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Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Capture & Edit Live Digital Video for Educational Bitmapped Graphics

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Page 1: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Capture & Edit Live Digital Video for Educational

Capture & Edit Live Digital Video for Educational

Bitmapped Graphics

Page 2: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Know Your Film TerminologyKnow Your Film Terminology

http://www.filmsite.org/filmterms12.html http://www.imdb.com/Glossary/

http://www.filmsite.org/filmterms12.html http://www.imdb.com/Glossary/

Page 3: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

2. Pre-production Storyboards Breakdown of

Requirements Locations Materials People Schedule Budget

Props, Costumes, Sets

2. Pre-production Storyboards Breakdown of

Requirements Locations Materials People Schedule Budget

Props, Costumes, Sets

3. Production Submit Call Sheets Equipment

Checkout: A Good Camera An external

directional microphone

Use Effective shooting techniques

Submit Production Report

3. Production Submit Call Sheets Equipment

Checkout: A Good Camera An external

directional microphone

Use Effective shooting techniques

Submit Production Report

4. Post-ProductionEquipment:

High-end ComputerThe right software

Effective editing skills to tell a story visually.Test ScreeningRevisions

1. Development• Brainstorming (Inspiration)• Writing/Rewriting the Script• Financing Sources

• Schedules & Budget• Needs Analysis• Define your audience• Goals of the instruction

5 Phases of Film Creation5 Phases of Film Creation

5. Distribution - delivery and exhibition of your final product to your audience in a proper and efficient format

• Video? DVD? Interactive CD-ROM? Web?

Page 4: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

• Inspiration Concept Map (Brainstorming)

• Storyboards

Development & Pre-ProductionDevelopment & Pre-Production

Page 5: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Filming Production PhaseFilming Production Phase

Page 6: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Phase #3: ProductionPhase #3: Production A good Camera is Half the Battle

If you can, avoid the older analog video cameras; Go Digital

Avoid Automatic Settings; Use Manual Instead: Focus Ring Zoom Ring Aperture, Shutter Speed, Gain

Adjust Color Balance (Very Important)

Sound - Never trust the on-camera Microphone Always use an external boom mic,

or Use a clip mic on your talent

A good Camera is Half the Battle If you can, avoid the older analog

video cameras; Go Digital Avoid Automatic Settings; Use

Manual Instead: Focus Ring Zoom Ring Aperture, Shutter Speed, Gain

Adjust Color Balance (Very Important)

Sound - Never trust the on-camera Microphone Always use an external boom mic,

or Use a clip mic on your talent

Page 7: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Digital Video Cameras (Camcorders) Camera takes care of the digital process;

not as much of a processing burden to the computer.

Store images on Tape A few burn directly to DVD Requires Firewire connection so computer

can “download” the video. Focus Camcorder Tips on pg. 319

Digital Video Cameras (Camcorders) Camera takes care of the digital process;

not as much of a processing burden to the computer.

Store images on Tape A few burn directly to DVD Requires Firewire connection so computer

can “download” the video. Focus Camcorder Tips on pg. 319

Sony HandyCam Digital 8Canon GL-1

Phase #3: ProductionPhase #3: Production

Page 8: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Camera Techniques Can Save Your Production…Camera Techniques Can Save Your Production…

Always use a tripod! Don’t zoom while

recording. Avoid jerky camera

movements; limit your use of pan and tilt.

Always use a tripod! Don’t zoom while

recording. Avoid jerky camera

movements; limit your use of pan and tilt.

Page 9: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Production Rules:Shooting Techniques

Production Rules:Shooting Techniques

The rule of thirds Depth of Field Vertical Angle

Bird’s Eye, Normal, Worm’s Eye

Telling the story visually: LS - Long Shot MS - Middle Shot CU - Close Up MS - Middle Shot LS - Long Shot

The rule of thirds Depth of Field Vertical Angle

Bird’s Eye, Normal, Worm’s Eye

Telling the story visually: LS - Long Shot MS - Middle Shot CU - Close Up MS - Middle Shot LS - Long Shot

Page 10: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

The Rule of ThirdsThe Rule of Thirds

Page 11: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

The Rule of Thirds BrokenThe Rule of Thirds Broken

“Non-Example”

Subject is Dead in the Center

Page 12: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Depth of FieldDepth of Field

Shallow Depth of Field

•Use of a telephoto (zoomed-in) lens

•Wider Aperture (smaller f•stop)

•Use in scenes of confusion/isolation.

Deep Depth of Field

•Use of a wide-Angle lens

•Smaller Aperture (larger f•stop)

•Use in scenes where surroundings are important.

Page 13: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Vertical Angle of View…Vertical Angle of View…

Bird’s Eye View

Depicts Inferiority

Eye-line View

Normal

Worm’s Eye View

Depicts Superiority

Page 14: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Camera Distance…Camera Distance…

Long Shot (LS) Medium Shot (MS)

Close-up (CU) Extreme Close-up (ECU)

Page 15: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Telling a Story Through Camera Distance…

Telling a Story Through Camera Distance…

(LS) - Establishing Shot

(MS)(CU)

(ECU) (CU) (LS) - Concluding Shot

Page 16: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Phase #4: Post-ProductionPhase #4: Post-Production

Page 17: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Phase #4: Post-ProductionPhase #4: Post-Production High-end computer

