YEAR IN FILM 2015 HD (322) httpsyoutubedfqtSsaXsbE

1939 A Montage ndash Part 5 Frankly My Dear Therersquos No Place Like Home (827)httpyoutubeJ4JlwH2owVs

76 years earlier hellip

Inside Industrial Light and Magicrsquos Secret Star Wars VR Lab (1652)httpwwwthevergecom20158139131805ilm-ilmxlab-interview-virtual-reality-star-wars-movies

Coming soon

IntroductionEMCJOUR 3000 Intro to Motion Pictures

Edward Bowen

MoviesThink About hellipbull What they say about usbull What they say to usbull And how they say it

MoviesThe Technical Dimension The communication devices that arise from the process of motion photography and production including camera movement composition sound lighting editing etc

The Dramatic Dimension The factors involved in the telling of the story be it fiction or non-fiction including theme plot characterization story structure etc

The Auteur Dimension The factors in a work that characterize the film as the unique product of a director or of a studio producer or actor that is the person or persons who can be considered the author of the work

MoviesThe Genre Dimension The factors in a work that result from it being in one or a combination of genre(s) (that is classes or types of stories) and how the history of and expectations engendered by the genre service the film Genres can be based on many factors such as location (the western) type of story (action love mystery) content (musical science fiction nature) or style (experimental avant-garde etc)

The Rhetorical Dimension The factors in a work that deal with its impact on an audience (rhetoric means to influence an audience) the point or points the film may be trying to make the messages the film may be trying to convey the call-to-action the film may be championing

The Socio-Historical Dimension An understanding of where the film rests in the history of motion pictures and of the world and society in general

A Trip to the Multiplex

Trailer

3000 Intro Montage V03 (211) httpyoutubeoIcZNw-LM0s

MoviesThink About hellipbull What they say about usbull What they say to usbull And how they say it

MoviesThe Technical Dimension The communication devices that arise from the process of motion photography and production including camera movement composition sound lighting editing etc

The Dramatic Dimension The factors involved in the telling of the story be it fiction or non-fiction including theme plot characterization story structure etc

The Auteur Dimension The factors in a work that characterize the film as the unique product of a director or of a studio producer or actor that is the person or persons who can be considered the author of the work

MoviesThe Genre Dimension The factors in a work that result from it being in one or a combination of genre(s) (that is classes or types of stories) and how the history of and expectations engendered by the genre service the film Genres can be based on many factors such as location (the western) type of story (action love mystery) content (musical science fiction nature) or style (experimental avant-garde etc)

The Rhetorical Dimension The factors in a work that deal with its impact on an audience (rhetoric means to influence an audience) the point or points the film may be trying to make the messages the film may be trying to convey the call-to-action the film may be championing

The Socio-Historical Dimension An understanding of where the film rests in the history of motion pictures and of the world and society in general

A Trip to the Multiplex

Trailer

3000 Intro Montage V03 (211) httpyoutubeoIcZNw-LM0s

MoviesThe Technical Dimension The communication devices that arise from the process of motion photography and production including camera movement composition sound lighting editing etc

The Dramatic Dimension The factors involved in the telling of the story be it fiction or non-fiction including theme plot characterization story structure etc

The Auteur Dimension The factors in a work that characterize the film as the unique product of a director or of a studio producer or actor that is the person or persons who can be considered the author of the work

MoviesThe Genre Dimension The factors in a work that result from it being in one or a combination of genre(s) (that is classes or types of stories) and how the history of and expectations engendered by the genre service the film Genres can be based on many factors such as location (the western) type of story (action love mystery) content (musical science fiction nature) or style (experimental avant-garde etc)

The Rhetorical Dimension The factors in a work that deal with its impact on an audience (rhetoric means to influence an audience) the point or points the film may be trying to make the messages the film may be trying to convey the call-to-action the film may be championing

The Socio-Historical Dimension An understanding of where the film rests in the history of motion pictures and of the world and society in general

A Trip to the Multiplex

Trailer

3000 Intro Montage V03 (211) httpyoutubeoIcZNw-LM0s

MoviesThe Genre Dimension The factors in a work that result from it being in one or a combination of genre(s) (that is classes or types of stories) and how the history of and expectations engendered by the genre service the film Genres can be based on many factors such as location (the western) type of story (action love mystery) content (musical science fiction nature) or style (experimental avant-garde etc)

The Rhetorical Dimension The factors in a work that deal with its impact on an audience (rhetoric means to influence an audience) the point or points the film may be trying to make the messages the film may be trying to convey the call-to-action the film may be championing

The Socio-Historical Dimension An understanding of where the film rests in the history of motion pictures and of the world and society in general

A Trip to the Multiplex

Trailer

3000 Intro Montage V03 (211) httpyoutubeoIcZNw-LM0s

A Trip to the Multiplex

Trailer

3000 Intro Montage V03 (211) httpyoutubeoIcZNw-LM0s

Trailer

3000 Intro Montage V03 (211) httpyoutubeoIcZNw-LM0s

In Theater 4 hellip

13 Hours The Secret Soldiers of Benghazi

13 Hours The Secret Soldiers of Benghazi

The movie focuses on six members of aprivate security team contracted by the CIAfighting to defend an American diplomatic compound in Benghazi Libya during terrorist attacks in 2012

The attacks resulted in four deaths includingThe American Ambassador to Libya

Contentious elements of the story include the ldquostand downrdquo order issued to the team By CIA officers and the adequacy of diplomatic Security in Libya How this reflects on the Obama administration and the tenure of thenSecretary of State Hillary Clinton plays into the current presidential campaign

13 Hours The Secret Soldiers of Benghazi

13 Hours The Secret Soldiers of Benghazi TV SPOT Outgunned (2016) ndash Action HD (30)httpsyoutubeT33Mr9vosAo

13 Hours The Secret Soldiers of Benghazi

13 Hours The Secret Soldiers of Benghazi

The movie focuses on six members of aprivate security team contracted by the CIAfighting to defend an American diplomatic compound in Benghazi Libya during terrorist attacks in 2012

The attacks resulted in four deaths includingThe American Ambassador to Libya

Contentious elements of the story include the ldquostand downrdquo order issued to the team By CIA officers and the adequacy of diplomatic Security in Libya How this reflects on the Obama administration and the tenure of thenSecretary of State Hillary Clinton plays into the current presidential campaign

13 Hours The Secret Soldiers of Benghazi

13 Hours The Secret Soldiers of Benghazi TV SPOT Outgunned (2016) ndash Action HD (30)httpsyoutubeT33Mr9vosAo

13 Hours The Secret Soldiers of Benghazi

The movie focuses on six members of aprivate security team contracted by the CIAfighting to defend an American diplomatic compound in Benghazi Libya during terrorist attacks in 2012

