ‘light text’installation which, for a time,found its home on the lawnoutside the Dean Gallery inEdinburgh, set against apanoramic view of the city.

The photograph in this salepertains specifically to InMemory, Coley’s commissionfor Jupiter ArtLand, asculpture park on theoutskirts of Edinburgh. Theconstruction is the artist’sfirst permanent work andconsists of gravestonesarranged in a specially madeconcrete edifice; reminiscentof the family grave plotsfound on country houseestates around Britain. Coleyis deliberately ambiguousabout the origins of theheadstones, insisting thatpeople’s ruminations on the

matter are intrinsic to theexperience of the piece.Despite the fact theheadstones no longer‘belong’ to anyone – Coleyhas deleted the names anddedications – or mark agrave, the site exudes asense of quiet mournfulness,making us aware of our ownprojections and taughtresponse. Conversely, InMemory also makes us querythe human ritual of erectingsuch monuments in people’s

memory, ultimatelyquestioning its futility.

This lot is a uniquephotographic print and wasgifted to a member of theteam that assisted InMemory’s construction. Italso features Coley’scharacteristic gold leaf, anaddition often made to hisphotographs.

95§ FC338/1DAVID MCCLURE R.S.A.,R.S.W., R.G.I.(SCOTTISH 1926-1999)CHURCH AND STATESigned and dated 1967,signed,inscribed and datedverso, oil on canvas

101.5icm x 127cm (40in x 50in)

£2,000-3,000



Post-War Art

46

96§ADRIAN WISZNIEWSKI(SCOTTISH b. 1954)ILLUMINATIpencil and gouache on gessopanel


£150-250

98§ADRIAN WISZNIEWSKI(SCOTTISH b. 1954)MAKING FACESpencil and gouache on gessopanel


£150-250

97§ADRIAN WISZNIEWSKI(SCOTTISH b. 1954)READING ALLOWEDpencil and gouache on gessopanel


£150-250

99 FD375/1ANDY WARHOL(AMERICAN 1928-1987)A WHOLE STOCKING FULLOF GOOD WISHESStamped, color offsetlithograph


Provenance:Halcyon Gallery, London

£3,500-5,500



Post-War Art

47

100§ FD355/7WILLIAM WILSON O.B.E.,R.S.A., R.S.W.(SCOTTISH 1905-1972)SEATED NUDEPencil

34cm x 27cm (13.5in x 10.5in)

£150-250

101§ FD65/90WILLIAM LITTLEJOHNR.S.A., R.S.W.(SCOTTISH 1929-2006)JAPANESE STONELANTERN IISigned with initials and dated‘84, pen and ink andwatercolour

17cm x 24cm (6.75in x 9.5in)

£200-300

102§ FD406/4DAVID M. MARTIN R.S.W.,R.G.I., S.S.A.(SCOTTISH b. 1922)POPPIES AND LILIESSigned, oil on canvas

101.5cm x 76cm (40in x 30in)

£2,000-3,000



Post-War Art

48

103§ FC781/17GEORGE MCGAVIN(BRITISH 20TH CENTURY)HOUSES ON A HILLSIDESigned, watercolour

52cm x 71cm (20.5in x 28in)

£250-350

104§ FD65/16CHARLES MACQUEENR.S.W., R.G.I.(SCOTTISH b. 1940)VERANDASigned, mixed media

31cm x 35.5cm (12in x 14in)

£200-300

105§ FD355/6LEONARD ROSOMAN O.B.E.,R.A. (BRITISH b. 1913)NUDE STUDYSigned, pen and ink

21.5cm x 16.5cm (8.5in x 6.5in)

£150-250

106§ FD381/2JOHN BELLANY C.B.E., R.A.,H.R.S.A., L.L.D.(SCOTTISH b. 1942)GIRL WITH MASKSigned, oil on canvas


£2,000-3,000



Post-War Art

49

108§ FD355/3HENRY KONDRACKI(SCOTTISH b. 1953)BATH-TIMESigned, oil on board


£200-300

109§ FD65/47WILLIAM CALDWELLCRAWFORD P.P.S.S.A.(SCOTTISH 1879-1960)BY THE RIVERBANKSigned with studio stamp tobackboard, watercolour

44.5cm x 37cm (17.5in x 14.5in)

