15 SEPT. 31 DÉC. 1815 sept. - 31 déc. 2018 2 Beauvais — Hauts-de-France 15e édition For this 15th edition of the Photaumnales, in a year of multiple commemorations, the programme

Beauvais – Hauts-de-France15 SEPT. / 31 DÉC. 18

15e édition

Contact : Nathalie Dran 06 99 41 52 49 [email protected] de presse

Où loge la mémoire

15 sept. - 31 déc. 2018

2

Beauvais — Hauts-de-France 15e édition

For this 15th edition of the Photaumnales, in a year of multiple commemorations, the programme of exhibitions we are presenting is based on questioning the memorial relationship of photography to history by confronting multiple and varied approaches to this theme.«Where Memory is Lodged» explores the diversity of relationships ontologically held by photography with time. From presence in the landscape of the traces of collective memory to the observation of modifications to the landscape, the images presented in this edition construct a contemporary history which resonates with works from various archives.There are 27 photographers presented through thematic or monographic exhibitions. Many visits and workshops are offered as part of the image education programme which allows a wide audience to discover the multiplicity of artistic approaches and to better understand the language of images.

The international openness of Photaumnales is confirmed through the carte blanche given to partner festivals: Photolux in Italy, Kaunas Photo Festival in Lithuania, the Rencontres internationales de la Photographie in Gaspésie, Quebec and the Triennale Photographie et Architecture in Brussels. The festival this year reinforces its presence in the region by presenting exhibitions in the cities of Amiens, Beauvais, Clermont, Creil, Noyon and Douchy-les-Mines, and in the galleries of many schools.This autumn of photography in the Hauts-de-France region will again this year witness the shedding of numerous images waiting to be scooped up.

General curator:Diaphane, photographic pole

PRESS CONTACTNathalie Dran 06 99 41 52 49 [email protected]

Where the memory remains

15 sept. - 31 déc. 2018

3


SAMEDI 15 ET DIMANCHE 16 SEPTEMBRE 2018

n Samedi 15 septembre11h - Vernissage - Espace Séraphine Louis à Clermont-de-l’Oise Exposition Arnaud Chambon « Contre ! »Exposition Almond Chu « Le collège Fernel »

15h – Inauguration officielle de l’édition 2018 du Festival Les Photaumnales en présence des photographes invités – Quadrilatère à Beauvais

n Dimanche 16 septembre 14h - Visite accompagnée - Quadrilatère à Beauvais

16h - Vernissage – Salon des Émergents - Maison Diaphane à Clermont-de-l’Oise Exposition de Laetitia d’Aboville « Alors j’y vais exprès pour tondre les noix »Rencontre avec les directeurs des festivals partenaires.

L’ACCÈS EST GRATUIT À L’ENSEMBLE DES EXPOSITIONS

Navette entre Paris et Beauvais Renseignements et réservations auprès de [email protected]

POINT ACCUEIL DU FESTIVALde 14h à 18h dans le hall du QuadrilatèrePoint informations, retrait du programme, du dépliant, accueil presse

LIBRAIRIE Hall du Quadrilatère à BeauvaisMise en place d’une librairie en partenariat avec l’Historial de la Grande Guerre Péronne - Thiepval

SAMEDI 15 SEPTEMBRE

Les temps forts

15 sept. - 31 déc. 2018

4


VERNISSAGES

n Jeudi 20 septembre 18h30 – Maison de la Culture à AmiensVernissage de l’exposition de Thibaut Cuisset « Le fleuve Somme »

n Samedi 22 septembre 12h30 – CRP/ Centre régional de la photographie Hauts-de-France à Douchy-les-MinesVernissage de l’exposition de Katia Kameli « À l’ombre de l’étoile et du croissant »

n Mardi 25 septembre 18h - Galerie du Chevalet à NoyonVernissage de l’exposition de Valerio Vincenzo « Borderline, les frontières de la paix »

n Lundi 15 octobre 16h30 -UFR des Arts à Amiens Vernissage de l’exposition de Martin Becka « La ligne silencieuse »

n Vendredi 9 novembre 18h - Espace Matisse à CreilVernissage des expositions de Sophie Zénon « L’homme-paysage (Alexandre) » « Dans le miroir des rizières (Maria) »

Les temps forts

15 sept. - 31 déc. 2018

5


VISITES

n Samedi 6 octobre et samedi 17 novembre - Le Quadrilatère à Beauvais15h - Visite goûter-jeux de société, en famille

n Samedi 13 octobre - Le Quadrilatère à Beauvais15h - Visite coup de cœur par Fred Boucher

VISITES SCOLAIRESLe Quadrilatère - Beauvaisn Écoles primaire, accueils de loisirsParcours autour de la photographie (2h)Visite active et ludique des expositions et atelier de pratique artistique.

n Collèges, lycées, groupesVisite en autonomie des expositions, sensibilisation à la lecture des images sur une demi-journée Fiches pédagogiques disponibles sur place

le CRP/ - Douchy-les-Mines n Visites accompagnées et ateliers autour de l’artiste Katia KameliRenseignements et réservations : Juliette Deschodt - [email protected] - 03 27 43 57 97

Musée Condé - Chantilly n Visites et atelier Découverte des procédés anciens à travers la visite de l’expositionAtelier d’initiation à la photographie (payant)

Les visites sont gratuites

Des dépliants d’aide à la visite sont disponibles à l’accueil du Quadrilatère pour le jeune public.

Un espace jeux-ressources permet de s’initier au vocabulaire de la photographie et donne des clés de compréhension des œuvres exposées.

Écoles primaires, accueils de loisirsRenseignements et réservations auprès de Mélanie Piochel, chargée d’accueil au Quadrilatère Tél. : 03 44 15 67 10 - [email protected] mardi au vendredi de 10h à 18h

Collèges, lycées, groupesRenseignements et réservations auprès de Juliette Estaquet, chargée de médiation chez Diaphane Tél. : 09 83 56 34 41 - [email protected] lundi au vendredi de 9h à 12h et de 14h à 17h

Dossier pédagogique téléchargeable sur www.photaumnales.fr

Accompagner les images

15 sept. - 31 déc. 2018

6


STAGES

n La photo mise en boîte - Découverte de la pratique du sténopéÉcole d’Art du Beauvaisis à Beauvais (public enfants, vacances de la Toussaint)

n Photographier son paysage intérieur - Espace Matisse à Creil (public enfants, vacances de la Toussaint)

n Stage Procédés anciens avec Martin Becka Musée Condé - Chantilly les 17 novembre et 5 janvier (public adultes)

RENCONTRES, CONFÉRENCES & FORMATION

n Colloque organisé par l’Institut pour la photographie des Hauts-de-France17 octobre - Conservation et patrimoine photographique - Roubaix - Archives nationales du monde du travail18 octobre - Création et archives - Tourcoing - Le Fresnoy19 octobre - Médiation et photographie - Lille - Le Nouveau Siècle n Conférence de Jean-Christophe Bailly : Thibaut Cuisset21 novembre - 18h30 - Maison de la culture - Amiens n Conférence d’Annette Becker, en partenariat avec l’Historial de la Grande Guerre Péronne-Thiepval - Lectures des traces de la guerre dans les paysagesQuadrilatère - Beauvais(date à venir)


15 sept. - 31 déc. 2018

7


n Formation enseignants, vendredi 5 octobre - Quadrilatère - BeauvaisRenseignements auprès de Diaphane au 09 83 56 34 41

LECTURES DE PORTFOLIOS

Vendredi 30 novembre et samedi 1er décembre - Quadrilatère - BeauvaisÀ destination des artistes en photographie, arts de l’image et arts plastiques.