The attacks resulted in four deaths includingThe American Ambassador to Libya

Contentious elements of the story include the ldquostand downrdquo order issued to the team By CIA officers and the adequacy of diplomatic Security in Libya How this reflects on the Obama administration and the tenure of thenSecretary of State Hillary Clinton plays into the current presidential campaign

13 Hours The Secret Soldiers of Benghazi

13 Hours The Secret Soldiers of Benghazi TV SPOT Outgunned (2016) ndash Action HD (30)httpsyoutubeT33Mr9vosAo

13 Hours The Secret Soldiers of Benghazi

13 Hours The Secret Soldiers of Benghazi TV SPOT Outgunned (2016) ndash Action HD (30)httpsyoutubeT33Mr9vosAo

13 Hours The Secret Soldier of Benghazi

httpwwwnbcnewscompop-culturemoviesformer-benghazi-cia-chief-slams-13-hours-secret-soldiers-benghazi-n497506

13 Hours The Secret Soldier of Benghazi

httpswwwwashingtonpostcomworldnational-securityformer-cia-chief-in-benghazi-challenges-film-version-of-2012-attack201601159cf2defc-baf7-11e5-b682-4bb4dd403c7d_storyhtml

13 Hours The Secret Soldier of Benghazihttpwwwtheatlanticcomentertainmentarchive20160113-hours-michael-bay-benghazi-review424299

13 Hours The Secret Soldier of Benghazi

httpwwwnydailynewscomnewspoliticstrump-rents-iowa-theater-show-benghazi-film-13-hours-article-12498106

13 Hours The Secret Soldier of Benghazi

13 Hours The Secret Soldier of Benghazi

httpwwwdailymailcouktvshowbizarticle-3402220Shirtless-John-Krasinski-reveals-rippled-torso-new-photo-13-Hours-sharing-secret-new-buff-bodyhtml

13 Hours The Secret Soldier of Benghazi

httpwwwdailymailcouktvshowbizarticle-3402220Shirtless-John-Krasinski-reveals-rippled-torso-new-photo-13-Hours-sharing-secret-new-buff-bodyhtml

13 Hours The Secret Soldier of BenghaziAnother controversial and contentious aspect of the Benghazi story is the extent to which the attacks were a reaction to another movie

ldquoThe Innocence of Muslimsrdquo is an ultra-low budget amateur anti-Islamic movie ldquotrailerrdquo uploaded to to YouTube weeks before the attacks The 14 minute video described by Vanity Fair as ldquoexceptionally amateurish with disjointed dialogue jumpy editing and performances that would have looked melodramatic even in a silent movie the clip is clearly designed to offend Muslims portraying Mohammed as a bloodthirsty murderer and Lothario and pedophile with omnidirectional sexual appetites

httpwwwvanityfaircomculture201212making-of-innocence-of-muslims

13 Hours The Secret Soldier of Benghazi

httpnewmediarockstarscomtaginnocence-of-muslims

The ban on the video enforced by YouTube and other venues raises freedom of speech questions as well

httpwwwdailykoscomstory201501121356618-What-duty-to-historical-accuracy-does-a-film-have

What Duty to Historical Accuracy Does a Film Have

In Theater 1 hellip

Star Wars The Force Awakens

Star Wars The Force Awakens

As of 1172016

Opening Weekend $247966675Total Domestic Gross $851052841Worldwide Gross $1863652841

httpsenwikipediaorgwikiList_of_box_office_records_set_by_Star_Wars_The_Force_Awakens

Star Wars The Force Awakens

Star Wars The Force Awakens

As of 1172016

Opening Weekend $247966675Total Domestic Gross $851052841Worldwide Gross $1863652841

httpsenwikipediaorgwikiList_of_box_office_records_set_by_Star_Wars_The_Force_Awakens

Star Wars The Force Awakens

As of 1172016

Opening Weekend $247966675Total Domestic Gross $851052841Worldwide Gross $1863652841

httpsenwikipediaorgwikiList_of_box_office_records_set_by_Star_Wars_The_Force_Awakens

Star Wars The Force Awakens

As of 1172016

Highest Grossing Films

1 Avatar - $27879650872 Titanic - $21867223023 Star Wars The Force Awakens -

$18695448414 Jurassic World5 The Avengers6 Furious 77 Avengers Age of Ultron8 Harry Potter and the Deathly

Hallows ndash Part 29 Frozen10 Iron Man 3

httpsenwikipediaorgwikiList_of_box_office_records_set_by_Star_Wars_The_Force_Awakens

Star Wars The Force Awakens

As of 1172016

Highest Grossing Films Adjusted for Ticket Price Inflation

1 Gone With The Wind2 Star Wars3 The Sound of Music4 ET The Extra-Terrestrial5 Titanic6 The Ten Commandments7 Jaws8 Dr Zhivago9 The Exorcist10 Snow White and the Seven Dwarfs

httpwwwboxofficemojocomalltimeadjustedhtm

Star Wars The Force Awakens

Grosses Unknown

Most Viewed Film in History

The Hollywood Blockbuster that Brought the KKK Back to Life httpmodernnotioncombirth-of-a-nation-brought-back-the-kkk

Star Wars The Force Awakens

Practical vs CGI EffectsThis One-Hour Conversation About the VFX in Star Wars The Force Awakens is Fascinating httpio9gizmodocomthis-one-hour-conversation-about-the-vfx-in-star-wars-1753538070

Star Wars The Force Awakens

Practical vs CGI EffectsHollywoodrsquos Turn Against Digital Effectshttpwwwnewyorkercomculturecultural-commentthe-turn-against-digital-effectsintcid=mod-yml

Star Wars The Force Awakens

Practical vs CGI Effects

Star Wars ndash The Force Awakens ndash Comic-Con 2015 Reel httpsyoutubeCTNJ51ghzdY

Star Wars The Force Awakens

Practical vs CGI Effects

Star Wars ndash The Force Awakens Filming in Abu Dhabi Behind the Scenes httpsyoutubepuGOpIU5y3s

Star Wars The Force Awakens

What does it say about us that this is the most ldquopopularrdquo movie of our time

Is ldquothe movierdquo saying anything to us

httpsenwikipediaorgwikiList_of_box_office_records_set_by_Star_Wars_The_Force_Awakens

Star Wars The Force Awakens

httpwwweonlinecomvideos243514why-harrison-ford-thinks-star-wars-is-so-successful

ldquoTherersquos something worthy about the experience the characters have Itrsquos useful hellip tribal knowledgerdquo

Star Wars The Force Awakens

Star Wars The Force Awakenrsquo Succeeds But Trades Wisodom for Woeshttpthinkprogressorgculture201512183733910star-wars-the-force-awakens-reviewIs Joseph Campbellrsquos ldquoThe Herorsquos Journeyrdquo Dead in Screenwriting Todayhttpwwwhuffingtonpostcomscreencraftis-joseph-campbells-the-h_b_8861998html

