from Invitation
AmerikaBy Jaco Pastorius
np aeeel.Hann.-- - - - - - -i
" Chord symbols reflect implied harmony.
J
A E7IDeo
8va ,8va-- - - - - - - --
rHann.- - - - - -i
B9 E7
8va ~'
IDeo 11M- -
-----------------------------87a ~--------------------
1:1
""R.H. Hann.-- - - - - -i
""RighI hand.
4Copyright @ 1984 Mowgli Publishing
Ali Rights Reserved Used by Permission
- --
00Rubato
"A E78va------------------, IDeo
/J.
,
/- .h J n.h
A E7 H.H.- - - - - - - - - -
J.J. ,
8va ~15ma-------------------
loeo
r.-----Harm.-- - - - - - - -I
A AlG# E~7#9HR I
15ma ,
loeo 8vau u u u
1
r r r Harm. H.H.
D D#m7~5 E F#m D
J 1
N.c.(A) A5>
L-- 3 ---' ffcresco
5
D A8va, loeo
8va- u u _ u u,
J --} __J } 1r--r==; J. loeo )
.. .... ,...
:l''- ,... .....
I I
.
I..
I'"
1._I I
.,v
IV.- I . I
l- - l
from Weather Report-Heavy Weather
BirdlandMusic by Josef Zawinul
[K]Moderately fast J =157
N.C.
(Kybd.)
G7#91B
j'
G/C G/D
12
fH.H.----------------------------------------------------
1/2 1/2
j j--t---" ~ ~
G7#91B
j'
H.H.----------------------------------------------------------------------------------------------------------------------------1/2 1/2
~ j f ,~~~ ~
H.H.--------------------------------------------------------------------------------------------------------------------------m m
__ft-. ~~~ ~ ~ f--.
H.H.--------------------------------------------------------------------------------------------------------------------------m m m
~~~~~ j j ~ ~~~ J--
H.H.--------------------------------------------------------------------------------------------------------------------------1/2 In In
f -. ~~,~~ j J-t---'
6@ 1977,1978 MULATTO MUSIC
International Copyright Secured Ali Rights Reserved
H.H ~1/2
f- - - -1---'
w/heavyreverb---------------------------------------------------------*--------------------------------------
*Notes are plucked lightly while maintaining wide vibrato.
N.C.
10
:~~e~~:~:~e~~==================================~=~~=~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
G/B G/C
*The bottom note is plucked.
7
Gm71]] F/G F/B
[oca
'f m> '---'"
E/B Dm7 DrnlG F/C Cm7 F/B G6 GrnlC F/E
I I 1----1 r I
,
[[]G6 F F# G G6 Gm F/C
---- -. .. ...----... --------" -----.. ---. -.... ..--------.. .....----...f90-------- ----- .... . .
L-- r*
"',.,
"'''''''.I , IVI
" II
"I "I ,/
p Iv I
G/D G/E G/C G
AmlG Gadd2 G7
klri~ ~
ì-&- ..
~
Bm7~5 N.C.
lI]G7
8va---, 8va--------------------------------------------------
- -
8va ,
loco>
8
...-::2,--- ------..f::2.--------- Il. !: - !:"- ..,...-..........--..... - p.....-...:
r l..-gradoslide
""""'"n /n' '" /"" n
, Il \ u Il..- n I\'- n n IllUI I " Il
-----1 I I -=n
----of:=::iJ
----..n
-----.:Y ".
......-.......,..
---
-
-n
..--------
n
leIring- - - - - - - - - - - - - -
-
...2... --1.1...\.
...o.- -
G8va ,
loco
- -
BmEm G/B Cmaj7 C#m7~5 Bm7 Bm7fE Am7 C6 C/C# G
. -ft
4- ft ft ~ -a- -4--&
ft -a- ... I 2 2 4-
Bm Em C6 C#m7~5 C/D G/C C/D G
3
Bm Em G/B Cmaj7 C#m7~5 Bm7 E7~9 Am7 C6 C/C# GI I ,
v -ft
4- H -a- . t.. .. .. .. ~ -3- . ~ft
1a}-v
Bm Em C6 C#m7~5 C/D G/C Em C/D G
9
.. , ... .....
r J I I r r '-"
n . ft ftU ,
ft I ft ft I u u u I U - ft ftft ft I . I I U
ft I I I ..
G7Play 9 times
10
Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 cro G
v
Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 cro G5
L...-JI 1"- I - '-'
nn . n ..
I I I I I I I I l",.
