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ARC 5744 Architectural History from 1840 to Present and ARC 5744 Lab Wednesdays: Labs at assigned time: 50 minutes Thursdays: Lecture and discussion: 9:00 – 10:40 Professor Gray Read, Email: [email protected] Website: http://faculty.fiu.edu/~readg/ Office: PCA376 (Office Hours: Tuesdays 9:00-12:00) My Blog: http://architecture-performance.blogspot.com Secondary Instructor: Asha Kutty, mailto:[email protected] GA: Juan Gatica, [email protected] Turnitin Course Number: Password: history (you must register yourself in this course on www.turnitin.com) Description: Course introduces students to the major ideas and figures that shaped the multiple strains of architectural design from 1840 to the present as well as examples of contemporaneous vernacular and indigenous design. Course considers three main themes present in much of design research and innovation: architecture as social action that engages often conflicting economic and cultural patterns of use, architecture as physical modification that addresses the natural world as well as people’s differing abilities, and architecture as technological innovation. Students will read and discuss influential texts of the late 19 th and early 20 th centuries, then consider how those ideas were manifest in architectural design.

ARC 5744 Architectural History from 1840 to Present andfaculty.fiu.edu/~readg/Courses/History3/ARC5744History3Syllabus... · ARC 5744 Architectural History from 1840 to Present and

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ARC5744ArchitecturalHistoryfrom1840toPresentandARC5744LabWednesdays:Labsatassignedtime:50minutesThursdays:Lectureanddiscussion:9:00–10:40ProfessorGrayRead, Email:[email protected]:http://faculty.fiu.edu/~readg/Office:PCA376(OfficeHours:Tuesdays9:00-12:00)MyBlog:http://architecture-performance.blogspot.comSecondaryInstructor:AshaKutty,mailto:[email protected]:JuanGatica,[email protected]:Password:history(youmustregisteryourselfinthiscourseonwww.turnitin.com)Description:Courseintroducesstudentstothemajorideasandfiguresthatshapedthemultiplestrainsofarchitecturaldesignfrom1840tothepresentaswellasexamplesofcontemporaneousvernacularandindigenousdesign.Courseconsidersthreemainthemespresentinmuchofdesignresearchandinnovation:architectureassocialactionthatengagesoftenconflictingeconomicandculturalpatternsofuse,architectureasphysicalmodificationthataddressesthenaturalworldaswellaspeople’sdifferingabilities,andarchitectureastechnologicalinnovation.Studentswillreadanddiscussinfluentialtextsofthelate19thandearly20thcenturies,thenconsiderhowthoseideasweremanifestinarchitecturaldesign.

Objectives:Studentswillbecomefamiliarwiththemajorfigures,buildings,andideasinthemultiplestrainsofrecentarchitecturalhistoryacrosstheglobe.Studentswillbecomeawareofmultiplehistoricallegaciesgroundedinpolitical,economic,ecologicalandtechnologicalconditions.Studentswillconsiderhowdiversesocialandculturalnormsinfluenceddesigndecisions,particularlywhentheymustbenegotiatedinmulticulturalsituations.Theywilldevelopcriticalthinkingandwritingskillthroughdiscussionandessaysthatfocusonideasandusespecificanalyticalexamplestosupporttheses.AccreditationPerformanceCriteria:A.7HistoryandGlobalCulture:Understandingoftheparallelanddivergenthistoriesofarchitectureandtheculturalnormsofavarietyofindigenous,vernacular,local,andregionalsettingsintermsoftheirpolitical,economic,social,ecological,andtechnologicalfactors.A.8CulturalDiversityandSocialEquity:Understandingofthediverseneeds,values,behavioralnorms,physicalabilities,andsocialandspatialpatternsthatcharacterizedifferentculturesandindividualsandtheresponsibilityofthearchitecttoensureequityofaccesstosites,buildings,andstructures.StructureofCourse:Lectureanddiscussion.In-classexercisesincludesmallgroupdiscussionsofquestionsbasedonreadingsandlectures,writtenquizzesandexams.Text:Readerofselectedarticles.Allreadingsareavailableonthecoursewebsite,linkedtoon-linesyllabus.Requiredreadingsmustbecompletedforeachclassonthedayitislistedinthesyllabus,thequalityofdiscussiondependsonyourparticipation.Evaluation:Discussionquestions:Eachreadingassignmentwillhaveasetofdiscussionquestions.StudentswillsubmitpreliminaryanswerstodiscussionquestionstoTurnitinbeforeclassandwillreceivesummarycredit.Inclass,studentswilldiscussoneofthequestionsindepthwithinasmallgroup,thenwriteawell-consideredindividualansweratleastoneparagraphlong.Answersaregradedonascaleof0-10.Studentsmaymakeupaquizifprofessorisnotifiedbeforethequizdate.Exams:In-classexamsincludeidentifyingbuildings.Take-homeexamsaskforshortessaysinanswertoquestions.Writtenworkisdueatthebeginningofclass.Writingcounts.Papersmustbegrammaticallycorrectandfollowgivenformat.Take-homeexamsarehandedintoturnitin.com.Commentsandgradesonexamessaysareaccessibleonturnitin.Plagiarism:Plagiarismisnottolerated,pleasereadexplanationonmywebsite-linkhereGradingScheme:Discussionquestions:EachpreliminarysubmissiontoTurnitinis5points. Eachdevelopedanswer,writteninclassisworth10points