Star Wars The Force Awakens

The Herorsquos Journey httpsvimeocom140767141

Star Wars The Force Awakens

The Herorsquos Journey httpsvimeocom19459828

Star Wars The Force Awakens

George Lucas Vs JJ Abrams

JJ Abramsrsquo Star Wars Vs George Lucasrsquo Star Wars Means More Collaboration on The Force Awakens httpwwwbustlecomarticles128769-jj-abrams-star-wars-vs-george-lucas-star-wars-means-more-collaboration-on-the-force-awakens Why JJ Abrams Might Be An Improvement on George Lucas for Star Wars httpwwwforbescomsitesjonathanleaf20151217why-j-j-abrams-might-be-an-improvement-on-george-lucas-for-star-wars2715e4857a0b7e47a10ed3f9

Star Wars The Force AwakensDirector J J Abrams has been lauded for bringing his unique style and tone to a large franchise previous dominated by another director The idea that the director of a film is the guiding force behind its artistry and technique is the Auteur Theory

In cooperation with George Lucas JJ Abrams and Michael Bay Titanic now in Super 3D (127) httpyoutubebyXqRsOilBs

Star Wars The Force Awakens

Star Wars The Force Awakens

Star Wars The Force Awakens Reflects Our Diverse Modern Worldhttpwwwlatimescomentertainmentmoviesla-et-mn-star-wars-diversity-20151221-storyhtmlStar Wars The Force Awakens Gave My Daughter a Galaxyhttpwwwforbescomsitesmatthewherper20151222the-new-star-wars-movie-gave-my-daughter-a-galaxy2715e4857a0b40d9048a6682Star Wars Black Character Controversy African-American Sci-Fi Fans Battle Genrersquos Racial Stereotypes httpwwwibtimescomstar-wars-black-character-controversy-african-american-sci-fi-fans-battle-genres-2230342

Star Wars The Force Awakens

Star Wars The Force Awakens Reflects Our Diverse Modern Worldhttpwwwlatimescomentertainmentmoviesla-et-mn-star-wars-diversity-20151221-storyhtmlStar Wars The Force Awakens Gave My Daughter a Galaxyhttpwwwforbescomsitesmatthewherper20151222the-new-star-wars-movie-gave-my-daughter-a-galaxy2715e4857a0b40d9048a6682Star Wars Black Character Controversy African-American Sci-Fi Fans Battle Genrersquos Racial Stereotypes httpwwwibtimescomstar-wars-black-character-controversy-african-american-sci-fi-fans-battle-genres-2230342

The Hidden Meanings in Kidsrsquo Movies

httpyoutubeueOqYebVhtc (1300)

Star Wars The Force Awakens

httpwwwnewscomaufinancebusinessmediathe-secret-weapon-behind-star-warsnews-story75eb078a8b14d93fce23b06e98805ffb

Marcia Lucas

She decided Obi-Wan should die in the Death Star

She convinced George Lucas to keep the little lsquokiss for luckrsquo before Luke and Leia swing across the Death Star chasm

She insisted that the little robot mouse that Chewbacca scares remain in the film

She is credited with saving the trench run climax rewriting it in the edit

And in Theater 13 hellip

Joy

Women in Film

httpwwwlennylettercomworka147jennifer-lawrence-why-do-i-make-less-than-my-male-costars

Joy

Women in Film

httpwwwlennylettercomworka147jennifer-lawrence-why-do-i-make-less-than-my-male-costars

Women in Film

httpwwwlennylettercomworka147jennifer-lawrence-why-do-i-make-less-than-my-male-costars

Women in Film

Women in Film

httpswwwnyfaedufilm-school-bloggender-inequality-in-film

Women in Film

httpswwwnyfaedufilm-school-bloggender-inequality-in-film

Women in Film

httpswwwnyfaedufilm-school-bloggender-inequality-in-film

Women in Film

The Bechdel Test for Women in Movies (203)httpyoutubebLF6sAAMb4s

Women in Film

The Oscars and The Bechdel Test (1030)httpsyoutubePH8JuizIXw8

Women in Film

Geena Davisrsquo Two Easy Steps to Make Hollywood Less Sexist httpwwwhollywoodreportercomnewsgeena-davis-two-easy-steps-664573Geena Davis Institute on Gender in Media httpseejaneorg

1 In scripting change male characterrsquos first names to womenrsquos first names

2 In describing a crowd scene describe as 50 women

Playing in Theaters 2 and 3

The Hateful Eight and The Revenant

The Hateful Eight and The Revenant

httpwwwkansascitycomentertainmentperforming-artsarticle53576290html

ldquoBottom line Westerns are nothing if not malleable You can twist them turn them inside out slice them to other genres set them in the past present or future mdash and still make a memorable film We the audience are now so far removed from the American frontier experience that wersquoll accept almost any permutation as long as it holds our interest and finds new ways to re-energize the genrersquos most satisfying ingredientsrdquo

The Hateful Eight and The Revenant

The Hateful Eight and The Revenant

httpwwwkansascitycomentertainmentperforming-artsarticle53576290html

ldquoBottom line Westerns are nothing if not malleable You can twist them turn them inside out slice them to other genres set them in the past present or future mdash and still make a memorable film We the audience are now so far removed from the American frontier experience that wersquoll accept almost any permutation as long as it holds our interest and finds new ways to re-energize the genrersquos most satisfying ingredientsrdquo

The Hateful Eight and The Revenant

httpwwwkansascitycomentertainmentperforming-artsarticle53576290html

ldquoBottom line Westerns are nothing if not malleable You can twist them turn them inside out slice them to other genres set them in the past present or future mdash and still make a memorable film We the audience are now so far removed from the American frontier experience that wersquoll accept almost any permutation as long as it holds our interest and finds new ways to re-energize the genrersquos most satisfying ingredientsrdquo

The Hateful Eight and The Revenant

httpwwwrollingstonecommoviesnewswhy-westerns-are-tragically-more-relevant-than-ever-20151229

ldquoWe live in a country where there are officially more guns than there are people where gun violence seems nearly as prevalent in movie theaters as it is on movie screens and where a significant portion of the populace is subject to so much acquitted violence that a national movement is required just to reinforce the fact that their lives matter Life is tenuous and death is a closed circuit of ritualized forgetting

Its 2015 and the United States of America is more of a Western than ever ldquo

The Hateful Eight and The Revenant

Quentin Tarantino

Reservoir DogsPulp FictionJackie BrownKill Bill Vol 1Kill Bill Vol 2Death ProofInglourious BasterdsDjango UnchainedThe Hateful Eight

Alejandro Gonzalez Inarritu

Amores Perros21 GramsBabelBiutifulBirdman or (The Unexpected Virtue of IgnoranceThe Revenant

