7
18 are dearly reminiscerrt of the "curt ain" (i. e., the pr eparation] for the coda in the Romance of th e Kleil1e Nticntmusik, K. sz~ (mm. 66-67) from the year 1787. In the adag.io variation the Fermata in the ela- rinet (m. 21), a ccording to (,he practirc of th.e time, rnu st be embeliished , a sugg est- "el rendering '¡'s provided in a footnote. Editorial additions have been kept to a minimum. They are rndacated as follows: Music notation by smallcr print : letters of lhe alphabet (especiaIly dynamics and agogie signs) by italies; accidentals by brackets; (vertical) strokes and dots by smaller print; slurs and ti es by broken lines. Cautionary ac:oidentals were ehminal:ed wherever they did not seern to be espe- ci ally justified by bhe concext. lt is especially to be noted that th e srac- cato strokes printedin !arge type, which reproduce the notation of the source, must not be allo wed to result in a crude ren- dition in modern practice. Moz art emplcys the stroke her e, on the contrarv, in the slow movement, m. 22 (72) in' the Iirs t violin also as a n cxp1icit ,sign of cmphasis. The notaban of the gr ace notes in the sources (!', ~) has been ,'endered as the now usual (.';:" .,,~j. Slurs to :hc preceding or following gr ace note (i. e., \1 orschliige and Nacnschláge) have beeu adried wher- ever they werc rn is s.ng. Trerr.olo indica- tions (!.::. etc.), whic:1 ocC1..11' rn ainly in the two violín parts in the '510v\I m o vem errt , nave heen tacitly wnitten 0:Jt. (Source A and 5, Violin I, mrn 51-52, 55, 60-62; Source 8, Violin n. mm. 2, 5, 14; 41, ÓO, 64.) Dotted patterns that ran over the barlirie were rranscr ib ed in accordancc with modern us ag e (e. g. Mo vern ent 1, Vioiin II, m. 184/185). For acces s to the source s and for other kind support the undersigned wishes to expr ess his s incer est gratitud e here to Anthonv van Hoboken, Asco na/Switzer- land ó-. Wilhelm Virr.elsel. Dsuts che Staa sbibliothe k. Ber lin, and :\1i5"5 :vIcrta Wal e;', Bas ei/Switzer land. Qu int e tt in A flir Kl ar-in ettc, zwe¡ Violinen, Vtol a und Violonccllo KV 58\ Vclí ende t Wi.:n. 29 ScptcmhH 1789 C;~';,~;;iO ,~=~2.~~-L;;:~- --= --- "'O¡;"OJ\IF~~~~;;~~ ,,,,,",,,( if':' ,. ,SfB ' ~ ''-- u, ._--.- . ~", ~ ! v =rr~=1ª--;¡¡-=r= F r=nT . WIE2 ,; ~"':¡-T+ ;~:c¡a .¡;~ ~ ~ vcot an cett o 1_ zc ' ~ ,/ t~__ ~' _._~ _, __'~ .....,....=_--== "=#- ~r =c::: Er nst Fr it z Schm id ttranctat ed by Tr aut e Iv!. ¡V!Ci"shcrll) ,-- ,,~~J = " ~ , ii1Y~ ~ .~--:::::::::t:;c .. EE: 9 :r-YEt~ u i I ? -- ===:J ,;¡)', ;~.~ --- ~ ~:-I- ~~?=r,,--= " ...-.!.Z: P rs ,. 15 ¿~~..'. ( .,-. ~. *_11 •.•. ---IfI.~~ .-----;;--;, -----=-- W====~~::;;=S=! t.. --..; .... ". 1 I ¡ I .tI ~':"~ 1 = .b _.- -t::Y /-----;:-:r:. !~~"..~ I ~ v " ~~ ~ f ...___..• IV 'O" I sfiJ- ~!ii o .-l--+ :¡: + _.-'" . ~:::i= i fe/' sfp" r - (f) !<:'leoLy ll.lrcIHcllcl-Vclla¡:. }\.:lH.:\

Analisis 5ª_4

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analisis musical 5º de grado medio

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18 are dearly reminiscerrt of the "curt ain"(i. e., the pr eparation] for the coda in theRomance of th e Kleil1e Nticntmusik, K. sz~(mm. 66-67) from the year 1787. In theadag.io variation the Fermata in the el a-rinet (m. 21), according to (,he practirc ofth.e time, rnu st be embeliished , a sugg est-"el rendering '¡'sprovided in a footnote.Editorial additions have been kept to aminimum. They are rndacated as follows:Music notation by smallcr print : letters oflhe alphabet (especiaIly dynamics andagogie signs) by italies; accidentals bybrackets; (vertical) strokes and dots bysmaller print; slurs and ti es by brokenlines.Cautionary ac:oidentals were ehminal:edwherever they did not seern to be espe-ci ally justified by bhe concext.lt is especially to be noted that th e srac-cato strokes printedin !arge type, whichreproduce the notation of the source, mustnot be allo wed to result in a crude ren-dition in modern practice. Moz art emplcysthe stroke her e, on the contrarv, in theslow movement, m. 22 (72) in' the Iirs t

violin also as a n cxp1icit ,sign of cmphasis.The notaban of the gr ace notes in thesources (!', ~) has be en ,'endered as thenow usual (.';:" .,,~j.Slurs to :hc precedingor following gr ace note (i. e., \1 orschliigeand Nacnschláge) h a ve b eeu adried wher-ever they werc rn is s.ng. Trerr.olo indica-tions (!.::. etc.), whic:1 ocC1..11' rn ainly in thetwo violín parts in the '510v\I m ovem errt ,

nave heen tacitly wnitten 0:Jt. (Source Aand 5, Violin I, mrn 51-52, 55, 60-62;Source 8, Violin n. mm. 2, 5, 14; 41, ÓO,64.) Dotted patterns that ran over thebarlirie were rranscr ib ed in accordanccwith modern us ag e (e. g. Mo vern ent 1,Vioiin II, m. 184/185).For acces s to the source s and for otherkind support the undersigned wishes toexpr ess his s incer est gratitud e here toAnthonv van Hoboken, Asco na/Switzer-land ó-. Wilhelm Virr.elsel. Dsuts cheStaa sbibliothe k. Ber lin, and :\1i5"5 :vIcrtaWal e;', Bas ei/Switzer land.

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