£200-300

107§ FD65/13ROBERT LEISHMAN R.S.W.(SCOTTISH 1916-1989)BLUE MOTHSigned and dated ‘87,watercolour

23cm x 25cm (9in x 9.75in)

£300-500

110§ FD347/2JOHN HOUSTON O.B.E.,R.S.A., R.S.W., S.S.A., R.G.I.(SCOTTISH 1930-2008)SUN OVER BEACHSigned, oil on canvas

23cm x 45.5cm (9in x 14in)

£1,000-1,500



Post-War Art

50

112§ FD260/3PETER COKER R.A.(BRITISH 1930-2008)THE IMPENDING STORMSigned, watercolour


£300-500

111§ FC927/3IAN MCKENZIE-SMITHC.B.E., P.P.R.S.A., P.P.R.S.W.(SCOTTISH b. 1935)DAWNOil on canvas

76.5cm x 76cm (30in x 30in)

£600-800

113§ FD406/6GRAEME WILCOX(SCOTTISH 20TH CENTURY)REPOSESigned, oil on canvas


£1,500-2,000



Post-War Art

51

114§ FD336/4CHRISTINE MCARTHUR(SCOTTISH b. 1953)INTERIOR WITH FISH, LILIESAND BLUE WICKER CHAIRacrylic on board

36cm x 46cm (14.25in x 18in)

£300-500

115§ FD65/34TOM MCKENDRICK(SCOTTISH b. 1948)LITTLE ALTARMixed media

35.5cm x 31cm (14in x 12in)

£200-300

116§ FD65/19ANDA PATERSON R.S.W.,R.G.I. (SCOTTISH b. 1935)GRAND’MERESigned and dated ‘85, penciland watercolour

25.5cm x 38cm (10in x 15in)

£150-250

117§ FD65/32JOE MCINTYRE(SCOTTISH b. 1940)STILL LIFE WITH GOURDSigned, oil on canvas


£400-600

118§ FD65/109BARBARA BALMER R.S.A.,R.S.W., R.G.I.(SCOTTISH CONTEMPORARY)STRAWBERRY JUGSigned and dated 1978,watercolour

32cm x 28cm (12.5in x 11in)

£300-500

119§ FD65/144ERNEST BURNETT HOODR.G.I. (SCOTTISH 1932-1988)THE STRAND, RYESigned, oil on board


£200-300

120§ FD336/6CHRISTINE MCARTHUR(SCOTTISH b. 1953)TUSCAN LANDSCAPESigned and inscribed with titlein pencil, screenprint

80cm x 63cm (32.5in x 23.75in)

£150-250

121§ FD336/2IRENE LESLEY MAIN(SCOTTISH CONTEMPORARY)KILDONAN BEACH, ISLE OFARRANSigned, mixed media on board

48cm x 50cm (19in x 19.75in)

£400-600



Post-War Art

52

122§ FD114/1JANET M. MELROSE R.S.W.(SCOTTISH CONTEMPORARY)TRIPTYCHSigned, acrylic on panel

24cm x 24cm (9.5in x 9.5in)

comprising of three parts intotal (3)

£400-600

123§ FC667/48COLIN MOSS(BRITISH 1914-2005)DANCING FIGURESSigned, abstract compositionverso, mixed media on canvas

75.5cm x 74.5cm (29.75in x 29.25in)

£400-600

124§ FC155/2PIERRE ALECHINSKY(FLEMISH b. 1927)DIGITALELithograph, signed andnumbered 60/300

44cm x 31cm (17.5in x 12in)

£300-500

125§ FC903/8JACQUES VILLON(FRENCH 1875-1963)ABSTRACT FIGURE IN ALANDSCAPESigned in plate and dated ‘31,signed and numbered 42/150in pencil to margin, lithograph

49cm x 57cm (19.25in x 22.5in)

£300-500

126§ FC903/7MICHAEL ROTHSTEIN(BRITISH 1908-1993)BIRDS OF PARADISESigned and numbered 23/50,coloured linocut


£300-500

127§ FC903/6STEPHEN BARTLETT(BRITISH b. 1942)ABSTRACT COMPOSITIONSigned in pencil andnumbered 64/65, colouredsilkscreen print

58cm x 49cm (22.75in x 19.25in)

and another by the samehand (2)

£300-500

128§ FD355/1JANKEL ADLER(POLISH 1895-1949)PORTRAIT OF P.HSigned, inscribed and dated11/10 1941, Ink on paper