EachIn-classbuildingidentificationexamisworth15pointsEachTake-homeessayisworth20points.Gradesaredeterminedonapercentagebasis:90-100%=A80-90%=B70-80%=C60-70%=D Policies:Computers:Computersmustbeclosedinclassandcellphonesoffunlessotherwiseinstructed.Pleasetakenotesinclassbyhandinanotebookdedicatedtotheclass.Absences:Universitypolicystatesifyouhavethreeabsences,youfailthecourse.Youmaybeexcusedforreligiousholidays,ifyouletmeknowaheadoftime.PolicyonAcademicIntegrityFloridaInternationalUniversityisacommunitydedicatedtogeneratingandimpartingknowledgethroughexcellentteachingandresearch,therigorousandrespectfulexchangeofideas,andcommunityservice.Allstudentsshouldrespecttherightofotherstohaveanequitableopportunitytolearnandhonestlytodemonstratethequalityoftheirlearning.Therefore,allstudentsareexpectedtoadheretoastandardofacademicconduct,whichdemonstratesrespectforthemselves,theirfellowstudents,andtheeducationalmissionoftheUniversity.AllstudentsaredeemedbytheUniversitytounderstandthatiftheyarefoundresponsibleforacademicmisconduct,theywillbesubjecttotheAcademicMisconductproceduresandsanctions,asoutlinedintheStudentHandbook.Policiesonacademicmisconduct,sexualharassment,andreligiousholidays,andinformationonservicesforstudentswithdisabilitiesPleaserefertoUniversitypoliciesintheFIUStudentHandbook.Tips:Keepup.DothereadingcarefullyandfullysothatyouunderstandwhattheauthorsaysANDwhathisorherstatementmeansinthecontextoftheideaspresentedintheclass.Takenotes.Takenotesonboththereadinganddiscussioninyourcourse.Sketcheshelp.Cometolectures;Youarerequiredtoattendallschoollectures.ScheduleandReadingsThursday,August25:IntroductionandYoungArchitectsdefiningSocialPractice Reading:WatchAlejandroAravenaTEDTalk:andJeanneGangTEDTalk

DiscussionQuestions:Whystudyhistoryofarchitecture?Whatdoyouwanttoknow?Historyorhistories?Whyisafocusonsocialpracticesorelevantnow?

Wednesday,August31Lab–Isitsustainable?

Buildings:Masdar,UnitedArabEmirates,NormanFosterAssoc,ongoingPAMM,Madrid,Miami,Herzog&deMeuron,2013HuangbaiyuProjectinChina,Wm.McDonough,2006http://www.pbs.org/frontlineworld/fellows/green_dreams/HighLine,NYC,FieldOperationsJimCorner,2014MenaraMesiniaga,Malasia,KenYeang,1992http://www.solaripedia.com/13/302/3409/menara_mesiniaga_shading_devices.htmlViaVerde,BronxNY,Grimshaw&Datner,2012

Thursday,September1:SustainabilityandLandscape

Reading:WatchKenYeangTEDTalkhttps://www.youtube.com/watch?v=3q2QtrtM1tYHistoricalOverview:HarryMallgrave,“SustainabilityandBeyond”inMallgrave,AnIntroductiontoArchitecturalTheory,1968tothePresent.Discussion:Whatissustainabilityanyway?Whatmakesarchitecturesustainable?

