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Slabs, italics & uprightsBunday™

3 moods, 26 Styles, 99 languages. Distinct, crisp and friendly

BUMTYPE

BUMTYPE

BUMTYPE

Styles26 3 Free

2

Multilingual for 99 languages

Powerful appearance

A MelAnge oF Fontstyles

script-style glyphsTwenty-six stylesBunday™

8 cute italic styles

Designed in Germanyslab & uprightconteMporAry letterForMs

Bunday™ Slab is space-saving

Buntypes

4 Buntypes Original Bunday™ slaB © Buntype

Compilation

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avkg avkg EdgEd sErif

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doublE storEy lc “A”

� {slab}

doublE storEy lc “g”

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singlE storEy lc “A”

{upright}

script stylE lc “k”

soft tAil

script stylE lc “g”

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lineup

6 Buntypes Original Bunday™ slaB

2 2 2

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Hai r Li n e � 2 6 S t yLe S � H e av y �


styles

The Tragedy of Hamlet Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2)Nay, do not think I flatter. For what advancement may I hope from theethat no revenue hast but thy good spirits, tofeed and clothe thee? Why should the poor beflatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee


text Sample

solidityBundays Bunday™ Slab/Up

BUMTYPE

BUMTYPE

BUMTYPE

DesigneD anD manufactureD in germany Contemporary & slab

Buntypes BundaySlab & Upright italicAlmost 99 lAnguAges supported. incl. eAstern europe


text Sample

2

Feature: lc “g” variants �

Feature: ligatures �

finalist � Feature: lc “F” and “t” variants

� Feature: lc “l” and “e” variants

ffontt

ukulele

ggg


Feature sample

Bunday™ SlaB OpenType® Quick Guide

A couple of OpenType® Features are only accessible via OpenType savvy applications like Quark® Xpress® or Adobe® Indesign®. Image editing or word processor applications may support only a subset of these Features.

fi › fi st › st 1st › 1st ş › ș B-8 › B-8Ligatures Discretionary ligatures Ordinals Localized forms MOL Case senitive forms

a › a e › e g › g l › l t f › t f01 – Single storey a 02 – Small e with edge 03 – Single storey g 04 – Straight l 05 – clean f and t

y › y & › & çş › çş ss › SS () › ()06 – Oldstyle y 07 – Larger ampersand 15 - Alternative cedilla 16 – German cap. Esszet 17 – Alternative paren


Opentype® Quick guide

wageworkRobustBuntypes Bunday Slab provides

02 // Specimen

BUMTYPE

BUMTYPE

BUMTYPE

gM It’s aboutmelangeBunday™ Slab/Updon’t miss!


2

Bunday™ Slab supports at least 99 latin languages including east-

ern- (Baltic) central- (CE) and southern European (Turk) as well as

many regional languages (e.g. Catalan, Corsian): Afar, Afrikaans, Alba-

nian, Azerbaijani, Basque, Belarusian, Bislama, Bosnian, Breton, Catalan,

Chamorro, Chichewa, Comorian, Czech, Danish, Dutch, English, Esperan-

to, Estonian, Faroese, Fijian, Filipino/Tagalog, Finnish, Flemish, French,

Gaelic (Irish), Gaelic (Manx), Gaelic Scottish, Gagauz, German, Gikuyu,

Gilbertese/Kiribati, Greenlandic, Haitian Creole, Hawaiian, Hungarian,

Icelandic, Indonesian, Irish, Italian, Javanese, Kashubian, Kinyarwanda,

Kirundi, Latin, Latvian, Lithuanian, Luba/Ciluba/Kasai, Luxembourgish,

Malagasy, Malay, Maltese, Maori, Marquesan, Moldovan/Moldovian/Ro-

manian, Montenegrin, Nauruan, Ndebele, Norwegian, Oromo, Palauan/

Belauan, Polish, Portuguese, Quechua, Romanian, Romansh, Sami, Sa-

moan, Sango, Serbian, Sesotho, Setswana/Sitswana/Tswana, Seychellois

Creole, SiSwati/Swati/Swazi, Silesian, Slovak, Slovenian, Somali, Sorb-

ian, Sotho, Spanish, Swahili, Swedish, Tahitian, Tetum, Tok Pisin, Tongan,

Tsonga, Tswana, Turkish, Turkmen, Tuvaluan, Uzbek/Usbek, Wallisian,

Walloon, Welsh, Xhosa, Yoruba, Zulu and others.

Ãť łēáșŧ 99 Lǎņġũäğęŝ Śŭppøŗţéď


language support

Feature: ligatures �

Feature: ligatures and discretionary ligatures ↓

� Feature: ligatures

� Feature: ligaturesfjord

lofty

final halfback

first26 Buntypes Original Bunday™ slaB © Buntype

Feature Samples

the tragedy of Hamlet; prince of denmark (shake-speare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spir-

light/semiBold 24/30 pt:

the tragedy of Hamlet; prince of denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd


the tragedy of Hamlet; prince of denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of


The Tragedy of Hamlet; Prince of Denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good

regular/Bold 24/30 pt:

The Tragedy of Hamlet; Prince of Denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no reve-nue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick


The Tragedy of Hamlet; Prince of Denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. dost thou hear? since my dear soul was mistress of her choice



text Samples

CaTRommoLPoL

l·l l·l ↑ catalan Punt volat auto-rePlacem.

