Best+Interiors

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INTER

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EdinRomnia


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igloobest


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INTERIOAREdin RomniaRomanian Interiors


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Board editorial: Bruno Andre[oiu, Adrian Cioc`zanuCoordonator proiect editorial: Viorica Buic`Texte: Viorica Buic`, Catrinel PanaiteTraducere: Samuel W.F. OnnFotografii: {erban Bonciocat, Cosmin Dragomir, Corvin Cristian, Cornel Lazia,Ana Blidaru, 2mtdv, Anda {tefan, ODAGrafic`: Corina Gabriela DumaProcesare imagine, DTP: Cristian David, Robert DumitruBucure[ti, igloo, 2007

Cartea apare cu sprijinul Pazo Galleria, Ivona Ambienti, Ata[ Lighting,

Hidrotek, Monolit Development [i Orion Design.

Descrierea CIP a Bibliotecii Na]ionale a Romniei

BUIC~, VIORICAInterioare din Romnia / Viorica Buic` ; pref.: Bruno

Andre[oiu; trad.: Samuel W.F. Onn. - Bucure[ti : Igloo, 2007ISBN 978-973-88398-3-0

I. Andre[oiu, Bruno (pref.)

II. Onn, Samuel W.F. (trad.)

728(498)

Editat de igloo mediastr. Finlanda nr. 10, cod 011776, sector 1, Bucure[tiwww.igloo.roTip`rit la Master Print Super Offset


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Interioare din Romnia

Romanian Interiors


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l Bruno Andre[oiul romnia interioar` l prefa]` 11_11

lAdrian Spirescu l casa c`lin 12_19

l Eiliza Yokina & Adrian Soare l penthouse V.P.1 20_29

lAlex Adam l casa OZ 30_39

l Igloo design l apartament domenii 40_49

l Square One l casa VdelaV. 50_59

l Horia Reit l vila de la stej`ri[ 60_69

l Dan {erban l vil` doroban]i 70_79

lAlex Adam l apartament 4BS 80_89

l Liviu Ion l apartament nordului 90_97

l igloo design l mansard` her`str`u 98_107

lAnda & Dorin {tefan l cas` strada sf. [tefan 108_117

l Corvin Cristian l mansarda 3R 118_127

l Organul de Arhitectur` l apartament herastrau 128_137

l 3T Birou de Arhitectur` l vila nicorescu 138_147

l Igloo design l apartament prim`verii 148_157

l City Project l apartament tineretului 158_165

l Organul de Arhitectur` l casa maxim 166_173

l 2mtdv l apartament drumul s`rii 174_181


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Romnia interioar`Interior Romania

Cel de-al doilea album al seriei igloo best nu este o carte despreamenaj`ri! Interioare din Romnia este o cartemanifest care

militeaz` pentru un adev`r de care mul]i au ajuns s` se \ndoiasc`\n ultimul timp: |N ROMNIA EXIST~ VIA}~ INTERIOAR~! Da,domnilor, orict de straniu vi s-ar p`rea la prima vedere, trebuies` ne crede]i pe cuvnt [i eventual s` ne verifica]i prin lectur` [icontemplare. Faptul c` ea, cartea, face acest lucru cu ajutorularhitecturii ]ine mai pu]in de inten]iile autorilor ct de voin]a pro-prie a acesteia, care, iat`, s-a decis s` participe la efortul na]ionalde conturare a lumilor interioare, f`r` de care, [tim bine, nu poateexista progres cultural, dinamic` social` [i, de ce nu?, iubire decalitate. Cobort` din \naltele sfere culturale \n care plute[te deobicei, iat-o \ntrupat` \n volum, puternic` [i senzual`, delicat` [iagresiv`, lasciv` [i plin` de nerv. (|ntre noi fiind vorba, ct timp