LECTURES SUR IMAGES

n Samedi 20 octobreLectures à destination du jeune public

n Samedi 10 novembreLectures « Paroles de Poilus » par Denis Dormoy À destination des adultes

DANSE

n Dimanche 7 octobre - 10h à 13h - Espace Séraphine Louis - Clermontn Dimanche 11 novembre - 10h à 13h - Le Quadrilatère - BeauvaisDanser les Photaumnales avec la compagnie Kalam’ de Véronique Frélaut Atelier payant, nombre de places limitées, renseignements et inscriptions auprès de Véronique [email protected] - 06 85 76 01 79

Lectures de portfolios :Sur inscription et pré-sélection avant le 16 novembre par mail : [email protected]


15 sept. - 31 déc. 2018

8


n Ambroise Tézenas, Tourisme de la désolation page 10

n Sibylle Bergemann, Das Denkman (The Monument) présentée par le CRP/ à partir de sa collection page 11

n Claude Dityvon, Comme un souffle page 12

n Patrick Tournebœuf, Stèles, les invisibles (création) page 13

n Susan Trangmar, UNFOUND page 14

n Cléa Coudsi et Eric Herbin, Les soupirants, Chemins sur feuille d’être page 15

n Sophie Zénon, Pour vivre ici page 16

n Jean-Pierre Gilson, le front de l’aube page 17

n Céline Clanet, Accès réservé page 18

n Hélène Marcoz, Concrete Jungle, Paysage(s) page 19

n Gaël Clariana, Ici bientôt page 20

n Christoph Sillem et Émilie Vialet, L’enfer me ment, présentés par Marc Mawet de la Triennale Photographie et Architecture à Bruxelles (Belgique) page 21

n Serge Clément, Fragments & Trans, présenté par Claude Goulet des Rencontres internationales de la photographie en Gaspésie (Québec) page 22

n Andrej Vasilenko, La promenade (création) page 23

Les photographes

15 sept. - 31 déc. 2018

9


n Tadas Kazakevičius, Soon to be Gone, présenté par Mindaugas Kavaliauskas du Kaunas Photo festival (Lituanie) page 24

n Li Sung Hua, A Postman Diary page 25

n Ilaria Abbiento, Cartografia del mare, présentée par Enrico Stefanelli du Photolux festival de Lucca (Italie) page 26

n Marco Tiberio et Maria Ghetti, ImmoRefugee page 27

n Thibaut Cuisset, Le fleuve Somme (création) page 28

n Martin Becka, La ligne silencieuse (création) page 29

n Katia Kameli, À l’ombre de l’étoile et du croissant page 30

n Arnaud Chambon, Contre ! (création) page 31

n Almond Chu, Le collège Fernel (création) page 32

n Laetitia d’Aboville, Alors j’y vais exprès pour tondre les noix page 33

n Sophie Zénon, L'homme-paysage (Alexandre), Dans le miroir des rizières (Maria) page 34

n Valerio Vincenzo, Borderline, les frontières de la paix page 35

n Primitifs de la photographie (exposition associée) page 36

Les photographes

15 sept. - 31 déc. 2018

10


Ambroise TÉZENASTourism of Desolation

Ambroise Tézenas has investigated the phenomenon known as “dark tourism”, which consists of visiting places marked by tragedy. Earthquakes, tsunamis, accidents, industrial disasters, disaster areas or destitute are all potential «destinations» and sites whose discovery is able to fill the ambiguous curiosity of a growing number of followers.

The photographer selected a dozen emblematic places, and registered with tour operators to be immersed in the same experience as any other tourist. For the sake of accuracy, he took care to photograph only what visitors could see.From the massacre at Oradour-sur-Glane in 1944 to the ruins of the 2008 Sichuan Province earthquake in China, Ambroise Tézenas crosses the 20th century, including Cambodia, Rwanda, Ukraine and Lebanon. He draws up an inventory of these organised trips of a new kind, which he summarises in one sentence: «Here, we come to check a nightmare».

Born in 1972 in Paris, Ambroise Tézenas graduated from the School of Applied Arts in Vevey (Switzerland) in 1994. Based in London and Paris, he is represented by Galerie Mélanie Rio in Paris. His work is regularly published in the international press and appears in several collective works on the European landscape.Tourisme de la désolation, Actes Sud, 2014www.ambroisetezenas.com

le quadrilatère15 septembre - 31 décembre 2018

Vernissage samedi 15 septembre à 15h22 rue Saint-Pierre, Beauvais 12h - 18h mardi au vendredi10h - 18h samedi, dimancheEntrée libre03 44 15 67 00 - www.culture.beauvais.fr

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

11


Sibylle BERGEMANNDas Denkmal (The Monument) Proposed by the CRP / Regional Centre for Photography in Hauts-de-France, from its collection

Between 1975 and 1986, Sybille Bergemann produced a set of photographs documenting the construction of the Marx-Engels Forum in the Mitte district of East Berlin. Through this series, we follow the various stages of the monument’s construction. It was commissioned by the GDR authorities to pay tribute to the founding fathers and theoreticians of the communist movement. The bronze statues of Marx and Engels in the centre of the forum were designed by the sculptor Ludwig Engelhardt. Throughout the images, these two great men can be seen in all states, whether suspended in the air, truncated or packed, the subject of premonitory visions full of humour, both dreamlike and poetic.

«In her photographs, Sibylle Bergemann completes reality with her own dreams, making banality poetic. This is linked to her background, the country called GDR, which for various reasons felt obliged to degrade, cleanse, cut and castrate. The hems of the skirts were pulled down and the corners of the mouths pulled up, the broken plaster was retouched, and the bins removed. Throughout these years of orderly optimism, the photographer captured the seriousness of things. Faced with the threatened individuality, she responded with absurdities and sadness. Melancholy as a means of defending the subjective, the individual... the incalculable.” — Excerpt from an article by Jutta Voigt for Freitag review.

Sibylle Bergemann (1941-2010) was one of the leaders in the revival of German photography. She became a member of the Berlin Academy of the Arts after reunification and was one of the co-founders of the OSTKREUZ photography agency alongside Arno Fisher.

© Estate Sibylle Bergemann, Ostkreuz



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

12


Claude DITYVONComme un souffle

What were known as ‘the events’ became, for Claude Dityvon a true field of visual adventures. He was already seeking what would later be found developed in his images, namely ‘man’s place in urban space’.

Dityvon captures and shares an atmosphere, a state of mind, an air of liberty that suited him perfectly. He who said, “The street spoke. Me, I speak. And looking is also a way of speaking”, found, without apparent effort, with unequalled fluidity of framing because he does not seek to be demonstrative, a form of urban poetry at those moments of intense confrontation.

So Claude Raimond-Dityvon’s May 68 is anything but reportage. It could be described as a chronicle, in the best sense of the term, or a journal, almost a notebook, as if he had been on a trip around a troubled Paris in which he had landed somewhat by chance. No symbolic image, no document to accompany the headlines of the dailies or magazines, no seeking to go down in history. Just a discernible pleasure at having been lucky enough to be there, at that time, and able to capture the images without the constraints getting in the way. He managed to show what is between things, what is not seen and that seems like a music of words and the rustle of the streets, his way of taking t(he pulse. And that is already quite something. — Christian Caujolle MAI 68 - État des lieux, CLAUDE DITYVON / André Frère Éditions

Claude Dityvon (1937-2008) won the Niepce prize in 1970 and in 1972 was a cofounder of Agence Viva, which he managed until 1980 with his wife Chris. He left an important body of work on various themes, always with Man as central subject.

© Claude Dityvon, Bd St Michel Paris 5e, 24 May 1968



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

13


Patrick TOURNEBŒUF Stèles, the invisible (création)

Since 2003, Patrick Tournebœuf has devoted part of his work to recording the stigmata of history, through four series: The Scar, on traces of the Berlin Wall, The memory of D-Day, on the Normandy landing beaches, Monolith on the natural disappearance of blockhouses from the coastal landscape, and Steles on the monuments to the dead of the Great War.