52cm x 40cm (20.5in x 15.75in)

£300-500

129§ FD182/1RICHARD DEMARCO C.B.E.,H.R.S.A., R.S.W., S.S.A.(SCOTTISH b. 1930)ANN STREET FROM 15 DEANPARK CRESCENTSigned, inscribed, and dated1972, watercolour,bodycolour, and pencil onpaper

37cm x 54cm (14.4in x 21in)

£300-500

130§ FD365/1PETER MCLAREN(SCOTTISH b. 1964)SKIPIGEO, ORKNEY 2012Signed verso, oil on board

122cm x 165cm (48in x 65in)

£4,000-6,000



Post-War Art

53

131§ FD192/2BET LOW A.R.S.A., R.S.W(SCOTTISH 1924-2007)STORMY PASSAGEdated 1983, pencil

22cm x 29cm (8.75in x 11.5in)

£300-500

132§ FD65/24JOHN GARDINER CRAWFORD(SCOTTISH b. 1941)TRAPPED IN ICESigned, acrylic on board


£200-300

133§ FD616/3JAMES D. ROBERTSONR.S.A., R.S.W.(SCOTTISH b. 1931)STILL LIFE WITH LAMPSigned, gouache

78cm x 108cm (30.75in x 42.5in)

£300-500



Post-War Art

54

134§ FD65/71JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I., S.S.A.(SCOTTISH 1930-2008)FLOWERING DUNES IISigned and dated 1968,watercolour

17cm x 25cm (6.25in x 9.75in)

£400-600

135§ FD65/128DRUMMOND MAYO R.S.W.(SCOTTISH b. 1929)LATE AUTUMNSigned, mixed media

47cm x 71cm (18.5in x 28in)

£300-500

136§ FD130/2ALAN DAVIE C.B.E.(SCOTTISH b. 1920)THE ISLANDScreenprint, signed anddated ‘79, numbered 34/65

60cm x 54cm (23.5in x 21.25in)

£400-600

137§ FD65/68KIRKLAND MAIN(SCOTTISH CONTEMPORARY)PATCHWORK LANDSCAPESigned, watercolour

41cm x 57cm (16in x 22.5in)

£250-350

138§ FD172/1WILLIAM GEAR(SCOTTISH 1915-1977)STRUCTURE WITH YELLOWSigned, signed, inscribed anddated ‘September 1965’ onthe reverse, oil on canvas

122cm x 91cm (48in x 36in)

Exhibited:Scottish Arts Council, Edinburgh,William Gear no.48

£6,000-8,000



Post-War Art

55



Post-War Art

56

139§ FD354/2DRUMMOND MAYO R.S.W.(SCOTTISH 20TH CENTURY)WINTER LANDSCAPESigned, acrylic on board

80cm x 66cm (31.5in x 26in)

£500-800

140§ FD354/1DRUMMOND MAYO R.S.W.(SCOTTISH 20TH CENTURY)BOIS DE VINCENNESSigned, acrylic on board

80cm x 66cm (31.5in x 26in)

£500-800

141§ FD131/2JAMES MORRISON R.S.A.,R.S.W. (SCOTTISH b. 1932)OLD MONTROSE ISigned and dated 1974,watercolour and ink


£500-700



Post-War Art

57

142§ FD65/86WILLIAM BIRNIE R.S.W.,R.G.I. (SCOTTISH 1929-2006)MAPLE LEAVESSigned, gouache


£300-500

143§ FD114/2JANET M. MELROSE R.S.W.(SCOTTISH CONTEMPORARY)CICADA KITESigned and inscribed verso,acrylic on board

30.5cm x 137cm (12in x 54in)

(unframed)

£400-600

144§ FD624/1MARCEL MOULY(FRENCH 1918-2008)BURANOSigned, signed and inscribed‘Paris 1965’ verso, oil oncanvas

80cm x 66cm (31.5in x 26in)

£400-600

145§ FD112/1ALBERTO MORROCCO O.B.E.,R.S.A., R.S.W. (1917-1998)BEACHED BOATSSigned, bears MorroccoEstate back label, pen, inkand watercolour


£1,000-1,500



Post-War Art

58

147§ FD139/3DONALD MANSON D.A.(SCOTTISH b. 1948)BOATYARD AND LIGHTHOUSESigned, oil on panel