The Auteur Dimension

The Hateful Eight

Side By Side Official Trailer (147) httpsyoutubeaFGJY_NJwwg

Film vs Digital

The Hateful Eight

Side By Side Official Trailer (147) httpsyoutubeaFGJY_NJwwg

Film vs Digital

The Hateful Eight

THE HATEFUL EIGHT ndash 70mm Roadshow Featurette (137) httpsyoutuber2T9FhDR3zY

Film vs Digital

The Hateful Eight

THE HATEFUL EIGHT Featurette ndash 70mm Filming (2015) (749) httpsyoutubeNnKPnbdluUw

Film vs Digital

Space

bull Space in Cinema is defined by ldquothe framerdquobull The frame is a two-dimensional boundary a rectangle with height

and width a window through which at any given moment a part of the world of the film is revealed to us

Space

ldquoCinema is a matter of whats in the frame and whats outrdquo Martin Scorsese

Spacebull In an essay from 1929 ldquoThe Filmic Fourth Dimensionrdquo Sergei Eisenstein

wrote about the impossibility of ldquothe single-meaningnessrdquo of the film frame which ldquocan never be an inflexible letter of the alphabet but must always remain a multiple-meaning ideogramrdquo And part of the framersquos meaning lies outside of the frame itself in the implied off-screen space that surrounds it accumulated in fragments from places the film has already taken us

httpwwwfilmmakermagazinecomnews201207the-blue-velvet-project-143

Space

ldquoCinema is a matter of whats in the frame and whats outrdquo Martin Scorsese

Spacebull In an essay from 1929 ldquoThe Filmic Fourth Dimensionrdquo Sergei Eisenstein

wrote about the impossibility of ldquothe single-meaningnessrdquo of the film frame which ldquocan never be an inflexible letter of the alphabet but must always remain a multiple-meaning ideogramrdquo And part of the framersquos meaning lies outside of the frame itself in the implied off-screen space that surrounds it accumulated in fragments from places the film has already taken us

httpwwwfilmmakermagazinecomnews201207the-blue-velvet-project-143

Spacebull In an essay from 1929 ldquoThe Filmic Fourth Dimensionrdquo Sergei Eisenstein

wrote about the impossibility of ldquothe single-meaningnessrdquo of the film frame which ldquocan never be an inflexible letter of the alphabet but must always remain a multiple-meaning ideogramrdquo And part of the framersquos meaning lies outside of the frame itself in the implied off-screen space that surrounds it accumulated in fragments from places the film has already taken us

httpwwwfilmmakermagazinecomnews201207the-blue-velvet-project-143

Space

Inside the frame is material physical specific

Outside the frame is imagination suggestion memory

Space

Inside the frame is material physical specific

Outside the frame is imagination suggestion memory

httpwwwfilmmakermagazinecomnews201207the-blue-velvet-project-143

Space

Inside the frame is material physical specific

Outside the frame is imagination suggestion memory

httpwwwfilmmakermagazinecomnews201207the-blue-velvet-project-143

Space

Aside ndash The ldquoframerdquo also defines time in cinema but thatrsquos a different definition of frame More on that later

Space

bull The frame obviously comes in different sizes depending on the viewerrsquos choice of medium

Space

bull An aside from Director David Lynch

httpyoutubewKiIroiCvZ0 (31)httpyoutubeBcNLEwf2pOw

Space

bull The frame obviously comes in different sizes depending on the viewerrsquos choice of medium

Space

bull An aside from Director David Lynch

httpyoutubewKiIroiCvZ0 (31)httpyoutubeBcNLEwf2pOw

Space

bull An aside from Director David Lynch

httpyoutubewKiIroiCvZ0 (31)httpyoutubeBcNLEwf2pOw

Space

bull The frame also comes in a variety of shapes

SpaceThe framersquos shape is described by a ratio of its width to its height its aspect ratio

httpwwwgcmstudiocomfilmspecsfilmspecshtml

SpaceThe framersquos shape is described by a ratio of its width to its height its aspect ratio

httpwwwgcmstudiocomfilmspecsfilmspecshtml

SpaceAspect Ratios

httpwwwgcmstudiocomfilmspecsfilmspecshtml

Space

bull Standard or Academy ratio (4 X 3 or 1331) In adopting the 35 mm format early filmmakers established the standard aspect ratio as a classical rectangle with a ratio of four units of width to three units of height Thus if the projected image is twenty feet wide it will be fifteen feet high

SpaceAspect Ratios ndash 1331 or 43 Academy Ratio

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen Experiments in wider aspect ratios are almost as old

as cinema itself Early filmmakers often employed mattes to reshape their images WITHIN the 43 ratio straining against the tyranny of the frame

SpaceAspect Ratios ndash 1661 European and British Standard Widescreen

SpaceAspect Ratios ndash 1851 Standard Widescreen

SpaceAspect Ratios ndash 2351 Anamorphic of Super 35mm Widescreen

SpaceAspect Ratios ndash 2761 Ultra Panavision 70

httpwwwempireonlinecommoviesfeaturesfilm-studies-101-aspect-ratios

SpaceAspect Ratios ndash 1331 or 43 Academy Ratio

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen Experiments in wider aspect ratios are almost as old

as cinema itself Early filmmakers often employed mattes to reshape their images WITHIN the 43 ratio straining against the tyranny of the frame

SpaceAspect Ratios ndash 1661 European and British Standard Widescreen

SpaceAspect Ratios ndash 1851 Standard Widescreen

SpaceAspect Ratios ndash 2351 Anamorphic of Super 35mm Widescreen

SpaceAspect Ratios ndash 2761 Ultra Panavision 70

httpwwwempireonlinecommoviesfeaturesfilm-studies-101-aspect-ratios

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen Experiments in wider aspect ratios are almost as old

as cinema itself Early filmmakers often employed mattes to reshape their images WITHIN the 43 ratio straining against the tyranny of the frame

SpaceAspect Ratios ndash 1661 European and British Standard Widescreen

SpaceAspect Ratios ndash 1851 Standard Widescreen

SpaceAspect Ratios ndash 2351 Anamorphic of Super 35mm Widescreen

SpaceAspect Ratios ndash 2761 Ultra Panavision 70

httpwwwempireonlinecommoviesfeaturesfilm-studies-101-aspect-ratios

SpaceAspect Ratios ndash 1661 European and British Standard Widescreen

SpaceAspect Ratios ndash 1851 Standard Widescreen

SpaceAspect Ratios ndash 2351 Anamorphic of Super 35mm Widescreen

SpaceAspect Ratios ndash 2761 Ultra Panavision 70

httpwwwempireonlinecommoviesfeaturesfilm-studies-101-aspect-ratios

SpaceAspect Ratios ndash 1851 Standard Widescreen

SpaceAspect Ratios ndash 2351 Anamorphic of Super 35mm Widescreen

SpaceAspect Ratios ndash 2761 Ultra Panavision 70

httpwwwempireonlinecommoviesfeaturesfilm-studies-101-aspect-ratios

SpaceAspect Ratios ndash 2351 Anamorphic of Super 35mm Widescreen

SpaceAspect Ratios ndash 2761 Ultra Panavision 70

httpwwwempireonlinecommoviesfeaturesfilm-studies-101-aspect-ratios

SpaceAspect Ratios ndash 2761 Ultra Panavision 70

httpwwwempireonlinecommoviesfeaturesfilm-studies-101-aspect-ratios

httpwwwempireonlinecommoviesfeaturesfilm-studies-101-aspect-ratios

ldquoThe Grand Budapest Hotelrdquo (Wes Anderson 2014)