In every town or village, some trace of the conflict is preserved in honour of those who were lost during the Great War: war memorials have become steles in the very heart of the settlement. Like landmarks, they are to be found in the forecourts of town halls, on market squares, in front of the church or in the middle of the cemetery.These first traces of commemoration bear witness to this history linking the intimate to the universal, revealing for each municipality its positioning through the choice of the geographical location of the monument, the metaphorical representation of the political or simply of the economic means available. These steles save from oblivion the acts, and especially the names, of all those who went through the unspeakable horror of the war. Created by commissioned artists of various origins and approaches, these sculptures were put up like so many tall figures erected to stand against time. They perpetuate the pain of the country through allegory, and thus transcend memory.

Born in 1966 in Paris, Patrick Tournebœuf is a member of the collective Tendance Floue.http://tendancefloue.net



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

14


Susan TRANGMARUNFOUND Film 23’42’’

One starts by identifying a place on a map. Then, by driving or walking, a place is arrived at. A first visit takes place with the arrival of spring, fertile and green. The cemeteries appear arbitrarily, dotted within the landscape. Their intimate serenity or exposed, stark brutality can be shocking. ROSSIGNOL WOOD. SUNKEN ROAD. Entering each enclosure, there is always a sense of crossing a boundary. The efflorescence of nature creeps up to the external perimeter, ready to reclaim the ground. GUARDS. QUEENS. GUNNERS.One walks up and down the lines inspecting each headstone, feeling the imperative to take note of every single name, every inscription, every memorial, even though this is impossible. The more names are read, the less the imagination is able to make sense of the scale of destruction they represent. Names pile up as a monstrous accumulation of wasted potential. BITTER.For some, the need to forget is the only kind way to carry on. For others, to return is a compulsion. Writing is always at hand to attempt an explanation and an opportunity to translate and re-iterate.

Susan Trangmar was born in Brighton. She has worked for many years with the photographic image in a variety of media: still photography, projection installation, moving image and sound. She currently lives and works in London, where she is Reader in Fine Art at Central Saint Martins UAL.In 2016, Susan Trangmar was invited by Diaphane as artist in residence during the centenary of the Battle of the Somme

UNFOUND has been published as a DVD booklet by Diaphane Editions.www.susantrangmar.comle quadrilatère

15 septembre - 31 décembre 2018


OÙ ET QUAND ?

15 sept. - 31 déc. 2018

15


Cléa COUDSI & Éric HERBIN

Les soupirants / Chemins sur feuille d’être (Suitors / Paths on Leaves of Being)

During their residency at the Historial de la Grande-Guerre de Péronne, Cléa Coudsi and Éric Herbin picked up tree leaves here and there. Each leaf is the trace of the place where it was picked up, a piece of landscape. On these leaves they used a laser to engrave, like a tattoo, two series of images: one of faces (Paths on Leaves of Being), the other with texts (Suitors).This technique was inspired by a series of dried and hollowed leaves preserved at the Historial of the Great War. These leaves, almost intact, seem to have escaped the vicissitudes of time. The texts comprise excerpts from letters written during the Great War. The typography chosen to transcribe these epistolary fragments is the one used for the words engraved on the marble of memorials. The fragility of dried plant replaces the eternity of marble. The epistolary bursts take the place of aligned names and dates.The veins of the leaves evoke neural networks and geographical maps. Through this technique, the motif (whether portrait or text) merges with its support.

This work was created in 2016-2017 as part of the Paysages en Résonance project, producedby the Historial de la Grande-Guerre de Péronne-Thiepval, with aid from the Regional Directorate of cultural affairs in the region of Hauts-de-France.

Cléa Coudsi was born in 1980 and Éric Herbin was born in 1979. They both live and work in Lille. They studied at the École des Beaux-Arts in Dunkerque, Dijon and Aix-en-Provence, as well as at Fresnoy, National Studio of Contemporary Arts. They have shared a workspace since 2002. Their works mix video, sound, mechanical installations and photography.www.paysagesenresonance.fr



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

16


Sophie ZÉNONTo Live Here Film 17’12’’

Pour Vivre Ici [To live here], title borrowed from a poem by Paul Eluard, is a film made during a creative residency in 2017 (Abri mémoire, Uffholtz) on the Vosges site of Hartmannswillerkopf (HWK), important First World War site, also called «The Old Armand» or «The Man Eater». It addresses the issue of restoring the memory of a place of conflict during the First World War. The notions of identity and of the frontier run through this project steeped in contemporary history, at a precise moment in our history where Europe is threatened, confronted with the rise of the nationalism and where never in the world have there been so many walls erected between peoples.Halfway between documentary and aesthetic research, based on the work of scientists such as botanists and National Forest Office staff, this work provides an interpretation of the place from its forest and an approach to the site through those who live there, being close to it, experiencing it. Dazzling lights, vibrant landscapes, superimpositions of archival documents and natural elements made in situ, constitute the context of a personal expression reflecting both the spirit of the places and the way in which people have learned to live with this forest. The central character of the film, Raoul Ermel, a carpenter living at the foot of the HWK, initiated by his grandfather – a veteran at the HWK – at the site, provides a sensitive testament to his relationship with the forest. As a counterpoint, Manuela Morgaine, an artist, reads passages from the journal of officer cadet Henri Martin, present at the HWK in 1915 (Le Vieil Armand, 1915, Payot, 1936), a journal chosen for the wealth of both humanity literary qualities in its texts.

Born in Seine-Maritime in 1965, Sophie Zénon is represented by the galleries Thessa Herold (Paris), Les Comptoirs Arlésiens (Arles) and Schilt (Netherlands). Pour vivre ici, Loco editions, 2018www.sophiezenon.com

Hartmannswillerkopf, Vosges - 2017



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

17


These images are striking in the way they singularly recall the look of the landscapes before the beginning of the combat and massive artillery shelling.What is noticeable is their flatness, lack of relief, the rarity of shelter they provide, so much so that the least group of trees, the slightest worn-down path, the shallowest valley was immediately transformed into a strategic position, a tactical advantage point. It is almost impossible today to look at these scenes of rural calm without discerning their military potential.However, these photographs are much more than mere sources of historical evidence – they are memorable in themselves, and show what a great landscape photographer Jean-Pierre Gilson is. American critic Janet Malcolm says: “If you scratch a photograph you find… a painting”. This aphorism is perhaps never as true as when it comes to landscapes. This analogy, however, has a limit: almost no painted landscape is monochrome. And it is Gilson’s monochromatic landscape that makes them particularly memorable, making them exceptional images, not just topographic surveys.— William Boyd

Born in 1948 in Compiègne, Jean-Pierre Gilson devotes himself to landscape-oriented art photography.Le front de l’aube, Maryline Desbiolles, Jean-Pierre Gilson, éditions des Cendres, 2017www.jpgilson.fr

Jean-Pierre GILSONThe Aube Front



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

18


Céline CLANETReserved Access

At the request of the Regional Directorate of Cultural Affairs of Normandy and the Regional Association for the Dissemination of the Image (Ardi-Photographies) in Caen, I spent two years exploring the three official residences of the prefects of Lower Normandy, national heritage whose access is prohibited to the public. Everywhere can be found long corridors, ceremonial salons, the smell of woodwork, antique furniture, and the indiscreet creak of floorboards, as well as conscientious staff engaged in ironing, serving, cooking and maintaining these often splendid classified buildings.

It was always surprising that there were no family photos or personal objects to be seen. These places are simply the secret boxes providing a sleeping place for a senior civil servant, a high-ranking soldier of the state, who only works for a few years or a few months before making way for the successor.

The three prefects, and several staff members, kindly agreed to participate in my project. I photographed them as silent inhabitants within pictorial surroundings, temporary occupants in places that are larger than them, these places which mainly fulfil a function, that of representing it.

