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Auction 17 October 2009 3pm Howick Place London SW1P 1BB
Citation preview
EmErgEncy charity SalE lotS 101-121
Sold to bEnEfit thE EmErgEncy
charitablE organiSation
Phillips de Pury & Company is proud to open the
Contemporary Art Day Sale with a collection of twenty-one
works by internationally renowned artists, which will be
sold to benefit the EmErgEnCy charitable organisation.
These works were inspired by and created in response to
drawings given to the artists by children affected by war
and poverty. The artists’ donation to the ‘Adopt a Drawing’
project, and the subsequent proceeds from the sale, will
raise money for life support for civilian war victims.
Phillips de Pury & Company is proud to be part of this
project and wishes EmErgEnCy every success for their
worthwhile cause.
EmErgEnCy Life Support for Civilian War Victims
EmErgEnCy is an independent and neutral humanitarian organization,
founded in Italy in 1994, that provides free-of-charge, high quality
medical and surgical treatment to the victims of war, landmines
and poverty.
EmErgEnCy has active programmes in Afghanistan, Cambodia,
Central African republic, Iraq, Italy, Sierra Leone and Sudan.
Since 1994, EmErgEnCy has worked in 14 countries, building 8
Hospitals, 4 rehabilitation Centres, a maternity Centre and 55 First
Aid Posts and Primary Health Care Centres.
EmErgEnCy is currently building a Paediatric Centre in nyala, South
Darfur (Sudan).
EmErgEnCy has treated over 3 million patients so far.
EmErgEnCy works to implement Human rights based health
projects,according to the principles of Equality, Quality and Social
responsibility (EQS).
In 2006 EmErgEnCy became a partner of the United nations
Department of Public Information.
EmErgEnCy UK is a British, independent, charitable organisation that
supports EmErgEnCy’s projects.
www.emergency.it
www.emergencyuk.org
www.emergencyusa.org
ADOPT A DrAWIng
‘Adopt a Drawing’ represents an important encounter of cultures and
experiences to attract people’s attention to the suffering brought about by
wars and poverty in every part of the world. International artists have been
asked to reinterpret drawings by children; patients in several EmErgEnCy
hospitals and, according to their sensibilities, to take inspiration from
their images. By donating one of their works to EmErgEnCy, the artist
has created an imaginary connection with these little artists. A travelling
exhibition, which included both the childrens’ drawings and the artists’
creations, was presented last year in several venues, including rome, Turin,
genoa, Florence and Ferrara.
The drawings (by Souk, Ali, Kualid, Asuda, Federico…) have arrived from
the refugee camps, the hospitals, and the places devastated by wars.
Transcending different countries and cultures, these childrens’ drawings
have stimulated the creativity of well-known artists. All the artists have
conceived, built and created something of their own for each one of
these children.
For the children, art has a therapeutic value: through imagination, drawing
helps them to free themselves from pain and fears, to overcome difficulties
and recover a trace of light-heartedness. For the artists, on the other hand,
it is an emotional journey into the depths of their creative aspirations, about
the recovery of art’s social meaning and a concrete engagement with
today’s problems.
Culture and art can and must be the most efficient means of educating
and re-educating consciences and minds towards peace and rejection of
war in all shapes and forms. The artists’ personal involvement represents
the desire to participate and the opportunity to turn the suffering into a
possibility of hope.
These works represent an understanding and construct a common
language of signs to tell different stories, confirming that culture is, first of
all, encounter and exchange.
Sergio Casoli, Elena Geuna, Vauro Senesi
Special thanks to all the little and big artists, who have made this
project possible.
EmErgEnCy are very grateful to:
Sergio Casoli, Elena geuna, Stefano Senardi and Vauro Senesi; Luisa
mensi, Ilaria Porotto, and Carola Serminato; Laura garbarino and Eugenia
Bertelè; Spedart S.r.l., massimo De rossi and Davide Papadia; regione
Lazio, American Express and Fandango; Banca Popolare di milano
And for their precious support and collaboration: Archivio Fausto melotti,
milan; Fondazione Lucio Fontana, milan; galleria Continua, San gimignano
– Beijing; guido Costa Projects, Turin; galleria Emi Fontana, milan/West
of rome, Los Angeles; galleria Franco noero, Turin; galeria Jérôme de
noirmont, Paris; galleria Lia rumma, naples/milan
In memory of Teresa Sarti Strada, President of EmErgEnCy
03_LON_OCT_CONT_v6.indd 114 24/09/09 08:51
Sold to benefit the emergency charitable organiSation
101 BEN VAUTIER b. 1935
Untitled, 2007
acrylic on paper. 50 x 70 cm. (19 5/8 x 27 1/2 in). Signed ‘ben’ lower right.
Estimate £1,0 0 0 -1,5 0 0 $1,70 0 -2,5 0 0 €1,10 0 -1,70 0 •
Provenance acquired directly from the artist
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 115 24/09/09 08:51
Sold to benefit the emergency charitable organiSation
102 Paul Fryer b. 1963
And There Shall Be No Death, 2008
egg, nest, kevlar thread in Plexiglas case on wooden base. overall: 126 x 26 x 26 cm.
(49 5/8 x 10 1/4 x 10 1/4 in).
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 •♠
Provenance acquired directly from the artist; guido costa Projects, turin
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September –
12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo
marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 116 23/09/09 20.30
Sold to benefit the emergency charitable organiSation
103 MONA HATOUM b. 1952
Untitled (Willow Cage), 2002
Willow. 152.5 x 28.5 x 26.5 cm. (60 x 11 1/4 x 10 1/2 in). this work is from an edition
of six plus two artist’s proofs.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠
Provenance acquired directly from the artist; galleria continua, San
gimignano/beijing
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
Literature Mona Hatoum, exhibition catalogue, centro de arte contemporanea
de Salamanca (caSa), curated by cristina Zelich, 10 July – 1 September 2002,
p.54, in collaboration with il centro galego de arte contemporanea (cgac),
Santiago de compostela, 3 october 2002 – 5 January 2003; Mona Hatoum,
exhibition at darat al funun, the Kalid fondation, darat al funun, 11 october
2002 – 22 January 2003, n.p.
03_LON_OCT_CONT_v6.indd 117 23/09/09 20.30
Sold to benefit the emergency charitable organiSation
104 Lara Favaretto b. 1973
Twistle, 2003
air compressed tank, nitrogen, pressure regulator, timer, electrovalve, trumpet,
plastic cables. 187 x 22 cm. (73 5/8 x 8 5/8 in).
estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 •♠
Provenance acquired directly from the artist; galleria franco noero, turin
exhibited turin, galleria franco noero, Lara Favaretto, 27 may, 2004 – 23 July,
2004; new york, Swiss institute and grey art gallery, Ok/OKAY, 19 april, 2005
– 16 July, 2005; Paris, Palais de tokyo, Cinq Milliards d’Années/Une seconde une
année, 14 September, 2006 – 14 January, 2007; rome, complesso del Vittoriano, 7
february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara,
casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione,
1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5
January 2009, Adotta un disegno
literature Swiss institute and grey art gallery, Ok/OKAY, new york, 2005, pp.
34-37; Palais de tokyo ed., Palais magazine, Cinq Milliards d’Années/Une seconde
une année, Paris, fall – Winter 2006, p. 48-54
Fig. 1
Fig. 2
03_LON_OCT_CONT_v6.indd 118 23/09/09 21.04
Sold to benefit the emergency charitable organiSation
105 KEITH TYSON b. 1969
Little Fella, 2007
resin, acrylic and black lacquer base. Sculpture height: 39 cm. (15 1/4 in)., base:
22.7 x 17.6 x 3.7 cm. (9 x 7 x 1 in).
Estimate £ 8 ,0 0 0 -10,0 0 0 $13 , 2 0 0 -16,5 0 0 €9,10 0 -11,4 0 0 •♠
Provenance acquired directly from the artist
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1 – 18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 119 23/09/09 21.05
Sold to benefit the emergency charitable organiSation
106 Lucio Fontana 1899-1968
Studi per Buchi, 1960-1961
ballpoint pen on paper. 31 x 21 cm. (12 1/4 x 8 1/8 in). this work is registered under
archive number 844/58.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 •
Provenance fondazione lucio fontana, milan
exhibited milan, castello Sforzesco, Fontana Disegni, 19 may – 31 July, 1977;
milan, Padiglione d’arte contemporanea, Da Modigliani a Fontana Disegno italiano
del XX secolo nelle Civiche Raccolte d’Arte di Milano, 3 october – 8 december, 1991;
rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo
ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12
october 2008; turin, Palazzo della regione, 1 – 18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
Literature exhibition catalogue milan, castello Sforzesco, Fontana disegni, pl.
58 (illustrated); exhibition catalogue milan, Padiglione d’arte contemporanea, Da
Modigliani a Fontana. Disegno italiano del XX secolo nelle Civiche Raccolte d’Arte di
Milano, p. 163 (illustrated)
03_LON_OCT_CONT_v6.indd 120 23/09/09 21.30
Sold to benefit the emergency charitable organiSation
107 FAUSTO MELOTTI 1901-1986
Leone, circa 1975
brass. 22 x 20 x 8 cm. (8 5/8 x 7 7/8 x 3 1/8 in).
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 •
Provenance archivio fausto melotti, milan
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 121 23/09/09 21.30
Sold to benefit the emergency charitable organiSation
108 Shay FriSch Peri b. 1963
Superficie Assemblata 1499 B., 2007
Plastic and electrical components. 134 x 140 cm. (52 3/4 x 55 1/8 in).
estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 •
Provenance acquired directly from the artist
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 122 23/09/09 21.31
Sold to benefit the emergency charitable organiSation
109 Enrico castEllani b. 1930
Untitled, 2007
acrylic on shaped canvas, copper nails. 50 x 80 cm. (19 3/4 x 31 1/2 in). Signed,
dedicated and dated ‘castellani Per emergency 2007’ on the overlap.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 •♠
Provenance acquired directly from the artist
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 123 23/09/09 21.31
Sold to benefit the emergency charitable organiSation
110 PASCALE MARTHINE TAYOU b. 1967
School of the Funny Ones, 2007
graphite on paper. 120 x 180 cm. (47 1/4 x 70 7/8 in).
Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0
Provenance acquired directly from the artist; galleria continua, San
gimignano/beijing
exhibited boissy-le-chatel, france, galleria continua/le moulin, Ouverture,
21 october 2007 – 6 april 2008; rome, complesso del Vittoriano, 7 february – 2
march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa
dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18
november 2008; florence, museo marino marini, 11 december 2008 – 5 January
2009, Adotta un disegno
Literature n. bourriaud, P.l. tazzi, Pascale Marthine Tayou, Le grand sorcier de
l’utopie, ed. gli ori, 2009, p.121 (illustrated), p.260
03_LON_OCT_CONT_v6.indd 124 23/09/09 21.45
Sold to benefit the emergency charitable organiSation
111 RUDOLF STINGEL b. 1956
Untitled, 2002
celotex tuff - r mounted on panel in aluminium frame. 65 x 48.3 cm.
(25 1/2 x 19 in). Signed and dated ‘Stingel 2002’ on the reverse.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 •♠
Provenance acquired directly from the artist
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 125 23/09/09 21.45
Sold to benefit the emergency charitable organiSation
112 PIERRE ET GILLES b. 1950 & b. 1953
Les enfants du Laos, 1994
hand-painted c-print flush-mounted to aluminium in the artists’ frame. 60.5 x 34.5
cm. (23 3/4 x 13 5/8 in). Signed, titled and dated ‘les enfants du laos 1994 pierre
gilles’ on the reverse. this work is unique.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 •♠
Provenance acquired directly from the artists; galerie Jérôme de
noirmont, Paris
exhibited arles, chapelle du méjan, rencontres internationales de la
Photographie, Pierre et Gilles, 5 July – 15 august 1994; Paris, maison européenne
de la Photographie, Pierre et Gilles – Vingt Ans 1976-1996, 26 november 1996 – 26
January 1997; Valencia, museo de bellas artes de Valéncia, Pierre et Gilles, 2 June
– 29 July 1998; tokyo, Shiseido gallery ginza art Space, Pierre et Gilles Mémoire
de Voyage, 16 September – 18 october 1998; Paris, galerie Jérôme de noirmont,
fiac 2000, Pierre et Gilles 1977-1998, 24-30 october 2000; rome, complesso del
Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may
2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo
della regione, 1-18 november 2008; florence, museo marino marini, 11 december
2008 – 5 January 2009, Adotta un disegno
Literature m. nuridsany, ‘Pierre et gilles – Un naturel confondant, par michel
nuridsany’, Actes Sud, arles, 1994, pl.8 (illustrated); b. marcadé & d. cameron,
Pierre et Gilles, L’Oeuvre Complet 1976-1996, taschen, cologne, 1997, p.281
(illustrated); Pierre et Gilles Mémoire de voyage, Shiseido gallery ginza art Space,
tokyo, 1998, p.17 (illustrated); J.m.g. cortes, e. mendicutti & S. leturcq, Pierre et
Gilles, museo de bellas artes de Valéncia, Valéncia, 1998, p.123 (illustrated); b.
marcadé, P. Park & J. Sans, Pierre et Gilles – Beautiful Dragon, Seoul museum of
art, Seoul, 2004, p.62 (illustrated)
03_LON_OCT_CONT_v6.indd 126 23/09/09 21.46
Sold to benefit the emergency charitable organiSation
113 FRANCESCO VEZZOLI b. 1971
Whatever happened to Baby Francesco?, 2007
laser print on canvas with metal embroidery. 16 x 12 cm. (6 1/4 x 4 3/4 in).
Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 •♠
Provenance acquired directly from the artist
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 127 23/09/09 21.46
Sold to benefit the emergency charitable organiSation
114 ANSELM KIEFER b. 1945
Die Ungeborenen, 2002
charcoal and lead on photographic paper. 60.5 x 88 cm. (23 3/4 x 34 5/8 in).
Estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 •♠
Provenance acquired directly from the artist; galleria lia rumma,
naples/milan
03_LON_OCT_CONT_v6.indd 128 23/09/09 21.47
03_LON_OCT_CONT_v6.indd 129 23/09/09 21.48
Sold to benefit the emergency charitable organiSation
115 FABRICE HYBER b. 1961
Solitairies, 2007
oil, charcoal and collage on canvas. 150 x 150 cm. (59 x 59 in). inscribed ‘by m.Said’
lower right; signed, titled and dated ‘fabrice hyber 2007 “Solitaries”’ on the reverse.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 •♠
Provenance acquired directly from the artist; galerie Jérôme de noirmont, Paris
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September –
12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo
marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 130 23/09/09 21.48
Sold to benefit the emergency charitable organiSation
117 KENDELL GEERS b. 1968
Hiroshima, 2004
indian ink on paper. 140 x 200 cm. (55 1/8 x 78 3/4 in). Signed and dated ‘Kendell
geers 2004’ lower right.
Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠
Provenance acquired directly from the artist; galleria continua, San
gimignano/beijing
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
Sold to benefit the emergency charitable organiSation
116 MASSIMILIANO FUKSAS b. 1944
Tra le nuvole, 2007
tempera and pencil on paper. 45 x 52 cm. (17 3/4 x 20 1/2 in).
Estimate £1,0 0 0 -1,5 0 0 $1,70 0 -2,5 0 0 €1,10 0 -1,70 0 •♠
Provenance acquired directly from the artist
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
117
116
03_LON_OCT_CONT_v6.indd 131 23/09/09 21.49
Sold to benefit the emergency charitable organiSation
119 NAN GOLDIN b. 1953
Isabelle as a ghost, St. Remy de Provence, France, 2002
cibachrome print. 76 x 103 cm. (30 x 40 1/2 in). this work is from an edition of
fifteen plus one artist’s proof.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 •
Provenance acquired directly from the artist; guido costa projects, turin
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
Literature nan goldin, The Devil’s Playgound, Phaidon Press, london, 2008,
p.464 (illustrated)
Sold to benefit the emergency charitable organiSation
118 MIKE KELLEY b. 1954
Drawing, 2007
ink on paper. 50 x 70 cm. (19 3/4 x 27 1/2 in). Signed and dated ‘m. Kelley 2007’
lower right.
Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 •
Provenance acquired directly from the artist; galleria emi fontana, milan/rome
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
118
119
03_LON_OCT_CONT_v6.indd 132 23/09/09 21.50
Sold to benefit the emergency charitable organiSation
120 Carla aCCardi b. 1924
Nero su Arancio, 2007
gouache on cardboard. 35 x 50 cm. (13 3/4 x 19 3/4 in).
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 •♠
Provenance acquired directly from the artist
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 133 23/09/09 21.50
Sold to benefit the emergency charitable organiSation
121 Daniel Buren b. 1938
Photo-Souvenir: Couleur et ombre portées N°11, travail situé, giugno 2006, 2006
Vinyl, Plexiglas and steel. 200 x 200 x 2.5 cm. (78 3/4 x 78 3/4 x 1 in).
estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 ♠
Provenance acquired directly from the artist; galleria continua, San
gimignano/beijing
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 134 23/09/09 21.51
03_LON_OCT_CONT_v6.indd 135 23/09/09 21.51
122 Jack Goldstein 1945-2003
Untitled, 1986
Acrylic on canvas. 183 x 213.4 cm. (72 x 84 in).
estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ‡
Provenance Dart Gallery Inc., Chicago; The Stone Collection,
Chicago; The Fruit Market Gallery, Edinburgh; Musée de Grenoble,
Grenoble
Looking at these images, we think of the Northern Lights, sunspots,
mushroom clouds or volcanic explosions seen either from a great
distance or in greatly magnified detail. These events are depicted to
meticulous, if not obsessive, perfection through a procedure that involves
a great deal of taping and stenciling, and that leaves very little indication
of human involvement. Each color of the spectrum has its own separate
physical layer. Both process and result suggest topographical maps, but
- even though there’s an inclination to read the darkest colors as ocean
depths and the brightest as mountain ranges -here it is the topography of
light and hue that is being charted. (Roberta Smith, New York Times,
5/22/87)
03_LON_OCT_CONT_v6.indd 136 24/09/09 07:52
03_LON_OCT_CONT_v6.indd 137 24/09/09 07:52
123 DAMIÁN ORTEGA b. 1967
Biombio (Green), 2002
Fibreglass and metal. 90.2 x 117 x 109.2 cm. (35 1/2 x 46 x 43 in). This work is
accompanied by a certificate of authenticity.
Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0
Provenance Galeria Pepe Cobo, Madrid
03_LON_OCT_CONT_v6.indd 136 23/09/09 12:02
124 MARTIN CREED b. 1964
Work No. 294 A Sheet of A5 paper crumpled into a ball, 2003
Paper, wood and Perspex. Overall: 65.4 x 21.5 x 15.9 cm. (25 3/4 x 8 1/2 x 6 1/4 in).
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠‡
Provenance Analix Forever, Geneva
03_LON_OCT_CONT_v6.indd 137 23/09/09 12:02
125 ImI Knoebel b. 1940
Under the Moon of Love, 1993
Acrylic on aluminium. 124.8 x 124.5 x 14 cm. (49 1/8 x 49 x 5 1/2 in). Initialed and
dated ‘IM 93’ on the reverse.
estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 ♠‡
Provenance Acquired directly from the artist
Like Beuys’ disciple Palermo, with whom he shared a studio in 1968,
Knoebel devoted his attention in various analytical series to the
relationship between space, carrier and colour. He was indebted to
his second great master Kasimir Malevich for a certain reduction to
the elementary coordinates of painting. (D. Zwirner, Imi Knoebel, in
exhibition catalogue, German Art from Beckmann to Richter, Images of
a Divided Country, Berlin 1997, p. 523).
03_LON_OCT_CONT_v6.indd 138 23/09/09 12:03
03_LON_OCT_CONT_v6.indd 139 23/09/09 12:03
126 Louise LawLer b. 1947
Two Heads, 2004
Cibachrome on aluminium museum box. 103 x 133.5 cm. (40 1/2 x 52 1/2 in).
Signed, dated and numbered of five ‘Louise A Lawler 2004’ on the reverse.
This work is from an edition of five.
estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡
Provenance Metro Pictures, New York
exhibited New York, Metro Pictures, Louise Lawler, Looking Forward, 30 October
– 23 December, 2004
03_LON_OCT_CONT_v6.indd 140 23/09/09 12:04
127 Wade Guyton b. 1972
Untitled, 2001
Fibreglass and tape. 122 x 90 x 90 cm. (48 x 35 1/2 x 35 1/2 in).
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0
Provenance Private collection, Austria
exhibited Vienna, Engholm Engelhorn Galerie, The Love of Look, 1 February,
2001 – 18 March, 2001
03_LON_OCT_CONT_v6.indd 141 23/09/09 12:05
128 Katja Strunz b. 1970
Untitled, 2003
Oil on wood. 200 x 80 x 13.5 cm. (78 3/4 x 31 1/2 x 5 3/8 in).
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠
Provenance Galerie Giti Nourbakhsch, Berlin
03_LON_OCT_CONT_v6.indd 142 23/09/09 12:06
129 WIM DELVOYE b. 1965
Silvett Gomex, 1989
Enamel paint on steel saw blade. Diameter: 25 cm. (9 7/8 in). Signed, titled and
dated ‘Wim Delvoye 1989 Silvett Gomex’ on the reverse.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠
Provenance Galleria Pontepietra, Verona
03_LON_OCT_CONT_v6.indd 143 23/09/09 12:06
130 John Armleder b. 1948
Furniture Sculpture, 1986
Two painted mahogany side tables. Red: diameter: 45.6 cm. (18 in); height:
66.6 cm (26 1/4 in). Blue: diameter: 46 cm. (18 1/8 in), height: 67 cm. (26 3/8 in).
