-THE

ESSENTIAL

1ft

from Invitation

AmerikaBy Jaco Pastorius

np aeeel.Hann.-- - - - - - -i

" Chord symbols reflect implied harmony.

J

A E7IDeo

8va ,8va-- - - - - - - --

rHann.- - - - - -i

B9 E7

8va ~'

IDeo 11M- -

-----------------------------87a ~--------------------

1:1

""R.H. Hann.-- - - - - -i

""RighI hand.

4Copyright @ 1984 Mowgli Publishing

Ali Rights Reserved Used by Permission

- --

00Rubato

"A E78va------------------, IDeo

/J.

,

/- .h J n.h

A E7 H.H.- - - - - - - - - -

J.J. ,

8va ~15ma-------------------

loeo

r.-----Harm.-- - - - - - - -I

A AlG# E~7#9HR I

15ma ,

loeo 8vau u u u

1

r r r Harm. H.H.

D D#m7~5 E F#m D

J 1

N.c.(A) A5>

L-- 3 ---' ffcresco

5

D A8va, loeo

8va- u u _ u u,

J --} __J } 1r--r==; J. loeo )

.. .... ,...

:l''- ,... .....

I I

.

I..

I'"

1._I I

.,v

IV.- I . I

l- - l

from Weather Report-Heavy Weather

BirdlandMusic by Josef Zawinul

[K]Moderately fast J =157

N.C.

(Kybd.)

G7#91B

j'

G/C G/D

12

fH.H.----------------------------------------------------

1/2 1/2

j j--t---" ~ ~

G7#91B

j'

H.H.----------------------------------------------------------------------------------------------------------------------------1/2 1/2

~ j f ,~~~ ~

H.H.--------------------------------------------------------------------------------------------------------------------------m m