s-a lucrat la aceast` carte, \ns`[i via]a redac]iei s-a schimbat \nbine. Textele au devenit mai profunde, grafica mai percutant`,fotografiile mai inteligente [i chiar [i dtp-ul mai delicat. Trimi]nd-o\n tipar, \n birouri s-a creat parc` un mare gol [i de aceea, cu si-guran]`, primii ei cump`r`tori vom fi chiar noi.)Cu toate acestea, Interioare din Romnia nu este o carte despreiubire dup` cum probabil v-a]i fi dorit, ci o carte despre amenaj`ri[i design de interior pentru locuin]e, cuprinznd cteva dintre celemai interesante proiecte realizate \n ultimii ani. Peste 80 de aparta-mente [i case au reprezentat materia prim` a selec]iei f`cute denoi, selec]ie ce a privilegiat numai 18 dintre acestea, pe criterii pecare nu vrem s` le dezv`luim. Desigur c` o asemenea selec]ie nu

poate reprezenta dect o privire fragmentar` asupra unuifenomen tot mai activ [i cu un con]inut din ce \n ce mai variat.Odat` cu eliberarea locuirii de sub dictatura necesit`]ii [i aachizi]iei din zona crpelii, dar mai ales prin \n]elegerea rolului unuiarhitect/designer, situa]ia \n domeniul amenaj`rilor interioare a\nceput s` evolueze \n mod real. Abandonarea treptat` a tabu-urilortradi]ionale stupide (gen vitrin` cu bibelouri, faian]` la buc`t`rie,frumosul asociat neap`rat densit`]ii de obiecte etc.), dar [i aexpresivit`]ii violente ca semn al curajului [i al nonconformismu-lui imbecil de gospodin` parvenit` (zugr`veli \n culori tari, formecretine pe pere]i, mobilier din PAL de esen]e plasticoase etc.) con-tribuie la apari]ia unor proiecte interesante, comparabile cu cele pe

care eram obi[nui]i s` le vedem numai \n cataloagele maiavansa]ilor no[tri vecini. Calitatea concep]iei [i chiar [i a execu]ieiau sporit \n mod evident, dar vor fi fost oare posibile acestea f`r`curajul celor care le-au acordat \ncredere [i finan]are? Mul]umirilenoastre sincere merg de aceea nu numai c`tre arhitec]ii care ne-aufacilitat accesul la amenaj`rile pe care le-au ticluit, ci [i (mai ales)la oamenii din spatele acestora, care [i-au rupt de la guravacan]elor \n Caraibe [i le-au f`cut posibile. Sper`m astfel caaceast` carte, la fel ca [i predecesoarea sa din aceea[i serie, s` fiemai pu]in o colec]ie de repere inspira]ionale sau o shopping listde amenajare [i mai degrab` o excursie relaxat` prin universulprolific al amenaj`rilor din Romnia lui 2007.

This second album in the igloo best series is more than

just a book about interior design. Romanian Interiors is

also a manifesto that campaigns for a truth many have

recently begun to doubt: there is interior life in Romania!

Yes, ladies and gentlemen, strange as it may seem at

first, you must either take our word for it or discover it for

yourselves through reading and contemplation. That this

book uses architecture to do this has less to do with theintentions of its authors and more with its being a book

with a will of its own that has chosen to be part of the

national effort to define interior worlds without which,

as we know well, there can be no cultural progress,

social dynamics or (why not?) love. So here it is, in the

flesh, brought down from the high cultural planes it nor-

mally inhabits, both powerful and sensual, delicate and

aggressive, lascivious and full of life. (Between you and

me, life in the office changed for the better while writing

this book: our articles became more meaningful, the

graphics sharper, the photography more intelligent and

even the DTP subtler; sending it off to the printers, we

were left with a feeling of emptiness, and for this reasonwe will also be the first ones to buy it.)