Wednesday,September7Lab:VernacularArchitectureofMiami

Buildings:MiamiBeachgardenapartmentsKendallranchhouseCondotowerMidriseurbanism–Miami21CalleOchoStripmallSidewalkCafé

Thursday,September8–GrayawayinGenoa–AshaKuttylectureReading:ThePristineMyth http://www.theatlantic.com/magazine/archive/2002/03/1491/302445/ ORJenniferNardone,“RoomfullofBlues:JukejointsandtheCulturalLandscapeoftheMississippiDelta”HistoricalOverview:GabrielArboleda,“WhatisVernacularArchitecture?”http://www.vernaculararchitecture.com/Discussion:

Wednesday,September14Lab–DigitalDesign

Buildings:BMWWelt,CoopHimmelblau,2007HeydarAliyevCenter,BakuAzerbaijanZahaHadid,2013ShenzhenBao’anAirport,ReiserUmemoto,MetropolParasol,J.MayerH.architects,PlazadelaEncarnacion,Seville,Spain,2012TheRolexLearningCenter,EcolePolytechniqueFederaleLausanne,Switzerland(EPFL)–2009.Sanaa2007

H2OExpoPavilion,Netherlands,NOXarchitectsLarsSpuybroek,1997Thursday,September15:NewMaterialism–ThePromiseofmath.Architectureasprosthetic

Watch:ChrisDowneyonwalkingthroughthecityblind:https://www.youtube.com/watch?v=yiizM232Zak&list=PL228C00CFBDCD7096&index=12&feature=plpp_video Reading:EroPapavassiliou,“Prosthetics&Post-humanBodyFutures”http://www.interactivearchitecture.org/prosthetics-posthuman-body-futures.htmlHistoricalOverview:NeilLeach,“NewMaterialism”inUrbanFlux(2009)https://neilleach.files.wordpress.com/2009/09/new-materialism.pdfExercise:Experiencingtheworlddifferently.

Wednesday,September21Lab:Starchitects

Buildings:LincolnCenter,JulliardSchool,NYC,Diller&Scofidio,2002-9 HajTerminal,Mecca,SOM,FazlurKahn,1981

Tatemuseum,Turbinehallandnewtower,Herzog&deMeuron,2000-2016

MoMA,Bilbao,Spain,FrankGehry,1993-7 TjibaouCulturalCenter,RenzoPiano,1989

BjarkeIngelsGroupArchitects,8HouseinØrestadinCopenhagen,2006

Thursday,September23:StarchitectsFlyinginfortheproject

Reading:WitoldRybczynski,“TheBilbaoEffect”inAtlanticMonthlySeptember,2002,http://www.theatlantic.com/magazine/archive/2002/09/the-bilbao-effect/302582/HistoricalOverview:Jean-LouisCohen“Architecture’sOuterBoundaries”inTheFutureofArchitecturesince1889Discussion:Howcananarchitectflyinandtrulyengagealocalcultureandsite?Doesitmatter?

Wednesday,September28Lab:Deconstructionism

Buildings:BMWCentralbuilding,ZahaHadid,2005JewishMuseum,Berlin,DanielLibeskind,1999LaVillette,Paris,BernardTschumi,1982-98WexnerCenterfortheArts,OhioStateU.,PeterEisenman,1989UFACinemaCenter,Dresden,CoopHimmelb(l)au,1998SeattlepublicLibrary,OMA,RemKoolhaas,2006

Thursday,September29:Deconstruction–Zaha,CoopHimmelblau,backtoRussians,Libeskindarchitectureofanxiety.Responsetositeandsituation.Architecturaltheory

Reading:Tschumi,“Event–TheTurningPoint”(1996)

HistoricalOverview:ElieHaddad,“Deconstruction:TheProjectofRadicalSelf-Criticism”inACriticalHistoryofContemporaryArchitecture1960–2010,DavidRifkindandElieHaddadeds.Discussion:Whatistheroleoftheoryindesign?

Wednesday,October5Lab:Postmodern

Buildings:PompidouCenter,Paris,RogersandPiano,1968Seaside,Florida,Duany&Plater-Zyberk,1979SanCataldoCemetery,Modena,Italy,AldoRossi-1971AdditiontoNationalGallery,London,VenturiRauch&Scott-Brown,1991HighMuseumofArt,Atlanta,RichardMeier,1983ChurchoftheLight,Osaka,Japan,TadaoAndo,1989

Thursday,October6:ThemeaningofMeaning

Reading:DeniseScott-Brown,“LearningfromPop”(1971)HistoricalOverview:DavidRifkind,“Post-modernism:CritiqueandReaction”inACriticalHistoryofContemporaryArchitecture1960–2010,DavidRifkindandElieHaddadeds.

