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WHY?
The system of academic art education in Russia
hasn’t changed fundamentally since XVIIIth century
School for contemporary art has an aim to reflect the real society’s condition and current ideas of our time
Academism proclaims the craft skills as
the most important ones
Contemporary art built on a base of academism teaches to produce meanings
WHAT DOES VLADIVOSTOK GET?
Active educational platform for professional
art discussion
New stuff for Vladivostok Biennale of contemporary art 2017
Fresh competitive pool of vladivostok artists, curators and critics
status of the cultural caprital of Far East through the participation of young vladivostok artists, curators and critics in russian and internatoinal (esp. Asian) exhibitions, art fairs and residencies
Professional critical point of view from media on the cultural scene
of Vladivostok
High level of exhibitional projects’ and city art festivals’ organisation
INVESTOR
capitalizes culture
goes down in history and associates his name with the philanthropy in art
becomes the owner of his own collection of contemporary art
TEACHER
transmits the unique experience
becomes immortal through the followers
STUDENT
creates new meanings
becomes the part of the Far-Eastern cultural production and local art discourse
WHAT?
World contemporary art historybasical movements, genres, key figures and events
Philosophy in artTheories, key philosophers and their heritage
Curating in artHistory, methodology, tools, cases
Art managementArt business, financial and project management in art
Art criticismmethodology, criticism of criticism, art journalism
WHO?
artistinvestigation
reflexionstatement
new memory
curatorvector of cultureexperience’s analysis managementarchiving
art criticcritical analysis
art publicityopinion management
new mythology
application period: 10 august – 12 september 2015 (4 weeks)
competition: CV, portfolio, application form, interview
1 semester: 29 september – 27 december 2015 (13 weeks)
final winter exhibition: 14-31 january 2016 (2 недели)
2 semester: 1 february – 29 may 2016 (17 weeks)
final summer exhibition: 1-31 july 2016 (4 weeks)
3 semester: 5 september – 25 december 2016 (16 weeks)
final winter exhibition: 12 january – 5 february 2017 (3,5 weeks)
4 semester: 13 february – 28 may 2017 (15 weeks)
final summer exhibition: 12 june – 30 july 2017 (7 weeks)
full-time education3 times per week (Tuesday, Thursday 19:30-21:00, Saturday 11:00-14:00)
Price: 15 000 rub/semester or 5 000 rub/month
WHEN?
HOW?
lecturesseminars
skype conferences
workshopsportfolio review
artist talk
residenciesplein air
exhibitionspresentations
screeningsperformances
THEORETICAL COURSE
Contemporary art movements and methodology of art history
Art history of the end XIXth - first half XXth century (impressionism; fauvism, neoimpressionism, P. Сеzann; cubism, futurism, russian cubofuturism; first abstraction.. V. Kandinskiy, К. Malevitch, М. Larionov, P. Mondrian; soviet art of the 1920th, constructivism; dadaism; surrealism; expressionism; bauhaus)
Art history of the second half XXth century (abstract expressionism, post-painterly abstraction, minimalism, pop-art, conceptualism, performance, installation, social sculpture, american art of the end 1970th – begining 1980th (first post-modernism works), the second part of post-modernism, europe directions of 1980th, sculpture, russian art of the second part of XXth century, current situation, regional art)
Contemporary art theories in contemporary art criticism (contemporary art in texts of K. Grinberg, H. Rosenberg, L. Lippard, R. Krauss, D. Crimp, B. Buchloh, T. J. Clark, М. Fried, N. Bourriaud, C. Bishop, M. Kwon, G. Kester)
Art philosophy (semiotic theory of art, ancient philosophy, Newton-Cartesian model of the world, Renaissance, modernist manifests, semiotics and structural lingvistics, speculative realism, modern philosophy concepts)
History of representation and theory of curating (exsposition as the historical phenomena, exhibitional practices during the competition between art groups, avantgarde and representation, авангард и репрезентация, ideologization of exhibitional practices, representation and institualisation of modernism, white cube problem, institutional criticism)
Art criticism, criticism of criticism, B. Berenson, O. Mirbeau, J. Ruskin, E. Dyogot, M. Kantor. AICA (Association Internationale des Critiques d’Art)
Art business (art management, gallery business, art dealers, art market)
Workshops with different mediumsCritical, curatorial texts writing intensive
Group exhibition preparation
Workshops, portfolio review, artist talk, reading groups (saturday 11:00-14:00)
PRACTICAL COURSE
Artist statement development. Self-positioning. Manifest of the artist, curator, art critic.
Composition. Painting, graphics.
Art in space. Sculpture, installation, street art.
Performance. Art before image. work with body.
Media art. Photography. Videoart.
Interactive, communicative and mixed media.
Artist and curatorial research. field study.
Texts writing. Automatic writing, curatorial text, journalistic research.
Contemporary music and poetry.
Art management. Estimate, exhibitional project’s budget calculating, logistics, art pieces transporting, working with contributors.
GENERAL LECTURERS
Irina Kulikart historian
Alexandra Obukhova art historian
Aidan Salakhovaartist
academic
Elena KovylinaartistPerformance school founder
TUESDAYTHURSDAY
SATURDAY 11:00-14:00
19:30-21:00
Ilmira Bolotyancritic, curator
artist
Antonio Geusacurator, critic
Andrey Velkanovphilosopher
Moscow
Anna Reichartist
anthropologistUSA
Beral MadracuratorTurkey
Volker Diehlgallerist
Galerie Volker Diehl Germany
Pascal Gielensociologist Norway
Jenny Falckenbergart managerGermany
Olga Kisseleva artistFrance
Veronika Dedovaart managerdealerVladivostok
Alisa Bagdonaiteart manager
Moscow
Viviana ChecchiacuratorPalestine-Scotland
Elena Panteleevart manager
Moscow
Oleg BatukhtinartistNakhodka
Ilyas ZinatulinartistVladivostok
Irina Fomichevacurator
FEFUVladivostok
ADDITIONALLECTURERS
Gijs Kesslersociologist
Moscow
Mikhail PavinPhotoartistVladivostok
Anna Prizkauart critic
Germany
Valentin Dyakonovart criticMoscow
Maria Kravtsovaart criticMoscow
Kristina Nazarevskayaartist, art criticUSA
Nikita Spiridonovartist
Moscow
Farid RasulovartistAzerbaijan
Gleb Teleshovartist
Vladivostok
Simon Hewittart criticSwitzerland
FyodorMorozov
artist,Vladivostok
Ilya Wolfart managerMoscow
Yulia Klimkoart managerVladivostok