But despite all this, Romanian Interiors is not, as you

were probably hoping, a book about love. Rather, it is a

book about some of the more interesting examples of

decoration and interior design of living spaces seen in

Romania in recent years. From an initial list of over 80 dif-

ferent houses and apartments, we made a selection for

this book (using criteria that will remain secret) of just

20. Naturally, this can only give a fragmented view of this

increasingly active and varied phenomenon. Once a

space is freed from the dictatorship of necessity and

make-do furnishings, and in particular once the role of

the architect/designer has been properly understood,things in the world of interior design really start to take

off. The gradual abandonment of pointless traditional

habits (display cabinets stuffed with trinkets, wall tiles in

the kitchen, the idea the more objects, the more beau-

tiful, etc.) and violent expressivity, as a sign of the dar-

ing and imbecilic non-conformism of the nouveau

riche housewife, (loud colours, idiotic designs on the

walls, plastic feeling PAL furniture etc.) is contributing to

the rising number of designs of a standard previously

only seen in the magazines of our more advanced neigh-

bours. The quality of ideas and even their execution has

evidently increased. But would any of this have been

possible without the courage of those who invested theirtrust and money? Thus, our sincere thanks go not just to

the architects who allowed us to view their creations, but

also the people standing behind them, those who, by not

taking that holiday in the Caribbean, made the realisation

of their ideas possible in the first place. We hope, there-

fore, that this book, like the previous one in the series,

will function less as a collection of inspirational reference

works or a shopping list of design and more as a select-

ed insight into the prolific universe of Romanian interior

design in 2007.


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Casa C`lin

Calin House

Expresia primului desen, a primului croquis de arhitectur`trasat de mna arhitectului se simte cu putere \n fiecare

spa]iu al acestei case amplasate \n vecin`tatea reconfortant`a p`durii. Cu o compozi]ie unitar`, sus]inut` prin detalii,locuin]a pune \n eviden]` o rela]ie special` de cursivitate \ntrespa]iul exterior [i cel interior. Poate [i pentru c` arhitectuls-a bucurat tot timpul de entuziasmul [i de sus]inerea bene-ficiarilor, sensibili la abstractizarea formelor [i aten]i la deta-liile func]ionale. Secretul amenaj`rii este cultivarea sistema-tic` a clar-obscurului, prin care geometria se tope[te \nprofunzimi, iar umbrele deschid prin contrast fante de lumini.Avnd aceste date de iluminare (\n plus, casa este orientat`c`tre nord), diversit`]ii spa]iale i s-a ad`ugat una de materi-ale [i texturi. Livingul extrem de generos, cu canapelele

\ngropate sub nivelul de tranzit, \n fa]a [emineului, dezv`luieun perete b`tut cu tabl` de cupru, atacat` cu acizi pn` lanuan]e de roz [i negru. |n contrast cu tavanul din beton, cep`streaz` \nc` amprenta cofrajului [i cotele, piesele demobilier aduc o not` vesel`, nu att cromatic, ct mai multformal. Celebrul fotoliu al lui Aarnio, ag`]at de tavan, scaunullui Eames, dou` canapele [i un fotoliu cu forme organice\mblnzesc liniile drepte [i severitatea arhitecturii propriu-zise. Diningul elegant, completat de o buc`tarie ordonat` [iminimalist`, se las` cuprins de lini[tea p`durii, f`cnd tre-cerea c`tre tihna dormitoarelor.

The ambience of the first sketch, the first croquis drawn

by the architect, is felt powerfully in every corner of this

house, which is located in the refreshing vicinity of a fo-rest. The unitary nature of this composition, something

also carried over to the details, is based around a special

flowing relationship between internal and external

spaces. In applying this, the architect enjoyed the unfail-

ing enthusiasm and support of the beneficiaries, who

were receptive both to abstract forms as well as func-

tional details. The success of this design lies in its sys-

tematic cultivation of the chiaroscuro in which geometry

melts into depths and contrasts with shadows create

shafts of light. Given these light conditions (the house is

also north facing), the existing spatial diversity is com-

plemented by a diversity of material and texture. Theextremely generous living room, with sofas sunk beneath

the transit level in front of the fire place, reveals a cop-

per-plated wall that has been treated with acid to bring

out shades of pink and black. In contrast with the con-

crete ceiling, which still retains the marks of the shutte-

ring and written measurements, the items of furniture

provide a note of cheerfulness, expressed less in terms

of colour than form: the famous Aarnio armchair, sus-

pended from above, the Eames lounge chair and two

sofas and an armchair with organic forms soften the

straight lines and the severity of the architecture itself.

