8 h[dh[ j[h J^[ Cki Y WdiÊ 9^e Y[ - Bärenreiter · Schubert: Fantasies for Piano ... Bach: Organ Works, Volume 4. ... Variations and Fugue on a Theme by Handel op. 24 BÄRENREITER

1 New Publications 1/2014 · The Programme

New Issue Title

New Publications 1/2014 · The Programme 2

New Issue Title

Strings

ŠevČik: School of Violin Technique op. 1

Volume 1: BA 9552 / Volume 2: BA 9553 ................ 20

Bodunov: Advanced Violin Duos. BA 10903 ................. 21

Dvořák: Romantic Pieces for Violin and Piano

op. 75. BA 9576 ...............................................................22

Bach: Concerto in A minor for Violoncello, Strings

and Basso continuo after BWV 593.

BA 5136-90 .......................................................................23

Dvořák: String Quintet in G major op. 77

BA 9577, TP 577 .............................................................. 24

Contemporary Music .........................................25

Solo Voice

Schubert: Lieder for Voice and Piano

Volume 7: BA 9107 / BA 9127 / BA 9147 .................. 26

Mozart: Concert Arias for Tenor. BA 9184 .....................27

Mozart: Concert Arias for Bass. BA 9185 .......................27

Woodwind

Mussorgsky: Night on Bald Mountain

for Woodwind Quintet. BA 8608 ............................ 28

Ostermeier, Voit: Klezmer for Clarinet and Piano

BA 10616 .......................................................................... 29

Orchestra

Smetana: Vltava. BA 9558 ................................................... 30

Debussy: La Mer. BA 7880 ................................................. 31

Bach: Concertos for Harpsichord BWV 1052-1058

BA 5224–5230 .................................................................32

Haydn: Symphony in B major Hob. I: 46

BA 10974 ........................................................................... 33

Complete Editions ................................................ 34

Bärenreiter Notes .................................................. 35

Your Contacts ............................................................ 36

Choir

Verdi: Messa da Requiem

BA 7590 .............................................................................. 3

Mozart: Missa in C major Sparrow Mass K. 220

(196b). Arranged for female choir SMAA

BA 5693 ...............................................................................4

Martin: Mass for Double Choir a cappella

BA 7594 ............................................................................... 5

Piano

Beethoven: Concerto No. 3 in C minor for Pianoforte

and Orchestra op. 37. BA 9023-90 ............................ 6

Brahms: Variations and Fugue on a Theme

by Handel op. 24. BA 9607 ........................................... 7

Bach: Goldberg Variations BWV 988. Fourth Part

of the Clavier Übung. BA 10848 ..................................8

Schulhoff: Jazz Pieces for Piano

BA 9559 .............................................................................. 9

Schubert: Fantasies for Piano

BA 10862...........................................................................10

Schubert: Fantasy in C major for Piano op. 15 –

D 760 Wanderer Fantasy. BA 10870 .......................... 11

Smetana: Vltava for piano duet. BA 9549 .................... 12

Satie: 3 Morceaux en forme de Poire for Piano Duet

BA 10809 ...........................................................................13

FacsimilesMozart: Piano Concerto in C minor K. 491 ISBN 978-3-7618-1927-2 ........................................... 14–15Bach: St. Matthew Passion BWV 244 ISBN 978-3-7618-2294-4 ............................................... 16Mozart: Eine kleine Nachtmusik K. 525 ISBN 978-3-7618-2282-1 ................................................. 16

Organ

Enjoy the Organ 2. BA 11208 .............................................. 17

Bunk: Complete Organ Works VI. BA 9286 ................... 18

Bach: Organ Works, Volume 4. BA 5264 ........................ 19

Contents


New Issue Title

Giuseppe Verdi:Messa da Requiem

BÄRENREITER URTEXT

Edited by Marco Uvietta

Piano reduction by Andrea Campora

Score BA 7590 · approx. € 85.00

Vocal score (Lat)

BA 7590-90 · approx. € 14.95

Wind set

BA 7590-65 · approx. € 94.00

Violin I BA 7590-74 · approx. € 7.95

Violin II BA 7590-75 · approx. € 7.95

Viola BA 7590-79 · approx. € 7.95

Violoncello BA 7590-82 · approx. € 7.95

Double bass BA 7590-85 · approx. € 7.95

To appear in June 2014

In this new scholarly-critical edition of the Messa da Requiem, the

editor, on the basis of all available sources, succeeds in presenting

practical suggestions to solve musical problems and those concerning

the interpretation of this famous work. A hitherto unexamined

handwritten reduction for voice and piano casts a new light on the

evaluation of several known sources and leads to new philological

and editorial decisions.

This edition presents a detailed Critical Commentary as well as a

preface on the genesis and history of the work. In addition the

preface includes a short section on the most important editions

published in the 19th century and compares them with regard to

problematic passages in the work and the suggestions they made

to solve musical problems.

• Verdi’s monumental work in a Bärenreiter Urtext edition

• Trilingual preface (Ital/Eng/Ger)

• Detailed Critical Commentary (Eng)

• Idiomatic well-presented piano reduction

Famous work in a new light

9 790006 541584

ISMN 979-0-006-54158-4

BA 7590 BA 7590-90

9 790006 541591

ISMN 979-0-006-54159-1

New Issue Title

Choir


New Issue Title

Choir

Wolfgang Amadeus Mozart:

Missa in C major Sparrow Mass,

K. 220 (196b)

Arranged for female choir (SMAA)

by Heribert Breuer

Bärenreiter Female Choir series

Full score BA 5693 · approx. € 17.95

Vocal score (Lat)

BA 5693-90 · approx. € 9.95

Wind set

BA 5693-65 · approx. € 7.95

The vocal score is compatible with the

performance material of the

original work, BA 5343.

To appear in May 2014

Mozart’s Missa in C major (K. 220), nicknamed the Sparrow Mass

for its frequently recurring characteristic motifs in the violins, has

retained a firm place in the choral repertoire to the present day. Now

it has been arranged for female choir and is appearing as part of the

recently started Bärenreiter Female Choir series. Heribert Breuer has

judiciously transferred the tenor and bass solos to the high voices and

incorporated the original soprano and alto parts largely unchanged

into the solo and chorus parts. He has thereby retained the work’s

original substance while giving it a wholly new and delightful sound.

