12
ARC 5744 Architectural History from 1840 to Present and ARC 5744 Lab Wednesdays: Labs at assigned time: 50 minutes – PCA 341 Thursdays: Lecture and discussion: 9:00 – 10:40 – PCA 135 Professor Gray Read, Email: [email protected] Website: http://faculty.fiu.edu/~readg/ Office: PCA376 (Office Hours: Tuesdays 9:00-12:00) My Blog: http://architecture-performance.blogspot.com Secondary Instructor: Asha Kutty: [email protected] GA: Deborah Wintringer: [email protected] Description: Course introduces students to the major ideas and figures that shaped the multiple strains of architectural design from 1840 to the present as well as examples of contemporaneous vernacular and indigenous design. Course considers three main themes present in much of design research and innovation: architecture as social action that engages often conflicting economic and cultural patterns of use, architecture as physical modification that addresses the natural world as well as people’s differing abilities, and architecture as technological innovation. Students will read and discuss influential texts of the late 19 th and early 20 th centuries, then consider how those ideas were manifest in architectural design.

ARC 5744 Architectural History from 1840 to Present and

  • Upload
    others

  • View
    3

  • Download
    0

Embed Size (px)

Citation preview

Page 1: ARC 5744 Architectural History from 1840 to Present and

ARC5744ArchitecturalHistoryfrom1840toPresentandARC5744LabWednesdays:Labsatassignedtime:50minutes–PCA341Thursdays:Lectureanddiscussion:9:00–10:40–PCA135ProfessorGrayRead, Email:[email protected]:http://faculty.fiu.edu/~readg/Office:PCA376(OfficeHours:Tuesdays9:00-12:00)MyBlog:http://architecture-performance.blogspot.comSecondaryInstructor:AshaKutty:[email protected]:DeborahWintringer:[email protected]:Courseintroducesstudentstothemajorideasandfiguresthatshapedthemultiplestrainsofarchitecturaldesignfrom1840tothepresentaswellasexamplesofcontemporaneousvernacularandindigenousdesign.Courseconsidersthreemainthemespresentinmuchofdesignresearchandinnovation:architectureassocialactionthatengagesoftenconflictingeconomicandculturalpatternsofuse,architectureasphysicalmodificationthataddressesthenaturalworldaswellaspeople’sdifferingabilities,andarchitectureastechnologicalinnovation.Studentswillreadanddiscussinfluentialtextsofthelate19thandearly20thcenturies,thenconsiderhowthoseideasweremanifestinarchitecturaldesign.

Page 2: ARC 5744 Architectural History from 1840 to Present and

Objectives:Studentswillbecomefamiliarwiththemajorfigures,buildings,andideasinthemultiplestrainsofrecentarchitecturalhistoryacrosstheglobe.Studentswillbecomeawareofmultiplehistoricallegaciesgroundedinpolitical,economic,ecologicalandtechnologicalconditions.Studentswillconsiderhowdiversesocialandculturalnormsinfluenceddesigndecisions,particularlywhentheymustbenegotiatedinmulticulturalsituations.Theywilldevelopcriticalthinkingandwritingskillthroughdiscussionsandquizzesthatfocusonideasandusespecificanalyticalexamplestosupporttheses.AccreditationPerformanceCriteria:A.7HistoryandGlobalCulture:Understandingoftheparallelanddivergenthistoriesofarchitectureandtheculturalnormsofavarietyofindigenous,vernacular,local,andregionalsettingsintermsoftheirpolitical,economic,social,ecological,andtechnologicalfactors.A.8CulturalDiversityandSocialEquity:Understandingofthediverseneeds,values,behavioralnorms,physicalabilities,andsocialandspatialpatternsthatcharacterizedifferentculturesandindividualsandtheresponsibilityofthearchitecttoensureequityofaccesstosites,buildings,andstructures.StructureofCourse:Lectureanddiscussion.In-classexercisesincludesmallgroupdiscussionsofquestionsbasedonreadingsandlectures,writtenquizzesandexams.Text:Readerofselectedarticles.Allreadingsareavailableonthecoursewebsite,linkedtoon-linesyllabus.Requiredreadingsmustbecompletedforeachclassonthedayitislistedinthesyllabus,thequalityofdiscussiondependsonyourparticipation.Evaluation:Discussionquestions:Eachreadingassignmentwillhaveasetofdiscussionquestions.StudentswillsubmitpreliminaryanswerstodiscussionquestionstoTurnitinbeforeclassandwillreceivesummarycredit.Inclass,studentswilldiscussoneofthequestionsindepthwithinasmallgroup,thenwriteawell-consideredindividualansweratleastoneparagraphlong.Answersaregradedonascaleof0-10.Studentsmaymakeupaquizifprofessorisnotifiedbeforethequizdate.Exams:In-classexamsincludeidentifyingbuildings.Take-homeexamsaskforshortessaysinanswertoquestions.Writingcounts.Quizzesandtake-homeexamsarehandedintoturnitin.com.Commentsandgradesonexamessaysareaccessibleonturnitin.Plagiarism:Plagiarismisnottolerated,pleasereadexplanationonmywebsite-linkhereGradingScheme:Discussionquestions:EachquestiononthereadingsubmittedtoTurnitinis10points.In-classquizzesare10points.