The elegant dining area, complete with an orderly and

minimalist kitchen, provides a glimpse of the forest,

thereby providing a transition to the tranquillity of the

bedrooms.

PROIECT / PROJECT

arhitec]i/architects Adrian Spirescu, Daniela Spirescu,

Alexandru Boangaer

FINALIZAT / DELIVERED 2005

lAdrianSpiresculCasaC`lin,Bucure[tilinterioaredinromnialigloobestl12_19


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Penthouse V.P.1

V.P.1 Penthouse

|n amenajarea acestui penthouse situat \ntr-un nou bloc delocuin]e, arhitec]ii au ales s` accentueze la maxim caracteris-

ticile definitorii ale unui astfel de spa]iu: generozitateadeschiderilor c`tre exterior [i fluiditatea ansamblului.Terasele cu suprafe]e largi, repartizate \n puncte opuse aleapartamentului, permit luminii s` se desf`[oare [i mai puter-nic la interior, elibernd spa]iul de acea atmosfer` de intimi-tate specific` locuirii obi[nuite. Terasa dinspre dormitor esteap`rat` de blocuri comuniste, \n timp ce cealalt` ofer` opriveli[te relaxat` asupra unei insule de case. Piesele demobilier sunt foarte pu]ine, func]ionale [i cu linii minimaliste,permi]nd spa]iilor interioare s` respire [i s` comunice liber.Singurul contrast \l constituie peretele curb al bìi, realizat dinc`r`mid` de sticl`, care protejeaz` cada u[or \ngropat`.

Betonul aparent, p`strat att \n zona de living, ct [i \n ca-mera cu du[, prin aspectul sù brut [i prin textur` imprimàmenaj`rii un aer experimental. Seriozitatea mobilierului esteatenuat` subtil prin jocul nuan]elor de parchet, dar mai alesprin alternarea luminilor, a umbrelor [i a penumbrelor.Corpurile de iluminat, destul de numeroase, reiau acela[imodel \n dimensiuni, ritm`ri [i spa]ieri diferite, \n func]ie derolul pe care \l joac`. Singurele care \[i dep`[esc condi]iafunc]ional` sunt l`mpile organice, purtnd chiar amprentaarhitec]ilor, decupate parc` din linia peretelui.

In designing this penthouse apartment for a new resi-

dential apartment building, the architects chose to con-

centrate on the defining characteristics of this type of

space: large openings to the exterior and a fluidity in the

overall composition. The large roof terraces, positioned

on opposite sides of the apartment, allow light to pene-

trate the interior more effectively, freeing the space from

that atmosphere of intimacy typical of normal habitation.

The terrace facing the bedroom is defended by com-

munist era apartment blocks, while the other terrace

provides a relaxing view over an island of houses. The

furniture, sparse, functional and minimalist in style, allows

the interior spaces to breathe and communicate freely

with one another. The only contrasting element is the

curve of the bathroom wall, which is made of glass bricksand protects the slightly sunken bathtub. The exposed

concrete, which also features in the living area and

shower room, lends, with its rough appearance and tex-

ture, an experimental air to the overall design, while the

seriousness of the furniture is subtly attenuated through

the play of colour in the parquet flooring and especially

the variations in light, shadow and semi-darkness. The

light fittings, of which there are many, all have the same

design, though they vary in size, rhythm and spacing

depending on the roles they play. The exception to this is

given by the organic lamps, which exceed their functio-

nal role, carry the architects signatures, and give the

appearance of being cut into the line of the wall.

PROIECT / PROJECT

SYYA, arhitec]i/architects Eliza Yokina, Adrian Soare

FINALIZAT/ DELIVERED 2007

lElizaYokina,AdrianSoarelPenthouse,Bucure[tilinterioaredinromnialigloobestl20_29


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Casa OZ

OZ House

Arhitec]ii au preluat aceast` cas` cu o suprafa]` desf`[urat`generoas`, dar cu spa]ii fragmentate [i cu func]iuni incerte [i