Heribert Breuer was professor of choral conducting and music theory

at Berlin University of the Arts until 2010. He is the founder and

director of the Berlin Bach Akademie and has made a name for

himself with his many arrangements of works from Bach to Schubert.

• Arrangement for female choir (SMAA) based on the Urtext

of the New Mozart Edition

• Idiomatic piano reduction

Works by Mozart already published in the

Bärenreiter Female Choir series:

Missa brevis in D K. 194

Vocal score (Lat) BA 5690-90 · € 8.75

Missa in C maj Coronation Mass K. 317

Vocal score (Lat) BA 5691-90 · € 8.95

Score BA 5691 · € 30.95

“… perfectly crafted and well thought-out arrangements with easily

manageable vocal ranges” (Musik und Kirche)

Bärenreiter Female Choir: Mozart’s Sparrow Mass

BA 5693BA 5693-909 790006 523399

ISMN 979-0-006-52339-9

9 790006 523382

ISMN 979-0-006-52338-2

New Issue Title


New Issue Title

Choir

Frank Martin:Mass for Double Choir a cappella

BÄRENREITER URTEXT

Edited by Antje Wissemann

Performing score (Lat)

BA 7594 · approx. € 11.50

(replaces BA 5419)

To appear in March 2014

Frank Martin's style of composition is characterized by elements

of French Impressionism, modern tonality and expressive musical

language. His double choir a cappella mass was composed between

1922 and 1926 but it was not performed until 1963 in Hamburg. It has

been a great favourite with capable choirs since its first publication

by Bärenreiter in 1972 (BA 5419). It can be performed equally well in

the concert hall and the church.

This first ever Urtext edition is based on the autograph score as well

as on previously disregarded preliminary studies. The preface and

Critical Commentary provide an insight into the genesis and history

of the work. The larger format ensures a clearly improved readability.

• First Urtext edition of Frank Martin’s masterwork

• Newly engraved in a larger format (23 x 30 cm)

• Preface (Ger/Eng) and Critical Commentary (Eng)

First Urtext edition of Martin’s a cappella mass

9 790006 543052

ISMN 979-0-006-54305-2

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BA 7594

pour double Chœur a cappella (1922 1926)

Messe

Frank Martin

© 2014 by Bärenreiter-Verlag, Kassel

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New Issue Title

Piano

BA 9023-90 BA 9023

Ludwig van Beethoven:Concerto No. 3 in C minor

for Pianoforte and Orchestra, op. 37

BÄRENREITER URTEXT

Edited by Jonathan Del Mar


Critical Commentary (in preparation)

BA 9023-40 · approx. € 44.95



Viola BA 9023-79 · approx. € 4.50

Violoncello / Double Bass

BA 9023-82 · approx. € 4.50

Wind set

BA 9023-65 · approx. € 49.95

Piano reduction

BA 9023-90 · approx. € 21.95


Beethoven’s Piano Concerto No. 3 is the only concerto where no

authentic manuscript exists for the solo part. The autograph of the

score is available whereby the articulation, dynamics and pedal

markings are for the most part absent. However, Beethoven oversaw

the first printed edition of the solo part (1804) with great diligence.

Plate corrections bear witness to the care with which Beethoven

placed slurs and pedal markings in order to be consistent and

unambiguous.

By means of a thorough examination of the sources this new

Urtext edition presents many corrections in terms of articulation,

dynamics and notes. In particular, the orchestral parts have been

corrected for the first time since Beethoven’s lifetime.

• Urtext edition reflecting the latest musicological research

• With many corrections in the solo part and orchestral parts

• Piano reduction with a separate solo piano part

• A must for pianists, orchestras and Beethoven scholars

Now extensively corrected

9 790006 522996

ISMN 979-0-006-52299-6

9 790006 523016

ISMN 979-0-006-52301-6

New Issue Title


New Issue Title

Piano

Johannes Brahms:Variations and Fugue on a Theme by Handel op. 24

BÄRENREITER URTEXT

Edited by Christian Köhn

with fi ngering and suggestions

on performance practice

BA 9607 · approx. € 11.50


Urtext edition of Brahms’ Handel Variations

Christian Köhn is a pianist with a deep understanding of Brahms’

piano music. Now he has edited a new Urtext edition of Brahms’

variations (1861) on an eight-bar theme from Handel’s Keyboard Suite

No. 1 (Suite de pièces de Clavecin, Vol. 2). Köhn has drawn on every

available source and incorporated the most recent musicological

discoveries. With his fingering, a well-presented layout and

optimum page turns, the volume meets all the demands of a

practical performing edition. A detailed foreword illuminates the

work’s genesis and sources while presenting valuable information

on contemporary performance practice. This scholarly-critical

edition of the Handel Variations adds a central work to Bärenreiter’s

comprehensive series of Brahms’ piano music in Urtext editions.

• Urtext edition based on all known sources and the latest

musicological findings

• With optimum page turns

• Informative foreword (Ger/Eng) and Critical Commentary (Eng)

• Includes fingering and suggestions on performance practice

(Ger/Eng)

9 790006 530618

ISMN 979-0-006-53061-8


New Issue Title

Piano

A challenging work

Johann Sebastian Bach:Goldberg Variations

Fourth Partof the Clavier Übung

BWV 988

BÄRENREITER URTEXT

Edited by Christoph Wolff

with fi ngering by Ragna Schirmer

BA 10848 · approx. € 10.95

To appear in April 2014

Bach’s Goldberg Variations have remained a challenge for every

harpsichord player and pianist to the present day. One special

problem with performances on a modern piano is that Bach wrote

this work for a two-manual harpsichord. Ragna Schirmer’s fingering

offers the most convenient solutions for the many crossings of the

hands necessary on the piano. She also took the engraving of the

original print of 1741 as an important guide for dividing the parts

between the hands.

