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A presentation that Bob Ladewig and I did at Ignote Portland 8. See the video of the presentation at http://bit.ly/Sfxmc7
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Writing Sketch Comedy
Scott Rogers Bob Ladewig
It all starts with a premise.
• a set of circumstances
• a character or characters
• a series of setups and punchlines
• you don’t need all of these to start
Where can I get a premise?
• free writing and journaling
• reading everything
• chatting with emotionally-crippled people
• a woman’s belly
• showering with Bob and Scott
Scott gets inspiration from:
• walking on a treadmill
• showering
• a long train of failed relationships and shattered dreams
Bob gets inspiration from:
• riding his bicycle
• showering
• Scott’s journal (AKA “Scott’s long train of failed relationships and shattered dreams”)
Write It or Improvise It?
• Do both.
• If a complete scene is in your head, WRITE IT.
• If it’s a fuzzy idea with unknown elements, IMPROVISE IT.
• But seriously, do both.
Improvising the Premise
• Describe the premise to the actors.
• Let the actors play.
• Trust the actors and their instincts.
• Improv will let you know what you have.
Why Improv?
• The actors aren’t constrained by your initial thoughts.
• Improv will identify what’s funny, what’s not funny and what’s awful.
One for the App Developers
• Improv is agile development.
• Improv lets you see several designs.
• Improv identifies the requirements.
• Improv saves you time.
Writing the Sketch
• Commit what worked in improv to the page.
• Cut everything that doesn’t contribute to the sketch.
• Ensure there’s a structure and an arc.
• Ensure you’re telling a story (even when you’re not).
It’s an Iterative Cycle
• Improvise it.
• Write it.
• Improvise it.
• Rewrite it.
• The cycle can go on as long as it needs.
• We’re serious about this iterative thing.
This is Scott having an internal monologue.
This is Bob flubbing a line in his internal monologue.
What If It’s Not Funny?
• Swap the actors/roles.
• Change the POV.
• Change the circumstances.
• Throw it away and move on.
Swap the Actors/Roles
• Swapping actors and roles is frequently the only change required.
• This is the fastest iterative change.
• This is the easiest iterative change.
Shift the POV
• A premise can change significantly by shifting its POV.
• Bob tries to buy a fish at the dog pound.
• Scott tries to sell a fish at the dog pound.
Shift the Circumstances
• A couple files for divorce at the dog pound.
• Two dogs in the pound file for divorce.
• A couple goes to a one-stop-shop dog pound to file for divorce and put their dogs down.
• What?
What If It’s Still Not Funny?
• Toss it.
• If you’ve spent more than 15 minutes, and it’s still not funny, toss it.
• Toss it.
Some Guidelines
• Keep it to 3-5 minutes (usually).
• Simplify the light/sound cues.
• Props and costumes are fun, but they can be a pain.
• Have fun.
Sketch Examples
•@curiouscomedy
•@bigscotty