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This lecture was part of a general introduction for a graduation project with four students from the Rotterdam Academy of Architecture. The graduation project's central theme was the implementation of materials, construction, and the symbolical meaning of materials.
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The spirit receives from materials the perceptionsby which it is nourished, and returns them in the
form of movement, with the imprint of its freedom.Henry Bergson
(link)
Thursday, June 18, 2009
innovatieThursday, June 18, 2009
Richard Rogers Norman Foster Nicolas Grimshaw
Richard Buckminster Fuller
Thursday, June 18, 2009
materiaalThursday, June 18, 2009
ISBN: 0-8070-6473-4
Gaston Bachelard 1884-1962
Thursday, June 18, 2009
1The House, from Cellar to Garret
The significance of the Hut2
House and Universe3
Drawers, Chests and Wardrobes4
Nests5
Shells6
Corners7
Miniature8
Intimate Immensity9
The Dialectics of Outside and Inside10
The Phenomenology of Roundness
Thursday, June 18, 2009
Sometimes the house of the future is better built, lighter and larger thanall houses of the past, so that the image of the dream house is opposedto that of the childhood home. Later in life, with indomitable courage,we continue to say that we are going to do what we have not yet done:
we are going to build a house.
Gaston Bachelard - The Poetics of Space
Thursday, June 18, 2009
Fermez l’espace!Fermez la poche du Kangourou!
Il y fait chaud.
Close space!Close the kangaroo’s pouch!
It’s warm in there.
Maurice Blanchard - Le temps de la poésie
Thursday, June 18, 2009
Fermez l’espace!Fermez la poche du Kangourou!
Il y fait chaud.
Close space!Close the kangaroo’s pouch!
It’s warm in there.
Maurice Blanchard - Le temps de la poésie
Thursday, June 18, 2009
Fermez l’espace!Fermez la poche du Kangourou!
Il y fait chaud.
Close space!Close the kangaroo’s pouch!
It’s warm in there.
Maurice Blanchard - Le temps de la poésie
Thursday, June 18, 2009
ISBN: 2-7186-0550-2
ISBN: 0-1401-8986-6
RuimtenRondom
ISBN: 9-0295-350-3
(Link)
Thursday, June 18, 2009
Un espace sans fonction. Non pas "sans fonction précise", mais précisément sans fonction ; non pas pluri-fonctionnel (cela, tout le monde sait le faire), mais a-fonctionnel. Ça n'aurait évidemment pas été un espace uniquement destiné á
"libérer" les autres (fourre-tout, lacard, penderie, rangement, etc.) mais un espace, je le répète, qui n'aurait servi à rien.
Comment penser le rien ? Comment penser le rien sans automatiquement mettre quelque chose autour de ce rien, ce qui en fait un trou, dans lequel on va
s'empresser de mettre quelque chose, une pratique, une fonction, un destin, un regard, un besoin, un manque, un surplus ?
Thursday, June 18, 2009
ambachtThursday, June 18, 2009
Peter Zumthor (1943)
Truog ‘Gugalun’ Huis, Versam 1990-’94
Sumvitg-San Benedetg, Graubunden 1985-’88
“Architektur ist etwas Haptisches, etwas zum Anfassen. Die Materialien in der Architektur sind wie die Töne für den Komponisten.Mit den Materialien arbeite ich, ich habe alle gern. Das Interessante ist,
die Töne immer wieder neu zusammenzusetzen und einen spezifischen Klang zu erzeugen.”
Thursday, June 18, 2009
Made of MaterialsTo me, there is something revealing about the work of Joseph Beuys and some of the artists of the Arte Povera group. What impresses me is the precise and sensuous way they use materials. It seems anchored in an ancient, elemental knowledge about man’s use of materials, and at the same time to expose the very essence of these materials which is beyond all culturally conveyed meaning.I try to use materials like this in my work. I believe that they can assume a poetic quality in the context of an architectural object, although only if the architect is able to generate a meaningful situation for them, since materials in themselves are not poetic.The sense that I try to instill into materials is beyond all rules of composition and their tangibility, smell and acoustic qualities are merely elements of the language that we are obliged to use. Sense emerges when I succeed in bringing out the specific meanings of materials in my buildings, meanings which can only be perceived in just this way in this one building.If we work towards this goal, we must constantly ask ourselves what the use of a particular material could mean in a specific architectural context. Good answers to these questions can throw new light onto both the way in which the material is generally used and its own inherent sensuous qualities.If we succeed in this, materials in architecture can be made to shine and vibrate.
Peter Zumthor
Thursday, June 18, 2009
ISBN: 4-900211-50-8link
Thursday, June 18, 2009
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1927
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economieThursday, June 18, 2009
Shigeru Ban (1957)
Bibliotheek voor een Dichter, Zushi, Japan - 1991
Papieren Kerk, Kobe, Japan - 1995
Japans Paviljoen, Expo 2000, Hannover, BRD
“My primary concerns are structural lightness and efficiency; spatial and visual transparency; the dissolution of the boundaries
between interior and exterior space, and economical means of construction.”
Thursday, June 18, 2009
ISBN: 0-7148-4194-3link
Thursday, June 18, 2009
ISBN: 0-9181-7202-0link
Thursday, June 18, 2009
Eames House, 1951
Thursday, June 18, 2009
House for a Poet, 1991
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Paper Church, Kobe, 1995
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Expo 2000 link
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revolteThursday, June 18, 2009
ISBN:1-56898-176-7
(link)
Thursday, June 18, 2009
L écume des jours, 1967Michelin | Bibendum, 1898
Thursday, June 18, 2009
Jean-Paul Jungmann - Dyodon, 1967
Thursday, June 18, 2009
Hans-Ulrich Obrist - interview met Jean-Paul Jungmann
Thursday, June 18, 2009
Thursday, June 18, 2009
utopieThursday, June 18, 2009
“It’s not biomorphism in the sense that it is imitation of natural form, better is learning how nature organizes, and in the same way
we can organize our buildings and our cities.”
John M. Johansen(1916)
Froth of Bubbles - Conferentiecentrum 2001
Molecular-Engineered Apartment Building 2001
Thursday, June 18, 2009
ISBN: 1-56898-301-8
Thursday, June 18, 2009
John M. JohansenMolecular-Engineered Apartment Building 2001
Thursday, June 18, 2009
Ernst HaeckelArt Forms in Nature - Radiolaria 1899
Thursday, June 18, 2009
http://www.biojewellery.com/
Thursday, June 18, 2009
tektoniekThursday, June 18, 2009
tektoniek (tectoniek) (v.;g.mv.), 1 leer van de verschuivin-gen en verplaatsingen van de aardlagen; 2 (bouwk.) leer van
de architectonische vormen in hun verband met constructie
en techniek.
Bron: van Dale, 12e druk
Thursday, June 18, 2009
ISBN: 0-262-56149-2
(link)
Thursday, June 18, 2009
How to become modernand return to sources?
Paul Ricœur
Thursday, June 18, 2009