• Scholarly-critical Urtext performing edition based on the

New Bach Edition

• With fingering for performance on modern pianos as well as

a commentary regarding the fingering

• Division of parts between the hands based on Bach’s original print

Ragna Schirmer has already provided fingering for the Bärenreiter

edition of Bach’s Six Partitas: First Part of the Clavier Übung (BA 5247).

9 790006 543175

ISMN 979-0-006-54317-5

Also available:

Goldberg Variations BWV 988

Fourth Part of the Clavier Übung

Edition without fi ngering

BA 5162 · € 10.95

New Issue Title


New Issue Title

Piano

Erwin Schulhoff:Jazz Pieces for Piano

BÄRENREITER URTEXT

Edited by Michael Kube

BA 9559 · approx. € 42.95

To appear in May 2014Erwin Schulhoff was a German-speaking composer who was born in

Prague in 1894 and died in the Nazi concentration camp in Wülzburg

(Bavaria) in 1942. In the 1920s he returned to his native Prague to

teach at the local conservatory. His compositions, with their blend of

traditional genres, jazz syncopations, dance rhythms and moderately

expanded tonality, were fully attuned to the tenor of the times.

This edition contains five of Schulhoff ’s piano cycles with a total

of thirty-five jazz-inflected pieces ranging from the relatively easy

Esquisses de jazz (1927) to the fairly demanding Cinq Études de jazz

(1926). This is the first Urtext edition of this music and draws on the

original prints comparing them with the surviving handwritten

sources. Errors have been corrected and distinctive traits of

Schulhoff ’s notation retained.

• First Urtext edition of these jazz-inspired pieces for piano

• Foreword (Ger/Cz/Eng) and Critical Commentary (Eng)

First Urtext edition

9 790260 105881

ISMN 979-0-2601-0588-1

Contents

Partita (1922)

Cinq Études de jazz op. 58 (1926)

Esquisses de jazz: Six easy pieces

op. 64 (1927)

Hot Music: Ten syncopated etudes

op. 67 (1928)

Suite dansante en jazz op. 74 (1931)


New Issue Title

Schubert’s great fantasies newly engraved

Early evidence of Schubert’s interest in music of the past can be

found in his Fantasy in C minor of 1811 (D 2 E), with its echoes of

Mozart’s fantasy in the same key. A recurring motivic snippet in

the virtuosic Graz Fantasy in C major (D 605 A), probably composed

between 1818 and 1821, already foreshadows the monumental

Wanderer Fantasy of 1822 (op. 15, D 760).

Printed with spacious new engraving, BA 10862 unites Schubert’s

great fantasies for solo piano in a single volume and presents the

early work Fantasy in C minor for the first time in a scholarly-critical

Urtext edition. It offers advanced pupils, students and professional

pianists a richly varied, musically and technically thrilling addition

to their repertoire. The edition features notes on performance

practice, an informative preface, practical page turns and an elegant

engraving.

Contents

Fantasy in C minor D 2 E

Fantasy in C major D 605 A Graz Fantasy

Fantasy in C major, op. 15 – D 760 Wanderer Fantasy

Franz Schubert:Fantasies

BÄRENREITER URTEXT

Edited by Walther Dürr and

David Goldberger

With performance suggestions

by Mario Aschauer

BA 10862 · approx. € 17.95


This new edition replaces the existing

editions BA 5640 and BA 19101.

9 790006 526659

ISMN 979-0-006-52665-9

Piano


New Issue Title

9 790006 525829

ISMN 979-0-006-52582-9

Piano

Franz Schubert:

Fantasy in C major,

op. 15 – D 760

Wanderer Fantasy

BÄRENREITER URTEXT

Edited by Walther Dürr

With performance suggestions

by Mario Aschauer

BA 10870 · approx. € 8.95


This new edition replaces

the existing edition BA 5640.

The most famous of the fantasies, the Wanderer Fantasy, now

appears in a separate edition. The dedicatee of the Wanderer Fantasy,

Emanuel Karl Count Liebenberg de Zsittin, exclaimed in despair,

“The Devil should play this stuff!” Yet it wasn’t the Devil but Liszt –

like Schumann a great admirer of the piece – who later arranged

the Wanderer Fantasy for piano and orchestra and again for two

pianos. It was also Liszt who gave the work the nickname it has

retained to the present day.

• Based on the Urtext of the New Schubert Edition

• First scholarly-critical performing edition of the Fantasy in C minor (D 2 E)

• Notes on performance practice (Ger/Eng)

• Includes an informative foreword (Ger/Eng) and

a Critical Commentary (Eng)

New Issue Title


New Issue Title

Piano

Bedřich Smetana:Vltava (The Moldau)

for piano duet (one piano – four hands)

BÄRENREITER URTEXT

Edited by Hugh Macdonald

BA 9549 · approx. € 14.95


Orchestral version

BA 9558 → page 30

Vltava (The Moldau) is Smetana’s most famous and frequently

performed tone poem. It was written between 20 November and

8 December 1874, but only in 1879-1880 with the completion of the

entire cycle Má vlast, did the full score and his version for piano duet

appear in print.

In addition to the orchestral version, Hugh Macdonald’s new Urtext

edition also includes the composer’s own version for piano duet.

• Urtext edition with Primo and Secondo parts printed

on facing pages

• Clear and uncluttered engraving

• Informative foreword (Eng/Cz/Ger) including a contribution

by Smetana scholar Olga Mojžíšová

• Includes a detailed Critical Commentary (Eng)

Vltava in the original version for piano duet

9 790260 105904

ISMN 979-0-2601-0590-4


New Issue Title

Piano

Erik Satie:3 Morceaux en forme de Poirefor Piano Duet(one piano – four hands)

avec une Manière de Commencement, une Prolongation du même & Un En Plus, suivi d’une Redite

BÄRENREITER URTEXT

Edited by Jens Rosteck

with performance suggestions

by Steffen Schleiermacher

BA 10809 · approx. € 12.95


First Urtext edition of Satie’s brilliant ironic masterpiece

9 790006 541188

ISMN 979-0-006-54118-8

In 1903, Satie composed his famous cycle for piano duet with the

provocative and ambiguous title 3 Morceaux en forme de Poire.