1985 to Present

1960s

1930s

The Grand Budapest Hotel

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen Experiments in wider aspect ratios are almost as old

as cinema itself Early filmmakers often employed mattes to reshape their images WITHIN the 43 ratio straining against the tyranny of the frame

ldquoThe Wildcatrdquo Ernst Lubitsch (1921) (426)

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen In 1927 director Abel Gancersquos combined three side-by-

side regular-sized screens producing an effective aspect ratio of 3991 for ldquoNapoleonrdquo

ldquoNapoleonrdquondash Abel Gance (1927)

Space

httpvimeocom26322723 (151)httpyoutubecMlnRP3qOYE

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen Experiments in wider aspect ratios are almost as old

as cinema itself Early filmmakers often employed mattes to reshape their images WITHIN the 43 ratio straining against the tyranny of the frame

ldquoThe Wildcatrdquo Ernst Lubitsch (1921) (426)

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen In 1927 director Abel Gancersquos combined three side-by-

side regular-sized screens producing an effective aspect ratio of 3991 for ldquoNapoleonrdquo

ldquoNapoleonrdquondash Abel Gance (1927)

Space

httpvimeocom26322723 (151)httpyoutubecMlnRP3qOYE

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen In 1927 director Abel Gancersquos combined three side-by-

side regular-sized screens producing an effective aspect ratio of 3991 for ldquoNapoleonrdquo

ldquoNapoleonrdquondash Abel Gance (1927)

Space

httpvimeocom26322723 (151)httpyoutubecMlnRP3qOYE

ldquoNapoleonrdquondash Abel Gance (1927)

Space

httpvimeocom26322723 (151)httpyoutubecMlnRP3qOYE

Spacebull The framersquos shape is described by a ratio of its width to its height

its aspect ratiobull Widescreen Efforts to introduce widescreen technology were not

successful until the 1950s when cinema tried to counter program against television Cinemascope an Cinerama had ratios of approximately 2661

Fred Waller ndash Inventor Oversaw the photographic research and special effects department for Paramount Studios in the 1920s and 30s Held over 1000 patents on a variety of inventions

Aside

httpwwwin70mmcomnews2002this_is_cineramachaptersindexhtmhttpwwwferdyonfilmscom2008persons-of-interest-fred-waller243

Fred Waller ndash Inventor Oversaw the photographic research and special effects department for Paramount Studios in the 1920s and 30s Held over 1000 patents on a variety of inventions

Aside

httpwwwin70mmcomnews2002this_is_cineramachaptersindexhtmhttpwwwferdyonfilmscom2008persons-of-interest-fred-waller243

Fred Waller ndash Akwa Skees

Aside

httpwwwcineramaadventurecomskeeshtm

Waller invented water skis as a camera platform

Fred Waller ndash Director

Aside

httpwwwcineramaadventurecomfeaturettehtm

Fred Waller ndash Director

Aside

Duke-Ellington-and-his-Orchestra-Symphony-in-Blackmov (930)httpvideogooglecomvideoplaydocid=-7653085842645884021

Between 1933 and 1937 Waller directed 22 short subjects with African-American casts and performers

Fred Waller ndash 360 Degree Still Camera

Aside

httpwwwwidescreenmuseumcomwidescreenwingcr1htm

Waller invented a still camera that captured a 360 degree image

Fred Waller ndash Vitarama (Developed for the 1939 Worldrsquos Fair

Aside

httpjimlanescinedromeblogspotcom201208ups-and-downs-of-rollercoaster-part-1html

Vitarama was an immersive film experience utilizing eleven synchronized projectors and a domed screen

Fred Waller ndash Vitarama (Developed for the 1939 Worldrsquos Fair

Aside

httpjimlanescinedromeblogspotcom201208ups-and-downs-of-rollercoaster-part-1html

Vitarama was an immersive film experience utilizing eleven synchronized projectors and a domed screen

Fred Waller ndash Vitarama (Developed for the 1939 Worldrsquos Fair

Aside

Fred Waller ndash Waller Gunnery Trainer

Aside

httpwwwwidescreenmuseumcomwidescreenwaller01htm

The Vitarama system was adapted into a virtual reality trainer for the United State Air Force

Fred Waller ndash Waller Gunnery Trainer

Aside

httpwwwwidescreenmuseumcomwidescreenwaller01htm

The Vitarama system was adapted into a virtual reality trainer for the United State Air Force

Fred Waller ndash Waller Gunnery Trainer

Aside

httpwwwcineramaadventurecomtrainerhtm

Fred Waller ndash Waller Gunnery Trainer

Aside

httpwwwin70mmcomcineramaarchivewarindexhtm

Fred Waller ndash Cinerama (2601)

Aside

httpwwwin70mmcomcineramaarchivestoryindexhtm

And the Gunnery Trainer was adapted to Cinerama an early wide screen system employng three synchronzed projectors

Cinerama (2601)

Space

Cinerama (2601)

Space

Cinerama (2601)

Space

Cinerama (2601)

Space

Cinerama (2601)

Space

(317) httpyoutubelII5rXbxcCs

Cinerama (2601)

Space

Cinerama (2601)

Space

Cinerama (2601)

Space

Cinerama (2601)

Space

(317) httpyoutubelII5rXbxcCs

Cinerama (2601)

Space

Cinerama (2601)

Space

Cinerama (2601)

Space

(317) httpyoutubelII5rXbxcCs

Cinerama (2601)

Space

Cinerama (2601)

Space

(317) httpyoutubelII5rXbxcCs

Cinerama (2601)

Space

(317) httpyoutubelII5rXbxcCs

IMAX ndash 1361Standard IMAX screen is 22 times 161 m (72 times 528 ft)

Space

The Dark Knight Rises Premieres in IMAX at Liberty Science Center httpyoutubeWm2vIaD3GYQ

IMAX ndash 1361 (old shape new size)Space

(207) httpyoutubeOu6_MkIvKOo httpyoutube2p8OALI74h0

Meanwhile in theaters 8 and 9 hellip

The Big Short and Spotlight

The Big Short

On the Money How The Big Short and its Jerk Heroes Explain Finance httpwwwnprorg20151211459344815on-the-money-how-the-big-short-and-its-jerk-heroes-explain-finance