Discussion:Canarchitecturebecomparedtolanguage?Wednesday,October12Lab:ReviewThursday,October13:ExamWednesday,October19:CriticalRegionalism

Buildings:IndianInstituteofManagement,Ahmedabad,LouisKahn1974CiudadUniversitariasdeCaracas,CarlosRaulVillanueva1944-70SaoPaoloMuseumofArt,LinaBoBardi,1957-68SeinajokiTownCenter,AlvarAalto,1960-68NakajinCapsuleTowerShimbashi,Tokyo,Japan,KishoKurokawa,1972NewGournaVillage,Luxor,Egypt,HassanFathy,1947

Thursday,October20:CriticalRegionalistResponsetositeandculture–AshaKuttyFrampton,Barragan,Aalto,AlvaroSiza,LouisKahn’sAncientsense,CorbuRonchamp,LaTourette.FryandDrewinAfrica.TropicalModernism.Inrelationtovernacular

Watch:ClipfromMyArchitectonLouisKahn’sworkinIndiaReading:KennethFrampton,‘TowardsaCriticalRegionalism’inHalFoster(ed.),Anti-Aesthetic:EssaysonPostmodernCulture.(1983)RemKoolhaas,‘TheGenericCity’,inSMLXL

Wednesday,October26Lab:CorporateModernism

Buildings:SeagramBuilding,NewYork,LudwigMiesvanderRohe,1958NationalGalleryWestWing,WashingtonDC,IMPei,1978

PalaceoftheAssembly,Chandigarh,India,LeCorbusier,1963NationalCongress,Brasilia,OscarNiemeyer,1965LevittownHouse,

Pruitt-IgoeHousingProject,St.Louis,MinoruYamasaki,1972,Thursday,October27:HighModernismandGlobalism-LateMies,SOM,IMPei,CIAMPost-colonialismChandigarh,ProjectforAlgiers,Post-warriseofthesuburbsinUS,Communist/CapitalistColdwarCulturewar

Reading:JoanOckman,“MirrorImages:Technology,Consumption,andtheRepresentationofGenderinAmericanArchitecturesinceWorldWarII”

Wednesday,November2Lab:BetweentheWarsUtopia

Buildings:VoisinPlan,LeCorbusier,1929VillaSavoye,Garches,Roche,Paris,LeCorbusier,1926-9BarcelonaPavilion,MiesvanderRohe,1929MonumenttotheThirdInternationaltower,VladimirTatlin,1920UsonianHouse,FrankLloydWright,1936EigenHaard,MichaelDeKlerk,1917-1920

Thursday,November3:CorbusianModernism:VoisinPlan,villas.BauhausZen,RussianConstructivism,ArtDecoasInternationalstyle

Reading:“ArchitectureorRevolution”,LeCorbusier.(1929)OR“OrnamentandCrime”AdolfLoosWilliamCurtis,“TheIdealCommunity:AlternativestotheIndustrialCity”inCurtis,ModernArchitectureSince1900

Wednesday,November9Lab:TurnoftheCenturyCraft

Buildings:Drawings,AntonioSant’Elia,ParcGuëll,AntonioGaudi,1900-14ParisMetroStations,HectorGuimard,1899-14SouthBeachArtDecoPirieScottBuilding,LouisSullivan,1899PostOfficeBank,OttoWagner,1904

Thursday,November10:Futurists,ArtNouveauElectricity,Craftsman,JapanismeFLLW,AustrianSuccessionists,IndustrializationInfrastructure

Reading:FuturistManifesto,Marinetti(1909)WilliamCurtis,“ResponsestoMechanization:TheDeutscherWerkbundandFuturism”inCurtis,ModernArchitectureSince1900

Wednesday,November16Lab:ColonialismacrosstheGlobe

Buildings:Eiffeltower,GustavEiffelKatsuraPalace,KyotoBungalowseverywhere

Thursday,November17:EcoledesBeauxArts,ParisHaussmannEiffelTower,SullivanskyscrapersChicagoWhiteCity/Midway,

Reading:Readthis1914poembyCarlSandburg:“Chicago”Wednesday,November23Lab:ReviewNovember24–ThanksgivingNovember30–ReviewWeekDecember1December7–ExamWeekDecember8December14–GradesDue

BibliographyGeneralBraham,William,andJonathanHale.RethinkingTechnology:AReaderin

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KeyArchitectureSeries.NY:WWNorton,2010.Week1:SocialJusticeAravena,Alejandro.Elemental:IncrementalHousingandParticipatoryDesign

Manual.2013.Stohr,Kate,andSinclairStohr.DesignLikeYouGiveaDamn:BuildingChangefrom

theGroundUpNY:HarryAbrams,2012

Week2:SustainabilityGraham,James,andCaitlinBlanchard.Climates:ArchitectureandthePlanetary

Imaginary.LarsMüller,2016.Hester,Randolph.DesignforEcologicalDemocracy.MITPress,2010.