(In French, poire means “pear” but also “dimwit”). It is a detached and

ironic commentary on the constraints of musical form. Now this

cycle is being published in a scholarly-critical Urtext edition for the

first time. Convenient page turns, a score format, translations of

the French expression and tempo markings, Satie’s enigmatic

introduction, performance suggestions by the Satie specialist

Steffen Schleiermacher and a detailed foreword by the renowned

musicologist Jens Rosteck make the study and performance of these

pieces a true pleasure.

• First scholarly-critical Urtext edition

• Of an easy to moderate level of difficulty

• Includes translations of all expression and tempo markings

(Fr/Ger/Eng)

• Detailed foreword (Ger/Eng) and Critical Commentary (Eng)

Works by Satie already published:Ogives and Gymnopédies, BA 10806 · € 5.95

Gnossiennes (including No. 7 for the first time), BA 10807 · € 7.95

Morceaux en forme de Poire


New Issue Title

Musikbücher

Piano Concerto in C minorA fascinating insight into Mozart’s art of composition

The seal is used exclusively for

facsimile editions published

by Bärenreiter which meet the

highest demands in both

scholarly and technical terms.

The distinguishing features

include:

a facsimile in high-quality

colour printing

scholarly commentary

attractive cover design

Mozart’s Piano Concerto in

C minor K.491 is one of his

best-known works in the

genre, not least because of

the special character of its

minor key (rarely encountered

in Mozart’s music) and the

dramatic contrast between

the soloist and orchestra.

Equally unusual is the autograph

manuscript. Here Mozart made

an exception by producing

sketches that he later enlarged

and extensively revised for the

score. On the one hand this

allows us to retrace his creative

process, on the other hand in

some passages the definitive

readings are almost illegible,

especially in the piano part.


New Issue Title

Musikbücher

9 783761 819272

ISBN 978-3-7618-1927-2

This facsimile edition enables

everyone to form their own

opinion of the questionable

passages. Mozart’s work

appears here for the first time

in a colour facsimile, making

it possible to easily recognise

the contrasting colours of ink.

The renowned Mozart scholar

and pianist Robert Levin

explains Mozart’s method of

composition and guides the

reader page by page through

the autograph.

Wolfgang Amadeus Mozart

Piano Concerto in C minor, K. 491Facsimile of the autograph score held

at the Royal College of Music, London

With a commentary by Robert Levin

Documenta musicologica II:48

74 pp. of facsimile and

approx. 40 pp. of commentary (Eng/Ger),

half-leather binding

BVK 1927 · approx. € 199.00



New Issue Title

Johann Sebastian BachSt. Matthew Passion BWV 244

BÄRENREITER FACSIMILE

Facsimile of the autograph. With a commentary by Wolfgang Rehm.

14 pages of facsimile (individually trimmed) and a 24-page accompanying booklet

(Eng/Ger). Documenta musicologica II,46 presented in a handsome box

ISBN 978-3-7618-2282-1 · € 179.00 · Already published

Wolfgang Amadeus Mozart Eine kleine Nachtmusik K. 525

BÄRENREITER FACSIMILE

“... writt en with ease, but skillfully refi ned”

“I have never experienced such silence or seen an audience moved in this way” Felix Mendelssohn Bartholdy

Facsimile of the autograph score in the

Staatsbibliothek zu Berlin – Preußischer Kulturbesitz. With a commentary

by Christoph Wolff , Martina Rebmann and Barbara Schneider-Kempf (Eng/Ger).

Documenta musicologica II,47. 168 pages of facsimile and 26 pages of commentary.

Half-leather binding, hardback. ISBN 978-3-7618-2294-4 · € 348.00 · Already published


New Issue Title

ENJOY THE ORGAN 2

A selection of easy-to-play pieces

Edited by Karl-Peter Chilla

BA 11208 · approx. € 13.95


The second volume of Enjoy the Organ likewise offers eighteenth-

and nineteenth-century concert pieces suitable for performance on

smaller instruments and capable of producing impressive results with

a limited amount of practice time. These pieces are intended primarily

for the amateur organist but can also be of interest to the professional

who can use them as a starting point for improvisation.

The volume contains Françoise Bossec’s Tambourin, Johann Georg

Albrechtsberger’s Prelude and Fugue in C major, Théophile Stern’s

Musikstück zum Ausgang, Alphonse de Vilbac’s Communio sur Bellini,

Nicolas-Joseph Wackenthaler’s Communion, Charles Stanford’s

Prelude in F major, and other works.

• Collection of easy-to-play concert pieces

• Ideal for amateur organists and church musicians

• Also suitable for performance on smaller instruments

Easy concert pieces for organ

9 790006 523030

ISMN 979-0-006-52303-0

New Issue Title

Already published:

ENJOY THE ORGAN 1

BA 11207 · € 13.50

Organ


New Issue Title

Gerard Bunk:Complete Organ Works VI

Works without opus number

(fi nal volume)

BÄRENREITER URTEXT

Edited by Jan Boecker

BA 9286 · approx. € 38.95


First complete Urtext edition

The complete edition of Bunk’s organ music comes to an end with the

publication of volume VI which contains organ works of a primarily

liturgical nature. The quality of the music can be compared with

compositions by Max Reger and Sigfrid Karg-Elert.

This Urtext edition, prepared by the composer’s grandson, is the

result of a thorough study of the sources based on the latest findings

of musical scholarship. Each volume includes a detailed foreword,

a Critical Commentary, and many facsimiles and illustrations.

