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INTER
IO
AR
EdinRomnia
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igloobest
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INTERIOAREdin RomniaRomanian Interiors
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Board editorial: Bruno Andre[oiu, Adrian Cioc`zanuCoordonator proiect editorial: Viorica Buic`Texte: Viorica Buic`, Catrinel PanaiteTraducere: Samuel W.F. OnnFotografii: {erban Bonciocat, Cosmin Dragomir, Corvin Cristian, Cornel Lazia,Ana Blidaru, 2mtdv, Anda {tefan, ODAGrafic`: Corina Gabriela DumaProcesare imagine, DTP: Cristian David, Robert DumitruBucure[ti, igloo, 2007
Cartea apare cu sprijinul Pazo Galleria, Ivona Ambienti, Ata[ Lighting,
Hidrotek, Monolit Development [i Orion Design.
Descrierea CIP a Bibliotecii Na]ionale a Romniei
BUIC~, VIORICAInterioare din Romnia / Viorica Buic` ; pref.: Bruno
Andre[oiu; trad.: Samuel W.F. Onn. - Bucure[ti : Igloo, 2007ISBN 978-973-88398-3-0
I. Andre[oiu, Bruno (pref.)
II. Onn, Samuel W.F. (trad.)
728(498)
Editat de igloo mediastr. Finlanda nr. 10, cod 011776, sector 1, Bucure[tiwww.igloo.roTip`rit la Master Print Super Offset
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Interioare din Romnia
Romanian Interiors
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l Bruno Andre[oiul romnia interioar` l prefa]` 11_11
lAdrian Spirescu l casa c`lin 12_19
l Eiliza Yokina & Adrian Soare l penthouse V.P.1 20_29
lAlex Adam l casa OZ 30_39
l Igloo design l apartament domenii 40_49
l Square One l casa VdelaV. 50_59
l Horia Reit l vila de la stej`ri[ 60_69
l Dan {erban l vil` doroban]i 70_79
lAlex Adam l apartament 4BS 80_89
l Liviu Ion l apartament nordului 90_97
l igloo design l mansard` her`str`u 98_107
lAnda & Dorin {tefan l cas` strada sf. [tefan 108_117
l Corvin Cristian l mansarda 3R 118_127
l Organul de Arhitectur` l apartament herastrau 128_137
l 3T Birou de Arhitectur` l vila nicorescu 138_147
l Igloo design l apartament prim`verii 148_157
l City Project l apartament tineretului 158_165
l Organul de Arhitectur` l casa maxim 166_173
l 2mtdv l apartament drumul s`rii 174_181
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Romnia interioar`Interior Romania
Cel de-al doilea album al seriei igloo best nu este o carte despreamenaj`ri! Interioare din Romnia este o cartemanifest care
militeaz` pentru un adev`r de care mul]i au ajuns s` se \ndoiasc`\n ultimul timp: |N ROMNIA EXIST~ VIA}~ INTERIOAR~! Da,domnilor, orict de straniu vi s-ar p`rea la prima vedere, trebuies` ne crede]i pe cuvnt [i eventual s` ne verifica]i prin lectur` [icontemplare. Faptul c` ea, cartea, face acest lucru cu ajutorularhitecturii ]ine mai pu]in de inten]iile autorilor ct de voin]a pro-prie a acesteia, care, iat`, s-a decis s` participe la efortul na]ionalde conturare a lumilor interioare, f`r` de care, [tim bine, nu poateexista progres cultural, dinamic` social` [i, de ce nu?, iubire decalitate. Cobort` din \naltele sfere culturale \n care plute[te deobicei, iat-o \ntrupat` \n volum, puternic` [i senzual`, delicat` [iagresiv`, lasciv` [i plin` de nerv. (|ntre noi fiind vorba, ct timp