£300-500

146§ FD355/4JOCK MCFADYEN R.A.(SCOTTISH b. 1950)THE MASSAGE PARLOUROil on canvas


£500-800

148§ FD355/5PETER MCLAREN(SCOTTISH b. 1964)MAN AND A WOMAN IN ACARSigned, inscribed and dated1990 verso, mixed media

62cm x 80cm (24.25in x 31.5in)

£800-1,200



Post-War Art

59

149§ FD192/3KEN CURRIE(SCOTTISH b. 1960)UNION ORGANISERSigned, dated 1987, inscribedwith title and numbered11/20 in pencil to margin,etching

70cm x 52cm (27.5in x 20.5in)

£400-600

150§ FD611/1BRIAN DONNELLY(SCOTTISH CONTEMPORARY)RED BRACES AND BLACKCATInscribed ‘Garrity’, acrylic oncanvas


£300-500

151§ FD379/2GORDON MITCHELL R.S.A.,R.S.W., R.G.I.(SCOTTISH b. 1952)LIGHT AND AIRYSigned, dated on a label verso‘98, oil on canvas


£2,000-3,000



Post-War Art

60

152§ FD65/46NEIL DALLAS BROWN(SCOTTISH 1938-2008)INCIDENT, 1978Signed frame verso, oil onboard

87cm x 87cm (34.25in x 34.25in)

£500-800

153§ FD406/3STEPHEN CAMPBELL(SCOTTISH 1953-2006)GOD SAVE HENRYFREDERICKSigned, oil on canvas


£1,200-1,500



Post-War Art

61

154§ FD139/5DONALD MANSON D.A.(SCOTTISH b. 1948)FLOWERS, FRUIT ANDMERINGUESigned, oil on panel


£300-500

155§ FD348/1IAN FLEMING R.S.A., R.S.W.(SCOTTISH 1906-1994)COLD MOONLIGHTSigned, signed and inscribedand dated 1976 verso, oil onboard


£700-900

156§ FD616/1MARY NICOL NEILL ARMOURR.S.A., R.S.W.(SCOTTISH 1902-2000)DERVAIG, MULLSigned and dated ‘72 inpencil, pastel

31.5cm x 53cm (12.5in x 21in)

£500-700

157§ FD379/1LEON MORROCCO R.S.A.,R.G.I. (SCOTTISH b. 1942)STILL LIFESigned and dated ‘98, oil oncanvas

82.5cm x 89cm (32.5in x 35in)

£6,000-8,000

END OF SALE



Post-War Art

62



Post-War Art

63

Adler, J., 128Alechinsky, P., 124Armour, M.N.N., 156

Bailey, C., 58Balmer, B., 83, 118Barrie, M., 40Bartlett, S., 127Bellany, J., 62, 63, 106Bhatt, J., 44-50, 52, 53Birnie, W., 142Blackadder, E., 23Bratby, J., 69Brown, N.D., 19, 74, 152Bryce, G., 5

Caldwell, W., 109Campbell, S., 153Canadian School, 90Clarke, J., 87, 88Coken, P., 112Coley, N., 94Crawford, J.G., 132Crowe, V., 7Crozier, W., 61, 78Cunningham, J., 56Currie, K., 149

Danish School, 89Davie, A., 136de Sanctis, A., 73

Leishman, R., 107Littlejohn, W., 101Low, B., 131

Macbeth, D., 81Mackenzie-Smith, I., 111MacQueen, C., 104Main, I.L., 59, 121Main, K., 137Manson, D., 6, 65, 66, 147,

154Martin, D.M., 102Mayo, D., 21, 135, 139, 140McArthur, C., 18, 84, 114, 120McClure, D., 76, 95McFadyen, J., 146McGavin, G., 3, 42, 103McIntyre, J., 117McKendrick, T., 115McLaren, P., 36, 37, 130, 148McLean, B., 13Melrose, J.M., 122, 143Mills, 51, 54, 55Mitchell, G., 151Morrison, J., 141Morrocco, A., 67, 145Morrocco, L., 157Moss, C., 123Mouly, M., 144

Nicholson, J., 14

Paterson, A., 116Paterson, T., 85Philipson, Sir R., 20, 60, 82Pope, P., 4

Rae, B., 39Reeves, P., 30Renton, J., 25Robertson, J.D., 16,133Rosoman, L., 105Rothstein, M., 126