Contents

Wilhelmus van Nassouwe en Choral “Nun danket alle Gott”

Kleine Fantasie über C.H.D.B. for organ or piano

Chorale prelude Wachet auf, ruft uns die Stimme (trio for 2 manuals

and pedals)

37 short chorale improvisations for liturgical use

• First complete Urtext edition of Bunk’s organ works

• Edited by the composer’s grandson

• Detailed foreword and Critical Commentary for each volume (Ger/Eng)

• Many facsimiles and illustrations

9 790006 537204

ISMN 979-0-006-53720-4

Already published:

Complete Organ Works

I: BA 9281 · € 40.50

II: BA 9282 · € 40.50

III: BA 9283 · € 40.50

IV: BA 9284 · € 38.95

V: BA 9285 · € 40.50

BA 11219 · Full set

Special price: only € 199.00

New Issue Title

Organ


New Issue Title

Organ

Bärenreiter is launching a new generation of Urtext editions for

Bach’s complete organ works based on the New Bach Edition (NBA)

and the New Bach Edition-Revised (NBArev). The hallmarks will be

detailed up-to-date prefaces and a newly engraved musical text

with optimum page turns. A new feature will be links to the relevant

autograph manuscripts in Bach Digital thereby ensuring quick

access to the sources. This series of new Urtext editions are

scheduled for completion in 2015 and will form the standard

benchmark for this music.

The first edition in the new series represents the revised second

printing of the New Bach Edition volume BA 5033 (Series IV: Organ

Works, Volume 4) as published in 2012.

A new foreword by Christoph Wolff delves in detail into each work

included in the volume, discussing the available sources and the

current state of research. The edition draws on contemporary sources,

which are used to describe details of performance practice. Links are

provided to respective scholarly studies and the relevant autograph

copies in Bach Digital.

• Launch of a new generation of Bach organ music editions

based on the Urtext of the NBA and the NBArev

• Links to autograph copies in Bach Digital for easy access

to the sources

• Newly engraved with optimum page turns

• Detailed up-to-date foreword by Christoph Wolff

• Large format 32.5 x 24 cm

The complete Bach organ works: A new generation of Urtext editions

Johann Sebastian Bach:Organ Works, Volume 4Third Part of the Clavier Übung

BÄRENREITER URTEXT

Edited by Manfred Tessmer with

a new foreword by Christoph Wolff

BA 5264 · approx. € 24.95

(replaces BA 5174)


9 790006 523047

ISMN 979-0-006-52304-7

Christoph Wolff

© Bach Archive Leipzig/ Gert Mothes

New Issue Title


New Issue Title

Otakar Ševčík:School of Violin Technique op. 1

Edited by Jaroslav Foltýn

Volume 1: 1st Position / 2nd to 7th Positions

BA 9552 · approx. € 13.95

(replaces H 244 and H 2036)

Volume 2: Changes of Position /

Exercises in Double Stops

BA 9553 · approx. € 13.95

(replaces H 2088 and H 2089)

To appear in February 2014

Ševčík’s complete work covers every area of violin technique, from

the most elementary level and special exercises concerning individual

technical problems right through to analytical studies of the standard

concertos. Today, more than 130 years later, his “Violin School” still

numbers among the most important teaching methods for violinists.

The new edition of Ševčík’s School of Violin Technique op. 1, combines

the original four volumes into two volumes. It is essentially based on

the first edition published at the beginning of the twentieth century

along with other sources from Ševčík’s posthumous papers.

Jaroslav Foltýn, violin professor at Prague Conservatory (like Ševčík at

one time), has provided an accurate methodological commentary.

These two volumes mark the launch of a series of new Bärenreiter

publications of Ševčík’s principal works.

• New edition of a violin method which has been used by

generations of violinists

• Seminal work by a leading violin educator

• Methodological commentary by the editor (Cz/Eng/Ger)

A standard work for violinists

Strings

BA 9552

9 790260 107113

ISMN 979-0-2601-0711-3

9 790260 107120

ISMN 979-0-2601-0712-0

BA 9553

New Issue Title

BA 9552 © 2014 by Bärenreiter Praha

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New Issue Title

Strings

Vladimir Bodunov:Advanced Violin Duos

Two performing scores

BA 10903 · approx. € 17.95


Vladimir Bodunov’s challenging duet arrangements make it possible

to achieve a rich orchestral-like sound with only two instruments.

He has taken great care to make the instruments equal in importance;

the solo and accompaniment roles constantly alternate.

These six classical pieces enable (prospective) music students,

advanced or professional musicians to give impressive recitals and

auditions or to leave a lasting impression at parties and celebrations.

• Impressive show pieces for many occasions

• Both instruments of equal standing

• Perfect for auditions, recitals, parties, and celebrations

The Author

Vladimir Bodunov (b. 1981) comes from Belarus and lives in Erlangen.

He is a composer-arranger who plays violin, piano, and musical saw.

Appealing duets for advanced violinists

9 790006 543755

ISMN 979-0-006-54375-5

Contents

• Concerto grosso in D minor (Vivaldi)

• Toccata and Fugue in D minor (Bach)

• Overture from The Marriage

of Figaro (Mozart)

• Overture from The Barber of Seville

(Rossini)

• Cavatina from The Barber of Seville

(Rossini)

• On the Beautiful Blue Danube

(Strauss)

Violin 1

Violin 2

Allegro

5

9

12

15

18

21

c

c

Concerto grosso in re minoreAntonio Vivaldi (1678–1741)

(RV565)


New Issue Title

Strings

Standard repertoire for violin students

Antonín Dvořák:Romantic Pieces for

Violin and Piano op. 75

Edited by Antonín Pokorný and

Karel Šolc

BA 9576 · approx. € 8.95

(replaces H 1903)

To appear in February 2014Composed in 1887, the Romantic Pieces op. 75 were originally

intended for two violins and viola. Immediately after completing

these four short pieces, Dvořák rewrote them for violin with piano

accompaniment and published the new version that very year.

This new edition presents the musical text from the Complete Edition

of the Works of Antonín Dvořák with a new foreword by David Beveridge.

The violin part contains fingering by Josef Micka.

• Standard literature for violin students

• New foreword by Dvořák scholar David Beveridge (Eng/ Cz /Ger)

• Violin part with fingering

9 790260 107175

ISMN 979-0-2601-0717-5


New Issue Title

Strings

Johann Sebastian Bach’s famous concerto for organ BWV 593

is an arrangement of Antonio Vivaldi’s concerto op. 3 no. 8 from

L’Estro Armonico for two solo violins, strings and basso continuo.

