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Musical Savants How is Form and Structure used in the arts? Human Ingenuity Tuesday, February 14, 12

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Page 1: Lesson guide

Musical SavantsHow is Form and Structure used in the arts?

Human Ingenuity

Tuesday, February 14, 12

Page 2: Lesson guide

Let’s start at the very beginning ...

Tuesday, February 14, 12

Page 3: Lesson guide

Let’s start at the very beginning ...

What do YOU already know about Western Music?

Tuesday, February 14, 12

Page 4: Lesson guide

Let’s start at the very beginning ...

What do YOU already know about Western Music?

Brainstorm your ideas.

Tuesday, February 14, 12

Page 5: Lesson guide

Let’s start at the very beginning ...

What do YOU already know about Western Music?

Brainstorm your ideas.

Compare your brainstorm with a neighbour. How does your knowledge differ?

Tuesday, February 14, 12

Page 6: Lesson guide

What do YOU think?

List five adjectives to describe Western Art Music.

Who do you think Western Art Music appeals to and why?

How has Western Art Music influenced musicians in the past and today?

Do you agree that Western Art Music has a place in our community now and in the future? Why/why not.

Tuesday, February 14, 12

Page 7: Lesson guide

Timeline

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Page 8: Lesson guide

Timeline

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Where would you put the following words on the timeline?

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Page 9: Lesson guide

Timeline

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Where would you put the following words on the timeline?RENAISSANCE ROMANTIC BAROQUE MIDDLE AGES CLASSICAL

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Page 10: Lesson guide

Timeline

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Where would you put the following words on the timeline?RENAISSANCE ROMANTIC BAROQUE MIDDLE AGES CLASSICAL

Why?

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Page 11: Lesson guide

Timeline

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Where would you put the following words on the timeline?RENAISSANCE ROMANTIC BAROQUE MIDDLE AGES CLASSICAL

Why?What do you already know about these

eras?Tuesday, February 14, 12

Page 12: Lesson guide

Timeline

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Middle Ages

Where would you put the following words on the timeline?RENAISSANCE ROMANTIC BAROQUE MIDDLE AGES CLASSICAL

Why?What do you already know about these

eras?Tuesday, February 14, 12

Page 13: Lesson guide

Timeline

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Middle Ages Baroque

Where would you put the following words on the timeline?RENAISSANCE ROMANTIC BAROQUE MIDDLE AGES CLASSICAL

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eras?Tuesday, February 14, 12

Page 14: Lesson guide

Timeline

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Middle Ages Baroque

Renaissance

Where would you put the following words on the timeline?RENAISSANCE ROMANTIC BAROQUE MIDDLE AGES CLASSICAL

Why?What do you already know about these

eras?Tuesday, February 14, 12

Page 15: Lesson guide

Timeline

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Middle Ages Baroque

Renaissance Classical

Where would you put the following words on the timeline?RENAISSANCE ROMANTIC BAROQUE MIDDLE AGES CLASSICAL

Why?What do you already know about these

eras?Tuesday, February 14, 12

Page 16: Lesson guide

Timeline

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Renaissance Classical

Romantic

Where would you put the following words on the timeline?RENAISSANCE ROMANTIC BAROQUE MIDDLE AGES CLASSICAL

Why?What do you already know about these

eras?Tuesday, February 14, 12

Page 17: Lesson guide

The Middle Ages

Tuesday, February 14, 12

Page 18: Lesson guide

Context

“Life in the Middle Ages”

Church was central to Medieval life

division between social classes : nobles/peasants/clergy

one Hundred years war and the plague (mid 1300’s)

Monastry monopolised education

Tuesday, February 14, 12

Page 19: Lesson guide

Musical characteristicsListen to the following musical extracts:

“O Successors” - Hildegard of Bingen“Alleluia Vidimus Stellam” - anonDescribe what you hear in the following musical elements:

1. MELODY2.TEXTURE3.STRUCTURE

Tuesday, February 14, 12

Page 20: Lesson guide

Musical CharacteristicsSECULAR MUSIC

Listen to the following song and describe the musical elements below:

MelodyTextureStructure“Estampie”

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Page 21: Lesson guide

Elements

Tuesday, February 14, 12

Page 22: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

Tuesday, February 14, 12

Page 23: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

Tuesday, February 14, 12

Page 24: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

flexible rhythm

Tuesday, February 14, 12

Page 25: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

flexible rhythm

melody moves by step

Tuesday, February 14, 12

Page 26: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

flexible rhythm

melody moves by step

church modes used

Tuesday, February 14, 12

Page 27: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

flexible rhythm

melody moves by step

church modes used

SECULAR MUSIC

Tuesday, February 14, 12

Page 28: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

flexible rhythm

melody moves by step

church modes used

SECULAR MUSIC

music outside the church

Tuesday, February 14, 12

Page 29: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

flexible rhythm

melody moves by step

church modes used

SECULAR MUSIC

music outside the church

instrumental - pipes, fiddles, drums.

