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Andrew Rindfleisch
Dixit Dominus
for unaccompanied mixed chorus SATB
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Dixit Dominus (1987) for unaccompanied mixed chorus Duration: 9 minutes
Andrew Rindfleisch Manzo Music Dixit Dominus Domino Meo: The Lord said unto my Lord: Sede a dextris meis, Sit thou at my right hand Donec ponam inimicos tuos, until I make thine enemies thy footstool. scabellum pedum tuorum. The Lord shall send the rod of thy strength Virgam virtutis tuae out of Zion: rule thou in the midst of thine enemies emittet Dominus ex Sion: dominare in medio inimicorum tuorum. Tecum principium in die virtutis tuae Thy people shall be willing in spendoriubus sanctorum, in the day of thy power, ex utero ante luciferum in the beauties of holiness genui te. from the womb of the morning, Juravit Dominus, et non poenitebit eum. thou hast the dew of thy youth Tu es sacerdos in aeternum The Lord has sworn, and will not repent. secundum ordinem Melchisedech. Thou art a priest forever
after the order of Melchizedek. Dominus a dextris tuis, The Lord at thy right hand shall strike confregit in die irae suae reges. through kings in the day of his wrath. Judicabit in nationibus, implebit ruinas, He shall judge among the heathen, conquassabit capita in terra multorum. He shall fill the places with dead bodies, De torrente in via bibet He shall wound the heads over many countries, propterea exaltabit caput. He shall drink of the brook in the way, Therefore he shall lift up the head. Gloria Patri et Filio Glory be to the Father and to the Son et Spiritui Sancto. and to the Holy Ghost. Sicut erat in principio et nunc et semper, As it was in the beginning, is now et in secula saeculorum. Amen. and forever shall be, world without end. Amen.
Biblical, Psalm 109 (110)
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© Copyright 1987 by Andrew Rindfleisch
5
nus, Di xit Do mi nus Do mi no,
8nus, Di xit, Di xit Do mi nus Do mi no
Di
drammatico
xit, Di xit Do mi nus, Do mi nus Do mi
5
Di
drammatico
xit, Di xit Do mi nus Do mi
only)rehearsal(for
Keyboard
Bass
Di
drammatico
xit, Di xit Do mi nus, Di xit Do mi
Tenor
8Di
drammatico
xit, Di xit Do mi
Alto
Soprano
= ca. 104–108
Dixit DominusAndrew Rindfleisch
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12
a dex tris me is Do nec po nam in i mi cus tu os
8a dex tris me is Do nec po nam in i mi cus tu os
dex tris me is, dex tris me is Do nec po nam in i mi cos tu os
12
dex tris me is, dex tris me is Do nec po nam in i mi cos tu os
8
Do mi no me o, Do mi no me o se
flowing, legato
de, se de
8me o, me o, me o se
flowing, legato
de, se de
no me o, me o, me o se
flowing, legato
de, se de a
2
8
no me o, me o, me
poco rit.
o
= 72
se
flowing, legato
de, se de a
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22
cresc.
Vir
very rhythmic, articulated
gam, Vir gam, Vir gam, Vir
cresc.
gam, Vir gam vir tu tis
8Vir
very rhythmic, articulated
gam, Vir gam, Vir gam, Vir
cresc.
gam, Vir gam, Vir gam vir tu tis
Vir gam, Vir
cresc.
gam, Vir gam tu ae
22
Vir gam, Vir
cresc.
gam, Vir gam tu ae
17
sca be llum pe dum, pe dum tu or um
8sca be llum, sca be llum, sca be llum tu or um
sca be llum, sca be llum, sca be llum tu or um
3
17
sca be llum pe dum, pe dum tu or
rit.
um
= ca. 104–108
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3
3
3
30
Si on, ex Si on Do mi na re, Do
3
mi na re,
8Do
3mi nus ex Si on, Si on Do mi na re, Do
3mi na
Si on, ex Si on Do mi na re, Do
30
Si on, ex Si on Do mi na re, Do
3
3
26
cresc.
Do mi
cresc.
nus, Do3
mi nus, Do mi nus
8Do mi nus, Do
cresc.
mi nus Si on, Do3mi nus,
e mi ttet Do mi nus, Do
cresc.
mi nus Si on,
4
26
e mi ttet Do mi nus, Do
cresc.
mi nus Si on,
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3
3
37
cor um tu or um, in3
i mi cor um tu or um, tu or um, tu or um, tu or um
8cor um tu or um, in
3i mi cor um tu or um, tu or um, tu or um, tu or um
i mi cor um tu or um,
37
i
(rit.)
mi cor
( = ca. 92)
um tu or um, tu
( = ca. 64)
or um
molto
3
3
3
3
3
3
3
3
3
3
3
34
3
3
Do mi na re in me3
di o in3
i mi cor3
um tu or3
um, in me3
di o in i mi
8
re,3
Do mi na re in me3
di o in3
i mi cor3
um tu or3
um, in me3
di o in i mi
mi na re in me di o in i mi cor um, in me
3
di o in
5
34
mi na re in me di o in i mi cor um, in me3
rit.