Each signed and dated ‘John Armleder 1986’ on the underside.
estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡
Provenance John Gibson Gallery, New York
exhibited Geneva, Mamco, John Armleder, Amor Vacui, Horror Vacui, 18 October,
2007 – 21 January, 2007
03_LON_OCT_CONT_v6.indd 144 23/09/09 12:08
131 JIM LAMBIE b. 1964
Two works: (i) Sandhead (Blue); (ii) Sandhead (Sand), 2004
Hand-cut boxer shorts with gloss paint, tape and two cans of paint. Each:
31.8 x 25.4 x 9.5 cm. (12 1/2 x 10 x 3 3/4 in).
Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠
Provenance Konrad Fischer Galerie, Düsseldorf
03_LON_OCT_CONT_v6.indd 145 23/09/09 12:08
132 JEFF GEYS b. 1934
Ten Model Paintings, 1965
Ten oil on canvas paintings in artist’s frames. Largest: 56.2 x 69.2 cm. (22 1/8 x 27
1/4 in). Smallest: 40.3 x 30.2 cm. (15 7/8 x 11 7/8 in). Six works signed ‘Jeff Geys’ on
the reverse.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠‡
Provenance Galerie Micheline Szwajcer, Antwerp
03_LON_OCT_CONT_v6.indd 146 23/09/09 12:10
03_LON_OCT_CONT_v6.indd 147 23/09/09 12:10
133 Yves Klein 1928 - 1962
La Terre Bleue, 1957/1990
Dry blue pigment and synthetic resin on plaster cast. 41.5 x 29.5 x 29.5 cm.
(16 1/4 x 11 1/2 x 11 1/2 in). Embossed with the star and numbered of 300 on a
label attached to the underside. This work is from an edition of 300 plus 50
Hors Commerce copies, edited by Galerie Bonnier, Geneva. This work was
conceived in 1957 and cast in 1990.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0
Provenance Private collection, Geneva
Literature P. Wember, Yves Klein, Cologne, 1969, p. 137, no. RP7
(illustration of original cast); J.-P. Ledeur, Yves Klein, Catalogue Raisonné des
Editions et Sculptures, Knokke-le-Zoute, 2000, p. 242, no. RP7 (illustration of
another cast in colour)
03_LON_OCT_CONT_v6.indd 150 24/09/09 07:54
134 Rudolf Stingel b. 1956
Untitled, 1994
Pigmented cast polyurethane rubber compound. 34.3 x 25 cm. (13 1/2 x 9 7/8 in).
Signed, inscribed and and dated ‘M-8 94 Stingel’ on the reverse.
estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠‡
Provenance Paula Cooper Gallery, New York
03_LON_OCT_CONT_v6.indd 151 24/09/09 07:54
135 Louise Bourgeois b. 1911
Les Herbes Folles, 2002
Crayon, ink and pencil on paper. 22.5 x 29.8 cm (8 7/8 x 11 3/4 in). Initialed ‘LB’
lower right.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡
Provenance Galerie Karsten Greve AG, St. Moritz
03_LON_OCT_CONT_v6.indd 152 24/09/09 07:54
136 ANYA GALLACCIO b. 1963
Nevertheless, 2003
Bronze. 12 x 87 x 17.8 cm. (4 3/4 x 34 1/4 x 7 in).
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠
Provenance Blum & Poe, Los Angeles
03_LON_OCT_CONT_v6.indd 153 24/09/09 07:54
137 Steven Parrino 1958-2005
Untitled-Silver, 1995
Enamel and silicone on canvas. 43.2 x 45 cm. (17 x 17 3/4 in). Signed and dated
‘Steven Parrino 95’ on the stretcher.
estimate £ 3 0,0 0 0 - 5 0,0 0 0 $49,6 0 0 - 8 2,70 0 €3 4,3 0 0 - 57,10 0 ‡
provenance Acquired directly from the artist
03_LON_OCT_CONT_v6.indd 152 23/09/09 12:15
03_LON_OCT_CONT_v6.indd 153 23/09/09 12:15
138 Frank nitsche b. 1964
BDG-01, 2002
Oil on canvas. 300 x 250 cm. (118 1/8 x 98 3/8 in). Signed, titled and dated ‘BDG-01
-2002 Nitsche’ on the reverse.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡
Provenance Leo Koenig Inc., New York
Literature G. Gohlke, Frank Nitsche, Buchhandlung, Walther König, Cologne,
2002, p. 5 (illustrated)
03_LON_OCT_CONT_v6.indd 154 23/09/09 12:15
139 FRANK NITSCHE b. 1964
BAB-02, 2002
Oil on canvas. 230 x 199 cm. (90 1/2 x 78 3/8 in). Signed, titled and dated ‘Nitsche
BAB-02-2002’ on the reverse.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠
provenance Leo Koenig Inc., New York
03_LON_OCT_CONT_v6.indd 155 23/09/09 12:16
140 GÜnther FÖrG b.1952
Untitled, 1991
Acrylic on lead. Each: 80 x 60.3 cm. (31 1/2 x 23 3/4 in). Each signed and dated
‘Förg 91’ on the reverse.
estimate £ 3 5,0 0 0 - 4 5,0 0 0 $57,9 0 0 -74,4 0 0 €4 0,0 0 0 - 51,4 0 0 ♠‡
Provenance Acquired directly from the artist
03_LON_OCT_CONT_v6.indd 156 23/09/09 12:17
03_LON_OCT_CONT_v6.indd 157 23/09/09 12:17
141 GÜnther FÖrG b. 1952
Untitled, 1998
Acrylic on canvas. 200.4 x 165 cm. (78 7/8 x 65 in). Signed and dated ‘Förg 98’ on
the reverse.
estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠‡
Provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 158 23/09/09 13:58
142 Dan Walsh b. 1960
Reflector, 1995
Acrylic on canvas 178 x 177.8 cm. (70 1/8 x 70 in). Signed, titled and dated ‘Dan
Walsh “Reflector” 1995’ on the stretcher bar.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡
Provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 159 23/09/09 13:58
04_LON_OCT_CONT_v6.indd 160 23/09/09 13:59
143 JOHN MCCRACKEN b. 1934
Visit, 1994
Polyester resin, fibreglass and plywood. 16 x 107.7 x 23.2 cm. (6 1/4 x 42 3/8 x 9 1/8
in). Signed, titled and dated ‘VISIT 1994 McCracken’ on the reverse.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡
Provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 161 23/09/09 13:59
144 JOHN MCCRACKEN b. 1934
Zing, 1994
Polyester resin, fibreglass and plywood 54 x 28.5 x 23.5 cm. (21 1/4 x 11 1/4 x 9 1/4 in).
Signed, titled and dated ‘ZING 1994 McCracken’ on the underside.
Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡
Provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 164 24/09/09 07:59
145 RobeRt Mangold b. 1937
Two Squares within Two Triangles, 1976
Coloured pencil on paper. 58 x 79.7 cm. (22 7/8 x 31 3/8 in). Signed, titled and
dated ‘Two Squares within Two Triangles R.Mangold 1976’ upper left.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ‡
Provenance Galerie Marcel Fleiss, Paris
04_LON_OCT_CONT_v6.indd 165 24/09/09 08:00
146 ROBERT MANGOLD b. 1937
One 72” square within 6 distorted rectangles, 1979
Graphite on six sheets of paper. 210 x 192.5 cm. (83 x 75 3/4 in).
Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ‡
Provenance Paula Cooper Gallery, New York
Drawing for me is a process. It’s true that my paintings in a lot of ways
are as much drawing as they are paintings. I think my involvement from
the beginning has been very linear in terms of how I work, and I’ve
never been involved in paint the way a lot of painters are. It’s been a way
of coloring a surface or a step, but drawing is the starting point. It’ll start
with little sketches where I get an idea about fitting one form within
another or I’ll do some thumbnail sketches and then I’ll go through a
process of picking and choosing or deciding if it’s a good idea or not a
good idea, and making larger drawings and finally drawings with color
so that basically I have a pretty strong idea of what I’m going to do.
That’s pretty well established in the drawing state. Because I work in
shaped canvas, I have to have the idea worked out so that I can build
the stretchers, because there’s a cost commitment when you build a
stretcher. You want to get it figured out ahead of time so you don’t waste
too many stretchers, so there’s a sense in using the drawing in that way.
Drawing is central to the work. (Robert Mangold in conversation with
John Yau, The Brooklyn Rail, March 2009)
04_LON_OCT_CONT_v6.indd 164 23/09/09 14:07
04_LON_OCT_CONT_v6.indd 165 23/09/09 14:07
147 HANNE DARBOVEN 1941-2009
Dostojewski, 12 months (May), 1990
Ink and collage on graph paper in sixteen parts. Overall: 90.5 x 130 cm. (35 5/8 x 51
1/8 in). Each: 22.5 x 31.1 cm. (8 7/8 x 11 7/8 in). Each dated ‘V 90’ on the reverse.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠
Provenance Galerie Crone, Berlin
04_LON_OCT_CONT_v6.indd 168 24/09/09 08:05
04_LON_OCT_CONT_v6.indd 169 24/09/09 08:05
148 MAREPE b. 1970
Untitled, 2003
Plastic. 83.8 x 67.9 x 58.4 cm. (33 x 26 3/4 x 23 in).
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠
Provenance Galeria Luisa Strina, Sao Paolo; Private collection, Paris
04_LON_OCT_CONT_v6.indd 170 24/09/09 08:05
149 Paul Mccarthy b. 1945
Brancusi Tree (Silver), 2007
Self-inflatable mylar fabric with integrated fan on plastic base with electrical
fittings. Height: 203 cm. (80 in). Diameter: 101.6 cm. (40 in). Signed, numbered of
75 and dated ‘Paul McCarthy 2007’ on the base. This work is from an edition of 75.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0
Provenance Hauser & Wirth, London
04_LON_OCT_CONT_v6.indd 171 24/09/09 08:05
150 Julian Opie b. 1958
J, 1987
Glass, aluminium, stainless steel, foam, PVC, wood. 126.8 x 248.8 x 22 cm.
(49 7/8 x 98 x 8 5/8 in). Signed ‘J. Opie’ on the reverse.
estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠
PrOVenanCe Galleria Lia rumma, naples
04_LON_OCT_CONT_v6.indd 172 24/09/09 08:06
151 JULIAN OPIE b. 1958
Sara Walking Naked, 2003
Computer animation on LCD screen. 94.9 x 64.4 x 31.1 cm. (37 1/4 x 25 1/4 x 12 3/8 in).
This work is from an edition of four.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠
Provenance Patrick De Brock Gallery, Knokke
04_LON_OCT_CONT_v6.indd 173 24/09/09 08:06
152 ENRICO DAVID b. 1966
Dinnisblumen, 1999
Wool on dyed canvas. 300 x 220 cm. (118 1/8 x 86 5/8 in).
Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠†
Provenance The Approach, London
Literature M. Holbern & F. Huber, eds., The Triumph of Painting, London, 2005,
p. 271 (illustrated)
04_LON_OCT_CONT_v6.indd 174 24/09/09 08:06
04_LON_OCT_CONT_v6.indd 175 24/09/09 12:08
153 GeorGe Condo b. 1957
Outside the Hotel, 2005
Oil on canvas. 61 x 50.8 cm. (24 x 20 in). Signed, titled and dated ‘George Condo
Outside the Hotel 05’ on the reverse.
estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ‡
Provenance Private collection, New York
04_LON_OCT_CONT_v6.indd 174 23/09/09 14:09
04_LON_OCT_CONT_v6.indd 175 23/09/09 14:09
154 GeorGe Condo b. 1957
Multi-coloured Figure IV, 1993
Oil on linen. 177.8 x 162.6 cm. (70 x 64 in). Signed and dated ‘Condo 93’ lower left.
estimate £6 0,0 0 0 - 8 0,0 0 0 $9 9, 2 0 0 -132,0 0 0 €6 8 ,5 0 0 - 91,4 0 0 ‡
Provenance Baldwin Gallery, Aspen; Private collection, New York
04_LON_OCT_CONT_v6.indd 176 23/09/09 17:53
04_LON_OCT_CONT_v6.indd 177 23/09/09 17:53
155 GRAYSON PERRY b. 1960
Driven Man, 2000
Glazed earthenware. 39 x 31 x 31 cm. (15 3/8 x 12 1/4 x 12 1/4 in).
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 †
Provenance Laurent Delaye Gallery, London
exhibited London, Tate Britain, Turner Prize, 29 October, 2002 - 18 January, 2003;
Amsterdam, Stedelijk Museum, Grayson Perry, 25 November - 31 December, 2003
04_LON_OCT_CONT_v6.indd 180 24/09/09 08:10
Alternative view
04_LON_OCT_CONT_v6.indd 181 24/09/09 08:11
156 Grayson Perry b. 1960
Print for a Politician, 2005
Etching on paper. 67 x 249.5 cm. (26 3/8 x 98 1/4 in).
Signed ‘Grayson Perry’ and numbered of 59 on the reverse. This work is from an
edition of 59.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠
provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 180 23/09/09 14:14
04_LON_OCT_CONT_v6.indd 181 23/09/09 14:14
04_LON_OCT_CONT_v6.indd 182 23/09/09 14:15
157 Markus Muntean & adi rosenbluM b. 1962 & b. 1962
Untitled (We look at each other…), 2002
Acrylic on canvas. 200 x 250 cm. (78 3/4 x 98 1/2 in).
estimate £18 ,0 0 0 -2 2,0 0 0 $2 9,8 0 0 - 3 6,4 0 0 €2 0,6 0 0 -25,10 0 ♠†
Provenance Maureen Paley Interim Arts, London
Literature M. Holborn & F. Huber, eds., The Triumph of Painting, London, 2005,
p. 164 (illustrated)
04_LON_OCT_CONT_v6.indd 183 23/09/09 14:15
158 JULES DE BALINCOURT b. 1972
Two works: (i) Boxing Your Subconscious; (ii) Untitled, 2005
(i) Oil and enamel on panel; (ii) Mixed media. (i) 61 x 121.9 cm. (24 x 48 in).
(ii) 61 x 101.6 x 40.7 cm. (24 x 40 x 16 in). (i) Signed and dated ‘Jules de Balincourt 2005’
on the reverse.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠†
Provenance Zach Feuer (LFL) Gallery, New York
04_LON_OCT_CONT_v6.indd 184 23/09/09 14:17
04_LON_OCT_CONT_v6.indd 185 23/09/09 14:18
159 GAVIN TURK b. 1967
Four works: (i) Flag, (ii) Stretcher, (iii) Union Jack, (iv) Requiem, 1994
Oil on paper. Each: 21.5 x 28 cm. (8 1/2 x 11 in). Each signed and dated ‘Gavin Turk
1994’ lower right; each titled lower centre.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡
Provenance Jay Jopling, London
(i)
(ii)
04_LON_OCT_CONT_v6.indd 188 24/09/09 08:12
(iii)
(iv)
04_LON_OCT_CONT_v6.indd 189 24/09/09 08:13
160 Damien Hirst b. 1965
Orange Butterfly with Red Tips, 2008
Colour aquatint: 119.5 x 108 cm. (47 x 42 1/2 in). Signed and dated ‘Damien Hirst
2008’ lower margin. This work is unique and is registered in the Damien Hirst
Archive under Archive number DHS10364.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠
provenance Private collection, London
04_LON_OCT_CONT_v6.indd 190 24/09/09 08:13
161 Damien Hirst b. 1965
The Souls on Jacob’s Ladder Take Their Flight, 2007
The complete set of six colour photogravure etchings. 119.6 x 108.4 cm.
(47 1/8 x 42 5/8 in). Each signed ‘Damien Hirst’ and numbered of 72 on the reverse.
This work is from an edition of 72.
estimate £ 3 5,0 0 0 - 45,0 0 0 $57,9 0 0 -74,4 0 0 €4 0,0 0 0 - 51,4 0 0 ♠
provenance Private collection, London
04_LON_OCT_CONT_v6.indd 191 24/09/09 08:14
162 Marc Quinn b. 1964
Polar Bears of the Liro, 2008
Oil on canvas. 170 x 250 cm. (67 x 98 1/2 in). Signed, titled and dated ‘Polar Bears of
the Liro Marc Quinn 2008’ on the reverse.
Estimate £ 8 0,0 0 0 -12 0,0 0 0 $132,0 0 0 -19 8 ,0 0 0 €91,4 0 0 -137,0 0 0 ♠
Provenance White Cube, London
04_LON_OCT_CONT_v6.indd 192 24/09/09 12:09
04_LON_OCT_CONT_v6.indd 193 24/09/09 12:09
163 AXEL HÜTTE b. 1951
Caño Harol, 2002
C-print. 157 x 256.5 cm. (61 3/4 x 101 in). This work is from an edition of four.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠‡
Provenance Galerie Wilma Tolksdorf, Frankfurt
04_LON_OCT_CONT_v6.indd 192 23/09/09 14:22
04_LON_OCT_CONT_v6.indd 193 23/09/09 14:22
164 Roni HoRn b. 1955
Three works: (i) Untitled (To Nest) #2; (ii) Untitled (To Nest) #5; (iii) Untitled
(To Nest) #6, 2001
Iris prints. Each: 60.3 x 91.4 cm. (23 3/4 x 36 in). Each signed ‘Roni Horn’ on a label
adhered to the reverse. These works are from an edition of fifteen.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡
Provenance i8, Reykjavik
(i) (ii)
04_LON_OCT_CONT_v6.indd 196 24/09/09 08:17
(iii)
04_LON_OCT_CONT_v6.indd 197 24/09/09 08:17
165 Florian Maier-aichen b. 1973
Untitled, 2005
C-print in artist’s wooden frame. 183 x 241 cm. (72 1/4 x 95 in). Signed, numbered
of six and dated, ‘Florian Maier-Aichen 2005’ on a label adhered to the reverse.
This work is from an edition of six plus two artist’s proofs.
estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ♠
PROVENANCE Blum & Poe, Los Angeles
EXHIBITED Los Angeles, Blum & Poe, Florian Maier-Aichen, 21 January – 25
February, 2006 (another example exhibited); New York, 303 Gallery, Florian Maier-
Aichen, 14 January – 25 February, 2006 (another example exhibited); London, Royal
Academy of Arts, USA Today, 6 October – 4 November, 2006 (another example
exhibited); New York, The Bertha and Karl Leubsdorf Art Gallery, Hunter College,
to:Night: Contemporary Representations of the Night, 12 September – 6 December,
2008 (another example exhibited); Madrid, Museo Thyssen-Bornemisza, Photo
España 08, 3 June – 27 July, 2008 (another example exhibited)
04_LON_OCT_CONT_v6.indd 198 24/09/09 08:17
04_LON_OCT_CONT_v6.indd 199 24/09/09 08:17
166 FLORIAN MAIER-AICHEN b. 1973
Untitled, 2007
C-print. 78 x 103.5 cm. (30 3/4 x 40 3/4 in). Signed, numbered of six and dated
‘Florian Maier-Aichen, 2007’ on a label adhered to the reverse. This work is from
an edition of six.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡
Provenance Blum & Poe, Los Angeles
Literature R. Morse, MOCA Focus, Florian Maier-Aichen, Ostfildern, Germany,
pl. 11 (illustrated)
04_LON_OCT_CONT_v6.indd 198 23/09/09 14:23
167 Florian Maier-aichen b. 1973
Untitled, 2003
C-print. 163.8 x 233.7 cm. (64 1/2 x 92 in). This work is from an edition of six.
estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠
Provenance Blum & Poe, Los Angeles
04_LON_OCT_CONT_v6.indd 199 23/09/09 14:24
168 OLAFUR ELIASSON b. 1967
Trollakrokar series, 2004
Five c-prints in artist’s frames. Each: 30.5 x43 cm. (11 1/2 x 17 in.) Signed ‘Olafur
Eliasson’ on a label adhered to the reverse of the fifth photograph; numbered of six
on a label adhered to the reverse of each. This work is from an edition of six.
Estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ♠‡
Provenance neugeriemschneider, Berlin; Marc Jancou Contemporary, New York
04_LON_OCT_CONT_v6.indd 200 23/09/09 14:37
04_LON_OCT_CONT_v6.indd 201 23/09/09 14:38
169 CINDY SHERMAN b. 1954
Untitled #174, 1987
Cibachrome print. 186 x 126 cm. (71 x 47 1/2 in). This work is from an edition of six.
Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡
Provenance Metro Pictures, New York; Hoffman Borman Gallery, Santa
Monica; Lambert Art Collection, Switzerland
Literature Whitney Museum of American Art, Cindy Sherman, New York, 1987
pl. 125 (illustrated)
04_LON_OCT_CONT_v6.indd 202 23/09/09 14:39
04_LON_OCT_CONT_v6.indd 203 23/09/09 14:39
170 Thomas Ruff b. 1958
19h 38m/-60, 1992
C-print in artist’s wooden frame. 257.8 x 186 cm. (101 1/2 x 73 1/4 in). Signed,
titled and dated ‘TC Ruff 1992 19h 38m/ -60˚’ on the reverse. This work is from an
edition of two.
Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ♠‡
provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 206 24/09/09 08:20
176
171 VIJA CELMINS b. 1938
Two works: (i) Untitled, 1995; (ii) Untitled, c. 1995
Mezzotints. (i) 40.6 x 35.2 cm. (16 x 13 7/8 in); (ii) Sheet: 45.7 x 37.5 cm. (18 x 14 3/4
in). (i) Signed and numbered of 25 ‘V. Celmins’ in lower margin. This work is from
an edition of 25. (ii) Signed and numbered of 50 ‘V. Celmins’ in lower margin. This
work is from an edition of 50.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠
Provenance McKee Gallery, New York; Private collection, Paris
172 MAT COLLISHAW b.1966
Infectious Orchid 2, 2004
Digital print. 49 x 39 cm. (19 1/4 x 15 1/4 in). This work is from an edition of three
and one artist’s proof.
Estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠
Provenance Galerie Anne Faggionato, London; Private collection, Paris
172
04_LON_OCT_CONT_v6.indd 207 24/09/09 08:20
173 Wolfgang Tillmans b. 1968
Eighteen works: (i) Sucking at Roxy, 1993, (ii) Macau/China border, 1993, (iii) Tristan on
Rooftop, 1993, (iv) Tom, Gillian and Thiery doing makeup, 1994, (v) Four boots, 1992 (vi) Alex and
Lutz am strand, 1992, (vii) Arse in fountain (repro), 1994, (viii) Lutz wanking, 1991, (ix) TV and
Leatherman, 1993, (x) Sadie Frost, 1995, (xi) Palomino, piss, 1995, (xii) Travis with tree, 1994,
(xiii) bück dich, 1992, (xiv) Far Rockaway, 1995, (xv) Lutz, Alex, Suzee and Christoph on beach,
colour, (xvi) Paul, arm right angle, 1994, (xvii) Room after party, 1992, (xviii) Young woman, 1992
C-prints. Each: 40.5 x 30.5 cm. (16 x 12 in). Each signed, titled, inscribed, numbered of ten
and dated on the reverse. These works are from an edition of ten plus one artist’s proof.
Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ♠‡
provenance Ars Futura, Zurich
04_LON_OCT_CONT_v6.indd 206 23/09/09 14:41
04_LON_OCT_CONT_v6.indd 207 23/09/09 14:44
175
174
174 Carol Bove b. 1971
Refugees from Affluence, 2000
Ink on paper. 114.5 x 152 cm. (45 1/8 x 59 7/8 in). Initialed and dated ‘CB00 lower
left.
estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ‡
Provenance Team Gallery, New York
175 Joseph Kosuth b. 1945
Drawing for Discussion about a Lawn, 1965
Graphite on paper. 29.2 x 38.6 cm. (11 1/2 x 15 1/4 in). Signed and dated ‘Joseph
Kosuth 1965’ lower left; Initialed ‘JK’ on the reverse along with printed statement
‘A drawing only and not documentation for the construction of the work’.
estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0
Provenance Galleria Primo Piano, Rome; Galeria Alfonso Artiaco, Naples
04_LON_OCT_CONT_v6.indd 208 23/09/09 14:47
176
177
176 JOHN BOCK b. 1965
Untitled, 2004
Mixed media collage and felt-tip pen on paper. 150 x 214 cm. (59 1/8 x 84 1/4 in).
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠
Provenance Klosterfelde, Berlin; Galleria Fonti, Naples
177 LEE UfaN b. 1936
Untitled, 1994
Ground pigment on paper. 62 x 90.8 cm. (24 5/8 x 35 3/4 in). Signed and dated
‘L Ufan 94’ lower right.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0
Provenance Private collection, Paris
04_LON_OCT_CONT_v6.indd 209 23/09/09 14:47
178 MATT GREENE b. 1971
This Contains Our Pleasure, 2005
Acrylic and graphite on canvas. 183 x 152 cm. (72 x 60 in).
Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡
Provenance Modern Art, London
exhibited London, Modern Art Inc., We Are the Dead, 21 April – 22 May, 2005
05_LON_OCT_CONT_v6.indd 212 24/09/09 08:37
179 Johannes Kahrs b. 1965
Schmerzbild I, 1990
Oil and varnish on felted material. 169.5 x 129.8 cm. (66 3/4 x 51 1/8 in). Signed,
titled and dated ‘Johannes Kahrs “Schmerzbild” 1990’ on the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠
Provenance Acquired directly from the artist
05_LON_OCT_CONT_v6.indd 213 24/09/09 08:37
180 Larry Poons b.1937
Minter, 1975
Acrylic on canvas. 256.5 x 163 cm. (101 x 64 3/8 in). Signed, titled and dated
‘LARRY POONS 1975 MINTER’ on the reverse.
Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡
provenance Acquired directly from the artist
05_LON_OCT_CONT_v6.indd 212 23/09/09 14:54
05_LON_OCT_CONT_v6.indd 213 23/09/09 14:54
181 Raymond Hains 1926-2005
Untitled, 1975
Lacerated posters on galvanised steel. 108 x 93.5 cm. (42 1/2 x 36 7/8 in). Signed
and dated ‘Raymond Hains 1975’ on the reverse.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ‡
Provenance Anon. sale, Catherine Charbonneaux, Paris
05_LON_OCT_CONT_v6.indd 214 23/09/09 14:56
182 Raymond Hains 1926-2005
Palissade, 1961
Lacerated posters on galvanised steel. 49.5 x 48.9 cm. (19 1/2 x 19 1/4 in). Signed
and dated ‘R. Hains 1961’ lower right; Signed and dated ‘Raymond Hains 1961’ on
the reverse.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ‡
Provenance Galerie Beaubourg, Paris
05_LON_OCT_CONT_v6.indd 215 23/09/09 14:56
183 Gerhard richter b. 1932
Untitled (1.2.89), 1989
Oil on colour photograph. 15 x 10.2 cm. (5 7/8 x 4 in). Signed and dated ‘Richter
1.2.89’ lower right; signed and dated ‘1.2.89 Richter’ on the reverse of backing.
estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠‡
Provenance Sperone Westwater, New York
05_LON_OCT_CONT_v6.indd 216 23/09/09 14:57
05_LON_OCT_CONT_v6.indd 217 23/09/09 14:57
184 Francis alÿs b. 1959
Sin Titulo (Paisaje con plastico y burro), 1996
Mixed media on canvas. 30 x 40.5 cm. (12 x 16 in).
Estimate £ 3 0,0 0 0 - 5 0,0 0 0 $49,6 0 0 - 8 2,70 0 €3 4,3 0 0 - 57,10 0 ♠
Provenance Kenneth L. Freed collection, Boston; Goff + Rosenthal, New York
05_LON_OCT_CONT_v6.indd 218 23/09/09 14:58
05_LON_OCT_CONT_v6.indd 219 23/09/09 14:58
185 Christo b. 1935
Running Fence (Project for Sonoma and Marin Counties, California), 1976
Pencil, pastel, charcoal and black and white photograph on paper in Plexiglas
frame. 72 x 56.5 cm. (28 3/8 x 22 1/4 in). Signed, titled and dated ‘Christo 1976
RUNNING FENCE (Project for Sonoma and Marin Counties, CA)’ lower right.
Estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0
Provenance Verner Amell Gallery, London
Literature This work will be included in the forthcoming Christo Catalogue
Raisonné being prepared by Daniel Varenne under n° 7602
05_LON_OCT_CONT_v6.indd 220 23/09/09 15:00
05_LON_OCT_CONT_v6.indd 221 23/09/09 15:00
186 FRANCIS ALŸS b. 1959
Estudio para el soplón, 1996-1997
Oil on canvas mounted on wooden panel. 29.5 x 24.4 cm. (11 5/8 x 9 5/8 in). Signed,
titled and dated ‘F Alÿs studio para el soplón 96-7’ lower right. This work is
accompanied by a certificate of authenticity.
Estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ♠
Provenance Galeria OMR, Mexico City
05_LON_OCT_CONT_v6.indd 222 23/09/09 15:06
187 Valerio adami b. 1935
Voyage en train, 1968-1970
Acrylic on canvas. 81 x 100 cm. (31 7/8 x 39 3/8 in). Signed and titled on the
reverse.
estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ♠
Provenance Private collection, Italy
05_LON_OCT_CONT_v6.indd 223 23/09/09 15:06
188 ANDY WARHOL 1928-1987
Portrait of Man Ray, 1974
Colour screenprint. 35 x 35 cm. (13 3/4 x 13 3/4 in). Signed, numbered of 100 and
dated ‘Andy Warhol 1974’ on the reverse. This work is from an edition of 100.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0
Provenance Galleria Il Centro, Naples; Galleria Lucio Amelio, Naples
exhibited Naples, Maschio Angioino, Warhol – Viaggio in Italia, 20 July – 2
November, 1996; Modena, Padiglione d’Arte Moderna, Andy Warhol, 29 August – 23
September, 2002; Arona, Villa Ponti, Made in Warhol, 22 June – October, 2007
Literature Exhibition catalogue, Maschio Angioino, Warhol-Viaggio in Italia,
Naples, 1996, p. 112 (illustrated); Exhibition catalogue, Padiglione d’Arte Moderna,
Andy Warhol, Modena, 2002, p. 94 (illustrated)
05_LON_OCT_CONT_v6.indd 226 24/09/09 08:40
189 Keith haring 1958-1990
Happiness (Parent Ship), c.1980-1984
Chalk on three sheets of paper. 204.5 x 101.7 cm. (80 1/2 x 40 in).
estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0
provenance Angel Ortiz, Los Angeles; Private collection, Germany
05_LON_OCT_CONT_v6.indd 227 24/09/09 08:40
190 Sigmar Polke b. 1941
Untitled, 1983
Gouache and ink on paper. 68 x 47 cm. (26 3/4 x 18 1/2 in). Signed and dated ‘S.
Polke 83 V’ on the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡
Provenance Patrick Painter Inc., Los Angeles
05_LON_OCT_CONT_v6.indd 226 23/09/09 15:07
191 Sigmar Polke b. 1941
Untitled, 1983
Gouache and ink on paper. 67.6 x 48 cm. (26 5/8 x 18 7/8 in). Signed ‘S Polke 83’ on
the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡
Provenance Patrick Painter Inc., Los Angeles
05_LON_OCT_CONT_v6.indd 227 23/09/09 15:08
192 Chiho AoshimA b. 1974
Ornamental Hairpin of the Rose; Golden Fish; Foot of the Squid, 1999
Three Inkjet prints. Each: 170 x 42.5 cm. (66 7/8 x 16 3/4 in). These works
are from an edition of eight.
Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0
Provenance Galerie Emmanuel Perrotin, Paris
193 Chiho AoshimA b. 1974
Hot Spring, 2002
Inkjet print, flush-mounted to aluminium. 100 x 100 cm.
(39 3/8 x 39 3/8 in). This work is from an edition of eight plus one
artists proof.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0
Provenance Blum & Poe, Los Angeles
193
192
05_LON_OCT_CONT_v6.indd 230 24/09/09 08:42
194 AyA TAkAno b. 1976
Infancy Snow, 2006
Acrylic on canvas. 61 x 72.5 cm. (24 x 28 1/2 in).
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0
Provenance Galerie Emmanuel Perrotin, Paris
05_LON_OCT_CONT_v6.indd 231 24/09/09 08:42
196 YOSHITOMO NARA b. 1959
Untitled, 2003
Coloured pencil on paper. 25.5 x 18.3 cm. (10 x 7 1/4 in).
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0
Provenance Tomio Koyama Gallery, Tokyo
195 HIROSHI SugITO b. 1970
House and Tree, 1999
Acrylic, pigment and graphite on canvas. 169.5 x 200 cm. (66 3/4 x 78 3/4 in).
Signed, titled and dated ‘HIROSHI SUGITO house and tree 1999’ on the reverse.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0
Provenance Arndt & Partner, Berlin
195
196
05_LON_OCT_CONT_v6.indd 230 23/09/09 15:09
197 Mr b. 1969
Tokyo Port Tunnel, 2004
Acrylic on fibreglass reinforced plastic. 68.5 x 56 x 73.7 cm. (27 x 22 x 29 in).
Signed, numbered of five and dated ‘Mr 2004’ on the underside. This work is from
an edition of five.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0
Provenance Galerie Emmanuel Perrotin, Paris
exhibited Naples, Castle St. Elmo, Cartoons, Comics and Contemporary Art, 26
April – 30 May, 2007
05_LON_OCT_CONT_v6.indd 231 23/09/09 15:09
199 Wang XingWei b. 1969
The Death of Ximen, 2002
Oil on canvas. 168.5 x 219 cm. (66 1/4 x 86 1/4 in).
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0
Provenance Primo Marella Gallery, Milan
exhibited Milan, Spazio Oberdan, La Cina. Prospettive d’arte contemporanea,
28 June – 16 October, 2005; Naples, Museo Pan, La Cina è Vicina, 14 December,
2007 – 25 February, 2008
literature Damiani ed., China Contemporary Painting, Bologna, 2005, p. 149
198 ZHang Peng b. 1981
Red No. 1, 2007
C-print. 94 x 200 cm. (37 x 78 3/4 in). This work is from an edition of eight and is
accompanied by a certificate of authenticity.
estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ‡
Provenance Acquired directly from the artist
198
199
05_LON_OCT_CONT_v6.indd 234 24/09/09 12:11
200 YANG QIAN b. 1959
Bath 13521300250, 2003
Oil on canvas. 110.2 x 150.2 cm. (43 3/8 x 59 1/8 in). Signed [in English and Pinyin]
and dated ‘Yang Qian 2003’ upper left.
Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0
Provenance Primo Marella Gallery, Milan
exhibited Naples, Museo Pan, La Cina è Vicina, 14 December, 2007 – 25
February, 2008
05_LON_OCT_CONT_v6.indd 233 23/09/09 15:11
201 Zhang huan b. 1965
Shanghai Family Tree, 2001
Nine c-prints flush-mounted to aluminium. Each: 50.8 x 76.2 cm (20 x 30 in).
Signed, titled [in Pinyin], numbered of 25 and dated ‘Zhang Huan Shanghai
Family Tree 2001’ on a label adhered to the reverse. This work is from an edition
of 25.
Estimate £2 0,0 0 0 -25,0 0 0 $3 3 ,10 0 - 41,3 0 0 €2 2,8 0 0 -28 ,6 0 0 ‡
Provenance Galerie Volker Diehl, Berlin
05_LON_OCT_CONT_v6.indd 236 24/09/09 08:58
05_LON_OCT_CONT_v6.indd 237 24/09/09 08:58
203 Cai-Guo-QianG b. 1957
Untitled, 2006
Gunpowder on cardboard notebook. 13.2 x 13.2 cm. (5 1/4 x 5 1/4 in).
Estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0
Provenance Deutsche Guggenheim, Berlin
exhibited Berlin, Sammlung Deutsche Bank, Cai Guo-Qiang, Head On, 28
August, 2006 – 15 October, 2006
202 Yan PEi MinG b. 1960
Portrait II, 1999
Charcoal on paper. 74.6 x 105.4 cm. (29 3/9 x 41 1/2 in). Signed and dated [in
Pinyin] ‘Yan Pei-Ming 02.99’ lower right.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡
Provenance Acquired directly from the artist
202
203
05_LON_OCT_CONT_v6.indd 238 24/09/09 08:59
204 Yan Pei Ming b. 1960
Tête de M.T. Matricule 922335, 2003
Charcoal on paper. 200 x 123.8 cm. (78 3/4 x 48 3/4 in). Signed, titled and dated
‘Tête de M.T. Matricule 922335, 2003 Yan Pei-Ming’ lower right.
estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠‡
Provenance Acquired directly from the artist
05_LON_OCT_CONT_v6.indd 239 24/09/09 08:59
205 Hong Hao b. 1965
Two works: (i) My Things No. 3, 2002-2003; (ii) My Things No. 7, 2004
C-prints. Each: 58.1 x 98.2 cm. (22 7/8 x 38 5/8 in). (i) Signed, titled, numbered
of fifteen and dated ‘Hong Hao My Things No. 3 2002-2003’ on the reverse. (ii)
Signed, titled, numbered of fifteen and dated ‘Hong Hao My Things No. 7 2004’
on the reverse. These works are from an edition of fifteen.
Estimate £ 4,0 0 0 - 5,0 0 0 $6,6 0 0 - 8 ,3 0 0 €4,6 0 0 - 5,70 0 ‡
Provenance Private collection, USA
05_LON_OCT_CONT_v6.indd 240 24/09/09 08:59
206 Luo Brothers b. 1963, 1964 and 1972
World’s Famous Brand, 2004
Lacquer and enamel on wooden panel. 119 x 99 cm. (46 7/8 x 39 in).
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0
Provenance Changing Role –Move Over Gallery, Naples
exhibited Naples, Museo PAN, La Cina è Vicina, 14 December, 2007 – 25
February, 2008
05_LON_OCT_CONT_v6.indd 241 24/09/09 08:59
207 Wang ZiWei b. 1963
Mao Wave Dance, 2003
Acrylic on canvas. 143.5 x 173.5 cm. (56.5 x 68.3 in). Signed, titled and dated
‘ZIWEI WANG MAO WAVE DANCE 2003’ on the reverse
estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0
Provenance Acquired directly from the artist
05_LON_OCT_CONT_v6.indd 242 24/09/09 12:12
208 Wang Du b. 1956
Tapis Volant (Flying Carpet)—Time, 2002-2003
Hand-woven wool. 400 x 346 cm. (157 1/2 x 136 1/4 in). This work is from an edition
of six.
Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ♠‡
Provenance Galerie Laurent Godin, Paris
exhibited Vancouver Art Gallery, Wang Du, 28 May – 12 September, 2005
(another example exhibited)
05_LON_OCT_CONT_v6.indd 243 24/09/09 12:12
209 Chitra Ganesh b. 1975
Rose Of My Rose, 2006
Acrylic on canvas. 232 x 450 cm. (91 x 177 in).
estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡
Provenance Galerie Haas & Fischer AG, Zurich
05_LON_OCT_CONT_v6.indd 242 23/09/09 15:12
05_LON_OCT_CONT_v6.indd 243 23/09/09 15:12
210 Subodh Gupta b. 1964
Dialogue, 1991
Triptych. Acrylic on canvas. 152 x 76 cm. (60 x 30 in). Signed, titled and dated
‘SUBODH GUPTA DIALOGUE 1991’ on the reverse of the first panel.
Estimate £2 0,0 0 0 -25,0 0 0 $3 3 ,10 0 - 41,3 0 0 €2 2,8 0 0 -28 ,9 0 0 ‡
Provenance Saffronart, Mumbai/New York/London
05_LON_OCT_CONT_v6.indd 244 23/09/09 15:13
05_LON_OCT_CONT_v6.indd 245 23/09/09 15:14
211 ROKNI HAERIZADEH b. 1978
Untitled, 2007
Mixed media on paper. 76 x 65.5 cm. (30 x 25 3/4 in). Signed [in Farsi and English] and dated
‘Rokni Haerizadeh 2007’ lower right.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0
Provenance Private collection, London
05_LON_OCT_CONT_v6.indd 248 24/09/09 09:08
212 Rokni HaeRizadeH b. 1978
Busking, 2005
Acrylic on canvas. 143 x 139 cm. (56 3/8 x 54 3/4 in). Signed [in English and Farsi]
‘Rokni Haeri’ lower left.
estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡
Provenance Private collection, Europe
This lyrical depiction of Iranian street performers belongs to series
of works from by Rokni Haerazideh entitled Busking. The series
depicts buffoons, troubadours, Sufi mystics and other creatures
from Iranian folk culture and as a whole celebrates the colour, drama
and movement of street life.
In the present lot, a gypsy woman in a brilliant red dress creates
a frenzy of movement as she walks on her hands through a ring
of braided hair and oranges, the flounce of her dress aflutter
as she arcs her legs over her head. To accompany her dance, a
mustachioed man in striped shirt and cap plays the Tombak, a
traditional Persian drum. Entranced by the beat of his own drum
and the flourishes of the dancer, he embodies the multi-sensory
experience one might have as a by-stander on the street. By
blending the themes of bohemian poverty, sensuality and emotional
expression, the scene exemplifies Haerizadeh’s romantic view of
folk culture.
05_LON_OCT_CONT_v6.indd 249 24/09/09 09:08
213 Farhad Moshiri b. 1963
Untitled, 2003
Oil and acrylic on canvas. 177 x 128 cm. (69 3/4 x 50 3/8 in). Signed, titled and
dated ‘Untitled Farhad Moshiri 2003’ on the reverse.
Estimate £ 3 5,0 0 0 - 4 5,0 0 0 $57,9 0 0 -74,4 0 0 €4 0,0 0 0 - 51,4 0 0 ‡
Provenance Kashya Hildebrand, Geneva
05_LON_OCT_CONT_v6.indd 248 23/09/09 15:15
05_LON_OCT_CONT_v6.indd 249 23/09/09 15:15
214 KHOSROW HASSANZADEH b. 1963
Ashura Series, 2001
Silkscreen, acrylic and collage on paper. 228 x 107 cm. (89 3/4 x 42 1/8 in). Signed
[in Farsi] and dated ‘KHOSROW 1380 (2001)’ lower left.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0
Provenance Acquired directly from the artist by the present owner
05_LON_OCT_CONT_v6.indd 250 23/09/09 15:16
216 Shadi Ghadirian b. 1974
Untitled, 2003
C-print. 76 x 76 cm. (29 7/8 x 29 7/8 in). Signed [in Farsi] and numbered of ten on
the reverse. This work is from an edition of ten.
Estimate £2,5 0 0 - 3 ,5 0 0 $4,10 0 - 5,8 0 0 €2,9 0 0 - 4,0 0 0
Provenance Private collection, Switzerland
215 Shirin nEShaT b. 1957
Women of Allah series, 1995
Gelatin silver print. 23.5 x 34 cm. (9 1/4 x 13 3/8 in). Signed, titled and dated ‘Shirin
Neshat 1995 “Women of Allah” series’ on the reverse. This work is unique and is
accompanied by a certificate of authenticity signed by the artist.
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0
Provenance Private collection, London
216
215
05_LON_OCT_CONT_v6.indd 251 23/09/09 15:17
217 TERENCE KOH b. 1977
Do Not Doubt the Dangerousness of My Butterfly Song, Black, 2004.
Metal vitrine, speakers, iPod, song with artist singing in his own private
language, paint, hair, male battus philenor butterfly and blackened ash from a
gingko tree. 155 x 114 x 46cm. (61 x 44 7/8 x 18 1/8 in).
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 †
Provenance Maureen Paley Interim Arts, London
05_LON_OCT_CONT_v6.indd 254 24/09/09 09:18
05_LON_OCT_CONT_v6.indd 255 24/09/09 09:18
218 ElmgrEEn & DragsEt b. 1961 & b. 1969
Tilted Wall from Powerless Structures, 2001
MDF, wood, acrylic, emergency sign. 245 x 390 x 138 cm. (96 1/2 x 153 1/2 x 54 3/8 in).
