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EMPIRE STATE COLLEGE GLOBAL ART HISTORY WITH PROFESSOR SUSAN FORBES FALL 2008 NATIVE AMERICAN/POLYNESIAN CULTURES GARY SHORE CARRIE WESTON KAMI BUTTON MICHELLE RUTAN

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EMPIRE STATE COLLEGEGLOBAL ART HISTORY

WITH PROFESSOR SUSAN FORBES FALL 2008

NATIVE AMERICAN/POLYNESIANCULTURES

GARY SHORECARRIE WESTON

KAMI BUTTONMICHELLE RUTAN

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CLOTHING REGALIA

BEADWORK

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Buckskin Dress

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Breechclothes and Leggings

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Breechcloth Apron

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Power in Animals

Tsethasetas (Northern Cheyenne) Shirt (detail), about 1855-1865

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Inuit - Caribou Skin Parkas

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Plateau Indians

Small Hawk and Wife, ca. 1900Photo by Lee Moorhouse.

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Tlingit - Chilkat Dancing Shirt

Human Face

Head of a Bear

Bear’s Forelegs and Paws

Frog’s Head

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Tlingit - Chilkat Dancing Robe

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War Regalia

Blackfoot; ca. 1840;

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Moccassins

Comanche

Chippewa

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European Influence

Dakota Coat, 1890 DakotaShirt (front), about 1880

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Quillwork & Beadwork

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The Pow Wow

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CONTEMPORARY CLOTHING

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Figure 2. Haudenosaunee Bone and Antler Objects. 1. Early Haudenosaunee Comb. 2. Seneca Comb of the Colonial Period. 3. Antler Knife Handle. 4. Prehistoric Haudenosaunee Comb. 5. Oneida Knife Handle. 6. Bone

Doll or Figurine. &. Bone Beamer made from Metapodial Bone of Elk. From Prehistoric Seneca Site.(Parker 1916:490 Plate XXII)

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Figure 1. Onondaga, Atwell Fort Site, c1550.Rochester Museum and Science Center

Photo by the grant applicant.

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Figure 3. Seneca. Rochester Junction Site, Mendon N.Y., c1678(Wray 1963:43 Plate 3.)

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Seneca. Rochester Junction Site, c1681. Rochester Museum and Science Center.Photo by the author.

Cayuga. Beauchamp interprets as “two men facing each other in combat”(Beauchamp 1902:285 plate 17)

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Seneca. Boughton Hill Site, c1678. Rochester Museum and Science Center.Photo by the investigator.

Oneida. Cameron (WaylanSite.(Pratt 1976:218, Plate 29)

d-Smith)

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As an organic material, bone often does not survive in a way that is archaeologically recoverable. However, under the right conditions, bone tools do sometimes survive and many have been recovered from locations around the world representing time periods throughout history and prehistory. Also many examples have been collected ethnographically, and some traditional peoples, as well as experimental archeologists, continue to use bone to make tools. Prior to the Industrial Revolution(when machine mass production of sharp tools became viable), many everyday tools such as needles were made from bone; such items continue to be valued today as antiques.

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Sources:Brown, James A. 1961. The Zimmerman site: a report on excavations at the Grand Village of Kaskaskia, La Salle County, Illinois. Report of Investigations No. 9. Illinois State Museum, Springfield.Wilson, Gilbert L. 1917. Agriculture of the Hidatsa Indians: an Indian Interpretation. Studies in the Social Sciences No. 9. University of Minnesota, Minneapolis.

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Sources:Harrington, M. R. 1960. The Ozark Bluff-Dwellers. Indian Notes and Monographs Vol. 12. Museum of the American Indian, Heye Foundation, New York.Santure, Sharron K., Alan D. Harn, and Duane Esarey. 1990. Archaeological Investigations at the Morton Village and Norris Farms 36 Cemetery. Reports of Investigations No. 45. Illinois State Museum, Springfield.

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Sources:Harrington, M. R. 1960. The Ozark Bluff-Dwellers. Indian Notes and Monographs Vol. 12. Museum of the American Indian, Heye Foundation, New York.Santure, Sharron K., Alan D. Harn, and Duane Esarey. 1990. Archaeological Investigations at the Morton Village and Norris Farms 36 Cemetery. Reports of Investigations No. 45. Illinois State Museum, Springfield.

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Body Art and Tattooing

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The History of Body Art and

Tattooing

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Rake tool creating geometric designs

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Scraper

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Tattoo Chisels

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