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Art in France after WWI left side

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Art in France after WWI

left side

Amedeo Modigliani

Portrait of Jeanne Hebuternewith Hat and Necklace

1917Oil on Canvas

54” x 65”

Private Collection

Suzanne Valadon

Blue Room

1923

[Fig. 03-37]

Henri Matisse

Music Lesson

1917

Oil on canvas

8’ 1⁄8” × 6’ 7”

The Barnes Foundation, Philadelphia, Pennsylvania

[Fig. 11-08]

Henri Matisse

Interior with a Phonograph

1924

Oil on canvas 39-3⁄4 × 32”

Private collection

[Fig. 11-10]

Raoul Dufy

Indian Model in the Studio at L’Impasse

Guelma

1928

Oil on canvas

31-7⁄8 × 39-3⁄8”

rivate collection

[Fig. 11-13]

Pablo Picasso

Ambroise Vollard

1915

Pencil on paper

18-3⁄8 × 12-9⁄16”

The Metropolitan Museum of Art New York

[Fig. 11-14]

Pablo Picasso

The Pipes of Pan

1923

Oil on canvas

6’ 6-1⁄2” × 5’ 8-1⁄2”

Musée Picasso, Paris

[Fig. 11-17]

Pablo Picasso

Three Musicians

summer 1921

Oil on canvas

6’ 7” × 7’ 3-3⁄4”

The Museum of Modern Art, New York

[Fig. 11-19]

Georges Braque

Woman with a Mandolin

1937

Oil on canvas

51-1⁄4 × 38-1⁄4”

The Museum of Modern Art, New York

[Fig. 11-24]

Fernand Léger

The Great Parade

1954 Oil on canvas 9’ × 13’ 1”

Guggenheim Museum

New York

[Fig. 11-26]

Amédée Ozenfant

Guitar and Bottles

1920

Oil on canvas

31-7⁄8 × 39- 1⁄4”

Guggenheim MuseumNew York

[Fig. 11-27]

De Stijl&

Geometric Abstraction

Piet Mondrian

Apple Tree

Pointillist Version

1909-09Oil on Composition

Board

22 3/8” x 29 ½”

Dallas Museum of Art

[Fig.12.1]

Theo van Doesburg

Card Players

1916–17

Tempera on canvas

46-1⁄2 × 58”

Private collection

[Fig. 12-05]

Theo van Doesburg

Sophie Taeuber

& Jean (Hans) Arp

Interior, Café l’Aubette

1926–28 Strasbourg,

destroyed 1940

[Fig. 12-07]

Gerrit Rietveld

Living and dining area

Schröder House

with furniture by

Rietveld

[Fig. 12-12]

Bauhaus

Walter Gropius and Adolph Meyer, Fagus Shoe Factory, 1911–25.Alfeld-an-der-Leine, Germany. [Fig. 13-01]

Walter Gropius and Adolph Meyer, Design for the Chicago Tribune Tower, 1922.[Fig. 13-03]

László Moholy-Nagy, Light Prop for an Electric Stage (Light–Space Modulator), 1922–30.Kinetic sculpture of steel, plastic, wood, and other materials with electric motor, 59-1⁄2 × 27-1⁄2 × 27-1⁄2” (151.1 × 69.9

× 69.9 cm). Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA. [Fig. 13-05]

László Moholy-Nagy, Untitled (looking down from the Radio Tower, Berlin), c. 1928. Gelatin-silver print, 14-1⁄4 × 10” (36.2 × 25.6 cm).

The Art Institute of Chicago, Julien Levy Collection. [Fig. 13-07]

Paul Klee, Um den Fisch (Around the Fish), 1926.Oil and tempera on primed muslin on cardboard;original frame, 18-3⁄8 × 25-1⁄8” (46.7 × 63.8 cm).

The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund. [Fig. 13-09]

Paul Klee, Ad Parnassum, 1932.Oil and casein paint on canvas; original frame, 39-3⁄8 × 49-5⁄8” (100 × 126 cm).

Kunstmuseum Bern, Dauerleihgabe des Vereins der Freunde des Kunstmuseums Bern (Society of Friends of Kunstmuseum Bern). [Fig. 13-11]

Vasily Kandinsky, Composition VIII, 1923.Oil on canvas, 55-1⁄8 × 79-1⁄8” (140 × 201 cm).

Solomon R. Guggenheim Museum, New York. [Fig. 13-13]

Oskar Schlemmer, Study for The Triadic Ballet, c. 1921–23.Gouache, brush and ink, incised enamel, and pasted photographs on paper, 22-5⁄8 × 14-5⁄8” (57.5 × 37.1 cm).

The Museum of Modern Art, New York. [Fig. 13-15]

Gunta Stölzl, Tapestry, 1922–23.Cotton, wool, and linen, 8’ 4-13⁄16” × 6’ 2” (2.56 × 1.88 m).

Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA. Association Fund. BR49.669. [Fig. 13-17]

Herbert Bayer, Bauhaus Dessau, 1926.Letterpress, 8-1⁄2 × 5-7⁄8” (21.6 × 14.9 cm).

The Museum of Modern Art, New York. [Fig. 13-19]

Naum Gabo, Linear Construction in Space, No. 1 (Variation).Lucite with nylon thread, 24-1⁄2 × 24-1⁄2” (62.2 × 62.2 cm).

The Phillips Collection, Washington, D.C. [Fig. 13-21]

Anton Pevsner, Monde (World), 1947.Bronze, 29-1⁄2 × 23-2⁄3 × 22-3⁄4” (75 × 60 × 57 cm).

Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris.[Fig. 13-23]

Ludwig Mies van der Rohe, Model for a glass skyscraper, 1922. [Fig. 13-25]

Ludwig Mies van der Rohe, German Pavilion, International Exposition, 1929.Barcelona, Spain. Reconstructed 1986. [Fig. 13-27]

Ludwig Mies van der Rohe, German Pavilion, 1929. Interior view. [Fig. 13-29]