[i-au propus s` creeze un ambient unitar [i armonios, prinleg`turi sugerate, prin elemente decorative, prin piese demobilier [i prin lumin`. Planimetria casei, cu forme simple,dreptunghiulare, a permis o recompartimentare ce p`streaz`totu[i toate func]iunile necesare unei locuiri familiale. |nschimb, volumetria fix` din care au reie[it la interior formeneregulate [i col]uri ascu]ite, a impus o aten]ie sporit` pentrucorpurile de iluminat, cu att mai mult cu ct beneficiarii suntcolec]ionari de art` romneasc` interbelic` [i au dorit s`-[idecoreze locuin]a [i cu propriile achizi]ii. Aceast` pasiunepentru art` a proprietarilor a permis un dialog deschis [i pro-ductiv cu arhitec]ii, rezultatul fiind un spa]iu dezinvolt [i dis-

tins, de o naturale]e elegant`, \n care obiecte semnate desemnate de designeri celebri ai momentului precum PatriciaUrquiola, Jean Nouvel sau Ingo Maurer stau lini[tite al`turi depiese de mobilier de epoc`. Fiecare spa]iu al casei se indivi-dualizeaz` prin lumin` [i culoare, adaptate \n mod originalfunc]iunilor. Livingul [i diningul, acesta din urm` u[orsupra\n`l]at, con]in piese de mobilier cu un aer minimalist,dar extrem de confortabile, [i comunic` vizual cu buc`tariacomplet alb`. De altfel, transparen]a a fost cultivat` sistema-tic, cel mai spectaculos detaliu dovedindu-se peretele desticl` \n care este \ncastrat` plasma TV. La parter se mai afl`biblioteca, de asemenea mobilat` \n alb, biroul [i sera care sevrea un spa]iu de relaxare. |n dormitorul [i \n baia matrimo-niale, forme organice inedite, dintre care se remarc` corpurilede iluminat din apropierea patului, atenueaz` sobrietateaansamblului decorativ. |n contrast, dormitoarele [i b`ile co-piilor tr`iesc din culoare [i ornament, evocnd universulmagic al basmelor.

The architects took this large house of fragmented and

uncertain functional spaces and proposed to create a

unitary and harmonious environment with the aid of sug-gested connections, decorative elements, furniture and

light. The simple rectangular forms of the floor plans

allowed for a reorganisation of the space, while still

retaining the necessary functionality of a family home.

That said, the fixed elements that gave rise to irregular

interior forms and sharp edges called for a special focus

on the lighting, something of added importance given

that the beneficiaries are collectors of interwar

Romanian art and wanted to decorate their home with

their acquisitions. The owners passion for art facilitated

an open and productive dialogue with the architects, the

result being an uninhibited and refined space of a natu-ral elegance in which objects by the most fashionable

designers of the day (including Patricia Urquiola, Jean

Nouvel and Ingo Maurer) sit comfortably alongside vin-

tage furniture. Every corner of the house is made indi-

vidual through use of light and colour, adapted creative-

ly to suit the function of each space. The living room and

dining room (the latter being slightly raised) contain fur-

niture that is minimalist in style but extremely comfort-

able. Both communicate visually with the entirely white

kitchen. In fact, the transparency has been systematica-

lly cultivated, the most spectacular detail of which being

the glass wall with built-in plasma TV. At the ground level

are also the library (again furnished in white), the office

and the conservatory (meant as a relaxation area). In the

bedroom and en suite bathroom, the unique organic

forms, such as the light fittings near the bed, soften the

seriousness of the decorative scheme. By way of con-

trast, the childrens bedrooms and bathrooms are alive

with colour and ornaments, evoking the magical world of

fairytales.

PROIECT / PROJECT

arhitec]i/architects Alex Adam, Aylin Medina, Roger Pop

FINALIZAT / DELIVERED 2007

lAlexAdam

lCasaOZ,Bucure[til

interioaredinromnialigloobestl30_39


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Cump`ra]i-l,

e un album de colec]ie!


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email: [email protected], [email protected]

Igloo media, str. Brezoianu, nr. 4, et. 1, sect.5 ,

Bucure[ti, tel 0213134118, fax 0213134118,

mobil: 0747.045.885, 0720.697.591

www.igloo.ro


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