This work is unique and is accompanied by a certificate of authenticity.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠
Provenance Private collection, Germany
05_LON_OCT_CONT_v6.indd 256 24/09/09 09:18
219 Anselm Reyle b. 1970
Untitled, 2005
Fluorescent paint on wooden cartwheel. Diameter: 100 cm. (39 3/8 in).
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠
Provenance Private collection, Germany
05_LON_OCT_CONT_v6.indd 257 24/09/09 09:18
05_LON_OCT_CONT_v6.indd 256 23/09/09 15:18
220 Martin Kippenberger 1953 – 1997
Travolta, 1989
Vacuum cleaner on Plexiglass stand. Overall: 96.5 x 127 x 96.5 cm. (38 x 50 x 38 in).
Signed and dated ‘Kippenberger 89’ on a label adhered to the side of vacuum cleaner.
estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ‡
Provenance Acquired directly from the artist; Private collection, Geneva
05_LON_OCT_CONT_v6.indd 257 23/09/09 15:18
221 GEORG HEROLD b. 1947
Heisdiel Painting, 1990
Oil, caviar and adhesive on canvas. 120 x 89.8 cm. (47 1/4 x 35 in). Titled ‘Heisdiel
Painting’ on the stretcher bar.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠
Provenance Private collection, Germany
05_LON_OCT_CONT_v6.indd 258 23/09/09 15:22
222 Herbert brandl b. 1959
Untitled, 1998
Oil on canvas. 110 x 90 cm. (43 1/4 x 35 1/2 in). Signed and dated ‘Brandl 98’ on
the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠
Provenance Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna
05_LON_OCT_CONT_v6.indd 259 23/09/09 15:23
223 Sylvie Fleury b. 1961
Claudia, 1997
Synthetic fur on wood. 180 x 50 x 10 cm. (70 7/8 x 19 3/4 x 4 in).
estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0
Provenance Galerie Mehdi Chouakri, Berlin
05_LON_OCT_CONT_v6.indd 262 24/09/09 09:23
224 Stephen Conroy b. 1964
Study for Painting No 1, 1994-1995
Oil on canvas. 76.2 x 61 cm. (30 x 24 in). Signed and dated ‘Stephen Conroy
1994-5’ on the overlap.
estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠
Provenance Marlborough Gallery, New York
05_LON_OCT_CONT_v6.indd 263 24/09/09 09:23
225
226
225 GARTH WEISER b. 1979
Untitled (Brown), 2005
Oil on canvas. 240 x 207 cm. (94 1/2 x 81 1/2 in).
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0
Provenance Private collection, Paris
226 PETER PERI b. 1971
Cruciform 2, 2007
Oil, acrylic and varnish on canvas. 126.4 x 105.1 cm. (49 3/4 x 41 3/8 in). Signed,
titled and dated ‘CRUCIFORM 2 Peter Peri 8. 07’ on the reverse.
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠
Provenance Galerie Giti Nourbakhsch, Berlin
06_LON_OCT_CONT_v6.indd 262 23/09/09 15:36
227 OLAF HOLZAPFEL b. 1969
Element von (Haus), 2004
Oil on canvas. 190 x 150.5 cm. (74 3/4 x 59 1/4 in). Signed, titled and dated ‘Element
von (Haus) Holzapfel 04 ‘ on the reverse.
Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ♠
Provenance Patrick De Brock Gallery, Knokke
06_LON_OCT_CONT_v6.indd 263 23/09/09 15:36
228 OLAF HOLZAPFEL b. 1969
Archiv 4, 2007
Ultrachrome print on Aludibond. 235 x 178 cm. (92 1/2 x 70 1/8 in). Signed, titled,
dated and numbered of three ‘Holzapfel Archiv 4 2007’ on the reverse. This work
is from an edition of three.
Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠
Provenance Johnen Galerie, Berlin
06_LON_OCT_CONT_v6.indd 264 23/09/09 15:36
229 OLAF HOLZAPFEL b. 1969
Hot Spot, 2004
Oil on Canvas. 200 x 135 cm. (78 3/4 x 53 1/8 in). Signed, titled and dated
‘Olaf Holzapfel Hot Spot 04’ on the reverse.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠
Provenance Baronian Francey, Brussels
06_LON_OCT_CONT_v6.indd 265 23/09/09 15:36
230 NATHAN HYLDEN b. 1978
Untitled, 2007
Acrylic on linen. 171.5 x 119.5 cm. (67 1/2 x 47 in). Signed and dated ‘Nathan
Hylden 08’ on the reverse.
Estimate £ 8 ,0 0 0 -10,0 0 0 $13 , 2 0 0 -16,5 0 0 €9,10 0 -11,4 0 0
Provenance Art:Concept, Paris
06_LON_OCT_CONT_v6.indd 266 23/09/09 15:41
231 NATHAN HYLDEN b. 1978
Untitled (1), 2008
Acrylic on linen. 171 x 119.5 cm. (67 1/2 x 47 in). Signed and dated ‘Nathan Hylden
08’ on the reverse.
Estimate £ 8 ,0 0 0 -10,0 0 0 $13 , 2 0 0 -16,5 0 0 €9,10 0 -11,4 0 0
Provenance Richard Telles Fine Art, Los Angeles; Johann König Gallery, Berlin
06_LON_OCT_CONT_v6.indd 267 23/09/09 15:41
232 Helmut Federle b. 1944
Corner Field Painting XV (Lot des Schattens II), 1994
Oil on canvas. 48 x 53 cm. (18 7/8 x 20 7/8 in). Signed, titled and dated ‘CORNER
FIELD PAINTING XV FEDERLE 94’ on the reverse.
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡
Provenance Galerie Nächst St. Stephan, Rosemarie Schwartzwälder, Vienna
exhibited Bonn, Kunstmuseum, Helmut Federle, 12 October, 1995 - 21 January, 1996
06_LON_OCT_CONT_v6.indd 268 23/09/09 15:51
233 Helmut Federle b. 1944
Corner Field Painting XVII, 1994
Oil on canvas. 50 x 55 cm. (19 3/4 x 21 5/8 in). Signed, titled and dated
‘CORNER FIELD PAINTING XVII FEDERLE 94’ on the reverse.
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡
Provenance Galerie Nächst St. Stephan, Rosemarie Schwartzwälder, Vienna
exhibited Paris, Galerie Jeu de Paume, Helmut Federle, 3 May - 15 June, 1995
literature Exhibition catalogue, Galerie Jeu de Paume ed., Helmut Federle,
Paris, 1995, p. 55 (illustrated)
06_LON_OCT_CONT_v6.indd 269 23/09/09 15:51
234 Ian Wallace b. 1943
Untitled, 1989
Diptych: acrylic and photolaminate on canvas. Overall: 244.1 x 243.8 cm.
(96 1/8 x 96 in). Stamped, signed and dated ‘Ian Wallace 89’ on the reverse
of each panel.
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠‡
Provenance Galerie Meert Rihoux, Brussels
06_LON_OCT_CONT_v6.indd 270 23/09/09 16:04
235 GÜNTHER FÖRG b. 1952
Untitled, 1988
Acrylic on lead on wood. 240 x 160 cm. (94 1/2 x 63 in). Signed and dated ‘Förg 88’
on the reverse.
Estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 ♠
Provenance Private collection, Belgium
06_LON_OCT_CONT_v6.indd 271 23/09/09 16:05
236 patrick caulfield 1936 – 2005
Night Sky, 1973
Acrylic on paper laid down on board. 20.6 x 15.7 cm. (8 1/4 x 6 1/4 in). Signed and
titled ‘Night Sky Patrick Caulfield’ along the lower edge.
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0
Provenance Austin/Desmond Fine Art, London
06_LON_OCT_CONT_v6.indd 272 23/09/09 16:06
06_LON_OCT_CONT_v6.indd 273 23/09/09 16:06
237 SERGEJ JENSEN b. 1973
The Big Fire of Antwerp, 2004
Stitched hessian. 130.2 x 100.3 cm. (51 1/4 x 39 1/2 in). Signed, titled and dated
‘THE BIG FIRE OF ANTWERP Sergej Jensen 2004’ on the overlap.
Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠
Provenance Patrick De Brock Gallery, Knokke
06_LON_OCT_CONT_v6.indd 274 23/09/09 16:07
239 Marcia Hafif b. 1929
No. 119 Italian Series No. 4, 1966
Oil on canvas. 139.5 x 140 cm. (55 x 55 1/8 in). Signed and dated ‘HAFIF 1966’
on the stretcher bar.
Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡
Provenance Galleria Edieuropa, Rome
238 SErGEJ JENSEN b. 1973
Saturn, 2005
Acrylic on linen. 40 x 50.2 cm. (15 3/4 x 19 3/4 in). Signed ‘Sergej Jensen 2005
SATURN’ on the overlap.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠
Provenance Patrick de Brock Gallery, Knokke
239
238
06_LON_OCT_CONT_v6.indd 275 23/09/09 16:08
242 RosemaRie TRockel b. 1952
Kopf, 1985
Watercolour on paper. 50.5 x 39 cm. (19 7/8 x 15 3/8 in). Signed and dated
‘R Trockel 1985’ on the reverse.
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠‡
Provenance Galerie Karlheinz Meyer, Karlsruhe
240 Wayne Gonzalez b. 1957
Face Painting, 1995
Acrylic on canvas. Diameter: 76.2 cm. (30 in.) Signed and dated ‘Wayne Gonzalez
1995’ on the reverse.
estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡
Provenance Acquired directly from the artist
241 Wayne Gonzalez b. 1957
Face Painting, 1995
Acrylic on canvas. Diameter: 76.2 cm. (30 in). Signed and dated ‘Wayne Gonzalez
1995’ on the reverse.
estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡
Provenance Acquired directly from the artist
242
241240
06_LON_OCT_CONT_v6.indd 276 23/09/09 16:09
243 RosemaRie TRockel b. 1952
Untitled, 1994
Watercolour on paper. 33 x 23.8 cm. (13 x 9 3/8 in). Signed and dated
‘Trockel 94’ on the reverse.
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠‡
Provenance Skarstedt Gallery, New York; Monika Sprüth Galerie,
Cologne
06_LON_OCT_CONT_v6.indd 277 23/09/09 16:10
244 Thoralf Knobloch b. 1962
Teddy 2, 2005
Oil on canvas. 120 x 175 cm. (47 1/4 x 68 7/8 in). Signed, titled and dated ‘Teddy
2 Knobloch 2005’ on the reverse.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠‡
Provenance Galerie Gebr. Lehmann, Dresden
06_LON_OCT_CONT_v6.indd 278 23/09/09 16:10
245 EbErhard havEkost b. 1967
Untitled, 1996
Oil on canvas. 40 x 30 cm. (15 3/4 x 11 7/8 in). Signed and dated ‘Havekost 96’
on the reverse.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡
Provenance Galerie Gebr. Lehmann, Dresden
06_LON_OCT_CONT_v6.indd 279 23/09/09 16:10
246 Jonathan Meese b. 1970
DER ERSTE EINSIEDLER ‘DELIOZ’, 2005
Mixed media on canvas. 139.7 x 100.3 cm. (55 x 39 1/2 in). Initialed and dated
‘JM 2005’ lower right; signed, titled and dated ‘J Meese 2005 DER ERSTE
EINSIEDLER “DELIOZ”’ on the reverse.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡
Provenance Contemporary Fine Arts, Berlin
247 Dana sChUtZ b. 1976
Untitled—Self Eater, 2005
Wood cut and collage on paper. 96.5 x 83.5 cm. (38 x 32 7/8 in). Signed, titled,
dated and numbered of 48 ‘ Dana Schutz 2005’ lower right. This work is from
an edition of 48.
estimate £1,5 0 0 -2,0 0 0 $2,5 0 0 - 3 ,3 0 0 €1,70 0 -2,3 0 0
Provenance Zach Feuer (LFL) Gallery, New York
247
246
06_LON_OCT_CONT_v6.indd 282 24/09/09 09:34
248 Martin Kippenberger 1953-1997
Beton Landschaft, 1989
Collage on lithograph. 69.2 x 49.5 cm. (27 1/4 x 19 1/2 in). Initialed and dated
‘MK 89’ lower right.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡
Provenance Galerie Max Hetzler, Berlin
06_LON_OCT_CONT_v6.indd 283 24/09/09 09:34
249 PierPaolo CamPanini b. 1964
Untitled, 2002
Oil on canvas. 141 x 191 cm. (55 1/2 x 75 1/4 in). Signed ‘PIERPAOLO CAMPININI’
on the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠
Provenance Corvi-Mora, London
251 HUBerT SCHeiBl b. 1951
Untitled, 2006
Print, oil and crayon on paper. 49.5 x 26 cm. (19 1/2 x 10 1/4 in). Signed
and dedicated ‘Hubert’ on the reverse.
estimate £6 0 0 - 8 0 0 $1,0 0 0 -1,3 0 0 €70 0 - 9 0 0 •♠
Provenance Gifted by the artist to the present owner
250 marTin KerSelS b. 1960
Cup Breaker, 2004
Metal mesh, wood, ceramics and resin. Height: 88.2 cm. (34 3/4 in); diameter:
45.7 cm. (18 in).
estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0
Provenance Galerie GP & N Vallois, Paris
exhibited Paris, Galerie GP & N Vallois, Orchestra for Idiots, 18 February –
2 April, 2007
250
249
251
06_LON_OCT_CONT_v6.indd 284 24/09/09 12:15
252 DonalD Baechler b. 1956
Red Line Drawings #2, 1991
Gesso, gouache and collage on paper. 68.5 x 53.3 cm. (27 x 21 in). Initialed and
dated ‘DB91’ lower right.
estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0
Provenance Luhring Augustine Hetzler, Santa Monica
254 Mike kelley b. 1954
Two works: (ii) Idol Worship Mostly; (ii) Pagan Indoctrination, 1995
Collage on paper. (i) 35 x 27,5 cm. (13 3/4 x 10 7/8 in). (ii) 34.5 x 28 cm.
(13 5/8 x 11 in). Each signed and dated ‘Mike Kelley 1995’ on the reverse.
estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0
Provenance Metro Pictures, New York
254
252 253
253 BernharD MarTin b. 1966
Klubbo, 2003
Oil and acrylic on board. 65 x 55.2 cm. (25 5/8 x 21 3/4 in). Signed and dated
‘B.Martin 2003’ on the reverse.
estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠
Provenance Unlimited Gallery, Athens; Private collection, Athens
06_LON_OCT_CONT_v6.indd 285 24/09/09 12:16
255 RYAN MCGINNESS b. 1971
The Reason for Reason, 2005
Acrylic and enamel urethane on wood panel. 152.5 x 244 cm.
(60 x 96 in). Signed, titled and dated ‘“The Reason for Reason”
Ryan McGinness, 2005’ on the reverse.
Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0
Provenance Deitch Projects, New York
256 RYAN MCGINNESS b. 1971
They Came to See Who Came, 2004
Acrylic on canvas. 183 x 153 cm. (72 x 60 1/4 in). Signed, titled
and dated ‘ Ryan McGinness THEY CAME to SEE WHO
CAME 2004’ on the reverse.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0
Provenance Acquired directly from the artist
256
255
06_LON_OCT_CONT_v6.indd 286 24/09/09 09:36
257 KEITH TYSON b. 1969
Everything I Hate About art, 2000
Gouache and felt-tip pen on paper. 152 x 121 cm. (59 3/4 x 47 5/8 in). This work is
accompanied by a certificate of authenticity.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠
Provenance Galeria OMR, Mexico City
44941
06_LON_OCT_CONT_v6.indd 287 24/09/09 09:36
258 TORBEN GIEHLER b. 1973
Stareadactyl (Blood Witch), 2007
Acrylic on canvas. 305 x 243.5 cm. (120 x 93 1/4 in). Signed twice, titled and dated
‘T Giehler STAREADACTYL (BLOOD WITCH)’ on the stretcher.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠
Provenance Leo Koenig Inc., New York
06_LON_OCT_CONT_v6.indd 286 23/09/09 16:13
259 ANTON HENNING b. 1964
Interieur No. 237, 1999-2004
Oil on canvas. 220 x 251 cm. (86 5/8 x 251 7/8 in). Initialed, titled, and dated ‘AH
Interieur No.237 2004-045’ on the reverse; initialed and dated ‘AH 2004’ upper
and lower right, and lower left; initialed and dated ‘AH99’ upper and lower left.
Estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ♠
Provenance Arndt & Partner, Berlin
06_LON_OCT_CONT_v6.indd 287 23/09/09 16:13
260 AlexAnder roitburd b. 1961
Flight to Egypt, 2009
Oil on canvas. 200 x 150 cm. (78 3/4 x 59 in). Signed [in Cyrillic] and dated
‘Roitburd 2009’ on the reverse.
estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 ‡
Provenance Collection Gallery, Kiev
06_LON_OCT_CONT_v6.indd 288 23/09/09 16:14
06_LON_OCT_CONT_v6.indd 289 23/09/09 16:14
261 Andriy Bludov b.1962
Railway Station II, 2009
Acrylic on canvas. 120 x 100 cm. (47 1/4 x 39 3/8 in). Signed [in Cyrillic] ‘Bludov’
lower right; signed, titled [in Cyrillic] and dated ‘Bludov A.V.; railway II, 2009’
on the reverse.
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ‡
Provenance Bottega Gallery, Kiev
06_LON_OCT_CONT_v6.indd 292 24/09/09 10:16
262 Oleg TisTOl b. 1960
Yalta—City of Happiness, 2009
Acrylic on canvas. 210 x 150 cm. (82 5/8 x 59 in). Signed, titled [in Cyrillic]
and dated ‘O. Tistol 2009 Yalta—City of Happiness’ on the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡
Provenance Art—Agent Ukr Gallery, Kiev
06_LON_OCT_CONT_v6.indd 293 24/09/09 10:17
263 Igor NovIkov b. 1961
Diamond Grove, 2007-2009
Oil on canvas. 100 x 140 cm. (39 3/8 x 55 1/8 in). Signed ‘Igor Novikov’ on the reverse.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡
Provenance Private collection, Zurich
06_LON_OCT_CONT_v6.indd 294 24/09/09 10:17
264 Victor Sydorenko b. 1953
The Direction of Contemplation, 2001
Oil and acrylic on canvas. 170 x 150 cm. (67 x 59 in). Signed ‘VICTOR’ upper left;
signed and dated ‘Sydorenko V 2001’ on the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡
Provenance Acquired directly from the artist
exhibited Kiev, Gallery L-ART, Amnesia, 25 December, 2003 - 10 January, 2004;
Kiev, Central Artsts’ Centre, Victor Sydorenko, 10 February - 27 February, 2007;
Kiev, Russian Art Museum, Ukranian Art Today, Kiev-Paris, 25 October -
20 November, 2008
Literature Oranta ed., Ukranian Art Today Kiev-Paris, Kiev, 2008, p. 291
(illustrated)
06_LON_OCT_CONT_v6.indd 295 24/09/09 10:17
265 AlexAnder roitburd b. 1961
Avignon Girls, 2009
Oil on canvas. 150 x 200 cm. (59 x 78 3/4 in). Signed [in Cyrillic] and dated
‘Roitburd 2009’ on the reverse.
estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ‡
Provenance Collection Gallery, Kiev
06_LON_OCT_CONT_v6.indd 294 23/09/09 16:16
06_LON_OCT_CONT_v6.indd 295 23/09/09 16:16
266 Illya ChIChkan b. 1967
Heavyweight Curator, 2009
C-print. 122.7 x 150 cm. (48 1/4 x 59 in). This work is from an edition of six
and is accompanied by a certificate of authenticity signed by the artist.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡
Provenance Collection Gallery, Kiev
Literature Lindauer Druckerei Eschbaumer GmbH & Co., Venice 53rd
Bienalle Ukranian Pavilion Catalogue, Steppes of Dreamers, Lindau, 2009, cover
(illustrated); Art-Media ed., Artchronika magazine, Moscow, August 2009,
cover (illustrated)
06_LON_OCT_CONT_v6.indd 298 24/09/09 10:26
267 MaxiM MaMsikov b. 1968
The Ring, 2009
Oil on canvas. 110 x 150 cm. (43 3/8 x 59 in). Signed [in Cyrillic] and dated
‘Mamsikov ‘09’ on the reverse.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡
Provenance Collection Gallery, Kiev
exhibited Kiev Fine Art Gallery, Between the Earth and the Sky: New Ukranian
Landscape, 19 March – 17 May, 2009
06_LON_OCT_CONT_v6.indd 299 24/09/09 10:26
268 ARSEN SAVADOV b. 1962
Prince, 2006
Acrylic on linen. 171 x 141 cm. (67 1/4 x 55 1/2 in). Signed and dated ‘ARSEN
SAVADOV - 06’ on the reverse. This work is accompanied by a certificate of
authenticity.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0
Provenance Daneyal Mahmood Gallery, New York
06_LON_OCT_CONT_v6.indd 300 24/09/09 10:27
269 ARSEN SAVADOV b. 1962
Straw, 2006
Acrylic on linen. 200 x 295 cm. (78 3/4 x 116 1/8 in). Signed and dated ‘ARSEN
Savadov’ on the reverse. This work is accompanied by a certificate of
authenticity.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0
Provenance Daneyal Mahmood Gallery, New York
06_LON_OCT_CONT_v6.indd 301 24/09/09 10:27
271 Ksenia HnylytsKa b. 1984
Untitled (Project Open Air), 2008
Oil on canvas. 136 x 202 cm. (53 1/2 x 79 1/2 in). Initialed [in Cyrillic] and dated
‘KH2008’ on the reverse.
estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡
Provenance Collection Gallery, Kiev
exhibited Kiev, Collection Gallery, Project Open Air, 29 January – 26 February, 2009
270 Valeria troubina b. 1966
Gates—III, 1993
Oil on canvas. 150 x 200 cm. (59 x 78 3/4 in). Initialed ‘VT’ lower right; signed,
titled and dated ‘Valeria Troubina, Gates—III, London, 1993’ on the reverse.
estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡
Provenance Bottega Gallery, Kiev
270
271
06_LON_OCT_CONT_v6.indd 302 24/09/09 10:28
272 AlexAnder KlymenKo b. 1963
A myriad of worlds directly overhead above us (Solar Hedonism from Goa series), 2009
Acrylic on canvas. Diameter: 120 cm. (47 1/4 in). Signed and dated ‘Klymenko
2009’ lower edge. Signed, titled [in Cyrillic] and dated ‘Alexander Klymenko
“Solar Hedonism” 2009’ on the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡
Provenance Acquired directly from the artist
exhibited Kiev, Modern Art Research Institute, Goa, 18 July - 1 August, 2009
06_LON_OCT_CONT_v6.indd 303 24/09/09 10:28
273 Mykola Matsenko b. 1960
Culture, 2008
Oil and acrylic on canvas. 200 x 160 cm. (78 3/4 x 63 in). Initialed and dated ‘M
2008’ centre; Signed, titled [in Cyrillic] and dated ‘M. Matsenko 2008 Culture’ on
the reverse.
estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ‡
Provenance Art & Agent Ukr Gallery, Kiev
exhibited Kiev, Pavel Gudimov Art Centre, Ya Gallery, Culture, 26 November -
15 December, 2008; Vilnius, Centre Lit Expo, Art Vilnius ‘09, 8 July - 12 July, 2009
06_LON_OCT_CONT_v6.indd 304 24/09/09 10:28
274 AlexAnder Gnilitsky b. 1961
Heater, 2008
Oil on canvas. 200 x 140 cm. (78 3/4 x 55 1/8 in). Signed and dated ‘Gnill 2008’ on
the reverse.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ‡
Provenance Collection Gallery, Kiev
exhibited Kiev, Collection Gallery, Alexander Gnilitsky, Modesty and Lard, 30
October – 11 November, 2009
Literature Exhibition catalogue, Collection Gallery, Modesty and Lard, Kiev,
2008, p. 35 (illustrated)
06_LON_OCT_CONT_v6.indd 305 24/09/09 10:29
275 Nikita kadaN b. 1980
Untitled (Project Place of Action), 2009
Oil on canvas. 145 x 145 cm. (57 1/8 x 57 1/8 in). Signed [in Cyrillic] and dated
‘Kadan 09’ on the reverse.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡
Provenance Collection Gallery, Kiev
exhibited Kiev, Collection Gallery, Project Place of Action, 10 September – 10
October, 2009
06_LON_OCT_CONT_v6.indd 306 24/09/09 10:29
276 illya isupov b. 1971
The Citizen, 2007
Oil, tracing paper and collage on cardboard. 101 x 71 cm. (39 3/4 x 28 in).
