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Dr. Iman Osama Abdel GawadDr. Iman Osama Abdel GawadHelwan University, Faculty of Fine Arts,
Department of Architecture Cairo, Egypt
بسم الله الرحمن الرحيم
SETTING A PATH FOR CREATIVITY IN TEACHING
HISTORY OF ARCHITECTURE CLASSES:
A STRATEGIC VIEW OF SPARKING STUDENTS
INTERACTION
RESEARCH SCOPE
CHALLENGES TO HISTORY INSTRUCTORS
?? The best form of history teaching which is
capable of motivating students
Meet the demand for updated materials, teaching strategies and educational activities
The development of assignments that spark excitement in students
Link History courses to design problem solving, and outline the value of history courses in students’ lives
InternationalInternational UIA/UNESCO charter of architectural education
EuropeEuropeThe Foundation for Architecture and Education (AE) in
ScotlandThe Royale institute for British Architects (RIBA)
USAUSAThe National Architectural Accrediting Board
(NAAB)Massachusetts Institute of Technology (MIT)
The Global Architectural History Teaching Collaborative 'GAHTC'
HISTORY IN HISTORY IN ARCHITECTURAL INSTITUTIONS WITH LIMITED RESOURCES ?????
INTERNATIONAL APPROACHES
The question is whether the motivation fits with the requirements of the course
Fit the curriculum to the student rather than the converse (Maslow, 1987)
Examples of combined learning approaches and instructional strategies
Deductive-
expository
Inductive- expositor
y
Deductive-
inquisitory
Inductive-inquisitor
y
Case study
Lecture; then case study
Case study; then lecture
Lecture; and then have students create a case study
Do case study; and then have students create models, design concepts, etc. on what they have learned
Programmed
Learning
Design concepts, models, etc.; followed by examples
Examples; followed by design concepts, models, etc.
Design concepts, models, etc.; and then have students create an example
Examples; and then have students create design concepts, models, etc.
Metaphors
Teacher gives concepts of subject and then a metaphor .
Teacher gives a metaphor and then the concepts
Teacher gives concepts and then the students create metaphors
Teacher gives metaphor and then the students create concepts, models, etc.
EDUCATIONAL MOTIVATION
THE FOUR LEARNING STYLES OF THE ADULT LEARNING PROCESS
(KOLB, 1984)
AssimilatingConverging
DivergingAccomodating
Processing infoProcessing info
To "chase" the learner round the cycle, asking To "chase" the learner round the cycle, asking questions which encourage reflection, questions which encourage reflection,
conceptualisation, and ways of testing the conceptualisation, and ways of testing the ideasideas
Fine Arts Faculty-Helwan University
To model various Churches/Cathedrales in Cairo
ADOPTED PEDAGOGICAL TECHNIQUESMODELING
Modeling makes history ‘present’ to the student
Modeling sharpen students’ critical and analytical engagement with the subject
ADOPTED PEDAGOGICAL TECHNIQUESMODELING
1. The choice of the studied building and the capability to explain the main idea that guided the building's design process
2. The ability of dealing with the materials and modeling techniques used to produce an analytical study of the building
ADOPTED PEDAGOGICAL TECHNIQUESMODELING
MIU History of Architecture3
To model various urban changes of old Cairo city
MIU History of Architecture3To analyse a chosen contemporary building with respect to the
main principles of Islamic architecture
ADOPTED PEDAGOGICAL TECHNIQUES
TYING DESIGN TO THE TEACHING OF HISTORY
Shrouk AcademyEnvironmental studies-
Sultan Hassan Trip
ADOPTED PEDAGOGICAL TECHNIQUES
ADOPTED PEDAGOGICAL TECHNIQUES
GAME-BASED LEARNINGMIU Engineering History and
TechnologyTo identify various buildings in various
eras and areas
MATCHING MATCHING GAMESGAMES
The University of Minnesota
ADOPTED PEDAGOGICAL TECHNIQUES
GAME-BASED LEARNINGTHE JEOPARDY THE JEOPARDY SESSIONSESSION
a way to review essential concepts for unit tests the class is divided into teams of two to three students each The game board is displayed via a computer projection unit Each team selects a category and must answer the associated question
• History of architecture curriculum revisions and for the development of teaching techniques and assignment
• To flexibility on the part of the instructor being decisive for students’ engagement and interest to be encouraged
• Rethinking the role that history of architecture can play in the design curriculum
CONCLUSIONS AND RECOMMENDATIONS