— Céline Clanet

Born in Chambéry in 1977, Céline Clanet graduated from the National School of Photography in Arles in 1999.www.celineclanet.com

Cave - Hôtel du Préfet de l’Orne, Alençon



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

19


Hélène MARCOZConcrete Jungle / Landscape(s) vidéo 10’

Concrete Jungle Double exposure is used here to record on a single negative the changing course of shadows produced by rotation of the Earth within dehumanised architectural spaces.

The question of gradation is combined with the desire to reinterpret light and dark and to play, at the level of composition, with simple geometric patterns, coupled with their shadows. By way of duality, a tension is established between the fixed, immutable architectural subject and its shadow, which becomes more dynamic and even kinetic.

Landscape(s) I filmed various landscapes for a year with exactly the same framing in order to collect a memory, a visual vocabulary to subsequently write the script upon editing.During the editing phase, the video image is divided into several parts that slowly fade from one into the next, revealing a videorama that combines several seasons simultaneously.This landscape, as it appears before our eyes, never really existed. Projected in a loop, in large format, it gives the impression of a living tableau, time that is suspended and infinite.— Hélène Marcoz

Born in 1974 in Vincennes, Hélène Marcoz lives and works in Lille, where she teaches photography and video at the National School of Architecture and Landscape.www.helenemarcoz.fr



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

20


Gaël CLARIANAHere Soon

Gaël Clariana has photographed the emergence of suburban areas under construction.

In new and artificial environments, construction equipment and material resemble the pieces of an assembly game on a monumental scale, with houses displayed as bare, empty shells, disturbing or derisory in their impersonality and similarities. Attentive to the homogeneity of colours between images, Gaël Clariana focuses on the rigorous geometry of structures and the bareness of surfaces, the way in which the design of pavilions articulates an empty and sterile space. These works illustrate a wholly current form of urban development. They provide a critical view of the expansion of towns in outlying areas of individual and suburban housing, which have overturned town planning traditionally organised around transport axes, shopping zones and residential islands. The photographs of Gaël Clariana consitute the memory of ephemeral spaces that generally neglected in favour of a more complete and perennial vision of the urban landscape.— Olivier Grasser

Born in 1971 in Amiens, Gaël Clariana graduated from the Amiens School of Art and Design in 1998. He teaches at the Faculty of Arts of Amiens.www.gaelclariana.com



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

21


Emilie Vialet photographs real zoos, Christoph Sillem real cities, the first across Europe, the other around Paris Disneyland. They do not know each other and their respective subjects are not directly related. Yet the spaces they document are part of the same process: that of celebration. Without looking too much, everything seems to be going for the best in the best of all worlds. However, the diagnosis is without appeal: beyond what embodies it, an architectural style on the one hand or the idealisation of nature on the other, the two photographers deal specifically with the false strategy of a double captivity. In one case, it is a question of controlling the public space, more precisely its absence, visible from the Tower of the Sleeping Beauty of Globalized Capital, while in the other case, it is a question of pacifying the landscape dominated by our predatory anthropocentrism.

In vain, but deliberately, Emilie Vialet and Christoph Sillem seek in their photography of absence some part of humanity at the heart of this cynical celebration.— Marc Mawet

Marc Mawet, architect, professor at the Faculty of Architecture of the Free University of Brussels, curator of the Photography and Architecture triennial.The title of the exhibition, a play on words in French, is adapted from that of the book L’enfer me moi, published by Husson, 2007.Born in 1965 in Goslar (Germany), Christoph Sillem lives and works in France.www.christophsillem.com

Born in Ulis in 1980, Émilie Vialet lives and works in Strasbourg.A graduate of the Beaux-Arts in 2003, she completed her studies at the École Supérieure Louis Lumière in 2006www.emilievialet.com

Émilie VialetThe Eternal

Christoph SillemA World Around Disney

Christoph SILLEM & Émilie VIALETHell lies to meInvitation to the Photography and Architecture Triennial in Brussels (Belgium) Curator: Marc Mawet



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

22


Serge CLÉMENT Fragments & TransInvitation to the Rencontres Internationales de la Photographieen Gaspésie (Québec) — Exhibition curator: Claude Goulet

Autumn 2017, a creative residency for photographers across three places,Amiens, Beauvais and Clermont over three weeks:a stay, a walk, a story, a journeythe outsider’s view of these urban areas, their equipped, domesticated spaces imbued with October light, fragrances, evasive sunlight borne by chance, coincidences, enigmasextracts from architectural, historical, industrial, literary and cinematic heritage, the walker’s journey, seen from eye level, to be mapped, deciphered, and layereda cycle of fractured journeys, truncated, bristling architectural perspectives, lights in turbulence of high density fiction, precipitating extrusions and cleared dreams a cycle of images become writing, meditation possibly deflagration, alchemymagnifying the real, its music, its poetry, its immensities of imagination, its inner movements, its migrations of images - palimpsest, a journey of images beyond usbetween duration, unspeakableimages that disfigure, transfigure— Serge Clément

Serge Clément was invited for a creative residency by Diaphane in 2017, as part of the partnership with the Rencontres Internationales de la Photographie in Gaspésie and with the support of the Franco-Quebec Fund for Decentralized Cooperation.

Serge Clément lives and works in Montreal. His approach is between documentary and installation, through social commentary, poetic narrative and photographic essays. He is represented by the gallery Le Réverbère, Lyon, Francewww.sergeclement.com



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

23


Andrej VASILENKO The Walk (création)

Lithuanian photographer Andrej Vasilenko was invited to a creative residency in Beauvais, where he continued to work on the peri-urban landscape. This series, entitled La Promenade [The Walk], testifies to the photographer’s moments of wandering around the town, capturing artefacts of the spaces and the temporal aspects inherent in the various types of architecture.

«Throughout the residency, I tried to walk as much as I could to explore different areas of the town. As a photographer, I am interested in the identity of places and the way people organise their lives. I am interested in the relationship between past and present in urban space and architecture. The Walk is a small alternative guide to the areas and architecture of Beauvais.”— Andrej Vasilenko

Andrej Vasilenko was selected for his series “This is Vilnius”, as part of the ERA (European Residency Award), after portfolio readings in Lithuania. This award demonstrates the decision of three festivals – Kaunas Photo festival in Lithuania, Photolux festival in Lucca, Italy and Photaumnales in France – to work together and exchange on contemporary European creation.

Born in 1985 in Lithuania, Andrej Vasilenko, a graduate of the Vilnius Academy of Arts in 2009, lives and works in Vilnius.http://andrejvasilenko.lt



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

24


Tadas KAZAKEVIČIUSSoon to be GoneInvitation to Kaunas Photo festival (Lithuania)Exhibition curator: Mindaugas Kavaliauskas

Over the past decade, continuous migration has reduced Lithuania’s population by almost one-sixth. Cities have sucked in the economy and young people. One question inevitably arises: how long will our forests and valleys be adorned with views of farms and villages – places where a totally different understanding of time and proximity still exists? How long will there be places where a visitor will be greeted by a sincere «hello»?

Whenever a thought like this crosses my mind, I, as a photographer, feel driven by instinct to quickly turn these symbols and places into something more than mere memories in the stories of future grandparents. Even if a recorded image is unable to revive what has been lost, it still reminds us of something that perhaps once momentarily attracted our attention along the roadside. Maybe this tribute to the Lithuanian countryside will evoke certain sentimentality on the part of the viewer and touch those deeply hidden corners of the memory we have, apparently inadvertently, shut out.— Tadas Kazakevičius

Born in 1984 in Vilnius (Lithuania), Tadas Kazakevičius is a documentary and portrait photographer.www.tadaskazakevicius.com



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

25


Li SUNG HUA A Postman DiaryExhibition curator: Nicolas Havette

Li Sung Hua was born in 1979 in Tainan, Jiali District, Taiwan. After studying physical education at university, he became a postman in 2005 and made daily tours in Shanhua District, north of Tainan, far from the «modern city». In 2013, he began to photograph his daily life with his trusty motorcycle and mobile phone.