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡
Provenance Collection Gallery, Kiev
exhibited Kiev, Fine Art Gallery, Top 10, 20 December, 2007 - 31 January, 2008;
Kiev, Tseh Gallery, Millet, 6 February - 5 March, 2008
06_LON_OCT_CONT_v6.indd 307 24/09/09 10:29
277 Dmitry Dulfan b. 1971
Talk to Me, Earthman!, 2009
Cellophane, electrical components and mixed media. Height: 130 cm. (51 1/4 in).
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 Ω
Provenance Collection Gallery, Kiev
exhibited Kiev, Collection Gallery, The Perfect Age Project 2, 25 June – 30 July,
2009
Literature Exhibition catalogue, Collection Gallery, The Perfect Age Project 2 ,
Kiev, 2009 p. 33 (illustrated)
06_LON_OCT_CONT_v6.indd 306 23/09/09 16:25
06_LON_OCT_CONT_v6.indd 307 23/09/09 16:26
278 ALEXANDER KOSOLAPOV b. 1943
Mc Lenin’s, 1991
Lightbox. 120.6 x 121 cm. (47 1/2 x 47 5/8 in). This work is accompanied by a
certificate of authenticity.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠
Provenance Galerie Hussenot, Paris
279 ALEXANDER KOSOLAPOV b. 1943
Malevich, 2001
Lightbox. 90.8 x 120.7 cm. (35 3/4 x 47 1/2 in). This work is accompanied by
a certificate of authenticity.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠
Provenance Galerie Hussenot, Paris
279
278
06_LON_OCT_CONT_v6.indd 308 23/09/09 16:27
281 BARRY MCGEE b. 1966
Untitled, 2004
Acrylic on board in six parts. 100 x 137 cm. (39 3/8 x 53 7/8 in). This work is
accompanied by a certificate of authenticity signed by the artist.
Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡
Provenance Modern Art Inc., London
280 BARRY MCGEE b. 1966
Untitled (3 bottles), 2005
Painted glass bottles in three parts. Overall: 35 x 26 cm. (13 3/4 x 10 1/4 in).
This work is accompanied by a certificate of authenticity signed by the artist.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ‡
Provenance Modern Art Inc., London
exhibited London, Modern Art Inc., Barry McGee, Easy Touto, 9 September –
30 October, 2005
281
280
06_LON_OCT_CONT_v6.indd 309 23/09/09 16:27
282 Louise LawLer b. 1947
This Picture is the Same Size as the Painting I was Asked to Photograph, 1999
Cibachrome print flush-mounted to aluminium. 52.4 x 38.1 cm. (20 5/8 x
15 in). Signed, numbered of five and dated ‘Louise A. Lawler 1999’ on the
reverse. This work is from an edition of five.
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡
Provenance Metro Pictures, New York
283 Mike keLLey b. 1954
Landscape Figure (from Monkey Island Series), 1982-3
Felt tip pen on paper. 101.7 x 76 cm. (40 x 29 7/8 in). Signed ‘M.Kelley’ on the label
adhered to the reverse.
estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡
Provenance Patrick Painter Inc, Santa Monica
283
282
06_LON_OCT_CONT_v6.indd 312 24/09/09 10:42
285
284
284 fiona banner b. 1966
The Desert, 1995
Screenprint mounted to linen. 211.5 x 553.7 cm. (83 1/4 x 218 in). .
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡
Provenance Acquired directly from the artist; Private collection, New York
285 sarah lucas b. 1962
Untitled, 1991
Graphite on paper in five parts. Each: 22.5 x 17.8 cm. (8 7/8 x 7in). Signed and dated
‘Sarah Lucas 1991’ on an envelope accompanying the work.
estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠‡
Provenance Acquired directly from the artist; Private collection, New York
06_LON_OCT_CONT_v6.indd 313 24/09/09 10:43
286 Bernd & Hilla BecHer b. 1931 b. 1934
Krefeldn Hafen, 1979
Gelatin silver print. 91.8 x 75.6 cm. (36 x 29 3/4 in). Signed, titled, dated and
numbered of five ‘Krefeldn Hafen 1979 Bernd Becher Hilla Becher’ on the
reverse. This work is from an edition of five.
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠‡
Provenance Sonnabend Gallery, New York; Zeit Photo Salon, Tokyo
06_LON_OCT_CONT_v6.indd 314 24/09/09 10:44
06_LON_OCT_CONT_v6.indd 315 24/09/09 10:44
287 Bernd & Hilla BecHer 1931-2007 & b. 1934
Nachkriegshäuser, Ruhrgebiet, Deutschland, 1988
Triptych: gelatin silver prints. Each: 39.7 x 30.5 cm. (15 5/8 x 12 in). Signed ‘Bernd
Becher Hilla Becher’ on the reverse.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡
provenance Marc Jancou Contemporary, New York
06_LON_OCT_CONT_v6.indd 316 24/09/09 10:45
06_LON_OCT_CONT_v6.indd 317 24/09/09 10:45
288 Peter Fischli & DaviD Weiss b. 1952 & b. 1946
Siedlungen Agglomeration, 1992
Triptych: cibachrome prints flush-mounted to aluminium Each: 16 x 24 cm.
(6 3/8 x 9 1/2 in). Signed and dated ‘1992 Fischli David Weiss’ on a label adhered
to the reverse of each.
estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡
Provenance Acquired directly from the artist
06_LON_OCT_CONT_v6.indd 318 24/09/09 10:46
06_LON_OCT_CONT_v6.indd 319 24/09/09 10:46
290 Hans Op de Beeck b. 1969
Two works: (i) Exercising the Nowhere—Train Station, 2000; (ii) Exercising the
Nowhere–Waiting Room 2, 2000
Digital prints Diasec mounted. (i) 80 x 170 cm. (31 1/2 x 67 in); (ii) 79.5 x 113 cm. (31
1/4 x 44 1/2 in). These works are from an edition of five.
estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠
provenance Private collection, Netherlands
289
290
289 Hynek martinec b. 1980
At the Same Time, 2009
Triptych: oil and acrylic on canvas. 20 x 60 cm. (7 7/8 x 23 5/8 in). Signed and
dated ‘HYNEK MARTINEC 2009’ on the reverse of each panel.
estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠
provenance Private collection, London
(i)
(ii)
06_LON_OCT_CONT_v6.indd 320 24/09/09 10:46
292 NaN GoldiN b. 1953
Hafen Bar. Berlin, 1991
Cibachrome print. 66.6 x 97.5 cm. (26 1/4 x 38 3/8 in). Signed, titled, numbered
of 25 and dated ‘Nan Goldin Hafen Bar. Berlin. 1991’ on the reverse. This work
is from an edition of 25.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡
Provenance Matthew Marks Gallery, New York
291 KatE BriNKworth b. 1977
Two Fifties, 2009
Oil on canvas. 135 x 89.5 (52 3/4 x 35 1/4 in). Signed, titled and dated
‘Kate Brinkworth Two Fifties Jan 2009’ on the reverse.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠
Provenance Acquired directly from the artist
292
291
06_LON_OCT_CONT_v6.indd 321 24/09/09 10:47
293 Paul Mccarthy b. 1945
Mother PIG, Shushi Gallery, San Diego, CA Performance, 1983, 1995
Cibachrome. Each: 95.2 x 65.4 cm. (37 1/2 x 25 3/4 in). Each signed and dated
‘Paul Mccarthy 95’ on the reverse.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡
Provenance Acquired directly from the artist
06_LON_OCT_CONT_v6.indd 322 24/09/09 10:47
06_LON_OCT_CONT_v6.indd 323 24/09/09 10:48
294 sterling ruby b. 1972
Physicalism The Recombine 1, 2006
Lamda print. 157.5 x 124.5 cm. (62 x 49 in). This work is from an edition of three
plus two artist’s proofs and is accompanied by a certificate of authenticity.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0
Provenance Galleria Emi Fontana, Milan
exhibited Milan, Galleria Emi Fontana, Sterling Ruby, The Recombines, 25 May –
28 July, 2006
06_LON_OCT_CONT_v6.indd 324 24/09/09 10:48
06_LON_OCT_CONT_v6.indd 325 24/09/09 10:48
295 andy warhol 1928-1987
Torso, 1977
Screenprint on Lenox museum board. 152.4 x 102 cm. (60 x 40 1/8 in). Stamped
with the Estate and Foundation seals and numbered ‘UP 56.47’ on the reverse.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡
provenance Acquired directly from the artist; the Andy Warhol Foundation,
New York; Paul Kasmin Gallery, New York; Private collection, New York
06_LON_OCT_CONT_v6.indd 324 23/09/09 16:39
296 Thomas Ruff b. 1958
Nudes wh14, 2001
C-print in artist’s wooden frame. 153 x 110.4 cm. (60 1/4 x 43 1/2 in). Signed, titled,
dated and numbered of five ‘TC Ruff 2001 wh14’ on the reverse. This work is from
an edition of five.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡
Provenance Galerie Nelson, Paris
06_LON_OCT_CONT_v6.indd 325 23/09/09 16:39
297 michal rovner b. 1957
Human Seeds, 2004
Pigment on canvas. 76.5 x 93.5 cm. (30 1/8 x 36 7/8 in)
estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0
Provenance Pace Wildenstein, New York
06_LON_OCT_CONT_v6.indd 328 24/09/09 10:58
298 VIK MUNIZ b. 1961
(Still Life): Bouquet, After Henri Matisse, from Pictures of magazine, 2004
C-print. 142 x 102 cm. (55 7/8 x 40 1/8 in). This work is one of four artist’s proofs
aside from a numbered edition of six.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0
Provenance Galeria Fortes Vilaça, Sao Paulo
06_LON_OCT_CONT_v6.indd 329 24/09/09 10:59
299 VIK MUNIZ b.1961
Kyber Pass, Self-Portrait as an Oriental (After Rembrandt), from Pictures of junk, 2005
Digital C-print. 213.5 x 183 cm. (84 x 72 in). Signed and dated ‘Vik Muniz 2005’
on the label adhered to the reverse. This work is from an edition of six.
Estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0
Provenance Galeria Fortes Vilaça, Sao Paulo
06_LON_OCT_CONT_v6.indd 330 24/09/09 10:59
300 VIK MUNIZ b.1961
Self-Portrait (Golden Boy), 2005
Digital c-print. 152.5 x 122 cm. (60 x 48 in). Signed and dated ‘Vik Muniz 2005’
on a label adhered to the reverse.
Estimate £18 ,0 0 0 -2 2,0 0 0 $2 9,8 0 0 - 3 6,4 0 0 €2 0,6 0 0 -25,10 0
Provenance Galeria Fortes Vilaça, Sao Paulo
06_LON_OCT_CONT_v6.indd 331 24/09/09 11:00
302 VIK MUNIZ b. 1961
Brushstroke 3, After Roy Lichtenstein, from Pictures of Chocolate Series, 2002
C-print. 122 x 152.5 cm. (48 x 60 in). Signed and dated ‘Vik Muniz 2002’ on a label
adhered to the reverse. This work is from and edtion of three.
Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0
Provenance Galeria Fortes Vilaça, Sao Paulo
302
301 VIK MUNIZ b. 1961
Self-Portrait, after Rembrandt, from Pictures of Chocolate Series , 2002
Cibachrome print. 152.5 x 122 cm. (60 x 48 in). Signed and dated ‘Vik Muniz 2002’
on a label adhered to the reverse. This work is from an edition of three.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0
Provenance Galeria Fortes Vilaça, Sao Paulo
301
07_LON_OCT_CONT_v6.indd 332 24/09/09 11:16
303 VIK MUNIZ b. 1961
Key (The Sarzedo Drawings), from Pictures of Earthworks Series, 2002
Gelatin sepia toned silver print. 101.5 x 127 cm. (40 x 50 in). Signed and dated ‘Vik
Muniz 2002’ on a label adhered to the reverse. This work is from an edition of ten.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0
Provenance Galeria Fortes Vilaça, Sao Paulo
304 VIK MUNIZ b. 1961
Three works: Untitled (from Pictures of Holes), 1997
Cibachrome prints. Each: 49 x 39 cm. (19 1/4 x 15 3/8 in). Signed, titled and dated
‘”M” VIK MUNIZ 1997 Pictures of Holes’ on the reverse of one of the works.
These works are from an edition of ten.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0
Provenance Acquired directly from the artist
Literature C.A. Stainback & J. Crump, Vik Muniz: Seeing is Believing, Santa Fe,
1998, p. 99 (one work illustrated)
303
304
07_LON_OCT_CONT_v6.indd 333 24/09/09 11:16
306 thomas ruff b. 1958
Portrait (Pia Fries), 1985
C-print. 24 x 18 cm. (9 1/2 x 7 1/4 in). Signed and dated ‘Th. Ruff 1985’ on a label
adhered to the reverse. This work is form an edition of twelve.
Estimate £1,5 0 0 -2,0 0 0 $2,4 8 0 - 3 ,3 0 0 €1,710 -2, 28 0 ♠‡
Provenance 303 Gallery, New York
307 ugo rondinonE b. 1963
I Don’t l Live Here Anymore, 2001
C-print, flush-mounted to aluminium with Diasec face. 149.9 x 100 cm.
(59 x 39 3/8 in). Signed ‘Ugo Rondinone’ on a label adhered to the reverse. This
work is from an edition of two plus one artist’s proof.
Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0
Provenance Galerie Hauser & Wirth & Presenhuber, Zurich; Galerie Almine
Rech, Paris
exhibited Naples, Museo d’Arte Contemporanea Donna Regina, People,
Volti, corpi e segi Contemporanei dalla Collezione di Ernesto Esposito, 29 June –
28 August, 2006
307306
305
305 nan goLdin b. 1953
Joanna Laughing, L’Hotel, Paris, 1999
Cibachrome. 122 x 183 cm. (48 x 72 in). Signed, titled, numbered of three and dated
‘Joanna Laughing, L’Hotel, Paris, 1999 Nan Goldin’ on a label adhered to the reverse.
This work is from an edition of three.
Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0
Provenance Guido Costa Projects, Turin
exhibited Naples, Museo d’Arte Contemporanea Donna Regina, People, Volti, corpi
e segi Contemporanei dalla Collezione di Ernesto Esposito, 29 June – 28 August, 2006
07_LON_OCT_CONT_v6.indd 332 23/09/09 16:48
308 Russell Young b. 1960
Hendrix, 2006
Screenprint on canvas. 159 x 115 cm. (62 1/2 x 14 1/4 in). Signed ‘Russell Young’ on
the reverse.
estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0
Provenance Acquired directly from the artist
07_LON_OCT_CONT_v6.indd 335 24/09/09 12:18
309 RAFAL BUJNOWSKI b. 1974
Untitled, 2003
Oil on canvas. 35.3 x 44.7 cm. (13 7/8 x 17 5/8 in). Signed and dated
‘BUJNOWSKI/2003’ on the reverse.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠
Provenance Acquired directly from the artist
309
310 GEORGE cONdO b. 1957
Etruscan Study, 1993
Pastel on paper. 203 x 101.5 cm. (80 x 40 in). Signed ‘Condo’ lower right.
Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0
Provenance Galerie Daniel Templon, Paris; Private collection, Paris;
Galerie Bruno Bischofberger, Zurich
310
07_LON_OCT_CONT_v6.indd 334 23/09/09 17:10
311 Sophie von hellerman b. 1975
The Duellists, 2000
Acrylic on canvas. 243.5 x 182.8 cm. (95 7/8 x 72 in). Signed and dated ‘SOPHIE
VON HELLERMANN 2000’ on the stretcher bar.
estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠
Provenance Vilma Gold, London
07_LON_OCT_CONT_v6.indd 335 23/09/09 17:11
312 Markus Muntean & adi rosenbluM b. 1962 & b.1962
Untitled, 2005
Acrylic and graphite on canvas. 260 x 160.5 cm (102 3/8 x 63 1/4 in). Signed and
dated ‘MUN/ROS 05’ on the reverse.
estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠
Provenance Sommer Contemporary Art, Tel Aviv
07_LON_OCT_CONT_v6.indd 336 23/09/09 17:12
314 Ben Vautier b. 1935
Je fais quoi?
Oil on canvas. 24 x 33 cm. (9 1/2 x 13 in). Signed ‘Ben’ lower right.
estimate £2,5 0 0 - 3 ,5 0 0 $4,10 0 - 5,8 0 0 €2,9 0 0 - 4,0 0 0
Provenance Private collection, Belgium
313 Paul Morrison b. 1966
Stem, 2002
Acrylic on canvas 203 x 305 cm. (80 x 120 1/4 in). Signed, titled and dated ‘’STEM’
2002 Paul Morrison’ on the reverse.
estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡
Provenance Acquired directly from the artist
314
313
07_LON_OCT_CONT_v6.indd 337 23/09/09 17:12
317 Antony Gormley b. 1950
Untitled, 1995
Gouache on paper. 27.5 x 38.5 cm .(10 3/4 x 15 1/4 in).
estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠
Provenance Private collection, Los Angeles
315 DAviD tremlett b. 1945
The first work on canvas in my life, 1993
Pastel and graphite on canvas. 90 x 140.5 cm. (35.5 x 57 1/8 in).
Signed, titled and dated ‘David Tremlett The first work on canvas in
my life 93’ on the reverse.
estimate £ 3 ,0 0 0 - 4,0 0 0 $5,0 0 0 - 6 ,6 0 0 €3 ,4 0 0 - 4,6 0 0 ♠
Provenance Alfonso Artiaco, Napoli
316 Anish KApoor b. 1954
Untitled from Twelve Etchings I/Red Oval Forms, 2007
Colour etching on Somerset paper. 78 x 91 cm. (30 3/4 x 35 7/8 in).
Signed ‘Anish Kapoor’ lower right; signed and titled ‘Kapoor –Twelve
Etchings I / Red Oval Forms’ on the reverse. This work is from an
edition of 40.
estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠
Provenance Private collection, Cologne
317
316
315
07_LON_OCT_CONT_v6.indd 340 24/09/09 11:19
318 Raymond Pettibon b. 1957
Five Works: (i) Untitled (Here is to be noted), 1990; (ii) Untitled (In Looking Back), 1991;
(iii) Untitled (As if Smoothed), 1998; (iv) Untitled (Neverland Honor Ranch), 1998;
(v) Untitled (To Provoke us), 1994
Ink on paper. (i) 35.5 x 28 cm. (14 x 11 in); (ii) 50.8 x 66.9 cm. (20 x 26 1/4 in);
(iii) 24.5 x 18.1 cm. (9 5/8 x 7 1/8 in); (iv) 56.5 x 38.3 cm. (22 1/4 x 15 1/8 in); (v) 55.8 x 54 cm.
(22 x 21 1/4 in). Each signed and dated on the reverse.
estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡
provenance (i) Regen Projects, Los Angeles; (ii) Feature Gallery, New York; (iii) (iv) (v)
Contemporary Fine Arts, Berlin
(i)
(ii)
(iii)
(iv)
(v)
07_LON_OCT_CONT_v6.indd 341 24/09/09 11:19
319 Gillian CarneGie b. 1971
Ponoka, 2003-2004
Portfolio of nine etchings. Largest: 69.5 x 57.5 cm. (27 1/8 x 22 5/8 in); smallest:
40.6 x 53.3 cm. (16 x 21 in). Each signed ‘Gillian Carnegie’ and numbered of 37 in
lower margin. This work is from an edition of 37 plus eight artist’s proofs and one
printer’s proof.
estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠
Provenance The Paragon Press, London
07_LON_OCT_CONT_v6.indd 342 24/09/09 11:20
321 KENDELL GEERS b. 1968
Two works: La Sainte Vierge, 2004
Ink on paper. 100.3 x 70.2 cm. (39 1/2 x 27 5/8 in). Each signed ‘Kendell Geers’
lower right.
Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠
Provenance Private collection, Germany
321
320
320 SAM SALISBURY b. 1977
Untitled #7, 2005
Graphite on paper. 76.5 x 57.2 cm. (30 1/8 x 22 1/2 in).
Estimate £ 8 0 0 -1, 2 0 0 $1,32 0 -1,9 8 0 €914 -1,370 ‡
Provenance Alison Jacques Gallery, London
07_LON_OCT_CONT_v6.indd 343 24/09/09 11:21
322 DR LAKRA b. 1972
Untitled (Karloff Lagarde), 2007
Ink on vintage poster. 73 x 47.5 cm. (28 3/4 x 18 3/4 in). Signed ‘Dr Lakra’ lower
right.
Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0
Provenance Kurimanzutto, Mexico City
07_LON_OCT_CONT_v6.indd 344 24/09/09 11:21
45947
tranny
from clx
323 Dr laKra b. 1972
Black Gordman, 2003
Ink and paint on vintage magazine. 47.5 x 35 cm. (18 3/4 x 13 3/4 in). Signed and
dated ‘Dr Lakra MM3’ lower left.
Estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 †
Provenance Kate MacGarry, London
07_LON_OCT_CONT_v6.indd 345 24/09/09 11:21
324 Vanessa Beecroft b. 1969
Five works: VB08, VB16, VB35, VB39, VB39, 1999
C-prints, Diasec mounted. Each: 49.5 x 69.5 cm. (19 1/2 x 27 3/8 in). These works
are from an edition of 55.
estimate £1,5 0 0 -2,5 0 0 $2,5 0 0 - 4,10 0 €1,70 0 -2,9 0 0 ♠
Provenance Marco Noire Gallery, Turin
325 Vanessa Beecroft b. 1969
Untitled (performance, detail, 1998, Solomon R. Guggenheim Museum, New York,
NY), VB35.079, 1998
Digital c-prints. 101.2 x 135.9 cm. (39 7/8 x 53 1/2 in). This work is from an edition
of three.
estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ♠‡
Provenance Deitch Projects, New York
exhibited Rivoli-Turin, Castello Di Rivoli Museo D’arte Contemporanea, Vanessa
Beecroft Performances 1993-2003, 8 October 2003 – 25 January 2004 (another
example exhibited); Bielefeld, Kunsthalle Bielefeld, Vanessa Beecroft Performances
1993-2003, 9 May 2004 – 29 August 2003 (another example exhibited)
Literature ed. SKIRA, Vanessa Beecroft performances 1993-2003, Castello Di
Rivoli Museo D’arte Contemporanea, Rivoli-Turin, 2003, p. 222 (illustrated)
324
325
07_LON_OCT_CONT_v6.indd 344 23/09/09 17:16
326 VANESSA BEECROFT b. 1969
Untitled (performance, detail, 1998, Solomon R. Guggenheim Museum, New York,
NY), VB35.330, 1998
Digital c-print. 101.6 x 123.2 cm. (40 x 48 1/2 in). This work is from an edition of
three.
Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ♠‡
Provenance Deitch Projects, New York
exhibited Rivoli-Turin, Castello Di Rivoli Museo D’arte Contemporanea, Vanessa
Beecroft Performances 1993-2003, 8 October 2003 – 25 January 2004 (another
example exhibited); Bielefeld, Kunsthalle Bielefeld, Vanessa Beecroft Performances
1993-2003, 9 May 2004 – 29 August 2004 (another example exhibited)
326
327
327 SpENCER TuNiCk b. 1967
Krystl 1, 1999
C-print, Diasec face mounted. 180.5 x 227 cm. (71 x 89 1/2). Signed, dated and
numbered of six ‘ Spencer Tunick 1999’. This work of from an edition of six.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡
Provenance I-20 Gallery, New York
07_LON_OCT_CONT_v6.indd 345 23/09/09 17:16
328 PhiliP-lorca Dicorcia b. 1951
Eleven works: Hustlers (i) John Marcus Allen 31 years old, Georgia, $25, 1992;
(ii) Jeff Doken, 25 years old, Seattle Washington, $25, 1992/3; (iii) Christopher
Patterson, 17 years old San Jaun, Puerto Rico, $20, 1991; (iv) Alex T’Angelo, 28 years
old, Los Angeles, CA, $25,1991; (v) Ike Cole, 38 years old, Los Angeles, California, $25,
1991; (vi) ‘Candy’ Robert Randall, 25 years old, Lynwood CA, $30, 1991; (vii) Billy Terry,
31 years old, Los Angeles, California, $25, 1992; (viii) Jerry Michael Jonson, 19 years
old Dallas Texas (Hat), $20, 1991; (ix) Brian Scott, 24 years old, San Marco California,
$25, 1992; (x) Mickey Jams, 29 years old, Minister, Indiana, $30, 1991; (xi) Mike, 26
years old, $30, 1990/92
C-prints. Each approximately 39 x 58 cm. (15 3/8 x 22 7/8 in). Each: signed,
dated and numbered of twenty on the reverse. These works are from an edition
of twenty.
Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ‡
Provenance Acquired directly from the artist
07_LON_OCT_CONT_v6.indd 346 23/09/09 17:34
07_LON_OCT_CONT_v6.indd 347 23/09/09 17:36
330
329
329 PhiliP-lorca dicorcia b. 1951
Todd M. Brooks; 22 Years Old; Denver, Colorado; $40, 1990/1992
C-print. 60.6 x 90.2 cm. (23 7/8 x 35 1/2 in). Signed ‘Philip Lorca di Corcia’ on the
reverse. This work is from an edition of twenty.
Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0
Provenance Changing Role Gallery, Naples
330 cathErinE Sullivan b. 1968
Misfire #10, 2005
C-print. 49 x 98.5 cm. (19 1/4 x 38 3/4 in). This work is from an edition of six.
Estimate £2,5 0 0 - 3 ,5 0 0 $4,10 0 - 5,8 0 0 €2,9 0 0 - 4,0 0 0
Provenance Gio Marconi, Milan; Supportico Lopez, Naples
07_LON_OCT_CONT_v6.indd 348 23/09/09 17:38
332 Jeremy Deller b. 1966
Untitled, 2002
C-print. 27.3 x 41.6 cm. (10 3/4 x 16 3/8 in). Signed ‘Jeremy D’ on a label adhered to
the reverse. This work is from an edition of three.
estimate £1,5 0 0 -2,0 0 0 $2,5 0 0 - 3 ,3 0 0 €1,70 0 -2,3 0 0 ♠
Provenance Art: Concept, Paris
331 markus schinwalD b. 1973
Contortionists (Daniela), 2005
Lambda print flush-mounted to aluminium. 99.4 x 160 cm. (39 1/8 x 63 in). This
work is from an edition of three.
estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠
Provenance Max Wigram Gallery, London
332
331
07_LON_OCT_CONT_v6.indd 349 23/09/09 17:38
333 Wolfgang Tillmans b. 1968
Two works: (i) Arms & Chair, 2000; (ii) Hindemithstrasse, 1996,
C-print. i) 30.5 x 40.6 cm. (12 x 16 in). ii) 40.6 x 30.5 cm. (16 x 12 in). (i) Signed,
inscribed, titled, numbered of ten and dated ‘arms & chair ph 9 2000 print 2000
Wolfgang Tillmans’ on the reverse. (ii)Signed, inscribed, titled, numbered of ten
and dated ‘Hindemithstrasse ph 4 96 print 96 Wolfgang Tillmans’ on the reverse.
These works are from an edition of ten plus one artist’s proof.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠
Provenance Private collection, Italy
07_LON_OCT_CONT_v6.indd 350 23/09/09 17:40
334 WOLFGANG TILLMANS b. 1968
Two works: (i) Faltenwurf, Shiny, 2001; (ii) Use, 2000,
C-prints. (i) 40.7 x 30 cm. (16 x 12 in). (ii) 30 x 40.7 cm. (12 x 16 in). (i) Signed,
inscribed, numbered of ten, titled and dated ‘Faltenwurf, Shiny ph 2001 WT01
Wolfgang Tillmans 01’ on the reverse; (ii) Signed, inscribed, numbered of ten and
dated ‘Use ph 5 00 Pr WT 5 00 Wolfgang Tillmans 00’ on the reverse. These works
are from an edition of ten plus one artist’s proof.
Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠
Provenance Andrea Rosen Gallery, New York
07_LON_OCT_CONT_v6.indd 351 23/09/09 17:40
index
Accardi, C. 120
Adami, V. 187
Alys, F. 37,184, 186
Aoshima, C. 192, 193
Armleder, J. 24, 35, 128
Baechler, D. 257
Banner, F. 284
Basquiat, J-M. 12
Becher, B. & H. 286, 287
Beecroft, V. 324, 325, 326
Bludov, A. 261
Bock, J. 176
Bourgeois, L. 135
Bove, C. 174
Brandl, H. 222
Brinkworth, K. 291
Bujnowski, R. 309
Buren, D. 121
Cai, G. Q. 203
Campinini, P. 254
Carnegie, G. 319
Castellani, E. 109
Caulfield, P. 236
Celmins, V. 171
Chapman, J & D. 14
Chichkan, I. 266
Christo 185
Colen, D. 26
Collishaw, M. 172
Condo, G. 153, 154, 310
Conroy, S. 224
Cragg, T. 38, 41
Creed, M. 124
Darboven, H. 147
David, E. 152
de Balincourt, J. 158
de Beeck, H. o. 290
Deller, J. 332
Delvoye, W. 36, 131
DiCorcia, P.-L. 328, 329
Dragset, I. & Elmgreen, M. 2, 218
Dulphan, D. 276
Eliasson, O. 23, 168
Elmgreen, M. & Dragset, I. 2, 218
Favaretto, L. 104
Federle, H. 232, 233
Fischli, P. & Weiss, D. 288
Fleury, S. 223
Fontana, L. 30, 106
Förg, G. 31,140, 141, 235
Frisch Peri, S. 108
Fryer, P. 102
Fuksas, M. 116
Gallaccio, A. 136
Ganesh, C. 209
Geers, K. 117, 321
Geys, J. 132
Ghadirian, S. 216
Giehler, T. 252
Gnilitsky, A. 275
Goldin, N. 119, 292, 305
Goldstein, J. 122
Gonzalez, W. 240, 241
Gormley, A. 317
Greene, M. 178
Gupta, S. 210
Gursky, A. 44
Guyton, W. 127
Haerizadeh, R. 211, 212
Hafif, M. 239
Hains, R. 181, 182
Haring, K. 189
Hassanzadeh, K. 214
Hatoum, M. 103
Havekost, E. 245
Henning, A. 253
Herold, G. 221
Hirst, D. 160, 161
Hnilitska, K. 271
Hodges, J. 3
Holzapfel, O. 227, 228, 229
Hong, H. 207
Horn, R. 164
Hutte, A. 163
Hybert, F. 115
Hylden, N. 230, 231
Isupov, I. 277
Jensen, S. 32, 237, 238
Kadan, N. 274
Kahrs, J. 179
Kallat, J. 42
Kapoor, A. 316
Kawara, O. 29
Kelley, M. 118, 259, 283
Kersels, M. 255
Kiefer, A. 114
Kippenberger, M. 5, 6, 7, 8, 25, 220, 248
Klein, Y. 133
Klymenko, A. 272
Knobloch, T. 244
Knoebel, I. 125
Koh, T. 217
Kosolapov, A. 278, 279
Kosuth, J. 175
Lakra, Dr. 322, 323
Lambie, J. 130
Lawler, L. 126, 282
Lee, U. 177
Lucas, S. 285
Luo Brothers 206
Maier-Aichen, F. 20, 165, 166, 167
Mamsikov, M. 267
Mangold, R. 145, 146
Manzelli, M. 15
Marepe 148
Martin, B. 258
Martinec, H. 289
McCarthy, P. 16, 149, 293
McCracken, J. 22, 143, 144
McGee, B. 280, 281
McGinnis, R. 249, 250
Meese, J. 9, 246
Melotti, F. 107
Morrison, P. 313
Moshiri, F. 213
Motsenko, M. 273
Mr 197
Muniz, V. 298, 299, 300, 301, 302, 303, 304
Muntean, M. & Rosenblum, A. 157, 312
Nara, Y. 196
Neshat, S. 215
Nitsch, H. 13
Nitsche, F. 138, 139
Novikov, I. 263
Opie, J. 150, 151
Ortega, D. 123
Parrino, S. 11, 137
Peri, P. 226
Perry, G. 155, 156
Pettibon, R. 318
Pierre et Gilles 112
Polke, S. 190, 191
Poons, L. 43, 180
Quinn, M. 162
Raedecker, M. 19
Rauschenberg, R. 34
Reyle, A. 219
Richter, G. 183
Roitburd, A. 260, 265
Rondinone, U. 21, 307
Rosenblum, A. & Muntean, M. 157, 312
Rovner, M. 297
Ruby, S. 4, 294
Ruff, T. 17, 170, 296, 306
Salisbury, S. 320
Savadov, A. 268, 269
Scheibl, H. 256
Schutz, D. 247
Sherman, C. 10, 18, 169
Shinwald, M. 331
Stingel, R. 111, 134
Strunz, K. 129
Sugito, H. 195
Sullivan, C. 330
Sydorenko, V. 264
Takano, A. 194
Tayou, P. M. 110
Tillmans, W. 173, 333, 334
Tistol, O. 262
Tremlett, D. 315
Trockel, R. 39, 242, 243
Troubina, V. 270
Tunick, S. 327
Turk, G. 159
Tyson, K. 105, 251
Vautier, B. 101, 314
Vezzoli, F. 113
von Hellerman, S. 311
Wallace, I. 234
Walsh, D. 1, 142
Wang, D. 208
Wang, X. 199
Wang, Z. 205
Warhol, A. 28, 188, 295
Weiser, G. 225
Weiss, D. & Fischli, P. 288
West, F. 33, 40
Wool, C. 27
Yan, P. M. 202, 204
Yan, Q. 200
Young, R. 308
Zhang, H. 201
Zhang, P. 198
08_LON_OCT_CONT Backmatter.indd 354 24/09/09 11:44
GUIDE FOR PROSPECTIVE BUYERS
BUYInG aT aUCTIOn
The following pages are designed to offer you information on how to buy at auction at
Phillips de Pury & Company. Our staff will be happy to assist you.
COnDITIOnS OF SalE
The Conditions of Sale and Authorship Warranty which appear later in this catalogue
govern the auction. Bidders are strongly encouraged to read them as they outline the
legal relationship among Phillips, the seller and the buyer and describe the terms upon
which property is bought at auction. Please be advised that Phillips de Pury &
Company generally acts as agent for the seller.
BUYER’S PREmIUm
Phillips de Pury & Company charges the successful bidder a commission, or buyer’s
premium, on the hammer price of each lot sold. The buyer’s premium is payable by the
buyer as part of the total purchase price at the following rates: 25% of the hammer
price up to and including £25,000, 20% of the portion of the hammer price above £25,000
up to and including £500,000 and 12% of the portion of the hammer price
above £500,000.
VaT
Value added tax (VAT) may be payable on the hammer price and/or the buyer’s
premium. The buyer’s premium may attract a charge in lieu of VAT. Please read
carefully the “VAT AND OTHER TAX INFORMATION FOR BUYERS” in this
catalogue.
1 PRIOR TO aUCTIOn
Catalogue Subscriptions
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& Company sale, please contact us at +44 20 7318 4010 or +1 212 940 1240.
Pre-Sale Estimates
Pre-Sale estimates are intended as a guide for prospective buyers. Any bid within the
high and low estimate range should, in our opinion, offer a chance of success.
However, many lots achieve prices below or above the pre-sale estimates. Where
“Estimate on Request” appears, please contact the specialist department for further
information. It is advisable to contact us closer to the time of the auction as
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Pre-Sale Estimates in US Dollars and Euros
Although the sale is conducted in pounds sterling, the pre-sale estimates in the
auction catalogues may also be printed in US dollars and/or euros. Since the
exchange rate is that at the time of catalogue production and not at the date of
auction, you should treat estimates in US dollars or euros as a guide only.
Catalogue Entries
Phillips may print in the catalogue entry the history of ownership of a work of art, as
well as the exhibition history of the property and references to the work in art
publications. While we are careful in the cataloguing process, provenance, exhibition
and literature references may not be exhaustive and in some cases we may
intentionally refrain from disclosing the identity of previous owners. Please note that
all dimensions of the property set forth in the catalogue entry are approximate.
Condition of lots
Our catalogues include references to condition only in the descriptions of multiple
works (e.g., prints). Such references, though, do not amount to a full description of
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does not imply that the lot is free from faults or imperfections. Solely as a convenience
to clients, Phillips de Pury & Company may provide condition reports. In preparing
such reports, our specialists assess the condition in a manner appropriate to the
estimated value of the property and the nature of the auction in which it is included.
While condition reports are prepared honestly and carefully, our staff are not
professional restorers or trained conservators. We therefore encourage all prospective
buyers to inspect the property at the pre-sale exhibitions and recommend, particularly
in the case of any lot of significant value, that you retain your own restorer or
professional advisor to report to you on the property’s condition prior to bidding. Any
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available to give advice and condition reports at viewings or by appointment.
Electrical and mechanical lots
All lots with electrical and/or mechanical features are sold on the basis of their
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prior to any intended use, the electrical system is verified and approved by a qualified
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Symbol Key
The following key explains the symbols you may see inside this catalogue.
O Guaranteed Property
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guarantee may be provided by Phillips de Pury & Company, by a third party or jointly
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• no Reserve
Unless indicated by a •
, all lots in this catalogue are offered subject to a reserve. A
reserve is the confidential value established between Phillips de Pury & Company and
the seller and below which a lot may not be sold. The reserve for each lot is generally
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♠ Property Subject to the artist’s Resale Right
Lots marked with ♠ are subject to the Artist’s Resale Right calculated as a percentage
of the hammer price and payable as part of the purchase price as follows:
Portion of the Hammer Price (in EUR) Royalty Rate
From 1,000 to 50,000 4%
From 50,001 to 200,000 3%
From 200,001 to 350,000 1%
From 350,001 to 500,000 0.5%
Exceeding 500,000 0.25%
The Artist’s Resale Right applies where the hammer price is EUR 1,000 or more,
subject to a maximum royalty per lot of EUR 12,500. Calculation of the Artist’s Resale
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date of the sale by the European Central Bank.
†, §, ‡, or Ω Property Subject to VaT
Please refer to the section entitled “VAT AND OTHER TAX INFORMATION FOR
BUYERS” in this catalogue for additional information.
08_LON_OCT_CONT Backmatter.indd 355 24/09/09 11:44
2 Bidding in the Sale
Bidding at auction
Bids may be executed during the auction in person by paddle or by telephone or prior
to the sale in writing by absentee bid. Proof of identity in the form of government
issued identification will be required, as will an original signature. We may also
require that you furnish us with a bank reference.
Bidding in Person
To bid in person, you will need to register for and collect a paddle before the auction
begins. New clients are encouraged to register at least 48 hours in advance of a sale to
allow sufficient time for us to process your information. All lots sold will be invoiced to
the name and address to which the paddle has been registered and invoices cannot be
transferred to other names and addresses. Please do not
misplace your paddle. In the event you lose it, inform a Phillips de Pury & Company
staff member immediately. At the end of the auction, please return your paddle to the
registration desk.
Bidding by telephone
If you cannot attend the auction, you may bid live on the telephone with one of our
multi-lingual staff members. This service must be arranged at least 24 hours in
advance of the sale and is available for lots whose low pre-sale estimate is at least
£500. Telephone bids may be recorded. By bidding on the telephone, you consent to the
recording of your conversation. We suggest that you leave a maximum bid, excluding
the buyer’s premium and VAT, which we can execute on your behalf in the event we are
unable to reach you by telephone.
absentee Bids
If you are unable to attend the auction and cannot participate by telephone, Phillips de
Pury & Company will be happy to execute written bids on your behalf. A bidding form
can be found at the back of this catalogue. This service is free and confidential. Bids
must be placed in the currency of the sale. Our staff will attempt to execute an
absentee bid at the lowest possible price taking into account the reserve and other
bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT.
Unlimited bids will not be accepted. Any absentee bid must be received at least 24
hours in advance of the sale. In the event of identical bids, the earliest bid received will
take precedence.
employee Bidding
Employees of Phillips de Pury & Company and our affiliated companies, including the
auctioneer, may bid at the auction by placing absentee bids so long as they do not
know the reserve when submitting their absentee bids and otherwise comply with our
employee bidding procedures.
Bidding increments
Bidding generally opens below the low estimate and advances in increments of up to
10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the
increments set below may be lowered to the next bidding increment.
UK£50 to UK£1,000 by UK£50s
UK£1,000 to UK£2,000 by UK£100s
UK£2,000 to UK£3,000 by UK£200s
UK£3,000 to UK£5,000 by UK£200s, 500, 800
(i.e. UK£4,200, 4,500, 4,800)
UK£5,000 to UK£10,000 by UK£500s
UK£10,000 to UK£20,000 by UK£1,000s
UK£20,000 to UK£30,000 by UK£2,000s
UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000
UK£50,000 to UK£100,000 by UK£5,000s
UK£100,000 to UK£200,000 by UK£10,000s
above UK£200,000 auctioneer’s discretion
The auctioneer may vary the increments during the course of the auction at his or her
own discretion.