V
n110 oli .,. u
Il Il.n. n n .. .. .. 110.. .. .. .. .. .. .. .. .. .. .. .. 011.. .. n n n
[TIF#7 F7 E7 E7 D7 C#7 G7 F#7 F7 E7 E7 D7 C#7 G7 F#7 F7 E7
'-'"
..
11..2.,3. 114.
E7 D7 C#7 G7 F#7 F7 E7 E7 D7 C#7 G7 E7 D7 C#7 C7 G7
I I "--"
letring- - - - - - - - - -
o o
o o n
rnG7
3
H.H.- - - - - - - - - - - - - - - - - - - - - - - - - -
~ In ,~~let ring - - - - - - - - - - - - - - - - J - - r ~
3
RR--------------------------------------------------------------1/4 1/2
~ .J J - -t ~ ~~~
L- 3---'RR--------------------------------------------------------------
1/2 In 1/2
J-f~ .J-t--. ~ ~ J
*Played behind the bea!.
G/B
H.H.- - - - - - - - - - -i' 3 ' ' 3 1
HR---------------------------------------In I 1/2
_f- -r-) '"'"' ~~-, J - - -
RR--------------------------------------------------------------In 1/2 In
0 ,-~,--, J J-0 ~ ~
11
Gm
loco
,1;---------------
H.H J
[K] F/G F/B~ E~/B~ Dm7 DrnlG F/C Cm7 F/B
I
v-___ I
" +=f"
" "-3-
" 4 "
-3-
--- --- -
+ =F
"
" ~" "
G/B
.
G
letring - - - - - - - - - - - - - - - - - - - -i
" "-..
letring-- - - - - - - - - - - - - - - - - --i
"
12
Bm Em GIB Cmaj7 C#m7~5 Bm7 Em7 Am7 C6 C/C# G
Bm7 Em7 C6 C#m7~6 cro G/C Em cro G
3
Bm7 Em7 EmID C#m7~5 C7 B7 E7#9 Am7 C6 cro G
13
l3.,.
- ".
'--"I ...J-
n JJ
ft ft
n n- - -
..ft
ft -n - n--
Bm7 Em7 C6 C#m75 cro G/C cro Gl I I
..
Bm7 Em7 EmID C#m7~5 C7 Bm7 E7~9 Am7 C6 C/D G3
Bm7 Em7 EmID C#m7~5 C7 Bm7 E7~9 Am7 C6 C/D GPlay 3 times
3
14
Bm7 Em7 EmID C#m7#5 C7 Bm7 E79 Am7 C6 C/D G3
. .
. .. . .. .
Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 C/D G
.. .. ..
Begin fade Fade out
Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 C/D G
..
from Invitation
The ChickenMusic by Alfred James Ellis
[K] .
Moderate Funk J =110
B~ N.C.
>
mi
- 00B~7.. - I .
. .
4- . O O 1O 3 ~130 . O 1 3 *v p
ft ft
E~7
D7 G7
C7
22
Copyright @ 1969 by Golo Publishing Co.Copyright Renewed
Ali Rights Administered by Uniehappell Musie Ine.Intemational Copyright Secured Ali Rights Reserved
N.C.(B~7)
>
..
-~ ~ ., ., v . .
~ °v567811
~
., .,0.,56535° °-4 t-
ori ft n-9-3-
> .>.
E~7
C7
23
N.C.(B7) B7
. .>
.. .,;, .
B~7
E~7
D7 G7 C7
.. - - :jt-,-", 3
(5t-~
-a--a- ft .-, x 213 3 2ft ft ft
....-...... 2 2 3 2 Ov ... V A ~ ~.. ..
N.C.(B~7) B~78va , loeo
24
-- -
- .. -
> -
- ..-..v
o o 1 2'7à x x11__ ..
-6 3-
3 O ~ " ,.. '" '"
~x 5 X 6 I
E~7 D7
A..
N.C.(B~7)
.". .~. ~
I 2 2 31 2 çà O 2 2 3 X 34 4.' 5
*-
25
B7..
.
-' ""->
B~7 -.** " .
n n~
+ F " " ~~00123X
X X X~ ~
E~7
G7 C7
N.C.(B~7) B~7
~ --
. .n ~ " ..3t-
..3t-~ ~ O O F4:
n n ,,~
122213335556667 ~~ ~
26
E~7 D7
N.C.(B~7) B~78va ,
loeo
28
G7 C7r-
n n v .. ft _ft ft
..--..1 I .. .. ..--....---
ftft V ft n . V n ft V ft ft . . ;. v u v
n ft v ft ;. .. ft ft ,ft, v - .. v v .. .. ..ft v v v ,vI I
8va ---------,I I I I .. ..-.