şşşș çç ↓ romanian and moldavian “s” with cedilla auto-rePlacement

catalan “s” and “c” with cedilla auto-rePlacement ↑

ććńóśźPolish KresKa is steePer than acute ↑

02 // Specimen


Special Language Support

Note the new

hairline Bunday SlaB semibold italic ↑

BUMTYPE

BUMTYPE

BUMTYPE

The Tragedy of Hamlet prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance-ment may I hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hing-es of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets


text Samples

light 8/10 pt: nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

SemiLight 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

regular 8/10 pt: nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

semiBold 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for

bold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d

Light Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou

SemiLight Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Regular Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

semiBold italic 8/10 pt: nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Bold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself;

extraBold 8/10 pt: the tragedy of Hamlet; prince of Denmark (shakespeare, england 1523; Act 3, scene 2) nay, do not think I flatter. For what advance-ment may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my

ExtraBold Italic 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul

the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

thin/semibold 10/12,5 pt:

the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mis-tress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well com-mingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very com-


the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what ad-vancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick ab-


the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her elec-tion hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they


the tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give

thin/semibold 8/10 pt:

the tragedy of Hamlet; Prince of Den-mark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flat-ter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d?



text Samples

the tragedy of Hamlet; prince of denmark (shake-speare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spir-


the tragedy of Hamlet; prince of denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd


the tragedy of Hamlet; prince of denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of


The Tragedy of Hamlet; Prince of Denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good


The Tragedy of Hamlet; Prince of Denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no reve-nue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick


The Tragedy of Hamlet; Prince of Denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. dost thou hear? since my dear soul was mistress of her choice



text Samples Slab

02 // specimen book

The Tragedy of Hamlet; Prince of Denmark (shake-speare, england 1523; act 3, scene 2) nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-

the tragedy of hamlet; prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good

light/semiBold 24/30 pt: regular/Bold 24/30 pt:

The Tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd

the tragedy of hamlet; prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no reve-nue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick


The Tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men

the tragedy of hamlet; prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice



text Samples upright

The Tragedy of Hamlet; prince of denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

regular/bold 10/12,5 pt:

The Tragedy of Hamlet; prince of denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. give me that man that is not passion‘s slave, and i will wear him in my heart‘s core, ay, in my heart of heart, as i do thee. something too much of this. there is a play to-night be-fore the king; one scene of it comes near the circumstance which i have told thee of my father‘s death: i prithee, when thou seest that act afoot,


The Tragedy of Hamlet; prince of denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what ad-vancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick ab-


The Tragedy of Hamlet; prince of denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no reve-nue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men dis-tinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so


The Tragedy of Hamlet; prince of denmark (shakespeare, Eng-land 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please.

regular/bold 8/10 pt:

The Tragedy of Hamlet; prince of denmark (shakespeare, England 1523; Act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

light/semibold 10/12,5 pt:

the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mis-tress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well com-mingled, that they are not a pipe for fortune‘s finger to sound what stop she please. give me that man that is not passion‘s slave, and i will wear him in my heart‘s core, ay, in my heart of heart, as i do thee. something too much of this. there is a play to-night before the king; one scene of it comes near the circumstance which i have told thee of my father‘s death: i prithee, when thou seest that act afoot, even with the very com-


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what ad-vancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick ab-


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her elec-tion hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commin-


the tragedy of Hamlet; Prince of Denmark (shakespeare, eng-land 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. give

light/semibold 8/10 pt:

the tragedy of Hamlet; Prince of Den-mark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be



text Samples Slab

the tragedy of hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as


the tragedy of hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night be-fore the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot,


the tragedy of hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what ad-vancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick ab-


the tragedy of hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her elec-tion hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commin-


the tragedy of hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please.


the tragedy of hamlet; Prince of Den-mark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be


The Tragedy of Hamlet; prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as


The Tragedy of Hamlet; prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mis-tress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well com-mingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. something too much of this. there is a play to-night before the king; one scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very com-


The Tragedy of Hamlet; prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think I flatter. For what ad-vancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick ab-


The Tragedy of Hamlet; prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her elec-tion hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they


The Tragedy of Hamlet; prince of Denmark (shakespeare, eng-land 1523; act 3, scene 2) nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me


The Tragedy of Hamlet; prince of Den-mark (shakespeare, england 1523; act 3, scene 2) nay, do not think I flat-ter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no,



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light 8/10 pt: nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

SemiLight 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Regular 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

SemiBold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for

Bold 8/10 pt: Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for

Light Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou

SemiLight Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Regular Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

semiBold italic 8/10 pt: nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Bold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself;

ExtraBold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance-ment may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my

ExtraBold Italic 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul

The Tragedy of Hamlet; Prince of Denmark (Shake-speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suf-


The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul


The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what ad-vancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick ab-


The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her elec-tion hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buf-fets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that


The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me


The Tragedy of Hamlet; Prince of Den-mark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? No,



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Dummy text from ‘The Tragedy of Hamlet; Prince of Den-mark’ W. Shakespeare, England 1523; Source: wikisource.org

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