2. 3 WAYS OF REPRESENTING THE SUBJECT REALISM 3.
NON-REPRESENTATIONAL Jackson Pollock. No. 5. 1948. Oil on
fiberboard. Private Collection 4. ABSTRACTION by geometric shapes
(Cubism) Three Musicians. Pablo Picasso. 1921. Oil on Canvas.
Museum of Modern Art 5. by distorting The Scream of Nature. Edvard
Munch. 1893. Oil, tempera and pastel on cardboard. National
Gallery, Oslo, Norway 6. by elongating The Resurrection. El Greco.
1595. Oil on Canvas. Museo del Prado, Madrid, Spain 7. Constantin
Brancusi. Bird in Space. 1923. Bronze unusual view 8. NOTABLE ART
MOVEMENTS IMPRESSIONISM (c. 1870- 1890). The Impressionists
searched for a more exact analysis of the effects of color and
light in nature. They sought to capture the atmosphere of a
particular time of day or the effects of different weather
conditions. CLAUDE MONET (1840-1926) 'Rouen Cathedral in Full
Sunlight', 1893/4 (oil on canvas) 9. Frdric Bazille (18411870),
Paysage au bord du Lez, 1870, Minneapolis Institute of Art 10. Post
Impressionism (c. 1185-1905) Post impressionists sought independent
artistic styles for expressing emotions rather than simply optical
impressions, concentrating on themes of deeper symbolism. Through
the use of simplified colors and definitive forms, their art was
characterized by a renewed aesthetic sense as well as abstract
tendencies. The Sunday Afternoon on the Island of La Grande Jatte,
18841886, at The Art Institute of Chicago 11. FAUVISM (c. 1905-
1910) Fauvists were delighted in using outrageously bold colors.
believed that color should be used at its highest pitch to express
the artist's feelings about a subject, rather than simply to
describe what it looks like. HENRI MATISSE (1869-1954) 'The Open
Window, Collioure', 1905 (oil on canvas) 12. EXPRESSIONISM (c.
1905- 1925) Expressionism is a term that embraces an early 20th
century style of art, music and literature that is charged with an
emotional and spiritual vision of the world. VINCENT VAN GOGH
(1853-1890) 'Sunflowers', 1888 (oil on canvas) 13. CUBISM (c. 1907-
1915) The Cubists believed thatthe traditions of Western art had
become exhausted and to revitalize their work, they drew on the
expressive energy of art from other cultures, particularly African
art. Pablo Picasso, Les Demoiselles d'Avignon, 1907, considered to
be a major step towards the founding of the Cubist movemen 14.
FUTURISM (c. 1909-1914) The Futurists glorified industrialization,
technology, and transport along with the speed, noise and energy of
urban life. In a Futurist painting the subject itself seems to move
around the artist. Nude Descending a Staircase (No.2)/Nu descendant
un Escalier. No.2. 1912. Oil on canvas 147.5 x 89 cm. The
Philadelphia Museum of Art 15. ART: THE CREATIVE PROCESS Form The
Artist The Subject The Process Medium Technique 16. 7 MAJOR FORMS
OF ART VISUAL ARTS ARCHITECTURE MUSIC DANCE THEATRE FILM LITERATURE
17. VISUAL ARTS 18. ELEMENTS OF THE VISUAL ARTS 1. LINEis a mark on
a surface that defines a shape or an outline. It suggests movement.
FORMS: ACTUAL LINE IMPLIED LINE CONTOUR LINE 19. KINDS OF LINES
VERTICAL LINES express stability and show dignity, poise,
stiffness, formality and upward mobility. 20. HORIZONTAL LINES
express feelings of rest, peace, quiet and stability, permanence or
solidarity. It makes one feel relaxed and calm. 21. DIAGONAL LINES
show movement. 22. CURVED LINES 23. JAGGED or CROOKED LINES 24.
FORM: SHAPE(2D)/VOLUME(3D) IS AN ENCLOSED LINE. Two ways of
creating Form: 1. Line 2. Color 25. COLOR IS AN ELEMENT RESULTING
FROM THE LIGHT WAVES REFLECTED FROM OBJECTS TO YOUR EYES. Three
Dimensions of Color 1. HUE is the name of a specific color in the
color spectrum or the bands of color that are present in the color
wheel. YELLOW- lightest hue; reflects more light VIOLET- darkest
hue; reflects least light BLACK,WHITE,GRAY- neutral colors 26. 2.
VALUE refers to the lightness or darkness of a color or the amount
of light in a color. CHIAROSCURO is the arrangement of light and
shadow. Tint- light value Shade- dark value 3. INTENSITY refers to
the brightness or dullness of a hue 27. COLOR SCHEMES 1.
MONOCHROMATIC- one hue 2. ANALOGOUS- any three hues found side by
side within the 12-part color wheel 3. COMPLEMENTARY- hues that are
opposite in the color wheel 4. SPLIT COMPLEMENTARY- combination of
one hue 5. POLYCHROMATIC- many hues 6. ACHROMATIC- use of neutral
colors 28. SPACEREFERS TO THE EMPTINESS OF AREA BETWEEN OBJECTS.
Two Types: POSITIVE Space NEGATICE Space 29. PRINCIPLES OF DESIGN
30. UNITY is the oneness achieved through the effective use of the
elements of art and its principles. VARIETY refers to the
difference or contrast of elements or objects within an artwork.
31. RHYTHM refers to the repetition of the design. 32. PROPORTION
is the relative relationship of one part to another. 33. BALANCE is
the state of equilibrium in an artwork. It may be: Formal Informal
34. PERSPECTIVE is a graphic system that creates the illusion of
depth and volume on two- dimensional surface.