E~7
D7 G7 C7
N.C,(B~7)
.. ..
~o O O 1
~ F o O-t-
-&--3-3 O 4 4 .. ... -o a-
29
loeo.. - - I I
... ... 4 4 .. ...
4 4
B7
4
rnB7
.. - .. - ..
Il]B~7
v
D7 G7
C7, ", ~I_~
-
" " ft-r~.=.
2 2 3 4--5 X3 X .-, 3 9
355n ~ 2 2.'3 X
N.C.(B~7)
30
E7 .... .
'"
from Jaco Pastorius
Come on, Come OverBy Jaco Pastorius and Bob Herzog
IntroModerate Funk-Rock J =110
Gm7 G7U F# 13(#11) Fm7 N.C.
f let ring- - -t let ring- - -t
End Bass Fig. l
wl Bass Fig. l (2 times)~ Verse
wl BassFig. l (7 1/2times)Cm7
Mm, _ hmm. l. Come on,2. Come on,3. Come on,
come ocome ocome o
verver,ver,
as fast as youev-'ry-one's wait-in' on_
the plea-sure's all
can._you,_mine._
yeah.You're a - fraid_
We're won-der- ingMu-sic play-in',
thatwhenthe
you won'L like ityou'll get tired_door just o-pened,
ofyou
but you don 't un - der - stando_won-der-ing what to do._don't have to stand in line._
One thing,_ my bro -There is some-thin' here_Peo-ple of_ the world._
ther, I can tell _ yoube de
much too
true:_nied;_long._ While you're
thatya been
can-notup-tight,mov - ing
the more timeget on the phone
bus - y mak-in' a stand,
you spend_ feel- ing hap - py,and get on_ down._
ev- ry-bo-dy's mak-in' plan8-
the lessDon't
to move _ on,
time_ you'll be_knock it 'till you
move 'em all _blue._try.-a
Copyright @ 1976 Pastorius Music and Bob Herzog Pub/ishing1>:'Rights Reserved Used by PerrT"ission 35
To Coda l-@-Chorus
C9 C#9 D9.110
long. ~
I ,<
,~Come on, come on o -
- - 1,\li - -T-
simile on repeat
.-a- .
=tt=&...,~
-
.:t-v _ ~5 7 X I
* wl vocal ad libs 3rd time.
ver, huh._ Come on, ya got _ to come
".,
To Coda 2 -@-
o vero Why_ don'L you come on,_ comeon,_ comeon 0-
....
36
AJ.L - - - -11 -.., r ,
- vero Comeon, comeon o -
.. - b... - -I
- . .v . v u .. :r .. v - .." .. n n . .. 110., ; I ;. . . . V V - .
;, .:, .. ."- I " .;,." V
D.S. al Coda lInterlude
wl BassFig. l (2Iimes)Cm?
ver?
-$- Coda 1ChorusD9
A.II. - -r - ---
Comeon, comeon o vero
... ... .l I T
544777 7 X
5 5 vP~v4'
..4
5 5 XX X 7 7
4 4X 5 7 X
37
.Il. --- .k ,..., .. fI. ..' 'o.. ...l += Il- t::
.Come on, come on o - ver, huh._ Why don't you
b.. ... ... IL ....- T I
'" . - ... w .. p v . v . .. v . p - -- . . p p n n .,- - pW
p PW W
W .
, -- ,...... r ,
tJcome on, come on o - ver?
b... . . !IL .. - I I I I
p . .W - v I . v v,p, - - . . I p " " n . .\' u u
.. V I UW U
V p.
. n n w . .
Come on,_ oh, come on o vero_
Keyboard SoloD9
D.S. al Coda 2
Interludewl Bass Fig. l (2 times)
Cm?
38
b... ,.- I. -. - L......J
. .- . " ";, " .. . . '" '" " . .v , , v v " .. " ,
"
b... - - ...
- I T - -
. . .v .. .. I , ", . . . .. .;,. - - .... . v " . . I - -. .. " v . . " " l
.. I vv l. .
-$-Coda2
come on, comeon o ver, _ uh, huh.
* Outro
D9
- ~....
.
i.J:,..-
-
+---** Lead vocal continues ad lib.
-. 2-4- " -3- ft " " .. . ~=t-;-
Beginfade
.
.. . .. v .. ..
..Fade OUl
I
;. " v
39
from Jaco Pastorius
Donna LeeBy Charlie Parker
l!] Fast J =218A~ B~7
3
f
B~m7 A~
3
E~m7
B~m7
' 3---..
E~7
Copyright@1947 (Renewed 1975) Atlantic Music Corp.A. Righis!or tl1eWo~ exdud;.,g lt1e U.S. Controlled and A.dministered bj Screef' Gems-EMI Music lne.