di o in
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48
tu ae, tu ae in splen dor i bus sanc
8vir tu tis tu ae in splen dor i bus sanc
vir tu tis tu ae in splen dor i bus sanc
48
vir tu tis tu ae in splen dor i bus sanc
43
prin
calmo
ci pi um in di e,
8Te
calmo
cum prin ci pi um, prin ci pi um in di e
Te
calmo
cum prin ci pi um, prin ci pi um in di e
6
43 = ca. 68–72 calmo
Te cum prin ci
rit.
pi um in
( = ca. 68–72)
a tempo
di e
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60
an
o
te
lu ci
lu
fer
ci
um.
fer um
8o lu ci fer um
an te lu ci fer um.
60
an te lu ci fer um
rit.
53
tor um u
u
ter
ter o
8tor um u ter
tor um u ter o
7
53
tor
rit.
um, sanc tor um ex
molto
u
= ca. 80
ter o
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73
u i te
8u i te
u i te
continue without breath
Ju ra vit Do mi nus
73
u i te
continue without breath
Ju
= ca. 64
ra vit Do mi
rit.
nus
66
gen u i, gen u i, gen
8gen u i, gen u i, gen
gen u i te gen
8
66
gen
a tempo ( = ca. 80)
u i te gen
rit.
(rit.)
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81
in ae ter nam se cun dum or di nem Mel chi se dech
articulatedvery rhythmic,
Do
cresc.
8in ae ter nam se cun dum or di nem Mel chi se dech Do
cresc.articulatedvery rhythmic,
um
81
um
rit. = ca. 120
78
chant-like
Tu es sa cer dos
8
chant-like
Tu es sa cer dos
et non poen ni te bit e
9
78a tempo ( = ca. 64)
et non poen ni te bit e
Più poco = ca. 72–76 (libero)
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90
di e i rae su ae di e i rae su ae re ges, re ges
8di e i rae su ae di e i rae su ae re ges, re ges
drammatico
Ju di ca bit,
di e i rae, di e i rae re ges, re ges
90
di e i rae, di e i rae re ges, re ges
= ca. 132
86
cresc. cresc.
mi nus a dex tris tu
cresc.
is con fre git in
8mi nus a dex tris tu is, tu
cresc.
is con fre git in
very rhythmic, articulated
Do
cresc.
mi nus a dex tris tu
cresc.
is con fre git in
10
86
Do
cresc.very rhythmic, articulated
mi nus a dex tris tu
cresc.
is con fre git
(cresc.)
(cresc.)
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98
na ti on i bus, in na ti on i bus, na ti on i bus im ple bit,
8na ti on i bus, in na ti on i bus, na ti on i bus im ple bit,
Ju
drammatico
di ca bit in na ti on i bus im ple bit,
98
Ju
drammatico
di ca bit in na ti on i bus im ple bit,
94
Ju
drammatico
di ca bit, Ju di ca bit, Ju di ca bit, Ju di ca bit in
8Ju di ca bit, Ju di ca bit, Ju di ca bit, Ju di ca bit in
11
94
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106
3
3
ru i nas, ru i nas, im ple
8ru i nas, im ple
ru
3
i nas, im ple bit ru i nas, im ple bit ru i nas, im ple bit ru i nas,
106
ru
3
i nas, im ple bit ru i nas, im ple bit ru i nas, im ple bit ru i nas,
102
3
3
3
3
im ple bit ru i nas, im ple bit ru i nas, im ple bit ru i nas, ru i nas,
8im ple bit ru i nus, im ple bit ru i nas, ru i nas, ru i nas, ru i nas,
im ple bit ru i nas, im ple bit ru i nas, ru i nas, ru
3
i nas, ru
3
i nas,
12
102
im ple bit ru i nas, im ple bit ru i nas, ru i nas, ru
3
i nas, ru
3
i nas,
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114
im ple bit ru
cresc.
i nas,
8im ple bit ru
cresc.
i nas,
im ple bit ru i nas, im ple bit ru i nas, im ple bit ru i nas, ru
cresc.
i nas, ru i nas,
114
im ple bit ru i nas, im ple bit ru i nas, im ple bit ru i nas, ru
cresc.
i nas, ru i nas,
110
3
3
3
3
3
3
3
3
3
3
bit, ru i nas, ru i nas, ru i nas, ru i nas,
8bit, ru i nas, ru i nas,
im ple bit ru
3
i nas, ru
3
i nas, ru
3
i nas, ru
3
i nas, ru
3
i nas, im ple bit ru i nas,
13
110
im ple bit ru
3
i nas, ru
3
i nas, ru
3
i nas, ru
3
i nas, ru
3
i nas, im ple bit ru i nas,
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122
con
qua
in
sa in
ter
ter
ra
ra
8qua sa bit ca pi ta in ter ra
ca pi ta in ter ra De
122 = ca. 112–116
ca pi
rit.
ta
molto
in ter ra
3 3
3 3
118
(cresc.)