The Big Short directly addresses the issues of historical accuracy and dramatic license by having its characters admit the filmrsquos exaggerations and inventions or explain complex financial transactions directly to the audience This is called ldquobreaking the fourth wallrdquo

The Big Short and Spotlight

The Big Short

On the Money How The Big Short and its Jerk Heroes Explain Finance httpwwwnprorg20151211459344815on-the-money-how-the-big-short-and-its-jerk-heroes-explain-finance

The Big Short directly addresses the issues of historical accuracy and dramatic license by having its characters admit the filmrsquos exaggerations and inventions or explain complex financial transactions directly to the audience This is called ldquobreaking the fourth wallrdquo

The Big Short

On the Money How The Big Short and its Jerk Heroes Explain Finance httpwwwnprorg20151211459344815on-the-money-how-the-big-short-and-its-jerk-heroes-explain-finance

The Big Short directly addresses the issues of historical accuracy and dramatic license by having its characters admit the filmrsquos exaggerations and inventions or explain complex financial transactions directly to the audience This is called ldquobreaking the fourth wallrdquo

The Big Short

The Big Short ndash ldquoJengardquo Clip (2015) (345) httpsyoutube3hG4X5iTK8M

The Big Short

The Big Short ndash ldquoThe Big Leaprdquo (138) httpsyoutubeQQhILjcezWY

The Big Short

How to Break the Fourth Wall httpconsequenceofsoundnet201506how-to-break-the-fourth-wall CINEMA COMPILATION 4th Wall Breaks and Looking in Lens (500) httpsvimeocom108023606

Spotlight

httpscreencrushcomspotlight-best-picture-direction

And over in theater 6 hellip

Straight Out of Compton

Movie Executive Assumptions

Black Audiences want to see White films but White Audience donrsquot want to see Black films

Black films cannot find audiences overseas

These limitations mean that Black films need to make do with smaller budgets

Past the Concession Stand in Theater 19 hellip

Sicario

Sicario

Sicario Cinematographer Roger Deakins ndash Variety Artisans (447)httpsyoutubeWwXuDGxDGCE

Straight Out of Compton

Movie Executive Assumptions

Black Audiences want to see White films but White Audience donrsquot want to see Black films

Black films cannot find audiences overseas

These limitations mean that Black films need to make do with smaller budgets

Past the Concession Stand in Theater 19 hellip

Sicario

Sicario

Sicario Cinematographer Roger Deakins ndash Variety Artisans (447)httpsyoutubeWwXuDGxDGCE

Past the Concession Stand in Theater 19 hellip

Sicario

Sicario

Sicario Cinematographer Roger Deakins ndash Variety Artisans (447)httpsyoutubeWwXuDGxDGCE

Sicario

Sicario

Sicario Cinematographer Roger Deakins ndash Variety Artisans (447)httpsyoutubeWwXuDGxDGCE

Sicario

Sicario Cinematographer Roger Deakins ndash Variety Artisans (447)httpsyoutubeWwXuDGxDGCE

Sicario

Roger Deakins Doesnrsquot Care About the Film Versus Digital Debatehttpwwwindiewirecomarticleroger-deakins-doesnt-care-about-the-film-versus-digital-debate-20151207

Across the Hall in Theater 12 hellip

The Hunger Games Mockingjay Part 2

The Hunger Games Mockingjay ndash Part 2

The Hunger Games ndash Whatrsquos It Aboutbull Children Killing Children in a Dystopian Future United Statesbull Voyeurism and Violencebull Gladiatorial Combatbull Reality Televisionbull The Iraq Warbull The Vietnam Warbull The Failure of Government to serve its people

httpabcnewsgocomEntertainmentmeet-woman-created-hunger-gamesstoryid=15970640UD1ux82k2x4

The Hunger Games Mockingjay Part 2

The Hunger Games Mockingjay ndash Part 2

The Hunger Games ndash Whatrsquos It Aboutbull Children Killing Children in a Dystopian Future United Statesbull Voyeurism and Violencebull Gladiatorial Combatbull Reality Televisionbull The Iraq Warbull The Vietnam Warbull The Failure of Government to serve its people

httpabcnewsgocomEntertainmentmeet-woman-created-hunger-gamesstoryid=15970640UD1ux82k2x4

The Hunger Games Mockingjay ndash Part 2

The Hunger Games ndash Whatrsquos It Aboutbull Children Killing Children in a Dystopian Future United Statesbull Voyeurism and Violencebull Gladiatorial Combatbull Reality Televisionbull The Iraq Warbull The Vietnam Warbull The Failure of Government to serve its people

httpabcnewsgocomEntertainmentmeet-woman-created-hunger-gamesstoryid=15970640UD1ux82k2x4

The Hunger Games Mockingjay ndash Part 2

The Hunger Gamesbull PG-13 ndash The Impact of the Rating System on Contentbull Rated PG-13 for intense violent thematic material and

disturbing images - all involving teens

Rating the Violence The Hunger Gamesrsquos Violence Solution httpgawkercom5895863rating-the-carnage-the-hunger-gamess-violence-solutionWill Mockingjay Part 2 Fetishize Violence httpwwwbustlecomarticles124392-will-mockingjay-part-2-fetishize-violence-how-the-hunger-games-has-handled-the-topic-so-farThe Uncomfortable Violence of The Hunger Games Mockingjay httpsbitchmediaorgarticleuncomfortable-violence-hunger-games-mockingay

The Hunger Games Mockingjay ndash Part 2

The Hunger Games - Cultural Resonance (Precursors)bull The Condemned (2007)bull Series 7 ndash The Contenders (2001)bull Battle Royale (19992000)bull The Running Man (19821987)

bull The Long Walk (1979)bull Lord of the Flies (195419631990)bull The Most Dangerous Game (19241932)

The Hunger Games Mockingjay ndash Part 2The Hunger Games - Cultural Resonancebull Battle Royale (19992000) ndash Whatrsquos IT Aboutbull Children Killing Children in a alternate version of Japanbull Voyeurism and Violencebull Gladiatorial Combatbull Violence and Death in World War II Japanbull The Modern Education System

httpio9com5888124did-the-hunger-games-really-rip-off-battle-royalehttpwwwjonathanlackcom201203hunger-games-versus-battle-royalehtmlhttpwwwnewyorkercomonlineblogsculture201204the-real-hunger-games-battle-royalehtml

The Hunger Games Mockingjay ndash Part 2The Hunger Games - Cultural Resonancebull Battle Royale (19992000) ndash Whatrsquos IT Aboutbull Children Killing Children in a alternate version of Japanbull Voyeurism and Violencebull Gladiatorial Combatbull Violence and Death in World War II Japanbull The Modern Education System

httpio9com5888124did-the-hunger-games-really-rip-off-battle-royalehttpwwwjonathanlackcom201203hunger-games-versus-battle-royalehtmlhttpwwwnewyorkercomonlineblogsculture201204the-real-hunger-games-battle-royalehtml