__ft-. ~~~ ~ ~ f--.

H.H.--------------------------------------------------------------------------------------------------------------------------m m m

~~~~~ j j ~ ~~~ J--

H.H.--------------------------------------------------------------------------------------------------------------------------1/2 In In

f -. ~~,~~ j J-t---'

6@ 1977,1978 MULATTO MUSIC

International Copyright Secured Ali Rights Reserved

H.H ~1/2

f- - - -1---'

w/heavyreverb---------------------------------------------------------*--------------------------------------

*Notes are plucked lightly while maintaining wide vibrato.

N.C.

10

:~~e~~:~:~e~~==================================~=~~=~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

G/B G/C

*The bottom note is plucked.

7

Gm71]] F/G F/B

[oca

'f m> '---'"

E/B Dm7 DrnlG F/C Cm7 F/B G6 GrnlC F/E

I I 1----1 r I

,

[[]G6 F F# G G6 Gm F/C

---- -. .. ...----... --------" -----.. ---. -.... ..--------.. .....----...f90-------- ----- .... . .

L-- r*

"',.,

"'''''''.I , IVI

" II

"I "I ,/

p Iv I

G/D G/E G/C G

AmlG Gadd2 G7

klri~ ~

ì-&- ..

~

Bm7~5 N.C.

lI]G7

8va---, 8va--------------------------------------------------

- -

8va ,

loco>

8

...-::2,--- ------..f::2.--------- Il. !: - !:"- ..,...-..........--..... - p.....-...:

r l..-gradoslide

""""'"n /n' '" /"" n

, Il \ u Il..- n I\'- n n IllUI I " Il

-----1 I I -=n

----of:=::iJ

----..n

-----.:Y ".

......-.......,..

---

-

-n

..--------

n

leIring- - - - - - - - - - - - - -

-

...2... --1.1...\.

...o.- -

G8va ,

loco

- -

BmEm G/B Cmaj7 C#m7~5 Bm7 Bm7fE Am7 C6 C/C# G

. -ft

4- ft ft ~ -a- -4--&

ft -a- ... I 2 2 4-

Bm Em C6 C#m7~5 C/D G/C C/D G

3

Bm Em G/B Cmaj7 C#m7~5 Bm7 E7~9 Am7 C6 C/C# GI I ,

v -ft

4- H -a- . t.. .. .. .. ~ -3- . ~ft

1a}-v

Bm Em C6 C#m7~5 C/D G/C Em C/D G

9

.. , ... .....

r J I I r r '-"

n . ft ftU ,

ft I ft ft I u u u I U - ft ftft ft I . I I U

ft I I I ..

G7Play 9 times

10

Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 cro G

v

Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 cro G5

L...-JI 1"- I - '-'

nn . n ..

I I I I I I I I l",.

V

n110 oli .,. u

Il Il.n. n n .. .. .. 110.. .. .. .. .. .. .. .. .. .. .. .. 011.. .. n n n

[TIF#7 F7 E7 E7 D7 C#7 G7 F#7 F7 E7 E7 D7 C#7 G7 F#7 F7 E7

'-'"

..

11..2.,3. 114.

E7 D7 C#7 G7 F#7 F7 E7 E7 D7 C#7 G7 E7 D7 C#7 C7 G7

I I "--"

letring- - - - - - - - - -

o o

o o n

rnG7

3

H.H.- - - - - - - - - - - - - - - - - - - - - - - - - -

~ In ,~~let ring - - - - - - - - - - - - - - - - J - - r ~

3

RR--------------------------------------------------------------1/4 1/2

~ .J J - -t ~ ~~~

L- 3---'RR--------------------------------------------------------------

1/2 In 1/2

J-f~ .J-t--. ~ ~ J

*Played behind the bea!.

G/B

H.H.- - - - - - - - - - -i' 3 ' ' 3 1

HR---------------------------------------In I 1/2

_f- -r-) '"'"' ~~-, J - - -

RR--------------------------------------------------------------In 1/2 In

0 ,-~,--, J J-0 ~ ~

11

Gm

loco

,1;---------------

H.H J

[K] F/G F/B~ E~/B~ Dm7 DrnlG F/C Cm7 F/B

I

v-___ I

" +=f"

" "-3-

" 4 "

-3-

--- --- -

+ =F

"

" ~" "

G/B

.

G

letring - - - - - - - - - - - - - - - - - - - -i

" "-..

letring-- - - - - - - - - - - - - - - - - --i