Page 3: ARC 5744 Architectural History from 1840 to Present and

EachIn-classbuildingidentificationexamisworth10pointsEachTake-homeessayisworth20points.Gradesaredeterminedonapercentagebasis:90-100%=A80-90%=B70-80%=C60-70%=D Policies:Computers:Computersmustbeclosedinclassandcellphonesoffunlessotherwiseinstructed.Pleasetakenotesinclassbyhandinanotebookdedicatedtotheclass.Absences:Universitypolicystatesifyouhavethreeabsences,youfailthecourse.Youmaybeexcusedforreligiousholidays,ifyouletmeknowaheadoftime.PolicyonAcademicIntegrityFloridaInternationalUniversityisacommunitydedicatedtogeneratingandimpartingknowledgethroughexcellentteachingandresearch,therigorousandrespectfulexchangeofideas,andcommunityservice.Allstudentsshouldrespecttherightofotherstohaveanequitableopportunitytolearnandhonestlytodemonstratethequalityoftheirlearning.Therefore,allstudentsareexpectedtoadheretoastandardofacademicconduct,whichdemonstratesrespectforthemselves,theirfellowstudents,andtheeducationalmissionoftheUniversity.AllstudentsaredeemedbytheUniversitytounderstandthatiftheyarefoundresponsibleforacademicmisconduct,theywillbesubjecttotheAcademicMisconductproceduresandsanctions,asoutlinedintheStudentHandbook.Policiesonacademicmisconduct,sexualharassment,andreligiousholidays,andinformationonservicesforstudentswithdisabilitiesPleaserefertoUniversitypoliciesintheFIUStudentHandbook.Tips:Keepup.DothereadingcarefullyandfullysothatyouunderstandwhattheauthorsaysANDwhathisorherstatementmeansinthecontextoftheideaspresentedintheclass.Takenotes.Takenotesonboththereadinganddiscussioninyourcourse.Sketcheshelp.Cometolectures;Youarerequiredtoattendallschoollectures.ScheduleandReadingsWeek1:ColonialismacrosstheGlobe

Wednesday,August23Lab:Introduction:theArtofDebate,TheWhiteCityThursday,August24:ColonialismandClassicism:EcoledesBeauxArtsReading:Readthis1914poembyCarlSandburg:“Chicago”

Page 4: ARC 5744 Architectural History from 1840 to Present and

Week2:TurnoftheCentury,FuturismWednesday,August30Lab:EcoledesBeauxArts

Buildings:Eiffeltower,Paris,GustavEiffel,1889KatsuraPalace,Kyoto,17th-19thcenturiesParisOpera,CharlesGarnier,1861-75StPancrasStation,London,GeorgeGilbertScott,1868VictoriaMemorial,Kolkata,India,WilliamEmerson,1921SunYatSenMausoleum,Nanking,China,LuYanzhi,1926