s-a lucrat la aceast` carte, \ns`[i via]a redac]iei s-a schimbat \nbine. Textele au devenit mai profunde, grafica mai percutant`,fotografiile mai inteligente [i chiar [i dtp-ul mai delicat. Trimi]nd-o\n tipar, \n birouri s-a creat parc` un mare gol [i de aceea, cu si-guran]`, primii ei cump`r`tori vom fi chiar noi.)Cu toate acestea, Interioare din Romnia nu este o carte despreiubire dup` cum probabil v-a]i fi dorit, ci o carte despre amenaj`ri[i design de interior pentru locuin]e, cuprinznd cteva dintre celemai interesante proiecte realizate \n ultimii ani. Peste 80 de aparta-mente [i case au reprezentat materia prim` a selec]iei f`cute denoi, selec]ie ce a privilegiat numai 18 dintre acestea, pe criterii pecare nu vrem s` le dezv`luim. Desigur c` o asemenea selec]ie nu
poate reprezenta dect o privire fragmentar` asupra unuifenomen tot mai activ [i cu un con]inut din ce \n ce mai variat.Odat` cu eliberarea locuirii de sub dictatura necesit`]ii [i aachizi]iei din zona crpelii, dar mai ales prin \n]elegerea rolului unuiarhitect/designer, situa]ia \n domeniul amenaj`rilor interioare a\nceput s` evolueze \n mod real. Abandonarea treptat` a tabu-urilortradi]ionale stupide (gen vitrin` cu bibelouri, faian]` la buc`t`rie,frumosul asociat neap`rat densit`]ii de obiecte etc.), dar [i aexpresivit`]ii violente ca semn al curajului [i al nonconformismu-lui imbecil de gospodin` parvenit` (zugr`veli \n culori tari, formecretine pe pere]i, mobilier din PAL de esen]e plasticoase etc.) con-tribuie la apari]ia unor proiecte interesante, comparabile cu cele pe
care eram obi[nui]i s` le vedem numai \n cataloagele maiavansa]ilor no[tri vecini. Calitatea concep]iei [i chiar [i a execu]ieiau sporit \n mod evident, dar vor fi fost oare posibile acestea f`r`curajul celor care le-au acordat \ncredere [i finan]are? Mul]umirilenoastre sincere merg de aceea nu numai c`tre arhitec]ii care ne-aufacilitat accesul la amenaj`rile pe care le-au ticluit, ci [i (mai ales)la oamenii din spatele acestora, care [i-au rupt de la guravacan]elor \n Caraibe [i le-au f`cut posibile. Sper`m astfel caaceast` carte, la fel ca [i predecesoarea sa din aceea[i serie, s` fiemai pu]in o colec]ie de repere inspira]ionale sau o shopping listde amenajare [i mai degrab` o excursie relaxat` prin universulprolific al amenaj`rilor din Romnia lui 2007.
This second album in the igloo best series is more than
just a book about interior design. Romanian Interiors is
also a manifesto that campaigns for a truth many have
recently begun to doubt: there is interior life in Romania!
Yes, ladies and gentlemen, strange as it may seem at
first, you must either take our word for it or discover it for
yourselves through reading and contemplation. That this
book uses architecture to do this has less to do with theintentions of its authors and more with its being a book
with a will of its own that has chosen to be part of the
national effort to define interior worlds without which,
as we know well, there can be no cultural progress,
social dynamics or (why not?) love. So here it is, in the
flesh, brought down from the high cultural planes it nor-
mally inhabits, both powerful and sensual, delicate and
aggressive, lascivious and full of life. (Between you and
me, life in the office changed for the better while writing
this book: our articles became more meaningful, the
graphics sharper, the photography more intelligent and
even the DTP subtler; sending it off to the printers, we
were left with a feeling of emptiness, and for this reasonwe will also be the first ones to buy it.)