"

12

Bm Em GIB Cmaj7 C#m7~5 Bm7 Em7 Am7 C6 C/C# G

Bm7 Em7 C6 C#m7~6 cro G/C Em cro G

3

Bm7 Em7 EmID C#m7~5 C7 B7 E7#9 Am7 C6 cro G

13

l3.,.

- ".

'--"I ...J-

n JJ

ft ft

n n- - -

..ft

ft -n - n--

Bm7 Em7 C6 C#m75 cro G/C cro Gl I I

..

Bm7 Em7 EmID C#m7~5 C7 Bm7 E7~9 Am7 C6 C/D G3

Bm7 Em7 EmID C#m7~5 C7 Bm7 E7~9 Am7 C6 C/D GPlay 3 times

3

14

Bm7 Em7 EmID C#m7#5 C7 Bm7 E79 Am7 C6 C/D G3

. .

. .. . .. .

Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 C/D G

.. .. ..

Begin fade Fade out

Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 C/D G

..

from Invitation

The ChickenMusic by Alfred James Ellis

[K] .

Moderate Funk J =110

B~ N.C.

>

mi

- 00B~7.. - I .

. .

4- . O O 1O 3 ~130 . O 1 3 *v p

ft ft

E~7

D7 G7

C7

22

Copyright @ 1969 by Golo Publishing Co.Copyright Renewed

Ali Rights Administered by Uniehappell Musie Ine.Intemational Copyright Secured Ali Rights Reserved

N.C.(B~7)

>

..

-~ ~ ., ., v . .

~ °v567811

~

., .,0.,56535° °-4 t-

ori ft n-9-3-

> .>.

E~7

C7

23

N.C.(B7) B7

. .>

.. .,;, .

B~7

E~7

D7 G7 C7

.. - - :jt-,-", 3

(5t-~

-a--a- ft .-, x 213 3 2ft ft ft

....-...... 2 2 3 2 Ov ... V A ~ ~.. ..

N.C.(B~7) B~78va , loeo

24

-- -

- .. -

> -

- ..-..v

o o 1 2'7à x x11__ ..

-6 3-

3 O ~ " ,.. '" '"

~x 5 X 6 I

E~7 D7

A..

N.C.(B~7)

.". .~. ~

I 2 2 31 2 çà O 2 2 3 X 34 4.' 5

*-

25

B7..

.

-' ""->

B~7 -.** " .

n n~

+ F " " ~~00123X

X X X~ ~

E~7

G7 C7

N.C.(B~7) B~7

~ --

. .n ~ " ..3t-

..3t-~ ~ O O F4:

n n ,,~

122213335556667 ~~ ~

26

E~7

D7 G7

C7

~ ~ 9 99

1 3 9~

ft ftn

t+9 9~ +

27

N.C.(B7) B7..L _

n n nn n ft ft

..

ffi]B7.. .. ..

E~7 D7

N.C.(B~7) B~78va ,

loeo

28

G7 C7r-

n n v .. ft _ft ft

..--..1 I .. .. ..--....---

ftft V ft n . V n ft V ft ft . . ;. v u v

n ft v ft ;. .. ft ft ,ft, v - .. v v .. .. ..ft v v v ,vI I

8va ---------,I I I I .. ..-.

E~7

D7 G7 C7

N.C,(B~7)

.. ..

~o O O 1

~ F o O-t-

-&--3-3 O 4 4 .. ... -o a-

29

loeo.. - - I I

... ... 4 4 .. ...

4 4

B7

4

rnB7

.. - .. - ..

Il]B~7

v

D7 G7

C7, ", ~I_~

-

" " ft-r~.=.

2 2 3 4--5 X3 X .-, 3 9

355n ~ 2 2.'3 X

N.C.(B~7)

30

E7 .... .

'"

from Jaco Pastorius

Come on, Come OverBy Jaco Pastorius and Bob Herzog

IntroModerate Funk-Rock J =110

Gm7 G7U F# 13(#11) Fm7 N.C.

f let ring- - -t let ring- - -t

End Bass Fig. l

wl Bass Fig. l (2 times)~ Verse

wl BassFig. l (7 1/2times)Cm7

Mm, _ hmm. l. Come on,2. Come on,3. Come on,

come ocome ocome o

verver,ver,

as fast as youev-'ry-one's wait-in' on_

the plea-sure's all

can._you,_mine._

yeah.You're a - fraid_

We're won-der- ingMu-sic play-in',

thatwhenthe

you won'L like ityou'll get tired_door just o-pened,

ofyou

but you don 't un - der - stando_won-der-ing what to do._don't have to stand in line._

One thing,_ my bro -There is some-thin' here_Peo-ple of_ the world._

ther, I can tell _ yoube de

much too

true:_nied;_long._ While you're

thatya been

can-notup-tight,mov - ing

the more timeget on the phone

bus - y mak-in' a stand,

you spend_ feel- ing hap - py,and get on_ down._

ev- ry-bo-dy's mak-in' plan8-

the lessDon't

to move _ on,

time_ you'll be_knock it 'till you

move 'em all _blue._try.-a