Thursday,August31:Futurists,ArtNouveauandCrafts

Reading:FuturistManifesto,Marinetti(1909)WilliamCurtis,“ResponsestoMechanization:TheDeutscherWerkbundandFuturism”inCurtis,ModernArchitectureSince1900

HurricaneIrmahappenedhere:Reviseddatesinblue

Week3:BetweentheWars:BirthofModernism/Vernacular

Wednesday,September20Lab:TurnoftheCenturyCraftBuildings:Drawings,AntonioSant’Elia,ParcGuëll,AntonioGaudi,1900-14ParisMetroStations,HectorGuimard,1899-14SouthBeachArtDecoPirieScottBuilding,LouisSullivan,1899PostOfficeBank,OttoWagner,1904

Thursday,September21:VernacularArchitecture:LecturebyAshaKutty

Readingonvernacuar:ThePristineMyth http://www.theatlantic.com/magazine/archive/2002/03/1491/302445/ ORJenniferNardone,“RoomfullofBlues:JukejointsandtheCulturalLandscapeoftheMississippiDelta”HistoricalOverview:GabrielArboleda,“WhatisVernacularArchitecture?”http://www.vernaculararchitecture.com/Discussion:Whystudyordinarybuildings?

Week4:BetweentheWars:BirthofModernism/Vernacular

Wednesday,September27Lab:VernacularArchitectureofMiamiBuildings:MiamiBeachgardenapartmentsKendallranchhouseCondotowerMidriseurbanism–Miami21CalleOchoStripmallSidewalkCafé

Thursday,September28:BirthofModernismlecture

Page 5: ARC 5744 Architectural History from 1840 to Present and

Reading:“ArchitectureorRevolution”,LeCorbusier.(1929)OR“OrnamentandCrime”AdolfLoosWilliamCurtis,“TheIdealCommunity:AlternativestotheIndustrialCity”inCurtis,ModernArchitectureSince1900

Week5:CorporateModernism

Wednesday,October4:BetweentheWarsUtopiaBuildings:VoisinPlan,LeCorbusier,1929VillaSavoye,Garches,Roche,Paris,LeCorbusier,1926-9BarcelonaPavilion,MiesvanderRohe,1929MonumenttotheThirdInternationaltower,VladimirTatlin,1920UsonianHouse,FrankLloydWright,1936EigenHaard,MichaelDeKlerk,1917-1920

Thursday,October5:HighModernismandGlobalism

Reading:JoanOckman,“MirrorImages:Technology,Consumption,andtheRepresentationofGenderinAmericanArchitecturesinceWorldWarII”

Week6:CriticalRegionalism

Wednesday,October11Lab:TheBigModernistsBuildings:SeagramBuilding,NewYork,LudwigMiesvanderRohe,1958LeverHouse,NYC,GordonBunshaftandNataliedeBlois,1951

PalaceoftheAssembly,Chandigarh,India,LeCorbusier,1963NationalCongress,Brasilia,OscarNiemeyer,1965LevittownHouse,Pruitt-IgoeHousingProject,St.Louis,MinoruYamasaki,1972,

Thursday,October12:CriticalRegionalistResponsetositeandculture–AshaKutty

Watch:ClipfromMyArchitectonLouisKahn’sworkinIndiaReading:KennethFrampton,‘TowardsaCriticalRegionalism’inHalFoster(ed.),Anti-Aesthetic:EssaysonPostmodernCulture.(1983)RemKoolhaas,‘TheGenericCity’,inSMLXL

Week7:Wednesday,October18Lab:ReviewThursday,October19:Exam

Week8:Postmodernism

Wednesday,October25Lab:CriticalRegionalistvernacularBuildings:IndianInstituteofManagement,Ahmedabad,LouisKahn1974CiudadUniversitariasdeCaracas,CarlosRaulVillanueva1944-70