But despite all this, Romanian Interiors is not, as you
were probably hoping, a book about love. Rather, it is a
book about some of the more interesting examples of
decoration and interior design of living spaces seen in
Romania in recent years. From an initial list of over 80 dif-
ferent houses and apartments, we made a selection for
this book (using criteria that will remain secret) of just
20. Naturally, this can only give a fragmented view of this
increasingly active and varied phenomenon. Once a
space is freed from the dictatorship of necessity and
make-do furnishings, and in particular once the role of
the architect/designer has been properly understood,things in the world of interior design really start to take
off. The gradual abandonment of pointless traditional
habits (display cabinets stuffed with trinkets, wall tiles in
the kitchen, the idea the more objects, the more beau-
tiful, etc.) and violent expressivity, as a sign of the dar-
ing and imbecilic non-conformism of the nouveau
riche housewife, (loud colours, idiotic designs on the
walls, plastic feeling PAL furniture etc.) is contributing to
the rising number of designs of a standard previously
only seen in the magazines of our more advanced neigh-
bours. The quality of ideas and even their execution has
evidently increased. But would any of this have been
possible without the courage of those who invested theirtrust and money? Thus, our sincere thanks go not just to
the architects who allowed us to view their creations, but
also the people standing behind them, those who, by not
taking that holiday in the Caribbean, made the realisation
of their ideas possible in the first place. We hope, there-
fore, that this book, like the previous one in the series,
will function less as a collection of inspirational reference
works or a shopping list of design and more as a select-
ed insight into the prolific universe of Romanian interior
design in 2007.
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Casa C`lin
Calin House
Expresia primului desen, a primului croquis de arhitectur`trasat de mna arhitectului se simte cu putere \n fiecare
spa]iu al acestei case amplasate \n vecin`tatea reconfortant`a p`durii. Cu o compozi]ie unitar`, sus]inut` prin detalii,locuin]a pune \n eviden]` o rela]ie special` de cursivitate \ntrespa]iul exterior [i cel interior. Poate [i pentru c` arhitectuls-a bucurat tot timpul de entuziasmul [i de sus]inerea bene-ficiarilor, sensibili la abstractizarea formelor [i aten]i la deta-liile func]ionale. Secretul amenaj`rii este cultivarea sistema-tic` a clar-obscurului, prin care geometria se tope[te \nprofunzimi, iar umbrele deschid prin contrast fante de lumini.Avnd aceste date de iluminare (\n plus, casa este orientat`c`tre nord), diversit`]ii spa]iale i s-a ad`ugat una de materi-ale [i texturi. Livingul extrem de generos, cu canapelele
\ngropate sub nivelul de tranzit, \n fa]a [emineului, dezv`luieun perete b`tut cu tabl` de cupru, atacat` cu acizi pn` lanuan]e de roz [i negru. |n contrast cu tavanul din beton, cep`streaz` \nc` amprenta cofrajului [i cotele, piesele demobilier aduc o not` vesel`, nu att cromatic, ct mai multformal. Celebrul fotoliu al lui Aarnio, ag`]at de tavan, scaunullui Eames, dou` canapele [i un fotoliu cu forme organice\mblnzesc liniile drepte [i severitatea arhitecturii propriu-zise. Diningul elegant, completat de o buc`tarie ordonat` [iminimalist`, se las` cuprins de lini[tea p`durii, f`cnd tre-cerea c`tre tihna dormitoarelor.
The ambience of the first sketch, the first croquis drawn
by the architect, is felt powerfully in every corner of this
house, which is located in the refreshing vicinity of a fo-rest. The unitary nature of this composition, something
also carried over to the details, is based around a special
flowing relationship between internal and external
spaces. In applying this, the architect enjoyed the unfail-
ing enthusiasm and support of the beneficiaries, who
were receptive both to abstract forms as well as func-
tional details. The success of this design lies in its sys-
tematic cultivation of the chiaroscuro in which geometry
melts into depths and contrasts with shadows create
shafts of light. Given these light conditions (the house is
also north facing), the existing spatial diversity is com-
plemented by a diversity of material and texture. Theextremely generous living room, with sofas sunk beneath
the transit level in front of the fire place, reveals a cop-
per-plated wall that has been treated with acid to bring
out shades of pink and black. In contrast with the con-
crete ceiling, which still retains the marks of the shutte-
ring and written measurements, the items of furniture
provide a note of cheerfulness, expressed less in terms
of colour than form: the famous Aarnio armchair, sus-
pended from above, the Eames lounge chair and two
sofas and an armchair with organic forms soften the
straight lines and the severity of the architecture itself.