Scholtz, B., 92Scouler, G., 80

Thomson, A.B., 43

Villon, J., 125von Hartmann, S., 15

Walker, E., 24Warhol, A., 99Wilcox, G., 68, 113Williamson, S., 38Wilson, C., 77Wilson, W., 100Wiszniewski, A., 96, 97, 98

Demarco, R., 29, 129Dobkin, A., 12Donnelly, B., 150Douthwaite, P., 17, 7Dunkley, K., 35

Finlay, I.H., 14Firth, J., 2, 79Fleming, I., 10, 155Forrest, A., 91

Gear, W., 72, 138Goudie, A., 28Gray, A., 70, 71

Haig, E., 57Hanna, N., 11Harvey, J., 86Hawkins, J., 41Hood, E.B., 119Houston, J., 8, 9, 110, 134Houwson, P., 31, 32, 33Hutcheson, T., 22

Johnstone, W., 26, 27, 62

Knox, J., 1Kondracki, H., 108

Leech, G., 34

The following expressions withtheir accompanyingexplanations are used by Lyon &Turnbull as standardcataloguing practice. Our use ofthese expressions does not takeaccount of the condition of thelot or the extent of anyrestoration.

Buyers are recommended toinspect the propertythemselves. Written conditionreports are usually available onrequest.

Name(s) or RecognisedDesignation of an Artist withoutany QualificationIn our opinion a work by theartist

Attributed to...In our opinion probably a workby the artist in whole or in part.

Studio of ... / Workshop of ...In our opinion a work executedin the studio or workshop of theartist, possible under hissupervision

Circle of ...In our opinion a work of theperiod of the artist and showinghis influence.

Follower of ...In our opinion a work executedin the artist’s style but notnecessarily by a pupil.

Manner of ...In our opinion a work executedin the artist’s style but of a laterdate

After ...In our opinion a copy (of anydate) of a work of the artist.

Signed ... /Dated ... /Inscribed ... /In our opinion the work hasbeen signed/dated/inscribed bythe artist.

BearsSignature ... /Date ... /Inscription ... /In our opinion thesignature/date/inscriptionappears to be by a hand otherthan that of the artist.

Dimensions are given heightbefore width.

INDEX

GLOSSARY OF CATALOGUING TERMS

Rare Books, Manuscripts, Maps &PhotographsWednesday, 29th August, 201233 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

Albin, EleazarThe history of esculent fish. London: printed forEdward Jeffery, 1794. First edition, 4to.,18 handcoloured engraved plates and 7 engraved end-pieces by Albin

Provenance:Stobhall: The Library.: the property of ViscountStrathallan£1,500-2,000 ($2,400-3,200)

Viewing timesSunday, 26th August 2pm - 5pmMonday, 27th August 10am - 5pmTuesday, 28th August 10am - 5pmMorning of Sale from 9am

EnquiriesSimon VickersTel: +44 (0)131 557 [email protected]

Cathy MarsdenTel: +44 (0)131 557 [email protected]


Scottish Decorative Arts includingWemyss Ware and Fine SilverWednesday, 14th August, 201233 Broughton Place, Edinburgh

Viewing times

Sunday 12th August 2pm - 5pm

Monday 13th August 10am - 5pm

Morning of sale from 9am

Enquiries

John Mackie (Decorative Arts & Wemyss)

Tel: +44 (0)131 557 8844

[email protected]

Colin Fraser (Silver)

Tel: +44 (0)131 557 8844

[email protected]

AuctionSunday, November 4that 2pm

Upcoming atFreeman’s

www . f r e em a n s a u c t i o n . c om

Inquiries:anne henrydirect tel: [email protected]

aimee pfliegerdirect tel: [email protected]

ExhibitionsPlease contact the departmentor www.freemansauction.comfor details

Catalogue $35

Modern & Contemporary Art 11/04/12

RICHARD POUSETTE-DART(american 1916-1992)

UNTITLEDOil on canvas, signed verso "R. POUSSETTE-

DART '77"50 x 72 in. (127 x 183cm)

provenance:The artist.

Obelisk Gallery, Boston, Massachusetts.Private Collection, Wellesley, Massachusetts.