Page 6: ARC 5744 Architectural History from 1840 to Present and

SaoPaoloMuseumofArt,LinaBoBardi,1957-68SaynatsaloTownCenter,AlvarAalto,1951NakajinCapsuleTowerShimbashi,Tokyo,Japan,KishoKurokawa,1972NewGournaVillage,Luxor,Egypt,HassanFathy,1947

Thursday,October26:Postmodernism:ThemeaningofMeaning

Reading:DeniseScott-Brown,“LearningfromPop”(1971)HistoricalOverview:DavidRifkind,“Post-modernism:CritiqueandReaction”inACriticalHistoryofContemporaryArchitecture1960–2010,DavidRifkindandElieHaddadeds.

Discussion:Canarchitecturebecomparedtolanguage?Week9:Deconstructionism

Wednesday,November1Lab:PostmodernistsandthecityBuildings:PompidouCenter,Paris,RogersandPiano,1968Seaside,Florida,Duany&Plater-Zyberk,1979SanCataldoCemetery,Modena,Italy,AldoRossi-1971AnnexNationalGallery,London,VenturiRauch&Scott-Brown,1991NationalGalleryWestWing,WashingtonDC,IMPei,1978ChurchoftheLight,Osaka,Japan,TadaoAndo,1989

Thursday,November2:Deconstruction–Responsetositeandsituation.Architecturaltheory

Reading:Tschumi,“Event–TheTurningPoint”(1996)HistoricalOverview:ElieHaddad,“Deconstruction:TheProjectofRadicalSelf-Criticism”inACriticalHistoryofContemporaryArchitecture1960–2010,DavidRifkindandElieHaddadeds.Discussion:Whatistheroleoftheoryindesign?

Week10:Starchitects

Wednesday,November8Lab:Deconstructingwhatexactly?Buildings:BMWCentralbuilding,ZahaHadid,2005JewishMuseum,Berlin,DanielLibeskind,1999LaVillette,Paris,BernardTschumi,1982-98WexnerCenterfortheArts,OhioStateU.,PeterEisenman,1989UFACinemaCenter,Dresden,CoopHimmelb(l)au,1998SeattlepublicLibrary,OMA,RemKoolhaas,2006

Thursday,November9:StarchitectsFlyinginfortheproject

Reading:WitoldRybczynski,“TheBilbaoEffect”inAtlanticMonthlySeptember,2002,http://www.theatlantic.com/magazine/archive/2002/09/the-bilbao-effect/302582/HistoricalOverview:Jean-LouisCohen“Architecture’sOuterBoundaries”inTheFutureofArchitecturesince1889

Page 7: ARC 5744 Architectural History from 1840 to Present and

Discussion:Howcananarchitectflyinandtrulyengagealocalcultureandsite?Doesitmatter?

DeadlinetowithdrawfromcoursewithaDRgradeWeek11:DigitalDesign

Wednesday,November15Lab–Arestarchitectsalwaysright?Buildings:CCTV,Beijing,OMA,2012

HajTerminal,Mecca,SOM,FazlurKahn,1981Tatemuseum,Turbinehallandnewtower,Herzog&deMeuron,2000-2016

MoMA,Bilbao,Spain,FrankGehry,1993-7 TjibaouCulturalCenter,RenzoPiano,1989

BjarkeIngelsGroupArchitects,8HouseinØrestadinCopenhagen,2006

Thursday,November16:DigitalDesignNewMaterialism–ThePromiseofmath.Architectureasprosthetic

Watch:ChrisDowneyonwalkingthroughthecityblind:https://www.youtube.com/watch?v=yiizM232Zak&list=PL228C00CFBDCD7096&index=12&feature=plpp_video Reading:EroPapavassiliou,“Prosthetics&Post-humanBodyFutures”http://www.interactivearchitecture.org/prosthetics-posthuman-body-futures.htmlHistoricalOverview:NeilLeach,“NewMaterialism”inUrbanFlux(2009)https://neilleach.files.wordpress.com/2009/09/new-materialism.pdfExercise:Experiencingtheworlddifferently.

