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3-D DISPLAY METHODS In this section, we focus on a sub goals of realistic picture we have to first setup a co ordinate reference for camera. This co-ordinate reference defines the position and orientation for the plane of the camera, as shown in Figure This plane must be used to display a view of the object; its description has to transferred to the camera reference co-ordinates and projected onto the selected display plane. Then we can display object in wire frame form or we can apply lighting and surface rendering techniques to shade the visible surfaces

3-d Display Methods

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Page 1: 3-d Display Methods

3-D DISPLAY METHODS

In this section, we focus on a sub goals of realistic picture we have to first setup a co ordinate reference for camera. This co-ordinate reference defines the position and orientation for the plane of the camera, as shown in FigureThis plane must be used to display a view of the object; its description has to transferred to the camera reference co-ordinates and projected onto the selected display plane. Then we can display object in wire frame form or we can apply lighting and surface rendering techniques to shade the visible surfaces

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PARALLEL PROJECTION In parallel projection, z co-ordinate is discarded

and parallel ,lines from each vertex onthe object are extended until they intersect the view plane. The point of intersection is the projection of the vertex. We connect the projected vertices by line segments which correspond to connections on the original object.

As shown in Figure a parallel projection preserves relative proportions of objects but does not produce the realistic views.

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PERSPECTIVE PROJECTION The perspective projection, on the other hand,

produces realistic views but does not preserve relative proportions. In perspective projection, the lines of projection are not parallel. Instead, they all converge at a single point called the `center of projection' or `projection reference point'. The object positions are transformed to the view plane along these converged projection lines and the projected view of an object is determined by calculating the interaction of the converged projection lines with the view plane, as shown in Figure.

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DEPTH CUEING

To create realistic image, the depth information is important so that we can easily identify, for a particular viewing direction, which is the front and which is the back of displayed objects. The depth of an object can be represented by the intensity of the image. The parts of the objects closest to the viewing position are displayed with the highest intensities and objects farther away are displayed with decreasing intensities. This effect is known as `depth cueing'.◦  

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VISIBLE LINE IDENTIFICATION

It is possible to clarify the depth relationships in a wire frame display by identifying visible lines. The visible line can be displayed by dashed lines or not display at all. This is illustrated in Figure.

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The visible surface identification can be done with visible surface algorithms. They establish visibility pixel by pixel across the viewing plane or determine surfaces for object as a whole.Once the visible, surfaces are identified we can apply surface rendering techniques on them to obscure the hidden surfaces.

 

VISIBLE SURFACE IDENTIFICATION:

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Surface rendering involves setting the surface intensity of objects according to the lighting conditions in the scene and according to assigned surface characteristics. The lighting conditions specify the intensity and positions of light sources and the general background illumination required for a scene. On the other hand the surface characteristics of objects specify the degree of transparency and smoothness or roughness of the surface; usually the surface rendering methods are combined with perspective and visible-surface identification to generate a high degree of realism in a displayed scene.

 

SURFACE RENDERING

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Another method for adding a sense of realism is to display objects using stereoscopic views. Stereoscopic devices present 2 views of scene:• One for left eye.• Other for right eye.

STEREOSCOPIC VIEWS

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Realism is further enhanced if the material properties of each object are taken into account when its shading is determined. Some materials are dull and disperse reflected light about equally in all direction, like a piece of chalk. On the other hand, some materials are shiny and reflect light only in certain directions relative to the viewer and light source, like a mirror.

MATERIAL PROPERTIES

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We can introduce realism by reproducing shadows cast by objects on one another. Shadows enhance realism and provide additional depth cues

SHADOWS