$200,000-300,000 (£125,000-187,500)


FRANCIS CAMPBELL BOILEAU CADELL,R.S.A., R.S.W. (SCOTTISH 1883-1937)‘TULIPS’signed bottom centre FCB Cadell, andsigned and inscribed verso, oil on board

45cm x 37.5cm (17¾in x 14¾in)

£60,000-80,000 US$96,000-128,000

ViewingAugust 20th to September 6thMonday to Friday 10am to 5pmSaturday & Sunday 12 noon to 4pm

For more information, on-line catalogue andto view a short film about the collection visitwww.lyonandturbull.com/taffner

EnquiriesJohn MackieTel: +44 (0)131 557 [email protected]

Nick CurnowTel: +44 (0)131 557 [email protected]

Friday, 7th September, 201233 Broughton Place, Edinburgh EH1 3RR

68

Board of Directors

ChairmanSir Angus Grossart

Vice ChairmanPaul Roberts

Managing DirectorNick Curnow

DirectorsCampbell ArmourRachel DoerrTrevor KyleJohn MackieGavin Strang

Associate DirectorsLee YoungMhairi McFadden

Specialist Departments

Pictures, Watercolours andPrintsNick CurnowCharlotte Riordan

Furniture, Clocks andWorks of ArtDouglas GirtonLee Young

Asian Works of ArtLee Young

Rugs and CarpetsGavin Strang

Jewellery, Silver,Coins and MedalsTrevor KyleColin Fraser

Decorative Arts and DesignJohn Mackie

European and Asian CeramicsDouglas GirtonCampbell Armour

Rare Books, Maps, Manuscriptsand PhotographsSimon VickersCathy Marsden

Arms and ArmourJohn Batty (consultant)

Antique SalesTheo BurrellLydia Stoker

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email: [email protected]

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274


69

Operations ManagerAlex Dove

Finance ManagerMhairi McFadden

AccountsFlo MarshallEileen WelshHazel Tyrie

AdministrationEdinburghKim Aitchison

GlasgowLinda RobinsonJames McNaught

Saleroom StaffSydney DrewDavid RobertsonDavid FiddesValerie Kyle

Press and Public RelationsPhilip Gregory

MarketingMatt McKenzie

PhotographerMike Bascombe

Valuation Department Administration

Telephone: 0845 882 2794

UK DirectorRachel Doerr

Client ServicesJudith HardieLinda RobinsonJane Lightfoot

Business DevelopmentLady MiddletonJohn SibbaldJohn ThomsonTessa ThomsonLindsey Michie

VALUERS

ScotlandTrevor KyleCampbell ArmourGavin Strang

Northern EnglandDavid Hall (consultant)

North West England andIrelandRachel Doerr

MidlandsPatrick BowenMichael Mays

London and Home CountiesSean McIlroy

South West & WalesRobin Barlow

London and Southern England

Rachel DoerrMobile: 07876 [email protected]

Nicholas CampbellMobile: 07920 [email protected]

Lee YoungMobile: 07825 [email protected]

Jenny JohnsonTel: (0)20 7930 [email protected]

70

STANDARD TERMS &CONDITIONS OF SALE

Lyon & Turnbull carries on business withbidders, buyers and all those present inthe auction room prior to, or inconnection, with a sale on the followingGeneral Conditions and on such otherterms, conditions and notices as may bereferred to herein.

1. DEFINITIONS

In these Conditions:

(a) “Auctioneer” means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

(b) “deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source but which isunequivocally described in the catalogueas being the work of a particular creatorand which, at the date of the sale, had avalue materially less than it would havehad if it had been in accordance with thedescription;

(c) “hammer price” means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

(d) “terms of consignment” means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

(e) “total amount due” means thehammer price in respect of the lot soldtogether with any premium, Value AddedTax chargeable and any additional chargespayable by a defaulting buyer under theseConditions;

(f) “sale proceeds” means the net amountdue to the seller, being the hammer priceof the lot sold less commission at thestated rate, Value Added Tax chargeableand any other amounts due to us by theseller in whatever capacity and howeverarising;

(g) “You”, “Your”, etc. refer to the buyer asidentified in Condition 2.

(h) The singular includes the plural andvice versa as appropriate.

2. BIDDING PROCEDURES AND THEBUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfyany security arrangements before enteringthe auction room to view or bid;

(b) the maker of the highest bid acceptedby the auctioneer conducting the saleshall be the buyer at the hammer priceand any dispute about a bid, which mustbe raised before the next lot is offered,shall be settled at the auctioneer’sabsolute discretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may be withdrawn.