His images allow us to penetrate with great humility into the heart of a village where the last house on the left has just seen its occupant join the spirits, a wheat field that he has the joy of seeing evolve with every action carried out by farmers, a country road that gradually gets lined with concrete buildings, roads he is afraid to go down because he knows that wild dogs are waiting for him, sunrises and sunsets accompanying the lives of his contemporaries oscillating between tradition and the modernity that Taiwan plunged into over the last quarter of the twentieth century. He accompanies this life that the national media has almost stopped covering. He shares his images on Instagram, where he now has nearly 45,000 followers. In 2019 he will publish his second book and continue tirelessly throughout the seasons to share with us, via our small screens, images of a simple and curious life, a small story within the big one.

This exhibition is being presented for the first time at Photaumnales and at the Tainan Photography Biennale in November 2018.— Nicolas Havette

Nicolas Havette is a photographer and artistic director of the Manuel Rivera-Ortiz Foundation, Zhengzhou Chinese International Photography and Art Festival (Henan Province, China) and the first Tainan International Photo Festival (Taiwan).



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

26


My photographic research questions the borders of my origins, the places I belong to, my inner landscapes, those of my memory. My childhood passion for maps, atlases and globes comes across in this work through the choice of a map route to navigate along the coastline that defines the limits of Naples, the city I was born in and where I practise my art.

Along the shoreline marked on the nautical chart, I explored a different stretch of coast every day and, as in a logbook, I noted my conclusions, the traces of my passage, my reflections, putting together the Imaginary archives of the sea and its variations, its changes in relation to space, climate and my whims.

Sea mapping is an aquatic diagram in which alternate watery blues, ranging from cobalt blue to greenish aquamarine, along with white foam and the geographical lines of my inner ocean. This is a liquid map, a geography of thought, in which the oscillation of the sea evokes my hidden archipelago.— Ilaria Abbiento

Artist photographer, videographer and visual artist, Ilaria Abbiento lives and works in Naples (Italy).www.ilariaabbiento.com

Ilaria ABBIENTO Cartografia del mareInvitation to Photolux festival de Lucca (Italy)Exhibition curator: Enrico Stefanelli



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

27


Marco TIBERIO & Maria GHETTI ImmoRefugee

In 2016, Marco Tiberio and Maria Ghetti published ImmoRefugee, a photo book that looks like a magazine of classified real estate ads, covering a large residential area of 500,000 m2 in the suburbs of Calais, France.Surrounded by a metal fence, five metres high and equipped with running water and lights, the New Jungle offers different types of housing, old and new.This is no joke.

In Calais, more than 6,000 refugees lived in the same conditions as those shown here. The camp has now been demolished.Throughout the pages, photographs of fragile huts made of tarpaulins, fabrics and wooden planks are presented as a «superb deal» with «high quality finish». The Calais Jungle has been dismantled. By keeping track of its precarious habitats, ImmoRefugee provides a poignant testimony to the sad condition of the men and women who lived there.

Defrost is a creative duo consisting of Marco Tiberio and Maria Ghetti, who both work at the crossroads of art direction, photography and exhibition design. ImmoRefugee, Defrost editions, 2016Part of the revenue from the sale of the book is donated to a Ravenna-based Italian association that takes care of unaccompanied underage refugees.https://defrost.cargocollective.com



OÙ ET QUAND ?

15 sept. - 31 déc. 2018

28


Thibaut CUISSET The River Somme (création)

Exhibition curators: Camille Cuisset, Didier Mouchel and Fred Boucher

Between 2012 and 2013, at the invitation of Diaphane, as part of a residency, Thibaut Cuisset travelled along the River Somme from East to West to show the variety of natural and inhabited landscapes that succeed throughout the river’s course.

«I found myself on the banks of a river, a landscape subject that is dear to me, having already carried out work on the Loire and the Seine. I tried to recount this country through the presence of the river and ponds that structure this little known rural landscape. Naturally, I also looked at the architecture of the surrounding villages and how the work of the land shapes the landscape, how the farmer becomes landscaper.

At a time when we look at the planet in a global way, I like to focus my attention on these close spaces, because affirming the singularity of any land is also a way of questioning our world. «— Thibaut Cuisset - 2013

Thibaut Cuisset (1958-2017) is a documentary photographer. He was a resident at Villa Medici in Rome in 1992-1993, and at Villa Kujoyama in Kyoto in 1997. He benefited from the Photography Award of the Academy of Fine Arts in 2009 to carry out a work on the French countryside, and in 2015 he was granted a creative residency at the Fondation des Treilles (Var). He is represented by the gallery Les Filles du Calvaire in Paris.

Le Fleuve Somme is to be published soon by Diaphane editionsmaison de la culture à amiens15 septembre - 31 décembre 2018

vernissage jeudi 20 septembre à 18h302 place Léon Gontier à Amiens 13h - 19h mardi au vendredi14h - 19h samedi, dimancheEntrée libre03 22 97 79 79 - www.maisondelaculture-amiens.com

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

29


Martin BECKA The Silent Line (création)

Although it no longer functions for the most part, the railway line of southern Gaspésie, between New Richmond and Gaspé, continues to be closely linked to the region, sometimes passing without any delimitation into the very heart of the towns and villages, crossing roads, spanning rivers and valleys.The impressive works of art seem small in the face of the magnificent landscapes of the estuaries. Modest railway stations, sometimes nestled in nature or on the edges of towns, are unfailingly indicated by signs that reflect their importance. Between village houses, by the waterside, or in the heart of the woods, this trail like an Ariadne’s thread weaves the fabric of the land between the inhabitants and their landscapes, Gaspesian landscapes whose immensity is fascinating for European eyes.Advancing alongside these rails that have fallen silent, I was astonished to come across many more people than I would have imagined. Walkers, sportsmen, residents of nearby houses, most of the Gaspesians I met wondered about the future of the line, the consequences for the future of the region, its rehabilitation or its abandonment...— Martin Becka

Martin Becka was invited for a creative residency in Gaspésie in 2017 as part of the partnership between Diaphane and the Rencontres Internationales de la Photographie in Gaspésie, with the support of the Department of Cooperation and Cultural Action of the Consulate General of France in Quebec and the Council of Arts and Letters of Quebec.

Born in 1956 in Brno (Czech Republic), Martin Becka lives and works in Paris. He uses a large format view camera to photograph architecture, landscapes and urban spaces using techniques from the beginning of the history of photography. He is represented by the East Wing Gallery in Dubai.http://martin.becka.pagesperso-orange.frUFR des arts à amiens

15 octobre - 23 novembre 2018

vernissage lundi 15 octobre30 rue des Teinturiers à AmiensAux heures d’ouverture — Entrée libre03 22 22 43 43

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

30


Katia Kameli’s solo exhibition presented in the CRP/ gallery is to focus on the contribution of images to the writing of history, their political and cultural power. New photographic and film productions created in Algeria are to be presented, in particular investigating the decade of 1958 to 1968, featuring the recent video installation The Algerian Novel.This video installation, begun in 2016 and conceived in three chapters, significantly illuminates the complex relations of a nation with its history and the role of images in the construction of its national novel and its archetypes.

Katia Kameli’s approach, combining the fields of photography, film and installation, is based on research: historical and cultural facts inspire the multiple forms of her poetically artistic imagination. The rewriting of stories appears in her work. She highlights a global story of porous borders and reciprocal influences to open a reflexive path that generates a critical view of the world. Through her work, she renews the artistic approach of the iconographic archive, while incarnating historical and cultural subjects in narration and artistic reflection.