Week12:Sustainability

Wednesday,November22Lab:Doesdigitalworkbetter?Buildings:BMWWelt,CoopHimmelblau,2007HeydarAliyevCenter,BakuAzerbaijanZahaHadid,2013TheBroadMuseum,LosAngeles,DillerScofidio,2015MetropolParasol,J.MayerH.architects,PlazadelaEncarnacion,Seville,Spain,2012AnimateForm,GregLynn,1998(book)H2OExpoPavilion,Netherlands,NOXarchitectsLarsSpuybroek,1997

Thursday,November23:Thanksgiving:Noclass

Week13:Sustainability?

Wednesday,November29Isitsustainable?Buildings:Masdar,UnitedArabEmirates,NormanFosterAssoc,ongoing

Page 8: ARC 5744 Architectural History from 1840 to Present and

FrostScienceMuseum,Miami,GrimshawAssoc,2017HuangbaiyuProjectinChina,Wm.McDonough,2006http://www.pbs.org/frontlineworld/fellows/green_dreams/HighLine,NYC,FieldOperationsJimCorner,2014MenaraMesiniaga,Malasia,KenYeang,1992http://www.solaripedia.com/13/302/3409/menara_mesiniaga_shading_devices.htmlViaVerde,BronxNY,Grimshaw&Datner,2012

Thursday,November30:SustainabilityandLandscapeReading:WatchKenYeangTEDTalkhttps://www.youtube.com/watch?v=3q2QtrtM1tYHistoricalOverview:HarryMallgrave,“SustainabilityandBeyond”inMallgrave,AnIntroductiontoArchitecturalTheory,1968tothePresent.Discussion:Whatissustainabilityanyway?Whatmakesarchitecturesustainable?

Week14:December6&7:StudioReviews:NoclassWeek15:Review

Wednesday,December13:ReviewWeek–NoClassThursday,December14:Exam

Page 9: ARC 5744 Architectural History from 1840 to Present and

Bibliography–ArchitecturalHistory19thcenturytothepresentGeneralBraham,William,andJonathanHale.RethinkingTechnology:AReaderin

ArchitecturalTechnology.London:Routledge,2007.Cohen,Jean-Louis.TheFutureofArchitecturesince1889.NY:PhaidonPress,2012.Curtis,William.ModernArchitecturesince1900.3rded.London:Phaidon,1996.Ferguson,Russell,ed.AttheEndoftheCentury:100YearsofArchitecture.NY:

MuseumofContemporaryArtLosAngelesHenryAbramsPress,1998.Frampton,Kenneth.ModernArchitecture:ACriticalHistory.London:Thames&

Hudson,1985.Ghirardo,Diane.ArchitectureafterModernism.London:Thames&Hudson,1996.Gregory,Rob.KeyContemporaryBuildings:Plans,SectionsandElevations.Key

ArchitectureSeries.NY:WWNorton,2008.Haddad,ElieG.,andDavidRifkind,eds.ACriticalHistoryofContemporary

Architecture.London:Routledge,2014.Ingersoll,Richard,andSpiroKostof.WorldArchitecture:ACross-CulturalHistory.

Oxford:OxfordUniversityPress,2012.Jencks,Charles,andKarlKropf,eds.TheoriesandManifestosofContemporary

Architecture.NY:Wiley,2006.Leach,Neil,ed.RethinkingArchitecture:AReaderinCulturalTheory.London:

Routledge,1997.Leatherbarrow,David.TopographicalStories.Philadelphia:Universityof

PennsylvaniaPress,2004.Mallgrave,HenryFrancis,andChristinaContandriopoulos,eds.Architectural

Theory:VolumeIianAnthologyfrom1871to2005.NY:Wiley-Blackwell,2008.Mallgrave,HenryFrancis,andDavidJ.Goodman.AnIntroductiontoArchitectural