(e) Our right to bid on behalf of the selleris expressly reserved up to the amount ofany reserve and the right to refuse any bidis also reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon.Antiques, Jewellery & Silver and Pictures(Not Fine Sales)20%.

All other sales (Fine/Special/Collections)25% up to £25,000 / 20% thereafter.VAT will be charged on the premium at therate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer price isimposed by law on all items affixed withan asterisk (*) or dagger (†). Value AddedTax is charged at the appropriate rateprevailing by law at the date of sale and ispayable by buyers of relevant lots.

6. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due in cashor in such other way as is agreed by us.We accept cash, bank transfer (details onrequest), Switch or Debit Cards and Visaor MasterCard (please note there is asurcharge of 2% (VAT included) whenusing credit cards). We do not acceptAmerican Express.

(2) any payments by you to us may beapplied by us towards any sums owingfrom you to us on any account whateverwithout regard to any directions of you oryour agent, whether express or implied.

7. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you havepurchased and paid for not later than fourworking days following the day of theauction or upon the clearance of anycheque used for payment after which youshall be responsible for any removal,storage and other associated charges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being held atour main saleroom and the potentialstorage charges for lots not collected bythe appropriate time.

8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the followingrights and remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the sale of that lot and/orany other lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

(e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;

(f) to retain that or any other lot sold toyou until you pay the total amount due;

(g) to reject or ignore bids from you oryour agent at future auctions or to imposeconditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right toretain possession of) any of your propertyin our possession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the seller andon their behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

9. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for thesafety of the property of persons visitingprior to or at a sale.

10. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumedto have carefully inspected and satisfiedthemselves as to its condition we shall ifso instructed clearly and in writing executebids on their behalf. Neither theauctioneer or our employees or agentsshall be responsible for any failure to doso. Where two or more commission bidsat the same level are recorded we reservethe right in our absolute discretion toprefer the first bid so made.

11. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneer andto you that the seller is the true owner ofthe property consigned or is properlyauthorised by the true owner to consign itfor sale and is able to transfer good andmarketable title to the property free fromany third party claims.

12. AGENCY

The auctioneer normally acts as agentonly and disclaims any responsibility fordefault by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of thelot.

14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)

(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damagewarranty: 1.5% on value of lots sold.Photography: max £40 mono per lot, max£250 colour. Internet Marketing Service:£10 per lot.

(2) If a vendor wishes to withdraw a lotorganized for sale, a withdrawal fee willapply;

(a) If withdrawn over 28 working days priorto the sale, this will be charged at 10% ofthe mid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.

(b) If withdrawn within 28 working days ofthe sale, this will be charged at 20% of themid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.

15. DESCRIPTIONS AND CONDITION

(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. Prospectivebuyers also bid on the understanding that,

inevitably, representations or statementsby us as to authorship, genuineness,origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonablyheld and accept liability for opinions givennegligently or fraudulently. Subject to theforegoing neither we the auctioneer or ouremployees or agents or the seller acceptliability for the correctness of suchopinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are herebyexcluded. This Condition is subject to thenext following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.

(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

16. FORGERIES

Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition aswhen bought, and is accompanied byparticulars identifying it from the relevantcatalogue description and a writtenstatement of defects. If we are satisfiedfrom the evidence presented that the lot isa deliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected theaccepted view of scholars and experts asat the date of sale or (2) you personally arenot able to transfer a good and marketabletitle to us, you shall have no rights underthis condition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

17. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.

18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the sellerand/or the auctioneer as appropriate.

(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.

19. Any notice to any buyer, seller, bidderor viewer may be given by first class mailin which case it shall be deemed to havebeen received by the addressee 48 hoursafter posting.

20. Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,paintings, guns, firearms etc) in whichcase the descriptions must be interpretedin accordance with any glossary orguidance notes appearing in thecatalogue. These notices and terms willalso form part of our terms and conditionsof sales.

21. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions or ofthe Terms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditionsshall be construed as having full force andeffect.

22. Scottish law applies to theinterpretation of these Conditions.

71

Sale Title

Sale Date Sale No.

Title Initials Client No.

Surname

Address

Postcode

Telephone Fax

E-mail

Client Signature Date

Lyon and Turnbull office use

Date Time By Bidder No.