Tuesday, February 14, 12

Page 30: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

flexible rhythm

melody moves by step

church modes used

SECULAR MUSIC

music outside the church

instrumental - pipes, fiddles, drums.

love songs and dances

Tuesday, February 14, 12

Page 31: Lesson guide

ElementsVocal music (church frowned upon instruments - seen as pagan).

GREGORIAN CHANT

flexible rhythm

melody moves by step

church modes used

SECULAR MUSIC

music outside the church

instrumental - pipes, fiddles, drums.

love songs and dances

Monophonic - later homophonic

Tuesday, February 14, 12

Page 32: Lesson guide

Your TurnCompose a single melody line for the words “Alleluia”. Use a church mode of your choice.

Think about the characteristics of Gregorian Chant.

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Page 33: Lesson guide

Renaissance

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Page 34: Lesson guide

Context

A rebirth of human creativity

Da Vinci, Michelangelo, Raphael, Shakespeare.

Catholic church was far less powerful - church didn’t monopolise learning and education became a status symbol.

Invention of printing

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Page 35: Lesson guide

CharacteristicsListen to the following musical extracts:

“Pope Marcellus” Mass - Palestrina“Ave Maria” - Josquin DesprezDescribe what you hear in the following musical elements:

1. MELODY2.TEXTURE3.STRUCTURE

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Page 36: Lesson guide

CharacteristicsListen to the following musical extracts:

“Now is the month of Maying” - Thomas MorleyDescribe what you hear in the following musical elements:

1. MELODY2.TEXTURE3.STRUCTURE

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Page 37: Lesson guide

Elements

Tuesday, February 14, 12

Page 38: Lesson guide

ElementsVocal music still important - close relationship between words and music

Tuesday, February 14, 12

Page 39: Lesson guide

ElementsVocal music still important - close relationship between words and music

mainly polyphonic with imitation common between parts

Tuesday, February 14, 12

Page 40: Lesson guide

ElementsVocal music still important - close relationship between words and music

mainly polyphonic with imitation common between parts

bass register used

Tuesday, February 14, 12

Page 41: Lesson guide

ElementsVocal music still important - close relationship between words and music

mainly polyphonic with imitation common between parts

bass register used

gentle flowing rhythm

Tuesday, February 14, 12

Page 42: Lesson guide

ElementsVocal music still important - close relationship between words and music

mainly polyphonic with imitation common between parts

bass register used

gentle flowing rhythm

melodies easy to sing with a few leaps

Tuesday, February 14, 12

Page 43: Lesson guide

ElementsVocal music still important - close relationship between words and music

mainly polyphonic with imitation common between parts

bass register used

gentle flowing rhythm

melodies easy to sing with a few leaps

SECULAR MUSIC

Tuesday, February 14, 12

Page 44: Lesson guide

ElementsVocal music still important - close relationship between words and music

mainly polyphonic with imitation common between parts

bass register used

gentle flowing rhythm

melodies easy to sing with a few leaps

SECULAR MUSIC

vocal music became popular

Tuesday, February 14, 12

Page 45: Lesson guide

ElementsVocal music still important - close relationship between words and music

mainly polyphonic with imitation common between parts

bass register used

gentle flowing rhythm

melodies easy to sing with a few leaps

SECULAR MUSIC

vocal music became popular

solo voices or voice with accompaniment

Tuesday, February 14, 12

Page 46: Lesson guide

ElementsVocal music still important - close relationship between words and music

mainly polyphonic with imitation common between parts

bass register used

gentle flowing rhythm

melodies easy to sing with a few leaps

SECULAR MUSIC

vocal music became popular

solo voices or voice with accompaniment

Madrigal: combination of homophonic and polyphonic texture

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Page 47: Lesson guide

Baroque

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Page 48: Lesson guide

Context

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Page 49: Lesson guide

ContextBaroque = action, movement, bizarre, flamboyant, elaborate

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Page 50: Lesson guide

ContextBaroque = action, movement, bizarre, flamboyant, elaborate

European rulers surrounded themselves in luxury while the rest of the population struggled to survive.

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Page 51: Lesson guide

ContextBaroque = action, movement, bizarre, flamboyant, elaborate

European rulers surrounded themselves in luxury while the rest of the population struggled to survive.

Religious institutions shaped the Baroque style, using theatrical and emotional qualities of art to make worship attractive.

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Page 52: Lesson guide

ContextBaroque = action, movement, bizarre, flamboyant, elaborate

European rulers surrounded themselves in luxury while the rest of the population struggled to survive.