~ Cop-,..;g"t Secured ~ R'g':s ~ea 47
B~7 B~m78va ,
3---, loeo
~ _ ,_o, _ 3--.,~ 8va-- -
Harm.
letring- - - - - - - --i
E~7 A~ E~7 D78va------------------------------------------------------------------------------------------------------------------------
I..~ ~ .. I . I 1._ L
..~!! n", . ,-11 13- - 14 16 13
16 17 ~ .r> 43-
~
D~7 D~m7 A~ F7
B~7 B~m78va------------------------------------------------------------------------------------------------------------------------
3 3
E~7 A~ F78va-----------------------------------------------------------------------------------------------------------------------I _ ~ ~ 3_ o _ ~---,L_ I ...
.J... (1. ... ,--,,'" '3
14 11 H "
18 16 15 11 12 11 I I19 16 14
49
B~7 C78va------------------------------------------------------------------------------------------------------------------------>. - ~
Frn C7#9 Frn C78v~-----------------------------------------------------------------------------------------------------------------------
~
Frn C7#9 A~ F78va------------------------------------------------------------------------------------------------------------------------.. _.. .. 1._ I L
~B~rn7 E~7 A~ F7 B~rn7 E~7#9 A~
8va ,::-....
,-.., ~3~
3
50
-g .li -3 3
4..
B~rn7 E~7 A~
E~rn7 D~rn78va- - -- ------
3
A~ F7 B~78va ~ , wco
. . L
,
B~rn7 E~7 A~15ma , 8va---------------------------
'...' ~ "
Harm i
let ring - - - - - - - - - - - - - - - -I
F7 B~7 C78va-----------------------------
~3~ -E ,loco
/T'\
o 3 --' '--- 3 ' '--- 3 '
Frn C7#9
51
33
15 I 14 11121713
-11 11 11 11 11 15
B7 E#
C#7
F#7 G#7
3
C#m G#7#9loeo
C#m
Harm.
leIring - - - - - - - - - - - - - - - - - - - - -i
C#m EO E C#78va------------------------------------------------------------------------------------------------------------------------
IL ,I .. _.u. _ I.._ JJ,_ ... . L.. ~
13 13 1416 15 .-., "I! I~T
F#7 B7 E N.C.8va------ ,
0 loeo lSma-u---'-
lelring- - - - - - - - - - - --i Harm.
53
from Jaco Pastorius
Portrait of TracyBy Jaco Pastorius
Free tirne*05 D5 A5 E o/c **
15ma , wco
fHarm.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ....letring- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - .... let ring throughout
*Chord symbols reflect implied harmony. ** Ali upstemmed notes are harmonics. Pitchessound two octaves higher than written exceptwhere indicated at IID .
Cmaj9 o/c Emaj7 E~7#9Emaj9***
***H.H. H.H.
*** D# harmonic is produced by fretting a B on the 2nd fret of the H string with the index finger,
then playing the harmonic on the 6th fret of the A string with the pinky finger (while stili holding the B).
tHarmonic located 3/10 the distance between 2nd & 3rd frets.
ttHarmonic is located directly over 2nd fre!.
DIF# F6(#4) E13 E13 Esus ~ E13
,-
Esus ~ E13 Esus~ ogo C~ttt 8va - - - - - - - - - - - - - - - - - - - - - - - - - - - ~~?- - - - - - - - - - - - - - - - - - - - - - - - - - -. - - - --
ttt Applies to upstemed notes only.
78Copyright @ 1976 Pastorius Music
A" Rights Reserved Used b}- Perm'ssioP
[[]Moderately J =98
Emaj9 Cmaj9 Emaj9 E7#9 Eadd2/0# * ** O
,-- 3---, t:\t:\ I ----------------.-.
r ìH.H. t it
B~m~7 Bm7 C~8va , ,
Bm9 B~maj7 E~maj(#4) N.C.
J/-,) J.~ ,- -
G#m7~5(add6)8va--"
/ _,,) /oeo
G D/G NG D/G G#m7~5(add6)
G D/G NG D/G G#m7~5(add6) G D/G
G#m7~5(add6) G/C D/G B~maj7 F6maj7[I] A Tempo
G/C D/G
Emaj9 Cmaj9.-3 'o/c D/O Emaj9 E~7#9 Emaj7(#4) *
t:\
\:I ~r
L-3--.JH.H. H.H. **H.H.