Copyright @ 1976 Pastorius Music and Bob Herzog Pub/ishing1>:'Rights Reserved Used by PerrT"ission 35

To Coda l-@-Chorus

C9 C#9 D9.110

long. ~

I ,<

,~Come on, come on o -

- - 1,\li - -T-

simile on repeat

.-a- .

=tt=&...,~

-

.:t-v _ ~5 7 X I

* wl vocal ad libs 3rd time.

ver, huh._ Come on, ya got _ to come

".,

To Coda 2 -@-

o vero Why_ don'L you come on,_ comeon,_ comeon 0-

....

36

AJ.L - - - -11 -.., r ,

- vero Comeon, comeon o -

.. - b... - -I

- . .v . v u .. :r .. v - .." .. n n . .. 110., ; I ;. . . . V V - .

;, .:, .. ."- I " .;,." V

D.S. al Coda lInterlude

wl BassFig. l (2Iimes)Cm?

ver?

-$- Coda 1ChorusD9

A.II. - -r - ---

Comeon, comeon o vero

... ... .l I T

544777 7 X

5 5 vP~v4'

..4

5 5 XX X 7 7

4 4X 5 7 X

37

.Il. --- .k ,..., .. fI. ..' 'o.. ...l += Il- t::

.Come on, come on o - ver, huh._ Why don't you

b.. ... ... IL ....- T I

'" . - ... w .. p v . v . .. v . p - -- . . p p n n .,- - pW

p PW W

W .

, -- ,...... r ,

tJcome on, come on o - ver?

b... . . !IL .. - I I I I

p . .W - v I . v v,p, - - . . I p " " n . .\' u u

.. V I UW U

V p.

. n n w . .

Come on,_ oh, come on o vero_

Keyboard SoloD9

D.S. al Coda 2

Interludewl Bass Fig. l (2 times)

Cm?

38

b... ,.- I. -. - L......J

. .- . " ";, " .. . . '" '" " . .v , , v v " .. " ,

"

b... - - ...

- I T - -

. . .v .. .. I , ", . . . .. .;,. - - .... . v " . . I - -. .. " v . . " " l

.. I vv l. .

-$-Coda2

come on, comeon o ver, _ uh, huh.

* Outro

D9

- ~....

.

i.J:,..-

-

+---** Lead vocal continues ad lib.

-. 2-4- " -3- ft " " .. . ~=t-;-

Beginfade

.

.. . .. v .. ..

..Fade OUl

I

;. " v

39

from Jaco Pastorius

Donna LeeBy Charlie Parker

l!] Fast J =218A~ B~7

3

f

B~m7 A~

3

E~m7

B~m7

' 3---..

E~7

Copyright@1947 (Renewed 1975) Atlantic Music Corp.A. Righis!or tl1eWo~ exdud;.,g lt1e U.S. Controlled and A.dministered bj Screef' Gems-EMI Music lne.

~ Cop-,..;g"t Secured ~ R'g':s ~ea 47

Bb7I L

C7..

3 -- -

ft

Frn C7#9 Frn

C7

q

Frn

Bbrn7 Eb7 Ab

48

B~7 B~m78va ,

3---, loeo

~ _ ,_o, _ 3--.,~ 8va-- -

Harm.

letring- - - - - - - --i

E~7 A~ E~7 D78va------------------------------------------------------------------------------------------------------------------------

I..~ ~ .. I . I 1._ L

..~!! n", . ,-11 13- - 14 16 13

16 17 ~ .r> 43-

~

D~7 D~m7 A~ F7

B~7 B~m78va------------------------------------------------------------------------------------------------------------------------

3 3

E~7 A~ F78va-----------------------------------------------------------------------------------------------------------------------I _ ~ ~ 3_ o _ ~---,L_ I ...

.J... (1. ... ,--,,'" '3

14 11 H "

18 16 15 11 12 11 I I19 16 14

49

B~7 C78va------------------------------------------------------------------------------------------------------------------------>. - ~

Frn C7#9 Frn C78v~-----------------------------------------------------------------------------------------------------------------------

~

Frn C7#9 A~ F78va------------------------------------------------------------------------------------------------------------------------.. _.. .. 1._ I L

~B~rn7 E~7 A~ F7 B~rn7 E~7#9 A~

8va ,::-....

,-.., ~3~

3

50

-g .li -3 3

4..

B~rn7 E~7 A~

E~rn7 D~rn78va- - -- ------