Born in 1973 in Clermont-Ferrand, Katia Kameli is a graduate of the National School of Fine Arts in Bourges and the Invisible College, and completed post-graduate studies at the School of Arts in Marseille. Her work has been the subject of numerous exhibitions in France and abroad, including, in June 2018, one at the Gateway Contemporary Art Centre in Brest. She is also currently participating in the 13th Biennial of Contemporary African Art in Dakar.www.katiakameli.com

Katia KAMELIIN THE SHADE OF THE STAR AND THE CRESCENTExhibition proposed by CRP/ in partnership with DiaphaneExhibition curators: Muriel Enjalran and Fred Boucher

Mon livre d’histoire

CRP/ centre régional de la photographie hauts-de-france22 septembre - 25 novembre 2018

vernissage samedi 22 septembre à 12h30Place des Nations à Douchy-les-Mines13h - 17h mardi au vendredi14h - 18h samedi, dimanche et jours fériésEntrée libre03 27 43 56 50 - www.crp.photo

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

31


Arnaud CHAMBON Against ! (création)

I spent 5 months in the psychiatric hospital of Clermont, Oise. I made this choice because this other, this elsewhere that crystallizes psychiatric care has been part of my life for a long time, and this total immersion was a way for me to face something.As often when I arrive somewhere, I get angry at the words used in this place. The hospital was no exception to this rule. My anger was especially focussed on words relating to the classification of illnesses. Sometimes I used to use the same words and my anger redoubled. I chewed on this anger, closed my eyes and looked within myself to get a clearer view of what I was seeing.I experienced that kind of tearing feeling that is familiar to the photographer faced with the world, some kind of ecstasy. There were also many difficulties and missed photographs. But I was able to make photographs that matter to me. And every time, they left me feeling naked, lost, without knowing. I was not alone. About a hundred people, the youngest of whom was six, all tried to find the way to photographs that matter to themselves. And there was also for me the double happiness of witnessing the energy released by our movement, and of experiencing the photographs made by others.— Arnaud Chambon

This project took place as part of a residency set up by Diaphane at the Hospital Centre in Isay from early October 2017 to mid-February 2018, with the support of the Regional Directorate of Cultural Affairs and the Regional Health Agency of Hauts-de-France.

Born in 1971 in Soissons, Arnaud Chambon is self-taught. He lives and works between the region of Paris and Hauts-de-France. www.arnaudchambon.fr

espace séraphine louis15 septembre - 4 novembre 2018

vernissage samedi 15 septembre à 11h11 rue du Donjon à Clermont-de-l’Oise14h - 18h mercredi, samedi et dimancheEntrée libre03 44 78 88 69

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

32


During my creative residency in Clermont, my apartment was located next to a building with remarkable architecture. I learned that it was a secondary school built in 1938. In Bauhaus style, the school had accommodated up to 1,400 students. The building has been vacant since 2004. What surprised me was its size. It is a really big school in a small town. I wondered whether all the inhabitants of the town had studied there.Frankly, I find the Bauhaus style rather tedious now, but it represents history and a revolution in design that has had a strong influence in the world.With my photos, I tried to document the relationship between town and school. I looked at the traces the students have left, the marks that have been written. I scrutinised the construction of the building, both inside and out. It is a remnant of heritage, of history. It is also the collective memory of the inhabitants of Clermont.— Almond Chu

On July 10, 1938, the first stone of this new college was laid by Édouard Herriot, President of the Chamber of Deputies. The keys were handed over by the Municipality to the Principal on May 4, 1940. In his speech, the Prefect of Oise addressed the students, telling them it was up to them to finalise the efforts made by the community that had helped to build this school, «one of the most modern and beautiful in France». This «liner style» building respects the precepts of Bauhaus and Le Corbusier.

Almond Chu was invited on a creative residency in Clermont in 2016-2017 as part of a partnership between the Photaumnales festival, the French Alliance of Hong Kong and the Hong Kong International Festival.

Born in 1962 in Hong Kong, Almond Chu, graduated from the Tokyo School of Photography in 1986, and then opened his own studio in Hong Kong in 1993. He is represented by Yoko Uhoda Gallery in Liège (Belgium) and by La Galerie, Paris 1839 in Hong Kong.www.almondchu.com

Almond CHUFernel Secondary School (création)

espace séraphine louis15 septembre - 4 novembre 2018

vernissage samedi 15 septembre à 11h11 rue du Donjon à Clermont-de-l’Oise14h - 18h mercredi, samedi et dimancheEntrée libre03 44 78 88 69

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

33


Laetitia d’ABOVILLE So I go there on purpose to cut the nuts

End of 2014. Diagnosis.Neither he nor anyone wants to hear it.Since at first, it does not seem like an illness.At first, it just goes for old age.I knew I had to catch what had not already gone.But I knew that a documentary style would not be enough.I first followed him in his daily life to understand.To collect the clues.And then I wanted to mix my vision and reality.I laid out his everyday objects and photographed a bit of his disappearance.For the second part, I did not work on the composition of the image.This time it was me who went back to childhood.By playing hide-and-seek with him, I steal those moments where his time takes a break.— Laetitia d’Aboville

Born in 1983, Laetitia d’Aboville lives and works in Pantin. After studying communication, she started photography in 2009 and began doing commissioned work for institutional clients. She has built her artistic approach around everyone’s place within society, the group or the family. Breaking codes, reshaping moulds, getting out of the box, normality raises questions for her. www.laetitiadaboville.com

maison diaphane à clermont salon des émergents16 septembre - 31 décembre 2018

vernissage dimanche 16 septembre à 16h16 rue de Paris à Clermont-de-l’Oise10h - 12h 14h - 17h tous les jours (fermé samedi et dimanche)sur rendez-vous pour les scolaires09 83 56 34 41

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

34


Sophie ZÉNONThe Landscape Man (Alexandre)In the Mirror of the Rice Fields (Maria)

The Landscape Man (Alexandre)Sophie Zénon evokes the arrival in the Vosges of her father, a child of Italian immigrants, in the 1930s. Plexiglas plates reproducing the portrait of her father’s identity card, a class photo and the one with his parents were placed in forests of the Bussang (Haut-Rhin) region, familiar to the child. They were then re-photographed on a mobile phone with tight framing on the face. The video made in situ explores the movement of the wind in the trees, the vibrations of water on the face and suggests a geographical aspect of bodies that, little by little, seem to come back to life. As in a palimpsest, trunks, leaves of trees and insects, intertwine with the lines of the face, in a game of transparencies, reflections, shadows and lights. The body becomes a place of passage, a universe interacting with space and the environment.

The Mirror of the Rice Fields (Maria),In the heart of the rice fields of Italian Piedmont, Sophie Zénon explores, in the shadow of her maternal grandmother, the figure of the «mondina», seasonal worker whose job was to transplant rice seedlings and cut weeds. It was a demanding task, carried out by women from all over Italy. In the spaces of the Tenuta della Colombara –a vast rice estate dating back to the 15th century, Sophie Zénon gave free rein to her imagination and, for the first time, staged fictional sketches tinged with fantasy. This work was created thanks to the Treilles Foundation Photographic Residency Award, which she won in 2015.

Born in Seine-Maritime in 1965, Sophie Zénon is represented by the Thessa Herold gallery in Paris, the Comptoirs Arlésiens in Arles and the Schilt gallery in the Netherlands. Pour vivre ici, Loco editions, 2018www.sophiezenon.com

La trama (I), Dans le miroir des rizières (Maria), 2016

espace matisse à creil20 octobre - 22 décembre 2018

vernissage vendredi 9 novembre à 18h101/119 rue JB Carpeaux à Creil9h - 12h 14h - 18h mardi au vendredi9h - 12h 14h - 17h samedientrée libre03 44 24 09 19

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

35


Valerio VINCENZOBorderline, the Frontiers of Peace

I have in front of me the photograph at the origin of this project, the Bailleul customs post, immortalized by Henri Cartier-Bresson in 1969: a black and white image that belongs to the past. (...) So I decided to go looking for the Cartier-Bresson customs post. The caption of the photograph showing the name of the road, I had only to follow it. In 2007, I found the gatehouse, still in its place at the edge of the road, abandoned and in poor condition, with peeling paint. This customs post marked the beginning of a project which, over a period of ten years, led me to cross the length and breadth of Europe, from Portugal to Bulgaria, from Finland to Greece, zigzagging along almost twenty thousand kilometres of borders between the countries of the European Union or belonging to the Schengen area. These are countries that, having been at the heart of the deadliest war in the history of humanity, decided to build a peace project, Europe, for which they received a Nobel Prize in 2012.