The Hunger Games Mockingjay ndash Part 2The Hunger Games (20082012) - Cultural Resonancebull Battle Royale (19992000)

BATTLE ROYALE trailer -- Coming soon to blu-ray amp dvd (148) httpyoutubeSIuRjqcpuGQ

The Hunger Games Mockingjay ndash Part 2The Hunger Games (20082012) - Cultural Resonancebull Battle Royale (19992000)

Battle Royale (2000) - Kinji Fukasaku - Trailer - [HD] (140) httpyoutubeqMOCEF4n_zs

And in Theater 13 hellip

ldquoThorrdquo Kenneth Branagh 2011

Turn the camera upside down and the world is upside down

Devil Creditsmov (219) httpmtmediamtsuedu8888ebowenDevil Creditsmov

ldquoThorrdquo Kenneth Branagh 2011

Turn the camera upside down and the world is upside down

Devil Creditsmov (219) httpmtmediamtsuedu8888ebowenDevil Creditsmov

Turn the camera upside down and the world is upside down

Devil Creditsmov (219) httpmtmediamtsuedu8888ebowenDevil Creditsmov

Turn the camera upside down and the world upside down and itrsquos something different

Inceptions

(1033)

Down in Theater 22 hellip

• Slide 1
• Slide 2
• Slide 3
• Introduction
• Movies
• Movies (2)
• Movies (3)
• A Trip to the Multiplex
• Trailer
• In Theater 4 hellip
• 13 Hours The Secret Soldiers of Benghazi
• 13 Hours The Secret Soldiers of Benghazi (2)
• 13 Hours The Secret Soldiers of Benghazi (3)
• 13 Hours The Secret Soldier of Benghazi
• 13 Hours The Secret Soldier of Benghazi (2)
• 13 Hours The Secret Soldier of Benghazi (3)
• 13 Hours The Secret Soldier of Benghazi (4)
• 13 Hours The Secret Soldier of Benghazi (5)
• 13 Hours The Secret Soldier of Benghazi (6)
• 13 Hours The Secret Soldier of Benghazi (7)
• 13 Hours The Secret Soldier of Benghazi (8)
• Slide 22
• In Theater 1 hellip
• Star Wars The Force Awakens
• Star Wars The Force Awakens (2)
• Star Wars The Force Awakens (3)
• Star Wars The Force Awakens (4)
• Star Wars The Force Awakens (5)
• Star Wars The Force Awakens (6)
• Star Wars The Force Awakens (7)
• Star Wars The Force Awakens (8)
• Star Wars The Force Awakens (9)
• Star Wars The Force Awakens (10)
• Star Wars The Force Awakens (11)
• Star Wars The Force Awakens (12)
• Star Wars The Force Awakens (13)
• Star Wars The Force Awakens (14)
• Star Wars The Force Awakens (15)
• Star Wars The Force Awakens (16)
• Star Wars The Force Awakens (17)
• Star Wars The Force Awakens (18)
• The Hidden Meanings in Kidsrsquo Movies
• Star Wars The Force Awakens (19)
• And in Theater 13 hellip
• Joy
• Women in Film
• Women in Film (2)
• Women in Film (3)
• Women in Film (4)
• Women in Film (5)
• Women in Film (6)
• Women in Film (7)
• Playing in Theaters 2 and 3
• The Hateful Eight and The Revenant
• The Hateful Eight and The Revenant (2)
• The Hateful Eight and The Revenant (3)
• The Hateful Eight and The Revenant (4)
• The Hateful Eight
• The Hateful Eight (2)
• The Hateful Eight (3)
• Space
• Space (2)
• Space (3)
• Space (4)
• Space (5)
• Space (6)
• Space (7)
• Space (8)
• Space (9)
• Space
• Space (2)
• Space (10)
• Space (3)
• Space (11)
• Space (4)
• Space (5)
• Space (6)
• Space (7)
• Slide 79
• Slide 80
• Space (12)
• Space (13)
• Space (14)
• Space (15)
• Aside
• Aside (2)
• Aside (3)
• Aside (4)
• Aside (5)
• Aside (6)
• Aside (7)
• Aside (8)
• Aside (9)
• Aside (10)
• Aside (11)
• Aside (12)
• Space (16)
• Space (17)
• Space (18)
• Space (19)
• Space (20)
• Space (21)
• Space (22)
• Meanwhile in theaters 8 and 9 hellip
• The Big Short and Spotlight
• The Big Short
• The Big Short (2)
• The Big Short (3)
• The Big Short (4)
• Spotlight
• And over in theater 6 hellip
• Straight Out of Compton
• Past the Concession Stand in Theater 19 hellip
• Sicario
• Sicario (2)
• Sicario (3)
• Across the Hall in Theater 12 hellip
• The Hunger Games Mockingjay Part 2
• The Hunger Games Mockingjay ndash Part 2
• The Hunger Games Mockingjay ndash Part 2 (2)
• The Hunger Games Mockingjay ndash Part 2 (3)
• The Hunger Games Mockingjay ndash Part 2 (4)
• The Hunger Games Mockingjay ndash Part 2 (5)
• The Hunger Games Mockingjay ndash Part 2 (6)
• And in Theater 13 hellip (2)
• Slide 126
• Slide 127
• Slide 128
• Slide 129
• Slide 130
• Slide 131
• Slide 132
• Slide 133
• Inceptions
• Down in Theater 22 hellip

Inceptions

(1033)