Theory:1968tothePresent.NY:Wiley-Blackwell,2011.Nesbitt,Kate,ed.TheorizingaNewAgendaforArchitecture:AnAnthologyof

ArchitecturalTheory1965-1995.NY:PrincetonArchitecturalPress,1996.Ockman,Joan,ed.ArchitectureCulture1943-1968.NY:ColumbiaUniversity

GraduateSchoolofArchitecturePlanningandPreservationRizzoliPress,1993.Sennott,Stephen,ed.EncyclopediaofTwentiethCenturyArchitecture.London:

Taylor&Francis,2004.Ulrichs,Conrad,ed.ProgramsandManifestoson20th-CenturyArchitecture.

CambridgeMass:MITPress,1964.Weston,Richard.KeyBuildingsofthe20thCentury:Plans,Sections,andElevations.

KeyArchitectureSeries.NY:WWNorton,2010.

Page 10: ARC 5744 Architectural History from 1840 to Present and

Week1:Beaux-ArtsClassicismandColonialismDrexler,Arthur.TheArchitectureoftheEcoleDesBeaux-Arts.MartinSecker&

WarburgLtd,1977.Middleton,Robin.TheBeaux-ArtsandNineteenth-CenturyFrenchArchitecture.MIT

Press,1982.Week2:TurnoftheCenturyMarinetti,FilippoTommaso.TheFuturistCookbook.NY:PenguinModernClassics,

2016.Wagner,Otto,andHenryFrancisMallgrave.ModernArchitecture:AGuidebookfor

HisStudentstoThisFieldofArt.GettyPublications,1988.Week3:ModernismBetweentheWarsGropius,Walter.TheNewArchitectureandtheBauhaus.Cambridge,MA:MITPress,

1965.LeCorbusier.TowardsaNewArchitecture(VersUneArchitecture).NY:Dover,1985

(1929).Mertins,Detlef.Mies.London:Phaidon,2014.Week4:CorporateModernismFrampton,Kenneth,andEricMumford.TheCiamDiscourseonUrbanism1928-1960.

MITPress,2002.Friedman,Alice.WomenandtheMakingoftheModernHouse.NewHaven,CT:Yale

UniversityPress,2007.Hitchcock,HenryRussell,andPhilipJohnson.TheInternationalStyle.NY:Norton

Books,1997.King,Anthony.SpacesofGlobalCulture:Architecture,Urbanism,Identity.London:

Routledge,2004.Sadler,Simon.TheSituationistCity.Cambridge,Mass:MITPress,1999.

Week5:CriticalRegionalismBhatt,R."IndianizingIndianArchitecture."TraditionalDwellingsandSettlements13

(2001).Isozaki,Arata.JapannessinArchitecture.Cambridge,Mass:MITPress,2005.Julien,Francois.InPraiseofBlandness:ProceedingfromChineseThourhtand

Aesthetics.TranslatedbyPaulaVarsano.NY:Zonebooks,2007.Lauber,Wolfgang.TropicalArchitecture.Vienna:PrestelBooks,2005.Lynch,Kevin.TheImageoftheCity.Cambridge,MA:CambridgeTechnologyPress,

1960.Parkash,V.,andP.Scriver.ColonialModernities,BuildingDwellingandArchitecture

inBritishIndiaandCeylon.2007.Week6:PostmodernismFathy,Hassan.ArchitectureforthePoor:AnExperimentinRuralEgyptChicago:

UniversityofChicagoPress,2000.Foster,Hal.TheAnti-AestheticEssaysonPostmodernCulture.NewPress,1983.

Page 11: ARC 5744 Architectural History from 1840 to Present and

Ghirardo,Diane.ArchitectureafterModernism.London:Thames&Hudson,1996.Rossi,Aldo.TheArchitectureoftheCity.TranslatedbyDianeGhirardoandJoan

Ockman.OppositionsBooks.Cambridge,MA:MITPress,1982.Rowe,Colin,andFredKoetter.CollageCity.Cambridge,MA:MITPress,1978.Venturi,Robert.ComplexityandContradictioninArchitecture.MoMA,1960.Venturi,Robert,DeniseScott-Brown,andSteveIzenour.LearningfromLasVegas.