(...) Back from my last trip along the borders, almost ten years after my first visit, I went back to see the customs post photographed by Henri Cartier-Bresson. It has changed. It is now brand new, restored by the local authorities. Preserved for future generations, it is witness to the path of peace travelled by Europe over the last six decades.— Valerio Vincenzo

Born in Naples (Italy) in 1973, Valerio Vincenzo lives and works in Paris, Milan and the Netherlands. Borderline, the Borders of Peace, received the 2013 Louise Weiss European Journalism Award, was nominated for the Canon Silver Camera Award in the Netherlands and shortlisted for the Alfred Fried Peace Photography Award in Austria in 2016.https://valeriovincenzo.com

galerie du chevalet à noyon25 septembre - 31 décembre 2018

vernissage mardi 25 septembre à 18h16 place Aristide Briand à Noyon14h - 18h mardi et jeudi10h - 12h 14h - 18h mercredi, vendredi et samedientrée libre03 44 93 28 20

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

36


The Condé Museum in Chantilly presents a remarkable collection of photographs from the second half of the 19th century, collected by the Duke of Aumale. This collection, comprising more than 1,900 pieces, includes works by famous artists belonging to the generation of «primitives» of photography, including the famous seascapes of Gustave Le Gray (1820-1884), the Braun brothers’ views of the Alps and Robert Howlett’s news photographs, the first amateur photographs and the beginnings of industrial photography.

Works by other artists related to the 1851 Heliographic Mission are featured in the Condé museum collection, notably three prints made around 1885 representing views of Paris by Édouard-Denis Baldus (1813-1882). Other views of Parisian monuments are the work of the Bisson brothers.

Passionate about mountains, the Duke of Aumale also owned fine views of Switzerland by Adolphe Braun (1812-1877) in Dornach. As a military man, he acquired the first major war reportage photos by Roger Fenton, sent to the siege of Sevastopol in 1854 by Queen Victoria.

The collection also includes family portraits, from the Orleans family to that of the Habsburgs, to whom the Duchess of Aumale was related through her mother, as well as photographs of paintings and works of art showing how the collector also made documentary use of this medium.

Gustave LE GRAY (1820-1882), Le brick au clair de lune, 1856.

Primitives of PhotographyExposition associée

musée condé — cabinet d’arts graphiques30 octobre 2018 - 6 janvier 2019

vernissage date à venirDomaine de Chantilly 7 rue du Connétable à Chantilly10h30 - 17h tous les jours sauf le mardientrée payante03 44 93 28 20

OÙ ET QUAND ?

15 sept. - 31 déc. 2018

37


Les expositions dans les galeries des établissements scolaires

n Les Ateliers — Cité scolaire Manessier at Flixecourt Creative Residencies by Stéphanie Lacombe and Cédric Martigny

As part of two mission residences organised in 2017 and 2018 by the Departmental Council of the Somme, two photographers led photography workshops and created work inspired by the site.

Stéphanie Lacombe lived with young high school students in the heart of the boarding school, and her images transport us into the world of teenagers spending time together.

Cédric Martigny focused on the representation of those who work in the school, especially teachers. He set up scenes where each of the protagonists would put their body to work.

n Lycée Jean Rostand à Chantilly Garifunas et descendants de Robert Charlotte

n Lycée professionnel Roberval à Breuil-le-Vert Blitz de Dan Leung

n Institution du Saint-Esprit à Beauvais Aeropolis de Bertrand Stofleth

n Collège Pasteur de Noyon Reconstruction de Nigel Green

n Collège Les Fontainettes à Saint-Aubin Mythologiques (aux bidons) de Jean-Baptiste Barret

n Lycée Joliot-Curie à Hirson Tergnier, la cité modèle de Guillaume Herbaut

Stéphanie Lacombe

Cédric Martigny

15 sept. - 31 déc. 2018

38


Collectif Polygone Ne m’oublie pas Photographies de Jacques Marzack et Bruno Maimbourg

Du 15 septembre au 15 novembre 2018Vernissage le 25 septembre à 20h

Centre commercial du Jeu de Paume4 boulevard Saint-André à Beauvaiswww.lejeudepaume.com

Ateliers de l’École d’Art du Beauvaisis à Beauvais Le corps paysage, mémoire à fleur de peau et Impacts de guerreLes ateliers photo de l’École d’Art du Beauvaisis sont encadrés par Sophie Goullieux

Du 8 novembre au 21 décembre 2018 Vernissage le 7 novembre à 18h30

Association Culturelle Argentine (Asca)8 avenue de Bourgogne à Beauvais Tél. : 03 44 15 67 06Le mardi 9h30 - 12h / 13h30 - 19h le mercredi 9h - 12h / 13h30 - 19h les jeudi et vendredi 13h30 - 19h le samedi 13h30 - 18h

Photo-club beauvaisien Mémoire

Du 5 au 30 novembre 2018

Voinsinlieu pour tous, centre culturel Desmarquest Rue de la Longue Haie à Beauvais Tél. : 09 54 66 25 82Du lundi au jeudi 9h30 - 12h /1 4h - 17h30Vendredi et samedi 9h30 12h / 14h - 17h

70 ans, 70 photosLes 15 et 16 septembre 2018Espace patrimoine du Quadrilatère

Les autres expositions

15 sept. - 31 déc. 2018

39


Diaphane, pôle photographique Hauts-de-France, a pour vocation de présenter la diversité de l’image photographique, sur toutes les échelles du territoire.Son projet est nourri par :- le soutien à la création lors de résidences de recherche et de séjours de production- la réalisation de parcours d’expositions réguliers,- l’accompagnement des publics (rencontres, interventions d’artistes dans les projets pédagogiques, actions de sensibilisation des publics adultes et publics spécifiques),- l’organisation du festival Les Photaumnales.Diaphane porte un intérêt particulier au soutien des jeunes photographes, une attention responsable à la transversalité des projets, à la mutualisation des moyens et des énergies, et se plaît à déployer ses actions du local à l’international... La maison Diaphane à Clermont-de-l’Oise accueille l’équipe du pôle photographique, un centre de ressources et un espace d’exposition à destination de jeunes photographes, le Salon des émergents. Le programme d’expositions se construit également par la mise à disposition régulière d’espaces par différents lieux partenaires.

En parallèle au pôle photographique, Diaphane a mis en place une maison d’édition. www.diaphane-editions.com

Diaphane 16 rue de Paris 60600 Clermont-de-l’Oise Tél. : 09 83 56 34 [email protected] www.diaphane.org

Diaphane fait partie des réseaux Diagonal et 50° nord.