3 the auction
conditions of Sale
As noted above, the auction is governed by the Conditions of Sale and Authorship
Warranty. All prospective bidders should read them carefully. They may be amended
by saleroom addendum or auctioneer’s announcement.
interested Parties announcement
In situations where a person allowed to bid on a lot has a direct or indirect interest in
such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner
of the lot or a party providing or participating in a guarantee on the lot, Phillips de
Pury & Company will make an announcement in the saleroom that interested parties
may bid on the lot.
consecutive and Responsive Bidding
The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller.
The auctioneer may further bid on behalf of the seller up to the amount of the reserve
by placing consecutive bids or bids in response to other bidders.
4 afteR the auction
Payment
Buyers are required to pay for purchases immediately following the auction unless
other arrangements are agreed with Phillips de Pury & Company in writing in advance
of the sale. Payments must be made in pounds sterling either by cash, cheque drawn
on a UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is
our corporate policy not to make or accept single or multiple payments in cash or cash
equivalents in excess of the local currency equivalent of US$10,000.
credit cards
As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard
and UK-issued debit cards to pay for invoices of £50,000 or less. A processing
fee will apply.
collection
It is our policy to request proof of identity on collection of a lot. A lot will be released
to the buyer or the buyer’s authorized representative when Phillips de Pury & Company
has received full and cleared payment and we are not owed any other amount by the
buyer. Promptly after the auction, we will transfer all lots to a third party storage
facility and will so advise all buyers. If you are in doubt about the location of your
purchase, please contact the Shipping Department prior to arranging collection. We
will levy removal, interest, storage and handling charges on uncollected lots.
loss or damage
Buyers are reminded that Phillips de Pury & Company accepts liability for loss or
damage to lots for a maximum of five days following the auction.
transport and Shipping
As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for
hand carry only. We do not provide packing, handling or shipping services directly.
However, we will coordinate with shipping agents instructed by you in order to
facilitate the packing, handling and shipping of property purchased at Phillips
de Pury & Company. Please refer to Paragraph 7 of the Conditions of Sale for
more information.
export and import licenses
Before bidding for any property, prospective bidders are advised to make independent
enquiries as to whether a license is required to export the property from the United
Kingdom or to import it into another country. It is the buyer’s sole responsibility to
comply with all import and export laws and to obtain any necessary licenses or
permits. The denial of any required license or permit or any delay in obtaining such
documentation will not justify the cancellation of the sale or any delay in making full
payment for the lot.
endangered Species
Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,
whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value,
may require a license or certificate prior to exportation and additional licenses or
certificates upon importation to any country outside the European Union (EU). Please
note that the ability to obtain an export license or certificate does not ensure the
ability to obtain an import license or certificate in another country, and vice versa. We
suggest that prospective bidders check with their own government regarding wildlife
import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain
any necessary export or import licenses or certificates as well as any other required
documentation. The denial of any required license or certificate or any delay in
obtaining such documentation will not justify the cancellation of the sale or any delay
in making full payment for the lot.
08_LON_OCT_CONT Backmatter.indd 356 24/09/09 11:45
MARTIN KIppeNbeRgeR AlbeRT OehleN
MIchAel KRebbeR JöRg SchlIcK
eXhIbITION ON VIeWphIllIpS De pURY & cOMpANY gAlleRY
AT SAATchI gAlleRY7 – 24 OcTObeR 2009
the Bleich-Rossi collection
An iMPoRtAnt collection oF woRks By MARtin kiPPenBeRGeR
AnD his collABoRAtoRs oFFeReD FoR PRiVAte sAle
Duke of York Headquarters
London
SW3 4SQ
Enquiries: +44 20 7318 4010
Gallery opening hours: 10am-6pm,
7 days a week, last entry 5:30PM
FRee ADMission
www.phillipsdepury.com www.saatchigallery.com sale enquiries: silke taprogge [email protected] +44 20 7318 4012
08_LON_OCT_CONT Backmatter.indd 357 24/09/09 11:45
2 Bidding in the Sale
Bidding at auction
Bids may be executed during the auction in person by paddle or by telephone or prior
to the sale in writing by absentee bid. Proof of identity in the form of government
issued identification will be required, as will an original signature. We may also
require that you furnish us with a bank reference.
Bidding in Person
To bid in person, you will need to register for and collect a paddle before the auction
begins. New clients are encouraged to register at least 48 hours in advance of a sale to
allow sufficient time for us to process your information. All lots sold will be invoiced to
the name and address to which the paddle has been registered and invoices cannot be
transferred to other names and addresses. Please do not
misplace your paddle. In the event you lose it, inform a Phillips de Pury & Company
staff member immediately. At the end of the auction, please return your paddle to the
registration desk.
Bidding by telephone
If you cannot attend the auction, you may bid live on the telephone with one of our
multi-lingual staff members. This service must be arranged at least 24 hours in
advance of the sale and is available for lots whose low pre-sale estimate is at least
£500. Telephone bids may be recorded. By bidding on the telephone, you consent to the
recording of your conversation. We suggest that you leave a maximum bid, excluding
the buyer’s premium and VAT, which we can execute on your behalf in the event we are
unable to reach you by telephone.
absentee Bids
If you are unable to attend the auction and cannot participate by telephone, Phillips de
Pury & Company will be happy to execute written bids on your behalf. A bidding form
can be found at the back of this catalogue. This service is free and confidential. Bids
must be placed in the currency of the sale. Our staff will attempt to execute an
absentee bid at the lowest possible price taking into account the reserve and other
bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT.
Unlimited bids will not be accepted. Any absentee bid must be received at least 24
hours in advance of the sale. In the event of identical bids, the earliest bid received will
take precedence.
employee Bidding
Employees of Phillips de Pury & Company and our affiliated companies, including the
auctioneer, may bid at the auction by placing absentee bids so long as they do not
know the reserve when submitting their absentee bids and otherwise comply with our
employee bidding procedures.
Bidding increments
Bidding generally opens below the low estimate and advances in increments of up to
10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the
increments set below may be lowered to the next bidding increment.
UK£50 to UK£1,000 by UK£50s
UK£1,000 to UK£2,000 by UK£100s
UK£2,000 to UK£3,000 by UK£200s
UK£3,000 to UK£5,000 by UK£200s, 500, 800
(i.e. UK£4,200, 4,500, 4,800)
UK£5,000 to UK£10,000 by UK£500s
UK£10,000 to UK£20,000 by UK£1,000s
UK£20,000 to UK£30,000 by UK£2,000s
UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000
UK£50,000 to UK£100,000 by UK£5,000s
UK£100,000 to UK£200,000 by UK£10,000s
above UK£200,000 auctioneer’s discretion
The auctioneer may vary the increments during the course of the auction at his or her
own discretion.
3 the auction
conditions of Sale
As noted above, the auction is governed by the Conditions of Sale and Authorship
Warranty. All prospective bidders should read them carefully. They may be amended
by saleroom addendum or auctioneer’s announcement.
interested Parties announcement
In situations where a person allowed to bid on a lot has a direct or indirect interest in
such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner
of the lot or a party providing or participating in a guarantee on the lot, Phillips de
Pury & Company will make an announcement in the saleroom that interested parties
may bid on the lot.
consecutive and Responsive Bidding
The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller.
The auctioneer may further bid on behalf of the seller up to the amount of the reserve
by placing consecutive bids or bids in response to other bidders.
4 afteR the auction
Payment
Buyers are required to pay for purchases immediately following the auction unless
other arrangements are agreed with Phillips de Pury & Company in writing in advance
of the sale. Payments must be made in pounds sterling either by cash, cheque drawn
on a UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is
our corporate policy not to make or accept single or multiple payments in cash or cash
equivalents in excess of the local currency equivalent of US$10,000.
credit cards
As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard
and UK-issued debit cards to pay for invoices of £50,000 or less. A processing
fee will apply.
collection
It is our policy to request proof of identity on collection of a lot. A lot will be released
to the buyer or the buyer’s authorized representative when Phillips de Pury & Company
has received full and cleared payment and we are not owed any other amount by the
buyer. Promptly after the auction, we will transfer all lots to a third party storage
facility and will so advise all buyers. If you are in doubt about the location of your
purchase, please contact the Shipping Department prior to arranging collection. We
will levy removal, interest, storage and handling charges on uncollected lots.
loss or damage
Buyers are reminded that Phillips de Pury & Company accepts liability for loss or
damage to lots for a maximum of five days following the auction.
transport and Shipping
As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for
hand carry only. We do not provide packing, handling or shipping services directly.
However, we will coordinate with shipping agents instructed by you in order to
facilitate the packing, handling and shipping of property purchased at Phillips
de Pury & Company. Please refer to Paragraph 7 of the Conditions of Sale for
more information.
export and import licenses
Before bidding for any property, prospective bidders are advised to make independent
enquiries as to whether a license is required to export the property from the United
Kingdom or to import it into another country. It is the buyer’s sole responsibility to
comply with all import and export laws and to obtain any necessary licenses or
permits. The denial of any required license or permit or any delay in obtaining such
documentation will not justify the cancellation of the sale or any delay in making full
payment for the lot.
endangered Species
Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,
whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value,
may require a license or certificate prior to exportation and additional licenses or
certificates upon importation to any country outside the European Union (EU). Please
note that the ability to obtain an export license or certificate does not ensure the
ability to obtain an import license or certificate in another country, and vice versa. We
suggest that prospective bidders check with their own government regarding wildlife
import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain
any necessary export or import licenses or certificates as well as any other required
documentation. The denial of any required license or certificate or any delay in
obtaining such documentation will not justify the cancellation of the sale or any delay
in making full payment for the lot.
08_LON_OCT_CONT Backmatter.indd 358 24/09/09 11:46
AUCTIONS NEW YORK
PART I 12 NOVEMBER 2009 7pm PART II 13 NOVEMBER 2009 10am & 2pm
Viewing 7 – 12 November
Phillips de Pury & Company 450 West 15 Street New York 10011
Enquiries +1 212 940 1260 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com
OLAFUR ELIASSON 1m3 light, 1999 Estimate $300,000-500,000
CONTEMPORARY ART
08_LON_OCT_CONT Backmatter.indd 359 24/09/09 11:46
VAT And oTher TAx
informATion for buyers
The following paragraphs provide general information to buyers on the VAT and
certain other potential tax implications of purchasing property at Phillips de Pury &
Company. This information is not intended to be complete. In all cases, the relevant tax
legislation takes precedence, and the VAT rates in effect on the day of the auction will
be the rates charged. It should be noted that, for VAT purposes only, Phillips de Pury &
Company is not usually treated as agent and most property is sold as if it is the
property of Phillips de Pury & Company. In the following paragraphs, reference to VAT
symbols shall mean those symbols located beside the lot number or the pre-sale
estimates in the catalogue (or amending saleroom addendum).
1 ProPerTy wiTh no VAT symbol
Where there is no VAT symbol, Phillips de Pury & Company is able to use the
Auctioneer’s Margin Scheme, and VAT will not normally be charged on the
hammer price.
Phillips de Pury & Company must bear VAT on the buyer’s premium. Therefore, we will
charge an amount in lieu of VAT at 15% on the buyer’s premium. This amount will form
part of the buyer’s premium on our invoice and will not be separately identified.
2 ProPerTy wiTh A † symbol
These lots will be sold under the normal UK VAT rules, and VAT will be charged at 15%
on both the hammer price and buyer’s premium.
3 ProPerTy wiTh A § symbol
Lots sold to buyers whose registered address is in the EU will be assumed to be
remaining in the EU. The property will be invoiced as if it had no VAT symbol. However,
if an EU buyer advises us that the property is to be exported from the EU, Phillips de
Pury & Company will re-invoice the property under the normal VAT rules.
Lots sold to buyers whose address is outside the EU will be assumed to be exported
from the EU. The property will be invoiced under the normal VAT rules. Although the
hammer price will be subject to VAT, the VAT will be canceled or refunded upon export.
The buyer’s premium will always bear VAT. However, buyers who are not intending to
export their property from the EU should notify our Client Accounting Department on
the day of the sale, and the property will be re-invoiced showing no VAT on the
hammer price.
4 ProPerTy sold wiTh A ‡ or Ω symbol
These lots have been imported from outside the EU to be sold at auction under
temporary importation. Property subject to temporary importation will be offered
under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5%
or 15% on the hammer price and an amount in lieu of VAT at 15% on the buyer’s
premium. Anyone who wishes to buy outside the Auctioneer’s Margin Scheme should
notify the Client Accounting Department before the sale.
‡ = 5% Ω = 15%
5 exPorTs from The euroPeAn union
The following types of VAT may be cancelled or refunded by Phillips de Pury &
Company on exports made within three months of the sale date if strict conditions
are met:
• The amount in lieu of VAT charged on the buyer’s premium for property
sold under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol).
• The VAT on the hammer price for property sold under the normal VAT
rules (i.e., with a † or a § symbol).
• The import VAT charged on the hammer price and buyer’s premium for
property sold under temporary importation (i.e., with a ‡ or a Ω symbol).
In each of the above examples, where the appropriate conditions are satisfied, no VAT
will be charged if, at or before the time of invoicing, the buyer instructs Phillips de
Pury & Company to export the property from the EU. If such instruction is received
after payment, a refund of the VAT amount will be made.
Where the buyer carries purchases from the EU personally or uses the services of a
third party, Phillips de Pury & Company will charge the VAT amount due as a deposit
and refund it if the lot has been exported within three months of the date of sale
and the following conditions are met:
• For lots sold under the Auctioneer’s Margin Scheme or the normal VAT
rules, Phillips de Pury & Company is provided with appropriate
documentary proof of export from the EU. Buyers carrying their own
property should obtain hand-carry papers from the Shipping Department
to facilitate this process; or
• For lots sold under temporary importation, Phillips de Pury & Company is
provided with a copy of the correct paperwork duly completed and stamped
by HM Revenue and Customs which shows the property has been exported
from the EU via the UK. It is essential for shippers acting on behalf of
buyers to collect copies of original import papers from our Shipping
Department. HM Revenue and Customs insist that the correct customs
procedures are followed and Phillips de Pury & Company will not be able to
issue any refunds where the export documents do not exactly comply with
governmental regulations. Property subject to temporary importation must
be transferred to another customs procedure immediately if any restoration
or repair work is to be carried out.
Buyers carrying their own property must obtain hand-carry papers from the Shipping
Department, for which a charge of £20 will be made. The VAT refund will be processed
once the appropriate paperwork has been returned to Phillips de Pury & Company.
Phillips de Pury & Company is not able to cancel or refund any VAT charged on sales
made to UK or EU private residents unless the lot is subject to temporary importation
and the property is exported from the EU within three months of the sale date. Any
refund of VAT is subject to a minimum of £50 per shipment and a processing charge
of £20.
Buyers intending to export, repair, restore or alter lots under temporary importation
should notify the Shipping Department before collection. Failure to do so may result in
the import VAT becoming payable immediately and Phillips de Pury & Company being
unable to refund the VAT charged on deposit.
6 VAT refunds from hm reVenue And CusToms
Where VAT charged cannot be cancelled or refunded by Phillips de Pury & Company,
it may be possible to seek repayment from HM Revenue and Customs. Repayments
in this manner are limited to businesses located outside the UK and may be
considered for:
• VAT charged on the buyer’s premium on property sold under the normal
VAT rules.
• Import VAT charged on the hammer price and buyer’s premium for lots
sold under temporary importation.
Claim forms are available from:
HM Revenue and Customs
VAT Overseas Repayment Section
P.O. Box 34, Foyle House, Duncreggan Road, Londonderry
Northern Ireland BT48 7AE
Tel +44 28 7130 5100
Fax +44 28 7130 5101
7 sAles And use TAxes
Buyers from outside the UK should note that local sales taxes or use taxes may
become payable upon import of lots following purchase. Buyers should consult their
own tax advisors.
CondiTions of sAle
The Conditions of Sale and Authorship Warranty set forth below govern the
relationship between bidders and buyers, on the one hand, and Phillips de Pury &
Company and sellers, on the other hand. All prospective buyers should read these
Conditions of Sale and Authorship Warranty carefully before bidding.
08_LON_OCT_CONT Backmatter.indd 360 24/09/09 11:47
AUCTION 14 NOVEMBER 2009 10am & 1pm NEW YORK
Viewing 7 – 13 November
Phillips de Pury & Company 450 West 15 Street New York 10011
Enquiries +1 212 940 1245 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com
ALBERT WATSON Breaunna on Leopard Print, Las Vegas Hilton, 2001 Estimate $18,000-22,000
PHOTOGRAPHS
08_LON_OCT_CONT Backmatter.indd 361 24/09/09 11:47
1 IntroductIon
Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of
Sale and Authorship Warranty; (b) additional notices and terms printed in other places
in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to
this catalogue or other written material posted by Phillips de Pury & Company in the
saleroom, in each case as amended by any addendum or announcement by the
auctioneer prior to the auction.
By bidding at the auction, whether in person, through an agent, by written bid, by
telephone bid or other means, bidders and buyers agree to be bound by these
Conditions of Sale, as so changed or supplemented, and Authorship Warranty.
These Conditions of Sale, as so changed or supplemented, and Authorship Warranty
contain all the terms on which Phillips de Pury & Company and the seller contract with
the buyer.
2 PhIllIPs de Pury & comPany as agent
Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated
in this catalogue or at the time of auction. On occasion, Phillips de Pury & Company
may own a lot, in which case we will act in a principal capacity as a consignor, or may
have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise.
3 catalogue descrIPtIons and condItIon of ProPerty
Lots are sold subject to the Authorship Warranty, as described in the catalogue
(unless such description is changed or supplemented, as provided in Paragraph
1 above) and in the condition that they are in at the time of the sale on the
following basis.
(a) The knowledge of Phillips de Pury & Company in relation to each lot is partially
dependent on information provided to us by the seller, and Phillips de Pury & Company
is not able to and does not carry out exhaustive due diligence on each lot. Prospective
buyers acknowledge this fact and accept responsibility for carrying out inspections
and investigations to satisfy themselves as to the lots in which they may be interested.
Notwithstanding the foregoing, we shall exercise such reasonable care when making
express statements in catalogue descriptions or condition reports as is consistent
with our role as auctioneer of lots in this sale and in light of (i) the information
provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the
generally accepted opinions of relevant experts, in each case at the time any such
express statement is made.
(b) Each lot offered for sale at Phillips de Pury & Company is available for inspection
by prospective buyers prior to the auction. Phillips de Pury & Company accepts bids
on lots on the basis that bidders (and independent experts on their behalf, to the
extent appropriate given the nature and value of the lot and the bidder’s own expertise)
have fully inspected the lot prior to bidding and have satisfied themselves as to both
the condition of the lot and the accuracy of its description.
(c) Prospective buyers acknowledge that many lots are of an age and type which
means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury
& Company may prepare and provide condition reports to assist prospective buyers
when they are inspecting lots. Catalogue descriptions and condition reports may make
reference to particular imperfections of a lot, but bidders should note that lots may
have other faults not expressly referred to in the catalogue or condition report. All
dimensions are approximate. Illustrations are for identification purposes only and
cannot be used as precise indications of size or to convey full information as to the
actual condition of lots.
(d) Information provided to prospective buyers in respect of any lot, including any
pre-sale estimate, whether written or oral, and information in any catalogue, condition
or other report, commentary or valuation, is not a representation of fact but rather a
statement of opinion held by Phillips de Pury & Company. Any pre-sale estimate may
not be relied on as a prediction of the selling price or value of the lot and may be
revised from time to time by Phillips de Pury & Company in our absolute discretion.
Neither Phillips de Pury & Company nor any of our affiliated companies shall be liable
for any difference between the pre-sale estimates for any lot and the actual price
achieved at auction or upon resale.
4 BIddIng at auctIon
(a) Phillips de Pury & Company has absolute discretion to refuse admission to the
auction or participation in the sale. All bidders must register for a paddle prior to
bidding, supplying such information and references as required by Phillips de Pury
& Company.
(b) As a convenience to bidders who cannot attend the auction in person, Phillips de
Pury & Company may, if so instructed by the bidder, execute written absentee bids on
a bidder’s behalf. Absentee bidders are required to submit bids on the “Absentee Bid
Form,” a copy of which is printed in this catalogue or otherwise available from Phillips
de Pury & Company. Bids must be placed in the currency of the sale. The bidder must
clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s
premium and value added tax (VAT). The auctioneer will not accept an instruction to
execute an absentee bid which does not indicate such maximum bid. Our staff will
attempt to execute an absentee bid at the lowest possible price taking into account
the reserve and other bidders. Any absentee bid must be received at least 24 hours
in advance of the sale. In the event of identical bids, the earliest bid received will
take precedence.
(c) Telephone bidders are required to submit bids on the “Telephone Bid Form,” a copy
of which is printed in this catalogue or otherwise available from Phillips de Pury &
Company. Telephone bidding is available for lots whose low pre-sale estimate is at
least £500. Phillips de Pury & Company reserves the right to require written
confirmation of a successful bid from a telephone bidder by fax or otherwise
immediately after such bid is accepted by the auctioneer. Telephone bids may be
recorded and, by bidding on the telephone, a bidder consents to the recording of
the conversation.
(d) When making a bid, whether in person, by absentee bid or on the telephone, a
bidder accepts personal liability to pay the purchase price, as described more fully in
Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly
agreed in writing with Phillips de Pury & Company before the commencement of the
auction that the bidder is acting as agent on behalf of an identified third party
acceptable to Phillips de Pury & Company and that we will only look to the principal for
such payment.
(e) Arranging absentee and telephone bids is a free service provided by Phillips de
Pury & Company to prospective buyers. While we undertake to exercise reasonable
care in undertaking such activity, we cannot accept liability for failure to execute such
bids except where such failure is caused by our willful misconduct.
(f) Employees of Phillips de Pury & Company and our affiliated companies, including
the auctioneer, may bid at the auction by placing absentee bids so long as they do not
know the reserve when submitting their absentee bids and otherwise comply with our
employee bidding procedures.