Cambridge,MA:MITPress,1977.Week8:VernacularArchitectureCarter,Thomas,andElizabethCromley,eds.InvitationtoVernacularArchitecture:A

GuidetotheStudyofOrdinaryBuildingsNadLandscapes.Nashville,Tennessee:UniversityofTennessee,2005.

Nardone,J."RoomfulofBlues:JukeJointsandtheCulturalLandscapeoftheMississippiDelta.."PerspectivesinVernacularArchitecture9(2003):166-75.

Upton,Dell,andJohnVlach,eds.CommonPlaces:ReadingsinVernacularArchitecture.Athens,Georgia:UniversityofGeorgiaPress,1986.

Week9:DeconstructionKoolhaas,Rem.DeliriousNewYork.NY:Monacelli,1997.Moneo,JoséRafael.TheoreticalAnxietyandDesignStrategiesintheWorkofEight

ContemporaryArchitects.2004.Papadakis,Andreas.Deconstruction.NY:Rizzoli,1989.Sadler,Simon.Archigram:ArchitecturewithoutArchitecture.Cambridge,MA:MIT

Press,2005.Tschumi,Bernard.ArchitectureandDisjunction.CambridgeMass:MITPress,1996.Week10:StarchitectsHadid,Zaha.PlanetaryArchitecture.London:AAPublications,1983.Herzog,Jacques,andPierredeMeuron.NaturalHistory.Berlin:LarsMüller,1983.OMA.Smlxl.NY:Monacelli,1997.Tschumi,Bernard.EventCities.Cambridge,MA:MITPress,1998.Week11:TheDigitalCurveballAllen,Stan."FromObjecttoField."ArchitecturalDesign67,no.5-6(1997):24-32.Carpo,Mario.TheDigitalTurninArchitecture.AdReader.NY:Wiley,2014.Foster,Hal.ProstheticGods.Cambridge,Mass:MITPress,2004.Lynn,Greg.AnimateForm.1999.Mace,Ronald.AccessibleEnvironments:TowardUniversalDesign.Week12:SustainabilityBeatley,Timothy.GreenUrbanism:LearningfromEuropeanCitiesNY:IslandPress,

2000.Brown,G.Z..Sun,WindandLight:ArchitecturalDesignStrategies.NY:Wiley,2000.McDonough,William.CradletoCradle:RemakingtheWayWeMakeThings.NY:

NorthPointPress,2002.Mostafavi,Mohsen,ed.EcologicalUrbanism.Frankfort:LarsMüllerPublishers,2010.

Page 12: ARC 5744 Architectural History from 1840 to Present and

Tanzer,Kim,andRafaelLongoria.TheGreenBraid:TowardsanArchitectureofEcology,Economy,andEquity.London:Routledge,2007.

Yeang,Kenneth.TheGreenSkyscraper.NY:Prestel,1999.Week13:SocialJusticeAravena,Alejandro.Elemental:IncrementalHousingandParticipatoryDesign

Manual.2013.Cesal,EricJ.DownDetourRoad:AnArchitectinSearchofPractice.Cambridge,MA:

MITPress,2010.Dean,AndreaOppenheimer.RuralStudio:SamuelMockbeeandanArchitectureof

Decency.PrincetonArchitecturalPress,2002.Gang,Jeanne."ThreePointsfortheResidentialHigh-Rise:DesigningforSocial

Connectivity."InCouncilonTallBuildingsandUrbanHabitat.NewYork,2015.Soja,EdwardW.SeekingSpatialJustice.St.Paul:UniversityofMinnesotaPress,

2010.Stohr,Kate,andSinclairStohr.DesignLikeYouGiveaDamn:BuildingChangefrom

theGroundUpNY:HarryAbrams,2012