Réseau de structures photographiqueswww.reseau-diagonal.com

Réseau régional d’art contemporainwww.50degresnord.net

Direction artistique : Fred Boucher, Adriana Wattel

Scénographie : Véronique Masini, François Tisseyre / Atelier EcoutezVoir

Dossier pédagogique : Juliette Estaquet, Jane le Barzic, Valérie Thuillier

Médiation : Juliette Estaquet pour Diaphane Nicolas Nief pour la Ville de Beauvais

Administration : Aurélie Michel

Communication : Julia Le Flambe, Adriana Wattel

Dossier de presse : Nathalie Saillard

Relations presse : Nathalie Dran

Traduction : Paul Muse

Création graphique : Clémence Passot et Pierre Tandille

Site : Pascal Bruandet

Direction technique et régie générale Le Quadrilatère : Sébastien Plantefèbre, Sébastien Krajco

Direction des affaires culturelles de la Ville de Beauvais

15 sept. - 31 déc. 2018

40


Les Photaumnales sont organisées par Diaphane, avec le soutien de :

n PARTENAIRES INSTITUTIONNELS DU FESTIVAL Ministère de la Culture - DRAC Hauts-de-FranceRégion Hauts-de-FranceDépartement de l’OiseVille de Clermont-de-l’OiseVille de Beauvais

n PARTENAIRES À L’INTERNATIONAL Photolux festival - Lucca (Italie)Kaunas Photo festival (Lituanie)Triennale Photographie et Architecture - Bruxelles (Belgique)Central Saint Martins UAL, Londres wRencontres internationales de la photographie en Gaspésie (Québec) Conseil des arts et des lettres du QuébecCoopération France - Québec

Cette édition des Photaumnales est présentée au Quadrilatère dans le cadre d’un partenariat entre la Ville de Beauvais et Diaphane. Le Quadrilatère est un équipement culturel de la Ville de Beauvais. [email protected]

Inversé / Fond noir ou foncé

Noir et blanc / Fond blanc ou pâle

Fond blanc ou pâle

Les partenaires

15 sept. - 31 déc. 2018

41


taille minimale / 25 mmde reproduction du logotypeavec quadrilatère blanc/sous signatureblanc tournant de 4 mm à respecterautour du logotype.

taille minimale / 25 mmde reproduction du logotypeavec quadrilatère gris 30% /sous signatureblanc tournant de 4 mm à respecterautour du logotype.

taille minimale / 25 mmde reproduction de la signatureseule. contraste à respecter.

Noir sur fond clair et blanc sur fond sombre.blanc tournant de 4 mm à respecterautour du logotype

taille minimale / 25 mmde reproduction du logotypeavec quadrilatère jaune 100% /sous signatureblanc tournant de 4 mm à respecterautour du logotype.

Voici 4 versions du logotype au 31/08/16. La conception de la charte graphique est en cours merci donc de respecter ces indications et de ne pas modi�er le dessin du logotype.©caroline pauchant, 2016.

Fondé en 1982, le CRP/ basé à Douchy-les-Mines, centre d’art conventionné, est un lieu d’exposition, de soutien à la création, d’expérimentation, de diffusion et de médiation œuvrant dans le champ de la photographie et de l’image contemporaines. Ancré sur son territoire et tourné vers d’autres scènes artistiques à l’étranger, le CRP/ programme quatre expositions par an.À ce programme artistique, s’articule un programme culturel hors-les-murs d’expositions, de conférences, de séances cinéma ou de performances, ainsi que des projets pédagogiques et culturels menés autour des œuvres et avec des artistes. Le CRP/ a la particularité d’être doté d’un fonds comprenant une collection de près de 9 000 œuvres, une artothèque, et une bibliothèque d’ouvrages photographiques de références et de livres d’artistes. Cette collection constitue un ensemble exceptionnel témoignant de la diversité et de la richesse de la création photographique depuis plus de trente ans en France et à l’étranger.L’artothèque du CRP/ propose au prêt des publics près de 500 œuvres photographiques originales. Plus d’informations sur www.crp.photo

n LIEUX D’EXPOSITIONS Association culturelle Argentine à BeauvaisCentre commercial du Jeu de Paume à BeauvaisCRP/ Centre régional de la photographie Hauts-de-France à Douchy-les-MinesMusée Condé - Domaine de Chantilly Espace Matisse à CreilGalerie du Chevalet à NoyonEspace Séraphine Louis à ClermontLe Quadrilatère à BeauvaisMaison de la culture à AmiensUniversité de Picardie Jules Verne à AmiensVoisinlieu pour tous, centre socio-culturel Georges Desmarquest à Beauvais

n GALERIES DES COLLÈGES ET LYCÉES Galerie du lycée du Saint-Esprit à BeauvaisGalerie du lycée Jean Rostand à ChantillyGalerie du lycée Joliot Curie à HirsonGalerie du collège Jacques Cartier à ChaunyGalerie du collège des Fontainettes à Saint-Aubin-en-BrayGalerie du collège Pasteur à NoyonLycée professionnel Roberval à Breuil-le-Vert

15 sept. - 31 déc. 2018

42


n PARTENAIRES PUBLICS Mission du centenaire de la Première Guerre mondialeHistorial de la Grande Guerre Péronne - ThiepvalAgence Régionale de Santé Hauts-de-FranceCentre hospitalier isarien

n PARTENAIRES PRIVÉS Laboratoire Photon Laboratoire PictoCIRCADSCAM, Société civile des auteurs multimédiaÉcoutezVoirFondation des TreillesMélanie Rio FluencyGalerie Dityvon - Université d’AngersPixTrakk

n PARTENAIRES MÉDIA FisheyeFrance 3 Hauts-de-FranceFrance Bleu PicardieFranceFineArtL’Agora des artsMowwgliMuseumTous les jours curieux

15 sept. - 31 déc. 2018

43


Museum, c’est la première chaine télé entièrement consacrée à l’art. Beaux-Arts, Street Art, Art Vidéo, Art Contemporain, Photographie, Architecture, Design… Tous les arts se retrouvent sur Museum avec divertissement, de la découverte, des infos… Museum tourne toutes ses productions originales en 4K Ultra-Haute-Définition. Museum est disponible uniquement dans les offres Canal (canal 84), sur Free dans le Forfait Freebox Révolution avec TV by CANAL Panorama (canal 213) et sur Orange dans le bouquet Famille by Canal (canal 136). Installez-vous, Museum vous réserve plein de surprises !http://museumtv.fr

Mowwgli est un média d’influence pluridisciplinaire consacré à l’art et la culture. Chez Mowwgli on parle de photographie et aussi... de tout le reste. Créé en octobre 2016 par Aurélie Tisseyre et Ericka Weidmann, Mowwgli fait appel à une communauté de passionnés et « trenders » et accueille chaque semaine un rédacteur en chef invité, issu du monde de l’art et de la culture. Mowwgli c’est aussi une application personnalisable qui géolocalise toute l’offre culturelle autour de vous. www.mowwgli.com

touslesjourscurieux est un magazine dans une appli, et une agence conseil. C’est-à-dire que notre mensuel est lisible sur iPad et tablette Android. C’est innovant, car la maquette a été créée spécifiquement pour ces supports. Il n’est pas l’adaptation d’un magazine papier. C’est une première en France. tljc c’est aussi des pages gratuites sur votre iPhone/smartphone qui facilite un premier contact et une première prise en main. touslesjourscurieux propose une alternative au flux d’images qui envahit nos écrans. Notre magapp fait le tri et explique le hors-champ, la petite histoire qui fait la grande. Forts de nos contacts et de notre proximité avec le monde de la photo, nous publions chaque mois des histoires singulières, originales, distrayantes, racontées par les photographes eux-mêmes. Par l’image et le texte. Nous partageons aussi nos coups de cœur pour des livres et des expos. La curiosité est notre passeport. www.touslesjourscurieux.fr

.com .com

.com .com

.com

.com

La revue culturelle franco-chinoise FranceFineArt.com, réalisée par des artistes français et chinois, a été créée lors des années croisées France-Chine (2004-2005).FranceFineArt.com est constituée de différentes rubriques qui à l’aide de photographies, d’interviews sonores, de textes et de liens interactifs, rendent compte de la vie artistique en France et en Chine.www.francefineart.com

Documents

15 SEPT. 31 DÉC. 1815 sept. - 31 déc. 2018 2 Beauvais — Hauts-de-France 15e édition For this 15th edition of the Photaumnales, in a year of multiple commemorations, the programme