Our new edition, in turn, is an arrangement of this organ concerto

and has been scored for violoncello solo, strings and basso continuo.

It was commissed for the renowned cellist Sol Gabetta who premiered

it at the 2013 Bachwoche in Ansbach, a famous music festival in

southern Germany.

The composer and arranger Joachim F. W. Schneider provides an

idiomatic arrangement and cellists will welcome this addition to

their repertoire.

• Arrangement of Bach’s organ concerto BWV 593

• Idiomatic arrangement for cellists

A major addition for cellists

Johann Sebastian Bach:Concerto in A minor for Violoncello, Strings and Basso continuo after BWV 593

Arranged by Joachim F. W. Schneider

Piano reduction

BA 5136-90 · approx. € 14.95

Performance material

available on demand


9 790006 524907

ISMN 979-0-006-52490-7


New Issue Title

Strings

Antonín Dvořák:String Quintet in G major

op. 77

Edited by František Bartoš and

Antonín Pokorný

Score with parts

BA 9577 · approx. € 19.95

(replaces H 2591)

TP 577 · approx. € 9.95


Dvořák’s String Quintet in G major op. 77, had five movements when

it was premiered on 18 March 1876. Its second movement was the

Intermezzo from his String Quartet in E minor (1870). Later Dvořák

removed this movement from the quintet, expanded it, and published

it as a separate Notturno for string orchestra op. 40. The Intermezzo is

included in its original version in the appendix of the score.

This edition is based on the Complete Edition of the Works of Antonín

Dvořák, the principal source being the first edition of 1888, for which

Dvořák subjected the work to revision.

• Dvořák’s famous quintet with double bass

• New detailed foreword by Dvořák scholar David Beveridge

(Eng/Cz/Ger)

• Musical text based on the Complete Edition of the Works

of Antonín Dvořák (series IV, vol. 8)

Famous string quintet with double bass

BA 9577TP 577

9 790260 107199

ISMN 979-0-2601-0719-9

9 790260 107182

ISMN 979-0-2601-0718-2

I

TP 577 © 2014 by Bärenreiter Praha

New Issue Title


New Issue Title

Contemporary Music

New publications up to December 2013

Works for Hire

Ľubica Čekovská

Dorian Gray

Opera in Three Acts

Libretto by Kate Pullinger

Based on Oscar Wilde’s The Picture of Dorian Gray

BA 11105-72

Beat Furrer

strane costellazioni for large orchestra

BA 11120-72

Beat Furrer

la bianca notte for soprano, baritone and ensemble

BA 11125-72

Philipp Maintz

estudio horizontal

music for large orchestra

BA 11123-72

Matthias Pintscher

Bereshit for large ensemble

BA 11101-72

Thomas Daniel Schlee

Symphony No. 2 op. 81

BA 11116-72

Charlotte Seither

Language of Leaving

for orchestra and 12 groups of voices

BA 11118-72

Works for Sale

Beat Furrer

Enigma I-IV and VI

for mixed choir a cappella

Text by Leonardo da Vinci from Profezie

BA 11052

Rudolf Kelterborn

10 Duos for baritone and piano

BA 11030

Rudolf Kelterborn

10 Duos for female voice and piano

BA 11031

Charlotte Seither

Haut terrain for 12-voice chamber choir

BA 9398

(New revised edition with typesetted score)

e o e o e o e o e o e sco rre ra nno sco rre ra nno

o e o e sco rre ra nno sco rre ra nno

sco rre ra nno sco rre ra nno o a o a o a o a o a o

10

sco rre ra nno o a o a o a o a o a o sco rre

sco rre ra nno sco rre ra nno

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5

sco rre ra nno sco rre ra nno

D

e o e o e o e o e o e sco rre ra nno

C

e o e o e o e o e o e sco rre ra nno sco rre ra nno

B

sco rre ra nno sco rre ra nno o a o a o a o

A

[ ca. 120]

sco

Die Gruppen A-B-C-D sollen deutlich voneinander getrennt im Raum platziert werden

rre ra

<o><a>

nno sco rre

<e><o>

enigma

kontinuierliche Veränderungen der Vokale

ra nno o a o a o a o

Text: Leonardo da Vinci

a o a o

Beat Furrer

BA 11052 © 2013 by Bärenreiter-Verlag, Kassel


New Issue Title

Solo Voice

Schubert’s Lieder in Urtext Editions

Franz Schubert:Lieder for Voice

and Piano Volume 7

BÄRENREITER URTEXT

Edited by Walther Dürr

BA 9107 High Voice


BA 9127 Medium Voice


BA 9147 Low Voice

To appear in July 2014

Price per volume: approx. € 35.95

The new Urtext edition of Schubert’s lieder edited by Walther Dürr

continues with volume 7, presented in separate volumes for high,

medium, and low voice. This new volume contains the lieder that

Schubert composed between May and August 1815, including his

setting of Schiller’s ballad Die Bürgschaft (D 246).

• Based on the Urtext of the New Schubert Edition

• Clear, well-presented engraving

• Foreword by Walther Dürr (Ger/Eng) on the genesis and history

of the work as well as an explanation of the sources for

each individual lied

• Includes English translations of the lieder texts by Richard Wigmore

ContentsDie erste Liebe, D 182 / Die Sterbende, D 186 / Naturgenuss, D 188 / Die Mainacht, D 194 / Amalia, op. posth. 173, no. 1 / D 195 / An die Nachtigall, op. posth. 172, no. 3 / D 196 /An die Apfelbäume,

wo ich Julien erblickte, D 197 / Seufzer, D 198 / Liebeständelei, D 206 / Der Liebende, D 207 / Die Nonne, D 208 (version 2) / Die Liebe, D 210 / Adelwohl und Emma, D 211 / Der Traum, op. posth. 172, no. 1 / D 213 / Die Laube, op. posth. 172, no. 2 / D 214 / Kolmas Klage, D 217 / Grablied, D 218 / Das Finden, D 219 / Der Abend, op. posth. 118, no. 2 / D 221 / Lieb Minna. Romanze, D 222 / Idens Nachtgesang, D 227 / Von Ida, D 228 / Die Täuschung, op. posth. 165, no. 4 / D 230 / Das Sehnen op. posth. 172, no. 4 / D 231 / Geist der Liebe, op. posth. 118, no. 1 / D 233 / Tischlied, op. posth. 188, no. 3 / D 234 / Abends unter der

Linde, D 235 (1st setting) / Abends unter der Linde, D 237 (2nd setting, version 2) / Die Mondnacht, D 238 / Huldigung, D 240 / Alles um Liebe, D 241 / Winterlied, D deest / Die Bürgschaft, D 246 /Die Spinnerin, op. posth. 118, no. 6 / D 247 / Lob des Tokayers, op. posth. 118, no. 4 / D 248 / Das Mädchen aus der Fremde, D 117 (1st setting) /Das Mädchen aus der Fremde, D 252 (2nd setting) /Punschlied. Im Norden zu singen, D 253 / Der Gott und die Bajadere.