Received

Entered

Absentee bid form

Sale/customer details

33 Broughton PlaceEdinburgh EH1 3RRTelephone 0131 557 8844Fax 0131 557 8668

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 2928e-mail:[email protected]

I request Lyon and Turnbull,without legal obligation of anykind on its part, to bid on thefollowing lots up to the priceslisted.

I understand that if any of mybids are successful the totalprice payable will be theamount of the final bid plus aBuyer’s premium calculated atthe following rates:

Antiques, Jewellery & Silverand Pictures (Not Fine Sales)20%.

All other sales(Fine/Special/Collections)25% up to £25,000 /20% thereafter.VAT will be charged onthe premium.

The premium and VAT ispayable by all purchasers.

Lots in the catalogue marked* or † are subject to VAT on thehammer price as well as thepremium.

Where there are identical bidsfor a lot, the first bid receivedwill be have precedence.

Please make certain that yourbids are submitted at least twohours before the start of thesale.

£ Sterling limitLot.No Description Ex. Premium & VAT

72

International Auction Calendar

AUGUST

14 Scottish Silver & AccessoriesLyon & Turnbull, Edinburgh

14 Scottish Design &Wemyss WareLyon & Turnbull, Edinburgh

15 Scottish Contemporary & Post-War ArtLyon & Turnbull, Edinburgh

29 Rare Books, Maps & ManuscriptsLyon & Turnbull, Edinburgh

SEPTEMBER

07 The Donald & Eleanor Taffner CollectionLyon & Turnbull, Edinburgh

09 Fine Asian ArtsFreeman’s, Philadelphia

19 Photographs & PhotobooksFreeman’s, Philadelphia

20 Rare Books, Maps & ManuscriptsFreeman’s, Philadelphia

20 Coins & MedalsFreeman’s, Philadelphia

OCTOBER

03 The International Sale: Old Master Paintings,Drawings & PrintsLyon & Turnbull, Edinburgh

03 The International Sale: Fine Furniture &Decorative ArtsLyon & Turnbull, Edinburgh

04 Fine AntiquesLyon & Turnbull, Edinburgh

09 English & Continental Furniture & Decorative ArtsFreeman’s, Philadelphia

10 Rugs & CarpetsFreeman’s, Philadelphia

11 The International Sale: Old Master Paintings,Drawings & PrintsFreeman’s, Philadelphia

11 The International Sale: Fine Furniture &Decorative ArtsFreeman’s, Philadelphia

17 Jewellery & SilverLyon & Turnbull, Edinburgh

27 Paintings, Prints & WatercoloursAntiquesLyon & Turnbull, Edinburgh

NOVEMBER

04 Modern & Contemporary ArtFreeman’s, Philadelphia

05 Fine Jewelry & WatchesFreeman’s, Philadelphia

07 Decorative Arts & DesignLyon & Turnbull, Edinburgh

13 American Furniture, Decorative & Folk ArtFreeman’s, Philadelphia

14 The Pennsylvania SaleFreeman’s, Philadelphia

28 Fine Jewellery & SilverLyon & Turnbull, Edinburgh

29 Fine PaintingsLyon & Turnbull, Edinburgh

DECEMBER

02 Fine American & European Paintings & SculptureFreeman’s, Philadelphia

12 Fine AsianWorks of ArtLyon & Turnbull, Edinburgh

Sale dates are subject to change - please check before travelling.

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Local DeliveriesLocal deliveries can bearranged by A&S PertRemovals.Telephone 07876343520.

Packing and ShippingPlease note that we donot pack or ship items.The following sug-gested carriers will beable to arrange pack-ing and shipping;please contact themdirectly to receive aquote. You may wishto contact an alterna-tive courier.

Smaller itemsMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BFThe direct link to the orderingform is:http://www.mbeedinburgh.com/art-and-antiques.phpTel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email:[email protected]

Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail:[email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close, Creek-moorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Fine Art CarriersGallery Support Group37 Cremer StreetLondon E2 8HDTel: +44 (0)20 7729 6692Email:[email protected]

Arrangements for Sold LotsAll bought items will be heldfree of charge at BroughtonPlace until the Friday follow-ing the sale.

Thereafter lots will be re-moved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will be avail-able at the saleroom on viewdays and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2012. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274

Documents

Lyon & Turnbull Sale No 358 - Scottish Contemporary & Post-War Art