Mac G3, G4, or G5 Pentium 4 or AMD Athlon XP Large amount of RAM - no

less than 256 MB I recommend at least 512MB

Large storage capacity - no less than 60 GB

A way to get video into your computer: Firewire ports A digitizing card or box

iMovie editing software or equivalent

High-end computer Mac G3, G4, or G5 Pentium 4 or AMD Athlon XP Large amount of RAM - no

less than 256 MB I recommend at least 512MB

Large storage capacity - no less than 60 GB

A way to get video into your computer: Firewire ports A digitizing card or box

iMovie editing software or equivalent

Page 18: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

The New Digital Setup:The New Digital Setup:

Page 19: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

For Older Analog Cameras/VCRs…For Older Analog Cameras/VCRs… Video Digitizers

To connect Analog Camcorders and VCRs to a computer

Converts old analog signal to a digital signal As a card in your computer or As an external box

Video Digitizers To connect Analog Camcorders and VCRs to a

computer Converts old analog signal to a digital signal As a card in your computer or As an external box

Page 20: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Video Editing Demo: iMovieVideo Editing Demo: iMovie

Page 21: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Editing Techniques:Editing Techniques:

Always conduct editing in this order:1. Arrange clips in a proper sequence2. Apply Visual Effects to desired clips3. Create your Titles - make sure they don’t blend into the

background4. Apply Transitions - don’t get too fancy5. Insert sound effects and background music6. Make Chapter Markings for iDVD

Always conduct editing in this order:1. Arrange clips in a proper sequence2. Apply Visual Effects to desired clips3. Create your Titles - make sure they don’t blend into the

background4. Apply Transitions - don’t get too fancy5. Insert sound effects and background music6. Make Chapter Markings for iDVD

Page 22: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Editing Tips:Editing Tips:Remember: Sometimes a cut is more effective than a transition Always keep Timing in mind

Do the math between shots: a 1-second transition between two 3-second

clips creates a 5-second sequence. A cut between two 3-second clips creates a 6-

second sequence. One second can take an eternity

Try to Match-Action between shots - Avoid “Jump-cuts” where action repeats itself unnaturally.

If using still photos, apply the Ken Burns Effect: don’t zoom in too tight Make the motion slow

Remember: Sometimes a cut is more effective than a transition Always keep Timing in mind

Do the math between shots: a 1-second transition between two 3-second

clips creates a 5-second sequence. A cut between two 3-second clips creates a 6-

second sequence. One second can take an eternity

Try to Match-Action between shots - Avoid “Jump-cuts” where action repeats itself unnaturally.

If using still photos, apply the Ken Burns Effect: don’t zoom in too tight Make the motion slow

Page 23: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

The Quicktime Movie Format:The Quicktime Movie Format: Why export to Quicktime?

Place a Movie Clip on a PowerPoint slide Place a Movie Clip on a Web Page

Quicktime is a Library of software CODECs: For Video

Sorenson 3, Motion JPEG, & MPEG-4 are lossless (the best) DV should only be used for full-motion, full-sized video.

For Sound - IMA 4:1 and AAC is Lossless For MIDI (computerized “sheet music”)

Quicktime has built-in instrument “voices” WARNING - Not an actual sound file! DO NOT import into

PowerPoint - IT WON’T WORK!

For VR - (QTVR was discussed in previous chapter lectures)

Why export to Quicktime? Place a Movie Clip on a PowerPoint slide Place a Movie Clip on a Web Page

Quicktime is a Library of software CODECs: For Video

Sorenson 3, Motion JPEG, & MPEG-4 are lossless (the best) DV should only be used for full-motion, full-sized video.

For Sound - IMA 4:1 and AAC is Lossless For MIDI (computerized “sheet music”)

Quicktime has built-in instrument “voices” WARNING - Not an actual sound file! DO NOT import into

PowerPoint - IT WON’T WORK!

For VR - (QTVR was discussed in previous chapter lectures)

Page 24: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Exporting to Quicktime from iMovie the Easy Way:

Exporting to Quicktime from iMovie the Easy Way:

QuickTime™ and aTIFF (Uncompressed) decompressorare needed to see this picture.

QuickTime™ and aTIFF (Uncompressed) decompressorare needed to see this picture.

QuickTime™ and aTIFF (Uncompressed) decompressorare needed to see this picture.

QuickTime™ and aTIFF (Uncompressed) decompressorare needed to see this picture.

Source: http://ed.stanford.edu/ATS/iMovie_tmp/exportQuicktime.html

Page 25: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

Exporting to Quicktime from iMovie the Better Way:

Exporting to Quicktime from iMovie the Better Way:

QuickTime™ and aTIFF (Uncompressed) decompressorare needed to see this picture.

QuickTime™ and aTIFF (Uncompressed) decompressorare needed to see this picture.

QuickTime™ and aTIFF (Uncompressed) decompressorare needed to see this picture.

Choose this instead, then see me for further instructions… or

If you can see past the German, follow the graphics on this web site…http://www.ac-nantes.fr/peda/disc/scphy/dochtml/general/mecamac/macmeca.htm

Page 26: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

E-Mail

Homepage

Videocamera

VHS Tape

iDVD

QuickTime

CD ROM

Bluetooth

E-Mail

Homepage

Videocamera

VHS Tape

iDVD

QuickTime

CD ROM

Bluetooth

The Distribution Phase:File>Share

The Distribution Phase:File>Share

Course Assignments

Saved as MPEG4

Course Assignments

Saved as MPEG4

Page 27: Capture & Edit Live Digital Video for Educational Bitmapped Graphics

The EndThe End