Religious institutions shaped the Baroque style, using theatrical and emotional qualities of art to make worship attractive.

Scientific advances and inventions.

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Page 53: Lesson guide

Music in Society

Music written to meet specific demands that came from the church and courts.

The size of the musical staff depended on a courts’ wealth. Music directors supervised

Church music was grand (organ, choir

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Page 54: Lesson guide

Characteristics

Listen to the following musical extracts:

EARLY “Orfo” - Monteverdi (1607)LATE “La Primavera” from the Four Seasons - VivaldiDescribe what you hear in the following musical elements:

1. MELODY2.TEXTURE3.STRUCTURE

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Page 55: Lesson guide

ELEMENTSExpresses one basic mood

Continuous rhythms. Repetition. Provides drive and energy

Melodic ideas repeated at different pitches. EXPANSION

Terraced dynamics or a constant volume.

Mainly polyphonic as 2 or more melodic lines compete for the listeners attention.

Emphasis on chords and Basso Continuo

Music depicted the meaning of certain words

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Page 56: Lesson guide

VivaldiYou have 10 minutes to find out the following information about Vivaldi:

lifespan

countries he lived in

musical influences

major works

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Page 57: Lesson guide

BACH and HANDEL

Read the worksheets on Bach and Handel.

Summarise your findings by writing song lyrics that communicate this information.

Perform to someone in the class who hasn’t completed your reading.

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Page 58: Lesson guide

Classical Era

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Page 59: Lesson guide

ContextNew style of architecture, literature, art.

Newton’s philosophies in science = clarity in structure (reflected throughout society)

Changes in social structure meant that nobility was the main supporter of music.

The availability and quality of musicians altered - simple parts / limited rehearsal time.

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Page 60: Lesson guide

CharacteristicsListen to the following musical extracts:

Haydn, Symphony No. 4 in G Major (1791)

Mozart, Piano Concerto No. 23 in A Major (1786)

Beethoven, Piano Sonata in C Minor, Op. 13 (1798)

Describe what you hear in the following musical elements:

1. MELODY2.TEXTURE3.STRUCTURE

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Page 61: Lesson guide

Elements

contrasting mood and variety were emphasised in music.

Greater emotional range.

flexible rhythm: pauses, syncopations, and changes from long to short notes.

usually homophonic

tuneful melodies that are easy to remember.

Balance and symmetry important in melodic phrases.

widespread use of gradual dynamic changes.

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Page 62: Lesson guide

TrendsEnd of figured bass

The Classical Orchestra (standardised)

compositions consisted of four movements (symphonies, quartets, some sonatas).

The Classical symphony: extended composition (over 20 minutes). Covers a wide range of tone colour and dynamics in 4 movements

Chamber music: imitate the setting of a room. 2 to 9 musicians (string quartet important)

Concerto: three movement work for an instrumental soloist and orchestra.

Haydn, Beethoven, Mozart.

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Page 63: Lesson guide

Mix ‘n’ Match

Place each musical form in a suitable muscial era.

Choose from: Medieval Renaissance Baroque Classical

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Page 64: Lesson guide

Great Classical Composers

What words can you think of to associate with the following people:

Joseph Haydn

Wolfgang Amedeus Mozart

Ludwig Van Beethoven

Read through the fact sheets and decide on 5 important ideas, facts, or works that best represent each person. Put them into your DW’s.

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Page 65: Lesson guide

Romantic EraTuesday, February 14, 12

Page 66: Lesson guide

ContextThe romantic movement stressed emotion, individuality and imagination.

Writers were drawn towards fantasy and rebelled against time-honored conventions of their elders.

Romanticism coincided with the industrial revolution which caused many social and economic changes.

Nationalism was an important political movement that influenced music.

Composers became ‘free artists’.

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Page 67: Lesson guide

CharacteristicsListen to the following musical extracts:

Shubert, The Erlking (1815)

Chopin, Nocturne in Eb Major, Op. 9, No. 2 (1830-1831)

Thaikovsky, Romeo and Juliet Overture-Fantasy (1869)

Describe what you hear in the following musical elements:

1. MELODY2.TEXTURE3.STRUCTURE

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Page 68: Lesson guide

Elementsindividuality of style - music that reflected the composers personalities.

Subjects of nature popular.

Melancholy, rapture, longing, intimacy, romantic love, and fantasy are some of the many emotions covered in romantic music.

Program music.

Expressive tone colour (advances in technology)

colourful new harmonies - chromatic chords and dissonance.

rapid modulation and a wide variety of keys.

Expanded range of dynamic, pitch and tempo

tiny and HUGE musical works.

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Page 69: Lesson guide

Trends

Art song - strophic form (repeated musical material for each verse) OR through composed (different musical material)

Program music

Lots of composers!

The Russian five

Tuesday, February 14, 12