**Harmonicsare producedby barring the 9th fre! of the G. D. and A ~with the indexfinger. then playingthe harmonicsODthe 13thfretof the salDestrings with the~. finger 'wbile still boldingthe oores00 the 9Ih fret
79
from WeatherReport-Heavy Weather
Teen TownBy Jaco pastorius
[!] [!]Moderately J =128
Cl3 Al3
Fl3 Dl3 Cl3
Al3 Fl3 Dl3
Cl3 Al3
I,.
Dl3 8va---, Cl3.. ..
Al3IDeo
liiiiiiI
.. -5--4- "7
,
"5 2,1 ~~ I. 5 3
-5-."7"7
Copyright e 1977 Haapala MusicA Rights Reserved Used b') Perm $Son 91
8 E13 A13
wl octaver
E13 A13 12
F#13 E13 C#13r.i:'
>
..
.... ... I
93
m è.: OD r-=-O 11è l'''E13 I I
C#13 A13... JJ._ * JJ._ ,
octaver off
f
ft ,
"7 , .
A13 F#13Play 3 times
r. iiiiiiiiiiii
.., ..
Bass Notation LegendBass music can be notated two different ways: on a musical statt, and in tablature.
Notes:G AE fC DA R
Strings:
high : ~low E
THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into
measures. Pitches are named after the first seven letters of the alphabet.
I
TABLATUREgraphically represents the bass fingerboard. Each horizontallinerepresents a string, and each number represents a fret.
HAMMER-ON: Strike the first (Iower) note withone finger, then sound the higher note (on thesame stringI with another finger by fretting itwithout picking.=TRILL:Veryrapidlyalternatebetweenthenotesindicatedbycontinuouslyhammeringon andpulling011.
a
~NATURALHARMONIC:Strikethe notewhilethe fret handlightlytouchesthestringdirectlyoverthe fret indicated.
RIGHT-HANDTAP:Hammer("tap") the fretindicatedwith the"pick-hand"indexormiddlefingerandpull 011to thenotefrettedby the fret hand.
~
+
PULL-OFF:Piacebothfingerson the notesto besounded.Strikethe first noteandwithoutpicking,pull the finger011to soundthe second (Iower) note.=TREMOLOPICKING:Thenoteis pickedasrapidlyandcontinuouslyas possible.
==MUFFLEDSTRINGS:A percussivesoundisproducedby layingthefret handacrossthestring(s)withoutdepressingthemandstrikingthemwith thepick hand.=LEFT-HANDTAP:Hammer("tap") the fretindicatedwith the "fret-hand"indexormiddlefinger.
ED
ft ~2nd string, 2nd fret3rd string, open
LEGATOSLlDE:Strikethe first noteandthenslidethesamefret-handfingerup ordownto the secondnote.Thesecondnoteis notstruck.=VIBRATO:Thestringis vibratedby rapidlybendingandreleasingthenotewith thefrettinghand.
BEND:Strikethe noteandbenduptheintervalshown.
1/2
SLAP:Strike("slap")stringwith right-handthumb.
Accentuatenote(playit louder)
Additional Musical Definitions
Accentuatenotewith greatintensity
Playthenoteshort
Downstroke
v Upstroke
D.S. al Coda 60 backtothesign( ~ ), thenplayuntil themeasuremarked"ToCoda,"thenskipto thesectionlabelled"Coda."
D.C.alFIne
u ~
9
1st & 2ndstringsopen,playedtogether
SHIFT SLlDE: Same as legato slide, exceptthe second note is struck.
SHAKE:Usingonefinger,rapidlyalternatebetweentwo noteson onestringbyslidingeithera half-stepaboveor below.
""'"
BEND AND RELEASE:Strike the note and
bend up as indicated, then releaseback tothe originai note. Only the first note is struck.
/' -;----...
1/2
POP:Snap("pop") stringwith right-handindexor middlefinger.
60 back to the beginning of the song andplayunti! the measure marked "Fine" (end).
BassFig. Labelusedto recalla recurringpattern.
Fili Labelusedto identifya briefpatternwhichis to beinsertedinto thearrangement.
tacet Instrumentis silent(dropsout).
. Repeatmeasuresbetweensigns.
Whenarepeatedsectionhasdifferentendings,playthe first endingonlythe firsttime andthe secondendingonlythesecondtime.
NOTE: Tablaturenumbersin parenthesesmean:1.Thenoteis beingsustainedovera system(notein standardnotationis tied),or2.Thenote is sustained,but a newarticulation(suchasahammer-on,pull-oll,slideorvibratobegins),or3. Thenote is a barelyaudible"ghost"note(notein standardnotationis alsoin parentheses).
103
>
(accent)
"(accent)
(staccato)
r"1