Indische Legende, D 254 / Der Rattenfänger, D 255 / Der Schatzgräber, D 256 / Bundeslied, D 258 / Wonne der Wehmut, op. posth. 115, no. 2 / D 260 / Wer kauft Liebesgötter, D 261 (version 2)

Appendix(lower transposition of three lieder only available for high voice)Die erste Liebe, D 182 / Die Liebe, D 210 / Die Spinnerin, op. posth. 118,6 / D 247

BA 9107 BA 9127 BA 9147

9 790006 530564

ISMN 979-0-006-53056-4

9 790006 530670

ISMN 979-0-006-53067-0

9 790006 530786

ISMN 979-0-006-53078-6

New Issue Title New Issue Title New Issue Title


New Issue Title

Solo Voice

Wolfgang Amadeus Mozart: Concert Arias

BÄRENREITER URTEXT

Compilation and preface

by Thomas Seedorf

Notes and suggestions on

performance practice by

Thomas Seedorf and Uwe Kremp

Piano reductions by Christian Beyer

Concert Arias for Tenor BA 9184 · approx. € 23.95


Concert Arias for BassBA 9185 · approx. € 19.95


Performance material available on hire

for each aria.

These vocal scores of Mozart’s concert and insert arias are based on the

New Mozart Edition (NMA). The musical text itself does not contain

any practical references on performance aspects or suggestions on

performance practice. However each volume is accompanied by a

comprehensive supplement offering a general discussion on the

execution of appoggiaturas and other subjects related to performance

practice, multiple suggestions for the performance of cadenzas and

lead-ins as well as suggestions for the ornamentation of the dal segno

sections typically found in many of Mozart’s early arias.

• Words underlaid in original language

• All aria texts printed separately in German and English translation

• Clear and uncluttered engraving, as all performance practice

related issues are contained in the supplement

ContentsConcert Arias for Tenor Aria Va, dal furor portata K. 21 (19c)Recitativo Or che il dover – Aria (Licenza) Tali e cotanti sono K. 36 (33i)Aria Si mostra la sorte K. 209Aria buffa Con ossequio, con rispetto K. 210Aria buffa Clarice cara mia sposa K. 256Aria Se al labbro mio non credi K. 295Aria (Rondo) Per pietà, non ricercate K. 420Recitativo Misero! O sogno – Aria Aura, che intorno spiri K. 431 (425b)

Concert Arias for BassRecitativo Così dunque tradisci – Aria Aspri rimorsi atroci K. 432 (421a)Recitativo Alcandro, lo confesso – Aria Non sò d’onde viene K. 512Aria Mentre ti lascio, oh figlia K. 513Kriegslied Ich möchte wohl der Kaiser sein K. 539Aria Un bacio di mano K. 541Aria Per questa bella mano K. 612Aria Io ti lascio, oh cara, addio K. Anh. 245 (621a)

Already published:

Concert Arias for High Soprano, BA 9181 · € 28.95

Concert Arias for Soprano, BA 9182 · € 29.95

Concert Arias for Low Soprano and Contralto, BA 9183 · € 19.95

Concert arias based on the New Mozart Edition

BA 9185BA 9184

9 790006 541331

ISMN 979-0-006-54133-1

9 790006 541348

ISMN 979-0-006-54134-8

New Issue Title


New Issue Title

Woodwind

Modest Mussorgsky:Night on Bald Mountain

for Woodwind Quintet

Arranged by Joachim Linckelmann

Score and parts

BA 8608 · approx. € 24.95

To appear in January 2014Night on Bald Mountain depicts a witches’ sabbath on St. John’s Day,

the night between 23 and 24 June. Its sections present the infernal

noise of ghostly voices, the chattering and quarreling of witches,

the appearance of ghosts, the dance of witches and demons, the

appearance of Satan, the adoration and Black Mass, and finally the

pealing bells of the village church, announcing the break of day and

thus the end of the witches’ sabbath.

Whether intentionally or not, Mussorgsky actually finished the work

on the eve of St. John’s Day (23 June 1867), after spending twelve days

on its composition.

Technically speaking, Joachim Linckelmann’s exciting version for

wind quintet is the arrangement of an arrangement, as Mussorgsky’s

symphonic poem is almost invariably heard in the familiar version by

Rimsky-Korsakov.

• Score and five parts

• Moderate level of difficulty

Attractive Wind Arrangement

9 790006 544288

ISMN 979-0-006-54428-8

Already published

in an arrangement

by Joachim Linckelmann:

George Gershwin

Rhapsody in Blue

for woodwind quintet

BA 8612 · € 24.95

New Issue Title


New Issue Title

Bettina Ostermeier, Günter Voit:Klezmerfor Clarinet and Piano

Score with enclosed part

BA 10616 · approx. € 13.95


Mazel tov

Because the clarinet is such an important instrument in Klezmer

music, these arrangements unveil the full spectrum of the Ashkenazi-

Jewish music-making in one fell swoop. The eight pieces exemplify a

multitude of dancing and singing styles, with small ornaments and

playing techniques (e.g. bent notes, melismas and chromatic runs)

to impart the distinctive flavour of this music. The volume offers the

possibility to interpret the pieces in a variety of ways, also offering

scope for personal expression. The idiomatic piano part provides bold

bass lines, typical harmonic progressions, countermelodies, and a

considerable number of embellishments.