3 3 3 3
ru
(cresc.)
i nas, ru
marcato
i nas,3
ru i
3
nas, ru
3
i
3
nas
8ru
(cresc.)
i nas, ru
marcato
i nas,3
ru i
3
nas, ru
3
i
3
nas
ru
(cresc.)
i nas, ru i nas,
marcato
ru i nas, ru
3
i
3
nas,
3
ru i
3
nas
14
118
ru
(cresc.)
i nas, ru i nas,
marcato
ru i nas, ru
3
i
3
nas,
3
ru i
rit.3
nas
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133
(m) Glo
8(m) Glo
prop te rae ex al ta bit ca put
133
(m)
a tempo ( = ca. 76–80) rit. = ca. 80–84
128
mul tor um
8mul tor um
tor
chant-like
ren te in vi a bi bet
15
128
mul
= ca. 60–64
tor um
= ca. 76–80 (libero) rit.
Alto solo
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143
cresc.
li o, et
cresc.
fi li o et Sanc to, Sanc to,
8tri Glo ri a,
cresc.
Spi ri tu i Sanc to,
tri Glo ri a,
cresc.
fi li o Sanc to, et
143
tri Glo ri a,
cresc.
et fi li o et
137
cresc.
ri a Pa tri et fi
cresc.
8ri a Pa tri Pa
cresc.Glo ri a Pa
cresc.
16
137
Glo ri a Pa
cresc.
tutti
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155Si
very rhythmic, articulated
cut e rat in prin ci pi o et nunc, nunc et sem per et in sae cu la sae cu lor um,
8Si
very rhythmic, articulated
cut e rat in prin ci pi o et nunc, nunc et sem per et in sae cu la sae cu lor um,
Si cut e rat in prin ci pi o,
155
Si cut, in sae cu la
149
cresc.
Spi
cresc.
ri tu i Sanc to, Sanc to
8Spi
cresc.
ri tu i Sanc to, Sanc to
Spi
cresc.
ri tu i Sanc to, Sanc to
149
Spi
cresc.
ri tu i Sanc to, Sanc
rit.
to
= ca. 104–108
17
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162
sae cu lor um, sae cu lor um
8Si cut e rat in prin ci pi o et nunc et sem per et in sae cu la sae cu lor um
Si cut e rat in prin ci pi o et nunc et sem per et in sae cu la sae cu lor um
162
Si
a tempo ( = ca. 104–108)
cut e rat in prin ci pi o et nunc et sem per et in sae cu la sae
rit.
cu lor um
158
Si cut e rat in prin ci pi o et nunc, et in sae cu la sae cu lor um, et in sae cu la,
8Si cut e rat in prin ci pi o et nunc, et in sae cu la sae cu lor um, et in sae cu la,
sae cu lor um, in prin ci pi o, sae cu lor um
18
158
sae cu lor um, in prin ci pi o,
rit.
sae cu lor um
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174
A men, A men, A men,
8A men, A men, A men, A men, A men, A men,
A men, A men, A men, A men, A men, A men, A men, A men, A men, A men, A
174
A men, A men, A men, A men, A men, A men, A men, A men, A men, A men, A
166
A men, A men, A men, A men, A men,
8A men, A men, A men, A men, A men, A men, A men, A men,
A men, A men, A men, A men,
19
166
A
a tempo ( = ca. 104–108)
men, A men, A men, A men, A men,
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187
cresc.
men, A men, A
cresc.
men, A men, A men
8men, A men, A
cresc.
men, A men, A men
A men, A
cresc.
men, A men, A men
187
A men,
rit.
A
cresc.
men, A
molto
men, A
Slowly
men
181
A men, A men, A men, A
8A men, A men, A men, A men, A men, A
men, A men, A men, A men, A men, A men, A men,
20
181
men, A men, A men, A men, A men, A
rit.
men, A
= ca. 92–96
men,
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Program Note Dixit Dominus (1987) was composed in my final year of undergraduate studies at the University of Wisconsin at Madison, and despite the early date of composition, was not first performed until the summer of 2004, some seventeen years later. The work is a large-scale setting of the dramatic biblical Psalm 109. The work’s size, length, and taxing vocal difficulty have made it a prohibitive vehicle for performance by many amateur choirs. No doubt, the prototype for the sound I imagined for this piece was the 65-voice Concert Choir at the University of Wisconsin (in which I was a singer at the time of the work’s composition), conducted by the remarkable Robert Fountain. Dixit Dominus was premiered by the Isthmus Vocal Ensemble, conducted by Robert Fountain’s longtime associate and colleague Scott MacPherson.
(A. Rindfleisch)
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www.manzomusic.com
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