The elegant dining area, complete with an orderly and
minimalist kitchen, provides a glimpse of the forest,
thereby providing a transition to the tranquillity of the
bedrooms.
PROIECT / PROJECT
arhitec]i/architects Adrian Spirescu, Daniela Spirescu,
Alexandru Boangaer
FINALIZAT / DELIVERED 2005
lAdrianSpiresculCasaC`lin,Bucure[tilinterioaredinromnialigloobestl12_19
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Penthouse V.P.1
V.P.1 Penthouse
|n amenajarea acestui penthouse situat \ntr-un nou bloc delocuin]e, arhitec]ii au ales s` accentueze la maxim caracteris-
ticile definitorii ale unui astfel de spa]iu: generozitateadeschiderilor c`tre exterior [i fluiditatea ansamblului.Terasele cu suprafe]e largi, repartizate \n puncte opuse aleapartamentului, permit luminii s` se desf`[oare [i mai puter-nic la interior, elibernd spa]iul de acea atmosfer` de intimi-tate specific` locuirii obi[nuite. Terasa dinspre dormitor esteap`rat` de blocuri comuniste, \n timp ce cealalt` ofer` opriveli[te relaxat` asupra unei insule de case. Piesele demobilier sunt foarte pu]ine, func]ionale [i cu linii minimaliste,permi]nd spa]iilor interioare s` respire [i s` comunice liber.Singurul contrast \l constituie peretele curb al b`ii, realizat dinc`r`mid` de sticl`, care protejeaz` cada u[or \ngropat`.
Betonul aparent, p`strat att \n zona de living, ct [i \n ca-mera cu du[, prin aspectul s`u brut [i prin textur` imprim`amenaj`rii un aer experimental. Seriozitatea mobilierului esteatenuat` subtil prin jocul nuan]elor de parchet, dar mai alesprin alternarea luminilor, a umbrelor [i a penumbrelor.Corpurile de iluminat, destul de numeroase, reiau acela[imodel \n dimensiuni, ritm`ri [i spa]ieri diferite, \n func]ie derolul pe care \l joac`. Singurele care \[i dep`[esc condi]iafunc]ional` sunt l`mpile organice, purtnd chiar amprentaarhitec]ilor, decupate parc` din linia peretelui.
In designing this penthouse apartment for a new resi-
dential apartment building, the architects chose to con-
centrate on the defining characteristics of this type of
space: large openings to the exterior and a fluidity in the
overall composition. The large roof terraces, positioned
on opposite sides of the apartment, allow light to pene-
trate the interior more effectively, freeing the space from
that atmosphere of intimacy typical of normal habitation.
The terrace facing the bedroom is defended by com-
munist era apartment blocks, while the other terrace
provides a relaxing view over an island of houses. The
furniture, sparse, functional and minimalist in style, allows
the interior spaces to breathe and communicate freely
with one another. The only contrasting element is the
curve of the bathroom wall, which is made of glass bricksand protects the slightly sunken bathtub. The exposed
concrete, which also features in the living area and
shower room, lends, with its rough appearance and tex-
ture, an experimental air to the overall design, while the
seriousness of the furniture is subtly attenuated through
the play of colour in the parquet flooring and especially
the variations in light, shadow and semi-darkness. The
light fittings, of which there are many, all have the same
design, though they vary in size, rhythm and spacing
depending on the roles they play. The exception to this is
given by the organic lamps, which exceed their functio-
nal role, carry the architects signatures, and give the
appearance of being cut into the line of the wall.