• All the important stylistic features of Klezmer music

• Authentic notation

• Easy to medium level of diffi culty

From the contents:

Chava, Shalom aleichem, Tants Istanbul, Odessa Bulgarish, Mazel tov,

Fun Tashlik, Zol shoyn kumen die g′ule, The happy nigun9 790006 543090

ISMN 979-0-006-54309-0

Woodwind

Klarinette in B

Klavier

q

G‹ E¨ D7 G‹ F7/A B¨ G7/B

1. 2.5

C‹ G‹/B¨ D7/F© G‹ G‹/F C‹/E¨ D7 G‹ C‹

10

D7 G‹ G‹ D7 G7 C‹

15

G‹ C‹ C‹ B¨7/D E¨ A‹7(b5) D7 G‹

44

4444

trad.Arr.: Bettina Ostermeier

Chava


New Issue Title

Urtext edition of Smetana’s most famous work

Vltava (The Moldau) is Smetana’s most famous and frequently

performed tone poem. It was written between 20 November and

8 December 1874, but only in 1879-1880, with the completion of the

entire cycle Má vlast did it appear in print, when Urbánek issued it

in full score and a version for piano duet.

Owing to the large number of misprints in the Urbánek first edition,

Hugh Macdonald has based his new edition on the autograph score,

with cross-references to the first edition and the composer’s own

version for piano duet. Conflicting readings in the sources are listed

in the Critical Commentary along with a discussion of all editorial

decisions.

• New Urtext edition with clear and uncluttered engraving

• Informative foreword (Eng/Cz/Ger) including a contribution

by Smetana scholar Olga Mojžíšová

• Includes a detailed Critical Commentary (Eng)

Bedřich Smetana:Vltava

(The Moldau)

BÄRENREITER URTEXT

Edited by Hugh Macdonald

Orchestral version

Full score BA 9558 · approx. € 39.95

Parts



Viola BA 9558-79 · approx. € 3.95



Wind set

BA 9558-65 · approx. € 59.00

Version for piano duet

BA 9549 · approx. € 14.95 → page 12


Score · BA 9558

9 790260 105942

ISMN 979-0-2601-0594-2

Orchestra


New Issue Title

Urtext edition with new readings

Orchestra

La Mer, which is an impressionistic work through and through, was

composed between 1903-1905. Debussy however refined this work

up until at least 1913. These corrections are found in a score which

Debussy gave to his wife as a present for her private library in 1913.

This source has only recently come to light and has been evaluated

for the very first time for this edition.

The editor has also drawn on several other important sources which

were previously unavailable or unknown. This scholarly-critical edition

which is based on the latest musicogical research is an absolute must

for conductors, orchestras and librarians.

• Urtext edition with countless corrections and readings which

deviate from existing editions

• Score and orchestral parts in large format (25.5 x 32.5cm)

• Score and orchestral parts with an impeccable generous layout

• Includes an informative introduction (Eng/Fr/Ger), facsimiles,

source descriptions and a Critical Commentary (Eng)

Claude Debussy:La MerTrois Esquisses Symphoniques

BÄRENREITER URTEXT

Edited by Douglas Woodfull-Harris




Viola BA 7880-79 · approx. € 7.95



Wind set

BA 7880-65 · approx. € 120.00


BA 7880

9 790006 529438

ISMN 979-0-006-52943-8


New Issue Title

Orchestra

Johann Sebastian Bach:Concertos for Harpsichord

BWV 1052-1058

BÄRENREITER URTEXT

Edited by Werner Breig

Scores

Concerto No. I in D minor BWV 1052

BA 5224 · approx. € 19.95

Concerto No. II in E major BWV 1053

BA 5225 · approx. € 17.95

Concerto No. III in D major BWV 1054

BA 5226 · approx. € 16.95

Concerto No. IV in A major BWV 1055

BA 5227 · approx. € 15.95

*New Issue Title

BA 5230*BA 5226*

9 790006 493807

ISMN 979-0-006-49380-7

BA 5227*

9 790006 493814

ISMN 979-0-006-49381-4

BA 5228*

9 790006 493821

ISMN 979-0-006-49382-1

BA 5229*

9 790006 493968

ISMN 979-0-006-49396-8

9 790006 493975

ISMN 979-0-006-49397-5

9 790006 493784

ISMN 979-0-006-49378-4

BA 5224*

Concerto No. V in F minor BWV 1056

BA 5228 · approx. € 12.95

Concerto No. VI in F major BWV 1057

BA 5229 · approx. € 24.95

Concerto in G minor BWV 1058

BA 5230 · approx. € 15.95

To appear in January 2014

These new scores to Bach’s ever popular harpsichord concertos

complement the existing Bärenreiter piano reductions and orchestral

performing materials. They are based on the corresponding New Bach

Edition volume BA 5090 (Series VII/4) edited by Werner Breig.

New scores to Bach’s harpsichord concertos

BA 5225*

9 790006 493791

ISMN 979-0-006-49379-1

BA 5224 © 1999 by Bärenreiter-Verlag, Kassel


New Issue Title

Orchestra

Haydn’s Sturm und Drang symphonies along with the London and the

Paris symphonies belong to his most popular works today. The Sturm

und Drang works contain not only masterpieces such as the already

published Farewell Symphony and the Maria Theresia symphony but

also gems such as the recently published La Passione symphony (2013)

and now the Symphony in B major No. 46.

The publication of this symphony represents a continuation of the

collaboration between Bärenreiter and the Henle publishing company

in the areas of large vocal compositions, operas and symphonic works.

The Symphony in B major is based on the Henle Complete Edition of

the Works of Joseph Haydn and is published with a full score and

large format performing material on sale.

• Haydn’s Sturm und Drang symphonies available in Urtext editions

based on the Henle Complete Edition of the Works of Joseph Haydn

• Orchestral parts available in a large format (25.5cm x 32.5 cm)

Sturm und Drang symphonies already published:

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Joseph Haydn:Symphony in B majorHob. I: 46

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