3

A~ F7 B~78va ~ , wco

. . L

,

B~rn7 E~7 A~15ma , 8va---------------------------

'...' ~ "

Harm i

let ring - - - - - - - - - - - - - - - -I

F7 B~7 C78va-----------------------------

~3~ -E ,loco

/T'\

o 3 --' '--- 3 ' '--- 3 '

Frn C7#9

51

33

15 I 14 11121713

-11 11 11 11 11 15

C7 Frn

3

F#rn7 B7 E C#7

B7 E Brn7 A#7

3 ' 3 '

Arn7 E C#7

52

F#rn7F#7 -'---/

"

3

"n.. "

B7 E#

C#7

F#7 G#7

3

C#m G#7#9loeo

C#m

Harm.

leIring - - - - - - - - - - - - - - - - - - - - -i

C#m EO E C#78va------------------------------------------------------------------------------------------------------------------------

IL ,I .. _.u. _ I.._ JJ,_ ... . L.. ~

13 13 1416 15 .-., "I! I~T

F#7 B7 E N.C.8va------ ,

0 loeo lSma-u---'-

lelring- - - - - - - - - - - --i Harm.

53

from Jaco Pastorius

Portrait of TracyBy Jaco Pastorius

Free tirne*05 D5 A5 E o/c **

15ma , wco

fHarm.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ....letring- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - .... let ring throughout

*Chord symbols reflect implied harmony. ** Ali upstemmed notes are harmonics. Pitchessound two octaves higher than written exceptwhere indicated at IID .

Cmaj9 o/c Emaj7 E~7#9Emaj9***

***H.H. H.H.

*** D# harmonic is produced by fretting a B on the 2nd fret of the H string with the index finger,

then playing the harmonic on the 6th fret of the A string with the pinky finger (while stili holding the B).

tHarmonic located 3/10 the distance between 2nd & 3rd frets.

ttHarmonic is located directly over 2nd fre!.

DIF# F6(#4) E13 E13 Esus ~ E13

,-

Esus ~ E13 Esus~ ogo C~ttt 8va - - - - - - - - - - - - - - - - - - - - - - - - - - - ~~?- - - - - - - - - - - - - - - - - - - - - - - - - - -. - - - --

ttt Applies to upstemed notes only.

78Copyright @ 1976 Pastorius Music

A" Rights Reserved Used b}- Perm'ssioP

[[]Moderately J =98

Emaj9 Cmaj9 Emaj9 E7#9 Eadd2/0# * ** O

,-- 3---, t:\t:\ I ----------------.-.

r ìH.H. t it

B~m~7 Bm7 C~8va , ,

Bm9 B~maj7 E~maj(#4) N.C.

J/-,) J.~ ,- -

G#m7~5(add6)8va--"

/ _,,) /oeo

G D/G NG D/G G#m7~5(add6)

G D/G NG D/G G#m7~5(add6) G D/G

G#m7~5(add6) G/C D/G B~maj7 F6maj7[I] A Tempo

G/C D/G

Emaj9 Cmaj9.-3 'o/c D/O Emaj9 E~7#9 Emaj7(#4) *

t:\

\:I ~r

L-3--.JH.H. H.H. **H.H.

**Harmonicsare producedby barring the 9th fre! of the G. D. and A ~with the indexfinger. then playingthe harmonicsODthe 13thfretof the salDestrings with the~. finger 'wbile still boldingthe oores00 the 9Ih fret

79

from WeatherReport-Heavy Weather

Teen TownBy Jaco pastorius

[!] [!]Moderately J =128

Cl3 Al3

Fl3 Dl3 Cl3

Al3 Fl3 Dl3

Cl3 Al3

I,.

Dl3 8va---, Cl3.. ..

Al3IDeo

liiiiiiI

.. -5--4- "7

,

"5 2,1 ~~ I. 5 3

-5-."7"7

Copyright e 1977 Haapala MusicA Rights Reserved Used b') Perm $Son 91

Fl3

Al3

Cl3

Dl3

Dl3

92

Dl3

F13

Al3

Cl38va ,

Fl3

Cl3

Cl3 A13

D13

Al3

Fl3

Fl3

D13

8 E13 A13

wl octaver

E13 A13 12

F#13 E13 C#13r.i:'

>

..

.... ... I

93

m è.: OD r-=-O 11è l'''E13 I I

C#13 A13... JJ._ * JJ._ ,

octaver off

f

ft ,

"7 , .

A13 F#13Play 3 times

r. iiiiiiiiiiii

.., ..

Bass Notation LegendBass music can be notated two different ways: on a musical statt, and in tablature.

Notes:G AE fC DA R

Strings:

high : ~low E

THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into

measures. Pitches are named after the first seven letters of the alphabet.

I

TABLATUREgraphically represents the bass fingerboard. Each horizontallinerepresents a string, and each number represents a fret.

HAMMER-ON: Strike the first (Iower) note withone finger, then sound the higher note (on thesame stringI with another finger by fretting itwithout picking.=TRILL:Veryrapidlyalternatebetweenthenotesindicatedbycontinuouslyhammeringon andpulling011.

a

~NATURALHARMONIC:Strikethe notewhilethe fret handlightlytouchesthestringdirectlyoverthe fret indicated.

RIGHT-HANDTAP:Hammer("tap") the fretindicatedwith the"pick-hand"indexormiddlefingerandpull 011to thenotefrettedby the fret hand.

~

+

PULL-OFF:Piacebothfingerson the notesto besounded.Strikethe first noteandwithoutpicking,pull the finger011to soundthe second (Iower) note.=TREMOLOPICKING:Thenoteis pickedasrapidlyandcontinuouslyas possible.

==MUFFLEDSTRINGS:A percussivesoundisproducedby layingthefret handacrossthestring(s)withoutdepressingthemandstrikingthemwith thepick hand.=LEFT-HANDTAP:Hammer("tap") the fretindicatedwith the "fret-hand"indexormiddlefinger.

ED

ft ~2nd string, 2nd fret3rd string, open

LEGATOSLlDE:Strikethe first noteandthenslidethesamefret-handfingerup ordownto the secondnote.Thesecondnoteis notstruck.=VIBRATO:Thestringis vibratedby rapidlybendingandreleasingthenotewith thefrettinghand.

BEND:Strikethe noteandbenduptheintervalshown.

1/2

SLAP:Strike("slap")stringwith right-handthumb.

Accentuatenote(playit louder)

Additional Musical Definitions

Accentuatenotewith greatintensity

Playthenoteshort

Downstroke

v Upstroke

D.S. al Coda 60 backtothesign( ~ ), thenplayuntil themeasuremarked"ToCoda,"thenskipto thesectionlabelled"Coda."

D.C.alFIne

u ~

9

1st & 2ndstringsopen,playedtogether

SHIFT SLlDE: Same as legato slide, exceptthe second note is struck.

SHAKE:Usingonefinger,rapidlyalternatebetweentwo noteson onestringbyslidingeithera half-stepaboveor below.

""'"

BEND AND RELEASE:Strike the note and

bend up as indicated, then releaseback tothe originai note. Only the first note is struck.

/' -;----...

1/2

POP:Snap("pop") stringwith right-handindexor middlefinger.

60 back to the beginning of the song andplayunti! the measure marked "Fine" (end).

BassFig. Labelusedto recalla recurringpattern.

Fili Labelusedto identifya briefpatternwhichis to beinsertedinto thearrangement.

tacet Instrumentis silent(dropsout).

. Repeatmeasuresbetweensigns.

Whenarepeatedsectionhasdifferentendings,playthe first endingonlythe firsttime andthe secondendingonlythesecondtime.

NOTE: Tablaturenumbersin parenthesesmean:1.Thenoteis beingsustainedovera system(notein standardnotationis tied),or2.Thenote is sustained,but a newarticulation(suchasahammer-on,pull-oll,slideorvibratobegins),or3. Thenote is a barelyaudible"ghost"note(notein standardnotationis alsoin parentheses).

103

>

(accent)

"(accent)

(staccato)

r"1

Amerika

Birdland

Blackbird

Soullntro

The Chicken

Chromatic Fantasy

Come on, Come OverContinuum

Donna Lee

Invitation

Liberty City

Opus Pocus

Portrait of Tracy

River PeopleTeenTown

Word of Mouth

u.s. $17.95

:SB~ 0-634-01767-5

I.JI~.""'"