PROIECT / PROJECT
SYYA, arhitec]i/architects Eliza Yokina, Adrian Soare
FINALIZAT/ DELIVERED 2007
lElizaYokina,AdrianSoarelPenthouse,Bucure[tilinterioaredinromnialigloobestl20_29
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Casa OZ
OZ House
Arhitec]ii au preluat aceast` cas` cu o suprafa]` desf`[urat`generoas`, dar cu spa]ii fragmentate [i cu func]iuni incerte [i
[i-au propus s` creeze un ambient unitar [i armonios, prinleg`turi sugerate, prin elemente decorative, prin piese demobilier [i prin lumin`. Planimetria casei, cu forme simple,dreptunghiulare, a permis o recompartimentare ce p`streaz`totu[i toate func]iunile necesare unei locuiri familiale. |nschimb, volumetria fix` din care au reie[it la interior formeneregulate [i col]uri ascu]ite, a impus o aten]ie sporit` pentrucorpurile de iluminat, cu att mai mult cu ct beneficiarii suntcolec]ionari de art` romneasc` interbelic` [i au dorit s`-[idecoreze locuin]a [i cu propriile achizi]ii. Aceast` pasiunepentru art` a proprietarilor a permis un dialog deschis [i pro-ductiv cu arhitec]ii, rezultatul fiind un spa]iu dezinvolt [i dis-
tins, de o naturale]e elegant`, \n care obiecte semnate desemnate de designeri celebri ai momentului precum PatriciaUrquiola, Jean Nouvel sau Ingo Maurer stau lini[tite al`turi depiese de mobilier de epoc`. Fiecare spa]iu al casei se indivi-dualizeaz` prin lumin` [i culoare, adaptate \n mod originalfunc]iunilor. Livingul [i diningul, acesta din urm` u[orsupra\n`l]at, con]in piese de mobilier cu un aer minimalist,dar extrem de confortabile, [i comunic` vizual cu buc`tariacomplet alb`. De altfel, transparen]a a fost cultivat` sistema-tic, cel mai spectaculos detaliu dovedindu-se peretele desticl` \n care este \ncastrat` plasma TV. La parter se mai afl`biblioteca, de asemenea mobilat` \n alb, biroul [i sera care sevrea un spa]iu de relaxare. |n dormitorul [i \n baia matrimo-niale, forme organice inedite, dintre care se remarc` corpurilede iluminat din apropierea patului, atenueaz` sobrietateaansamblului decorativ. |n contrast, dormitoarele [i b`ile co-piilor tr`iesc din culoare [i ornament, evocnd universulmagic al basmelor.
The architects took this large house of fragmented and
uncertain functional spaces and proposed to create a
unitary and harmonious environment with the aid of sug-gested connections, decorative elements, furniture and
light. The simple rectangular forms of the floor plans
allowed for a reorganisation of the space, while still
retaining the necessary functionality of a family home.
That said, the fixed elements that gave rise to irregular
interior forms and sharp edges called for a special focus
on the lighting, something of added importance given
that the beneficiaries are collectors of interwar
Romanian art and wanted to decorate their home with
their acquisitions. The owners passion for art facilitated
an open and productive dialogue with the architects, the
result being an uninhibited and refined space of a natu-ral elegance in which objects by the most fashionable
designers of the day (including Patricia Urquiola, Jean
Nouvel and Ingo Maurer) sit comfortably alongside vin-
tage furniture. Every corner of the house is made indi-
vidual through use of light and colour, adapted creative-
ly to suit the function of each space. The living room and
dining room (the latter being slightly raised) contain fur-
niture that is minimalist in style but extremely comfort-
able. Both communicate visually with the entirely white
kitchen. In fact, the transparency has been systematica-
lly cultivated, the most spectacular detail of which being
the glass wall with built-in plasma TV. At the ground level
are also the library (again furnished in white), the office
and the conservatory (meant as a relaxation area). In the
bedroom and en suite bathroom, the unique organic
forms, such as the light fittings near the bed, soften the
seriousness of the decorative scheme. By way of con-
trast, the childrens bedrooms and bathrooms are alive
with colour and ornaments, evoking the magical world of
fairytales.
PROIECT / PROJECT
arhitec]i/architects Alex Adam, Aylin Medina, Roger Pop
FINALIZAT / DELIVERED 2007
lAlexAdam
lCasaOZ,Bucure[til
interioaredinromnialigloobestl30_39
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Cump`ra]i-l,
e un album de colec]ie!
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email: dan.minca@igloo.ro, abonamente@igloo.ro
Igloo media, str. Brezoianu, nr. 4, et. 1, sect.5 ,
Bucure[ti, tel 0213134118, fax 0213134118,
mobil: 0747.045.885, 0720.697.591
www.igloo.ro
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