Down in Theater 22 hellip

• Slide 1
• Slide 2
• Slide 3
• Introduction
• Movies
• Movies (2)
• Movies (3)
• A Trip to the Multiplex
• Trailer
• In Theater 4 hellip
• 13 Hours The Secret Soldiers of Benghazi
• 13 Hours The Secret Soldiers of Benghazi (2)
• 13 Hours The Secret Soldiers of Benghazi (3)
• 13 Hours The Secret Soldier of Benghazi
• 13 Hours The Secret Soldier of Benghazi (2)
• 13 Hours The Secret Soldier of Benghazi (3)
• 13 Hours The Secret Soldier of Benghazi (4)
• 13 Hours The Secret Soldier of Benghazi (5)
• 13 Hours The Secret Soldier of Benghazi (6)
• 13 Hours The Secret Soldier of Benghazi (7)
• 13 Hours The Secret Soldier of Benghazi (8)
• Slide 22
• In Theater 1 hellip
• Star Wars The Force Awakens
• Star Wars The Force Awakens (2)
• Star Wars The Force Awakens (3)
• Star Wars The Force Awakens (4)
• Star Wars The Force Awakens (5)
• Star Wars The Force Awakens (6)
• Star Wars The Force Awakens (7)
• Star Wars The Force Awakens (8)
• Star Wars The Force Awakens (9)
• Star Wars The Force Awakens (10)
• Star Wars The Force Awakens (11)
• Star Wars The Force Awakens (12)
• Star Wars The Force Awakens (13)
• Star Wars The Force Awakens (14)
• Star Wars The Force Awakens (15)
• Star Wars The Force Awakens (16)
• Star Wars The Force Awakens (17)
• Star Wars The Force Awakens (18)
• The Hidden Meanings in Kidsrsquo Movies
• Star Wars The Force Awakens (19)
• And in Theater 13 hellip
• Joy
• Women in Film
• Women in Film (2)
• Women in Film (3)
• Women in Film (4)
• Women in Film (5)
• Women in Film (6)
• Women in Film (7)
• Playing in Theaters 2 and 3
• The Hateful Eight and The Revenant
• The Hateful Eight and The Revenant (2)
• The Hateful Eight and The Revenant (3)
• The Hateful Eight and The Revenant (4)
• The Hateful Eight
• The Hateful Eight (2)
• The Hateful Eight (3)
• Space
• Space (2)
• Space (3)
• Space (4)
• Space (5)
• Space (6)
• Space (7)
• Space (8)
• Space (9)
• Space
• Space (2)
• Space (10)
• Space (3)
• Space (11)
• Space (4)
• Space (5)
• Space (6)
• Space (7)
• Slide 79
• Slide 80
• Space (12)
• Space (13)
• Space (14)
• Space (15)
• Aside
• Aside (2)
• Aside (3)
• Aside (4)
• Aside (5)
• Aside (6)
• Aside (7)
• Aside (8)
• Aside (9)
• Aside (10)
• Aside (11)
• Aside (12)
• Space (16)
• Space (17)
• Space (18)
• Space (19)
• Space (20)
• Space (21)
• Space (22)
• Meanwhile in theaters 8 and 9 hellip
• The Big Short and Spotlight
• The Big Short
• The Big Short (2)
• The Big Short (3)
• The Big Short (4)
• Spotlight
• And over in theater 6 hellip
• Straight Out of Compton
• Past the Concession Stand in Theater 19 hellip
• Sicario
• Sicario (2)
• Sicario (3)
• Across the Hall in Theater 12 hellip
• The Hunger Games Mockingjay Part 2
• The Hunger Games Mockingjay ndash Part 2
• The Hunger Games Mockingjay ndash Part 2 (2)
• The Hunger Games Mockingjay ndash Part 2 (3)
• The Hunger Games Mockingjay ndash Part 2 (4)
• The Hunger Games Mockingjay ndash Part 2 (5)
• The Hunger Games Mockingjay ndash Part 2 (6)
• And in Theater 13 hellip (2)
• Slide 126
• Slide 127
• Slide 128
• Slide 129
• Slide 130
• Slide 131
• Slide 132
• Slide 133
• Inceptions
• Down in Theater 22 hellip

Down in Theater 22 hellip

• Slide 1
• Slide 2
• Slide 3
• Introduction
• Movies
• Movies (2)
• Movies (3)
• A Trip to the Multiplex
• Trailer
• In Theater 4 hellip
• 13 Hours The Secret Soldiers of Benghazi
• 13 Hours The Secret Soldiers of Benghazi (2)
• 13 Hours The Secret Soldiers of Benghazi (3)
• 13 Hours The Secret Soldier of Benghazi
• 13 Hours The Secret Soldier of Benghazi (2)
• 13 Hours The Secret Soldier of Benghazi (3)
• 13 Hours The Secret Soldier of Benghazi (4)
• 13 Hours The Secret Soldier of Benghazi (5)
• 13 Hours The Secret Soldier of Benghazi (6)
• 13 Hours The Secret Soldier of Benghazi (7)
• 13 Hours The Secret Soldier of Benghazi (8)
• Slide 22
• In Theater 1 hellip
• Star Wars The Force Awakens
• Star Wars The Force Awakens (2)
• Star Wars The Force Awakens (3)
• Star Wars The Force Awakens (4)
• Star Wars The Force Awakens (5)
• Star Wars The Force Awakens (6)
• Star Wars The Force Awakens (7)
• Star Wars The Force Awakens (8)
• Star Wars The Force Awakens (9)
• Star Wars The Force Awakens (10)
• Star Wars The Force Awakens (11)
• Star Wars The Force Awakens (12)
• Star Wars The Force Awakens (13)
• Star Wars The Force Awakens (14)
• Star Wars The Force Awakens (15)
• Star Wars The Force Awakens (16)
• Star Wars The Force Awakens (17)
• Star Wars The Force Awakens (18)
• The Hidden Meanings in Kidsrsquo Movies
• Star Wars The Force Awakens (19)
• And in Theater 13 hellip
• Joy
• Women in Film
• Women in Film (2)
• Women in Film (3)
• Women in Film (4)
• Women in Film (5)
• Women in Film (6)
• Women in Film (7)
• Playing in Theaters 2 and 3
• The Hateful Eight and The Revenant
• The Hateful Eight and The Revenant (2)
• The Hateful Eight and The Revenant (3)
• The Hateful Eight and The Revenant (4)
• The Hateful Eight
• The Hateful Eight (2)
• The Hateful Eight (3)
• Space
• Space (2)
• Space (3)
• Space (4)
• Space (5)
• Space (6)
• Space (7)
• Space (8)
• Space (9)
• Space
• Space (2)
• Space (10)
• Space (3)
• Space (11)
• Space (4)
• Space (5)
• Space (6)
• Space (7)
• Slide 79
• Slide 80
• Space (12)
• Space (13)
• Space (14)
• Space (15)
• Aside
• Aside (2)
• Aside (3)
• Aside (4)
• Aside (5)
• Aside (6)
• Aside (7)
• Aside (8)
• Aside (9)
• Aside (10)
• Aside (11)
• Aside (12)
• Space (16)
• Space (17)
• Space (18)
• Space (19)
• Space (20)
• Space (21)
• Space (22)
• Meanwhile in theaters 8 and 9 hellip
• The Big Short and Spotlight
• The Big Short
• The Big Short (2)
• The Big Short (3)
• The Big Short (4)
• Spotlight
• And over in theater 6 hellip
• Straight Out of Compton
• Past the Concession Stand in Theater 19 hellip
• Sicario
• Sicario (2)
• Sicario (3)
• Across the Hall in Theater 12 hellip
• The Hunger Games Mockingjay Part 2
• The Hunger Games Mockingjay ndash Part 2
• The Hunger Games Mockingjay ndash Part 2 (2)
• The Hunger Games Mockingjay ndash Part 2 (3)
• The Hunger Games Mockingjay ndash Part 2 (4)
• The Hunger Games Mockingjay ndash Part 2 (5)
• The Hunger Games Mockingjay ndash Part 2 (6)
• And in Theater 13 hellip (2)
• Slide 126
• Slide 127
• Slide 128
• Slide 129
• Slide 130
• Slide 131
• Slide 132
• Slide 133
• Inceptions
• Down in Theater 22 hellip