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In art, light is emotion

The Language of Light in Painting and Film

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Page 1: The Language of Light in Painting and Film

In art, light is emotion

Page 2: The Language of Light in Painting and Film

The color of something depends on the light.

Page 3: The Language of Light in Painting and Film

What captivates us about the woman? The backlighting on her hat, and the veiled shadow across her eyes.

(Johannes Vermeer, 1665)

Page 4: The Language of Light in Painting and Film

Kathe Kollwitz

Page 5: The Language of Light in Painting and Film

Early filmmakers evolved their vision out the tradition of painting - this case creating pools of light.

Gerhard Lamprecht, 1921

Page 6: The Language of Light in Painting and Film

Language of Film

artists influence filmmakers, filmmakers influence artists

Page 7: The Language of Light in Painting and Film

Composition:

cropped, staged, high angle, low angle, close-up, long shot

Space & depth: deep or shallow

Light:

Single source, multiple source,

backlight, glowing light,

reflected light

Shadow: chiaroscuro shadow, cast shadow, dappled shadow

Mood: Monochromatic color, images in motion

Page 8: The Language of Light in Painting and Film

staged composition

creates a big shape

Page 10: The Language of Light in Painting and Film

Composition: Staged

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Composition: Cropped

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Close-up

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Close-up

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Long Shot

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Long Shot

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Long Shot

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Shallow Depth of Field

(only one thing in focus)

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Deep Depth of Field

(both near and far are in focus)

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Deep Depth of Field

(both near and far are in focus)

Page 25: The Language of Light in Painting and Film

Reflected Light

Light reflected off the ground

Page 26: The Language of Light in Painting and Film

Reflected Light

Light reflected off the ground

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Chiaroscuro Light (the object emerges from deep shadow

Page 29: The Language of Light in Painting and Film

Chiaroscuro Light (the object emerges from deep shadow

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Dramatic Single Source Light

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Dramatic Single Source Light

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Complicated Multiple Source Light

Page 34: The Language of Light in Painting and Film

Complicated Multiple Source Light

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Glowing Light

Spiritual, mystical, magical, the light is coming from the object, not reflected on it

Page 36: The Language of Light in Painting and Film

Glowing Light

Spiritual, mystical, magical, the light is coming from the object, not reflected on it

Page 37: The Language of Light in Painting and Film

Glowing Light

Spiritual, mystical, magical, the light is coming from the object, not reflected on it

Page 38: The Language of Light in Painting and Film

Glowing Light

Spiritual, mystical, magical, the light is coming from the object, not reflected on it

Page 39: The Language of Light in Painting and Film

Glowing Light

Spiritual, mystical, magical, the light is coming from the object, not reflected on it

Page 41: The Language of Light in Painting and Film

Cast Shadow

Simple or complex

Page 42: The Language of Light in Painting and Film

Cast Shadow

Simple or complex

Page 43: The Language of Light in Painting and Film

Cast Shadow

Simple or complex

Page 44: The Language of Light in Painting and Film

Cast Shadow

Simple or complex

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Dappled Shadow

soft, multiple patterns

Page 48: The Language of Light in Painting and Film

Monochromatic light

creating a strong mood

Page 50: The Language of Light in Painting and Film

Monochromatic light

creating a strong mood

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Image in Motion

edges blurred

Page 52: The Language of Light in Painting and Film

Image in Motionedges blurred

Page 55: The Language of Light in Painting and Film

Reflected Light

reflected in a mirror, multiple points of view

Page 57: The Language of Light in Painting and Film

Backlighting creates a ‘halo’ behind the object, and emphasizes the silhouette

Page 58: The Language of Light in Painting and Film

Backlighting creates a ‘halo’ behind the object, and emphasizes the silhouette

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light against dark, and dark against light.

George Seurat, charcoal.

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Page 61: The Language of Light in Painting and Film

Translation of value -light against dark, and dark against light.

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Page 63: The Language of Light in Painting and Film

Composition

Cropped / Staged

High Angle / Low Angle

Close-up / Long Shot

Space

Deep Depth of Field / Shallow Depth of Field

Light

Direct Light / Reflected Light

Single Source / Multiple Source

Backlight (Halo) / Key light (Highlight)

Chiaroscuro light

Dreamy Light / Glowing Light

Cast Shadow / Dappled Shadow

Image in Motion

Action Sequence / Blur