5 conduct of the auction
(a) Unless otherwise indicated by the symbol • each lot is offered subject to a reserve,
which is the confidential minimum selling price agreed by Phillips de Pury & Company
08_LON_OCT_CONT Backmatter.indd 362 24/09/09 11:48
with the seller. The reserve will not exceed the low pre-sale estimate at the time of
the auction.
(b)The auctioneer has discretion at any time to refuse any bid, withdraw any lot,
re-offer a lot for sale (including after the fall of the hammer) if he or she believes
there may be error or dispute and take such other action as he or she deems
reasonably appropriate.
(c) The auctioneer will commence and advance the bidding at levels and in increments
he or she considers appropriate. In order to protect the reserve on any lot, the
auctioneer may place one or more bids on behalf of the seller up to the reserve without
indicating he or she is doing so, either by placing consecutive bids or bids in response
to other bidders.
(d) The sale will be conducted in pounds sterling and payment is due in pounds
sterling. For the benefit of international clients, pre-sale estimates in the auction
catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate
exchange rates. Accordingly, estimates in US dollars or euros should be treated only
as a guide.
(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by
the auctioneer will be the buyer and the striking of the hammer marks the acceptance
of the highest bid and the conclusion of a contract for sale between the seller and the
buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph
7 below.
(f) If a lot is not sold, the auctioneer will announce that it has been “passed,”
“withdrawn,” “returned to owner” or “bought-in.”
(g) Any post-auction sale of lots offered at auction shall incorporate these Conditions
of Sale and Authorship Warranty as if sold in the auction.
6 Purchase Price and Payment
(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s
premium, plus any applicable value added tax (VAT) and any applicable resale royalty
(the “Purchase Price”). The buyer’s premium is 25% of the hammer price up to and
including £25,000, 20% of the portion of the hammer price above £25,000 up to and
including £500,000 and 12% of the portion of the hammer price above £500,000.
(b) VAT is payable in accordance with applicable law. All prices, fees, charges and
expenses set out in these Conditions of Sale are quoted exclusive of VAT.
(c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to
pay to us an amount equal to the resale royalty provided for in those regulations and
we undertake to the buyer to pay such amount to the artist’s collection agent. Lots
subject to the Artist’s Resale Right are identified with the symbol ♠ next to the lot
number.
(d) Unless otherwise agreed, a buyer is required to pay for a purchased lot
immediately following the auction regardless of any intention to obtain an export or
import license or other permit for such lot. Payments must be made by the
invoiced party in pounds sterling either by cash, cheque drawn on a uK bank or
wire transfer, as follows:
(i) Phillips de Pury & Company will accept payment in cash provided that
the total amount paid in cash or cash equivalents does not exceed the local
currency equivalent of US$10,000.
(ii) Personal cheques and banker’s drafts are accepted if drawn on a UK
bank and the buyer provides to us acceptable government issued
identification. Cheques and banker’s drafts should be made payable to
“PDEPL LTD.” If payment is sent by post, please send the cheque or
banker’s draft to the attention of the Client Accounting Department at
Howick Place, London SW1P 1BB and ensure that the sale number is
written on the cheque. Cheques or banker’s drafts drawn by third parties
will not be accepted.
(iii) Payment by wire transfer may be sent directly to Phillips de Pury &
Company. Bank transfer details:
Bank of Scotland
Gordon Street, Glasgow G1 3RS.
SWIFT BIC: BOFSGB21138
Sort code: 80-54-01
IBAN: GB36BOFS 8054 0100 4407 80
For the account of PDEPL LTD
Account no.: 00440780
(e) As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard
and UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee
will apply.
(f) Title in a purchased lot will not pass until Phillips de Pury & Company has received
the Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not
obliged to release a lot to the buyer until title in the lot has passed and appropriate
identification has been provided, and any earlier release does not affect the passing of
title or the buyer’s unconditional obligation to pay the Purchase Price.
7 collection of ProPerty
(a) Phillips de Pury & Company will not release a lot to the buyer until we have
received payment of its Purchase Price in full in cleared funds, the buyer has paid all
outstanding amounts due to Phillips de Pury & Company or any of our affiliated
companies, including any charges payable pursuant to Paragraph 8 (a) below, and the
buyer has satisfied such other terms as we in our sole discretion shall require,
including completing any anti-money laundering or anti-terrorism financing checks. As
soon as a buyer has satisfied all of the foregoing conditions, he or she should contact
us at +44 (0) 207 318 4081 or +44 (0) 207 318 4082 to arrange for collection of purchased
property.
(b) The buyer must arrange for collection of a purchased lot within five days of the date
of the auction. Promptly after the auction, we will transfer the purchased lot to a third
party storage facility and will so advise the buyer. Purchased lots are at the buyer’s
risk, including the responsibility for insurance, from the earlier to occur of (i) the date
of collection or (ii) five days after the auction. Until risk passes, Phillips de Pury &
Company will compensate the buyer for any loss or damage to a purchased lot up to a
maximum of the Purchase Price paid, subject to our usual exclusions for loss or
damage to property.
(c) As a courtesy to clients, Phillips de Pury & Company will, without charge, wrap
purchased lots for hand carry only. We do not provide packing, handling, insurance or
shipping services. We will coordinate with shipping agents instructed by the buyer,
whether or not recommended by Phillips de Pury & Company, in order to facilitate the
packing, handling, insurance and shipping of property bought at Phillips de Pury &
Company. Any such instruction is entirely at the buyer’s risk and responsibility, and we
will not be liable for acts or omissions of third party packers or shippers.
(d) Phillips de Pury & Company will require presentation of government issued
identification prior to release of a lot to the buyer or the buyer’s authorized
representative.
8 failure to collect Purchases
(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30
days of the auction, the buyer will incur a late collection fee of £25, storage charges of
£3 per day and pro rated insurance charges of .1% of the Purchase Price per month on
each uncollected lot.
(b) If a purchased lot is paid for but not collected within six months of the auction, the
buyer authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the
item by auction or private sale, with estimates and a reserve set at Phillips de Pury &
Company’s reasonable discretion. The proceeds of such sale will be applied to pay for
storage charges and any other outstanding costs and expenses owed by the buyer to
Phillips de Pury & Company or our affiliated companies and the remainder will be
forfeited unless collected by the buyer within two years of the original auction.
9 remedies for non-Payment
(a) Without prejudice to any rights the seller may have, if the buyer without prior
agreement fails to make payment of the Purchase Price for a lot in cleared funds
within five days of the auction, Phillips de Pury & Company may in our sole discretion
exercise one or more of the following remedies: (i) store the lot at Phillips de Pury &
08_LON_OCT_CONT Backmatter.indd 363 24/09/09 11:48
Company’s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the
sale of the lot, retaining any partial payment of the Purchase Price as liquidated
damages; (iii) reject future bids from the buyer or render such bids subject to payment
of a deposit; (iv) charge interest at 12% per annum from the date payment became due
until the date the Purchase Price is received in cleared funds; (v) subject to
notification of the buyer, exercise a lien over any of the buyer’s property which is in the
possession of Phillips de Pury & Company and instruct our affiliated companies to
exercise a lien over any of the buyer’s property which is in their possession and, in
each case, no earlier than 30 days from the date of such notice arrange the sale of
such property and apply the proceeds to the amount owed to Phillips de Pury &
Company or any of our affiliated companies after the deduction from sale proceeds of
our standard vendor’s commission, all sale-related expenses and any applicable taxes
thereon; (vi) resell the lot by auction or private sale, with estimates and a reserve set
at Phillips de Pury & Company’s reasonable discretion, it being understood that in the
event such resale is for less than the original hammer price and buyer’s premium for
that lot, the buyer will remain liable for the shortfall together with all costs incurred in
such resale; (vii) commence legal proceedings to recover the hammer price and
buyer’s premium for that lot, together with interest and the costs of such proceedings;
or (viii) release the name and address of the buyer to the seller to enable the seller to
commence legal proceedings to recover the amounts due and legal costs.
(b) The buyer irrevocably authorizes Phillips de Pury & Company to exercise a lien over
the buyer’s property which is in our possession upon notification by any of our
affiliated companies that the buyer is in default of payment. Phillips de Pury &
Company will notify the buyer of any such lien. The buyer also irrevocably authorizes
Phillips de Pury & Company, upon notification by any of our affiliated companies that
the buyer is in default of payment, to pledge the buyer’s property in our possession by
actual or constructive delivery to our affiliated company as security for the payment of
any outstanding amount due. Phillips de Pury & Company will notify the buyer if the
buyer’s property has been delivered to an affiliated company by way of pledge.
(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips de
Pury & Company to instruct any of our affiliated companies in possession of the
buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third
party instructed by Phillips de Pury & Company to hold the property on our behalf as
security for the payment of the Purchase Price and any other amount due and, no
earlier than 30 days from the date of written notice to the buyer, to sell the property in
such manner and for such consideration as can reasonably be obtained on a forced
sale basis and to apply the proceeds to any amount owed to Phillips de Pury &
Company or any of our affiliated companies after the deduction from sale proceeds
of our standard vendor’s commission, all sale-related expenses and any applicable
taxes thereon.
10 Rescission by PhilliPs de PuRy & comPany
Phillips de Pury & Company shall have the right, but not the obligation, to rescind a
sale without notice to the buyer if we reasonably believe that there is a material breach
of the seller’s representations and warranties or the Authorship Warranty or an
adverse claim is made by a third party. Upon notice of Phillips de Pury & Company’s
election to rescind the sale, the buyer will promptly return the lot to Phillips de Pury &
Company, and we will then refund the Purchase Price paid to us. As described more
fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse
of the buyer against Phillips de Pury & Company and the seller with respect to such
rescinded sale.
11 exPoRt, imPoRt and endangeRed sPecies licenses
and PeRmits
Before bidding for any property, prospective buyers are advised to make their own
enquiries as to whether a license is required to export a lot from the United Kingdom
or to import it into another country. Prospective buyers are advised that some
countries prohibit the import of property made of or incorporating plant or animal
material, such as coral, crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell,
irrespective of age, percentage or value. Accordingly, prior to bidding, prospective
buyers considering export of purchased lots should familiarize themselves with
relevant export and import regulations of the countries concerned. It is solely the
buyer’s responsibility to comply with these laws and to obtain any necessary export,
import and endangered species licenses or permits. Failure to obtain a license or
permit or delay in so doing will not justify the cancellation of the sale or any delay in
making full payment for the lot.
12 data PRotection
(a) In connection with the management and operation of our business and the
marketing and supply of auction related services, or as required by law, we may ask
clients to provide personal information about themselves or obtain information about
clients from third parties (e.g., credit information). If clients provide us with
information that is defined by law as “sensitive,” they agree that Phillips de Pury &
Company and our affiliated companies may use it for the above purposes. Phillips de
Pury & Company and our affiliated companies will not use or process sensitive
information for any other purpose without the client’s express consent. If you would
like further information on our policies on personal data or wish to make corrections
to your information, please contact us at +44 (0)20 7318 4010. If you would prefer not to
receive details of future events please call the above number.
(b) In order to fulfill the services clients have requested, Phillips de Pury & Company
may disclose information to third parties such as shippers. Some countries do not
offer equivalent legal protection of personal information to that offered within the
European Union (EU). It is Phillips de Pury & Company’s policy to require that any
such third parties respect the privacy and confidentiality of our clients’ information
and provide the same level of protection for client information as provided within the
EU, whether or not they are located in a country that offers equivalent legal protection
of personal information. By agreeing to these Conditions of Sale, clients agree to
such disclosure.
13 limitation of liability
(a) Subject to subparagraph (e) below, the total liability of Phillips de Pury &
Company, our affiliated companies and the seller to the buyer in connection with the
sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot.
(b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury &
Company, any of our affiliated companies or the seller (i) is liable for any errors or
omissions, whether orally or in writing, in information provided to prospective buyers
by Phillips de Pury & Company or any of our affiliated companies or (ii) accepts
responsibility to any bidder in respect of acts or omissions, whether negligent or
otherwise, by Phillips de Pury & Company or any of our affiliated companies in
connection with the conduct of the auction or for any other matter relating to the sale
of any lot.
(c) All warranties other than the Authorship Warranty, express or implied, including
any warranty of satisfactory quality and fitness for purpose, are specifically excluded
by Phillips de Pury & Company, our affiliated companies and the seller to the fullest
extent permitted by law.
(d) Subject to subparagraph (e) below, none of Phillips de Pury & Company, any of our
affiliated companies or the seller shall be liable to the buyer for any loss or damage
08_LON_OCT_CONT Backmatter.indd 364 24/09/09 11:49
WORLDWIDE OFFICES
NEW YORK
450 West 15 Street NewYork NY 10011 USA
+1 212 940 1200 +1 212 924 5403 fax
LONDON
Howick Place London SW1P 1BB United Kingdom
+44 20 7318 4010 +44 20 7318 4011 fax
phILLIpS de puRy & COmpany
advisory Board
Maria Bell
Janna Bullock
Lisa Eisner
Lapo Elkann
Ben Elliot
Lady Elena Foster
H.I.H. Francesca von Habsburg
Marc Jacobs
Malcolm McLaren
Ernest Mourmans
Aby Rosen
Christiane zu Salm
Princess Gloria vonThurn undTaxis
Jean Michel Wilmotte
Anita Zabludowicz
Chairman
Simon de Pury
Chief Executive Officer
Bernd Runge
Senior partners
Michael McGinnis
Dr. Michaela Neumeister
partners
Aileen Agopian
Sean Cleary
Alexander Payne
Rodman Primack
Olivier Vrankenne
Tiffany Wood
PARIS
C/O Pro First 15 Rue de la Paix 75002 Paris France
+33 1 42 78 67 77 +33 1 42 78 23 07 fax
MUNICH
Maximiliansplatz 12a 80333 Munich Germany
+49 89 238 88 48 0 +49 89 238 88 48 15 fax
BERLIN
Auguststrasse 19 10117 Berlin Germany
+49 30 880 018 42 +49 30 880 018 43 fax
GENEVA
23, quai des Bergues 1201 Geneva Switzerland
+41 22 906 80 00 +41 22 906 80 01 fax
08_LON_OCT_CONT Backmatter.indd 365 24/09/09 11:49
Kelly Troester, Worldwide Co-Director +1 212 940 1221
Cary Leibowitz, Worldwide Co-Director +1 212 940 1222
Jannah Greenblatt +1 212 940 1332
Joy Deibert +1 212 940 1333
Nazgol Jahan, Worldwide Director +1 212 940 1283
Carmela Manoli +1 212 940 1302
Heather Zises +1 212 940 1290
Carolin Bulgari +41 22 906 80 00
Veronica Lota +41 22 906 80 05
Lane McLean +44 20 7318 4032
Anthony McNerney, Head of Evening Sale, London +44 20 7318 4067
Peter Sumner, Head of Day Sale, London +44 20 7318 4063
Laetitia Catoir +44 20 7318 4064
Silke Taprogge +44 20 7318 4012
Ivgenia Naiman +44 20 7318 4071
Fiona Biberstein +44 20 7318 4013
Siobhan O’Connor +44 20 7318 4093
Catherine Higgs +44 20 7318 4089
Raphael Lepine +44 20 7318 4078
Tanya Tikhnenko +44 20 7318 4065
Sarah Buchwald +44 20 7318 4085
Phillippa Willison +44 20 7318 4070
Michael McGinnis, Worldwide Director +1 212 940 1254
Aileen Agopian, New York Director +1 212 940 1255
Jean-Michel Placent +1 212 940 1263
Timothy Malyk +1 212 940 1258
Chin-Chin Yap +1 212 940 1250
Sarah Mudge, Head of Part II, New York +1 212 940 1259
Roxana Bruno +1 212 940 1229
Sara Davidson +1 212 940 1262
Maria Bueno +1 212 940 1261
Peter Flores +1 212 940 1223
(Uli) Zhiheng Huang +1 212 940 1288
Eugenia Ballvé +1 212 940 1303
Alexander Payne, Worldwide Director +44 20 7318 4052
Ben Williams +44 20 7318 4027
Domenico Raimondo +44 20 7318 4016
Ellen Stelter +44 20 7318 4021
Marcus McDonald +44 20 7318 4014
Alex Heminway, New York Director +1 212 940 1269
Marcus Tremonto +1 212 940 1268
Tara DeWitt +1 212 940 1265
Meaghan Roddy +1 212 940 1266
Stephanie Abraitis +1 212 940 1268
Johanna Frydman +33 1 42 78 67 77
CONTEMPORARY ART
LONDON
NEW YORK
DESIGN
LONDON
NEW YORK
PARIS
SPECIALIST AND SERVICE DEPARTMENTS
THEME SALES
LONDON
NEW YORK
CHAIRMAN LONDON
MANAGING DIRECTORS
PRIVATE SALES
MODERN AND CONTEMPORARY EDITIONS
NEW YORK
JEWELRY
NEW YORK
GENEVA
LONDON
Berlin & Munich Dr. Michaela Neumeister +49 89 238 88 48 10
Brussels & Paris Olivier Vrankenne +32 486 43 43 44
Paris Leonie Moschner +33 6 85 53 92 03
London Ivgenia Naiman +44 20 7318 4071
Brooke de Ocampo +44 777 551 7060
Los Angeles Mimi Won Techentin +1 310 600 9192
Maya McLaughlin +1 323 791 1771
Milan Laura Garbarino +39 339 478 9671
Eugenia Bertelè +39 02 3669 5895
Moscow Svetlana Marich +7 495 225 88 22
Shanghai/Beijing Jeremy Wingfield +86 135 0118 2804
Lou Proud +44 20 7318 4018
Sebastien Montabonel +44 20 7318 4025
Alexandra Bibby +44 20 7318 4087
Helen Hayman +44 20 7318 4092
Vanessa Kramer, New York Director +1 212 940 1243
Shlomi Rabi + 1 212 940 1246
Caroline Shea +1 212 940 1247
Sarah Krueger +1 212 940 1245
Charlie Scheips, International Consulting Director + 1 212 940 1245
PHOTOGRAPHS
LONDON
NEW YORK
INTERNATIONAL SPECIALISTS AND REPRESENTATIVES
Tiffany Wood, Worldwide Director +49 30 880 018 42
Tobias Sirtl, London Manager +44 20 7318 4095
Arianna Jacobs +44 20 7318 4054
George O’Dell +44 20 7318 4040
Corey Barr, New York Manager +1 212 940 1234
Anne Huntington +1 212 940 1210
Steve Agin, Consultant +1 908 475 1796
Rodman Primack +44 20 7318 4017
Finn Dombernowsky, London +44 20 7318 4034
Charlie Horne, New York +1 212 940 1292
Christina Scheublein +1 212 940 1248
08_LON_OCT_CONT Backmatter.indd 366 24/09/09 11:49
Auction
Day sale, Saturday 17 October 2009 at 3pm
Evening sale, Saturday 17 October 2009 at 7pm
Viewing
Saturday 10 October 10am – 6pm
Sunday 11 October 12pm – 6pm
Monday 12 October – Friday 16 October 10am – 6pm
Saturday 17 October 10am – 12pm
Viewing & Auction LocAtion
Howick Place London SW1P 1BB
SALe DeSignAtion
In sending in written bids or making enquiries please refer to these
sales as UK010509 or Contemporary Art Evening Sale and UK010609
or Contemporary Art Day Sale.
worLDwiDe Director
Michael McGinnis New York +1 212 940 1254
Director
Aileen Agopian New York +1 212 940 1255
SpeciALiStS
Anthony McNerney, Head of Evening Sale, London +44 20 7318 4067
Peter Sumner, Head of Day Sale, London +44 20 7318 4063
Laetitia Catoir +44 20 7318 4064
Silke Taprogge +44 20 7318 4012
Ivgenia Naiman +44 20 7318 4071
Fiona Biberstein +44 20 7318 4013
Jean-Michel Placent +1 212 940 1263
Timothy Malyk +1 212 940 1258
Chin-Chin Yap +1 212 940 1250
Sarah Mudge, Head of Part II, New York +1 212 940 1259
Dr Micheala Neumeister +49 89 238 88 48 10
Olivier Vrankenne +32 486 43 43 44
Leonie Moschner +33 6 85 53 92 03
Brooke de Ocampo +44 777 551 7060
Mimi Won Techentin +1 310 660 9192
Maya McLaughlin +1 323 791 1771
Laura Garbarino +39 339 478 9671
Jeremy Wingfield +86 135 0118 2804
Cataloguers
Raphael Lepine +44 20 7318 4078
Tanya Tikhnenko +44 20 7318 4065
Henry Highley +44 20 7318 4065
ADminiStrAtorS
Siobhan O’Connor +44 20 7318 4093
Sarah Buchwald +44 20 7318 4085
Phillippa Willison +44 20 7318 4070
VALuAtionS mAnAger
Catherine Higgs +44 20 7318 4089
operAtionS mAnAgerS
Ross Martin +44 20 7318 4057
Jeffrey Rausch, New York +1 212 940 1367
Catalogues
Allyson Melchor + 44 20 7318 4039 + 1 212 940 1240
Catalogues £30 at the Gallery/$60
AbSentee AnD teLephone biDS
Anna Ho +44 20 7318 4045 +44 20 7318 4035 fax
buyerS AccountS
Carolyn Whitehead +44 20 7318 4020
SeLLer AccountS
Elliot Depree +44 20 7318 4072
cLient SerViceS
Brette Kameny +44 20 7318 4010
photogrAphy
Byron Slater, Peter Hepplewhite, Kent Pell
SALe inFormAtion
Front cover Lucio Fontana, Concetto spaziale, 1958-1960, Lot 30 (detail)
title page Jean-Michel Basquiat, Year of the Boar, 1983, Lot 12 (detail)
Frontispiece Martin Kippenberger, Big Until Great Hunger, 1984, Lot 6 (detail)
Back Cover Jim Hodges, The Good News (De Morgen), 2006, Lot 3 (detail)
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www.phillipsdepury.com
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