Nerrous women should profit by Mm. Bar ton 's experience with Lydia E. IMnkliam's Compound.
Mrs. Helen Barton, of 27 Pearson Street, Chicago, 111., writes to Mrs. Pinkham:
" I T e a * a l l r a n - d o w n , a n d o n t h e v e r g e o f n e r v o u s p r o s t r a t i o n f r o m o v e r w o r k a n d w o r r y , » n d i l l in b e d , w h e n I b e g a n t a k i n g L y d i a K. P i n k h a t n ' s V e g e t a b l e C o m p o u n d . A f t e r I h a d t a k e n i t a w e e k I c o m m e n c e d t o g e t b e t t e r . I c o n t i n u e d i t a u s e , m y n e r v o u * t r o u b l e d i s a p p e a r e d , a n d 1 a m c o m p l e t e l y r e s t o r e d t o h e a l t h . I h o p e L y d i a K. P i n k h a t n ' s V e g e t a b l e C o m p o u n d w i l l b e n e t i t o t h e r w o m e n a s i t h a s m e . "
FACTS FOR SICK WOMEN. For thirty years Lydia E. Pink-
haru's Vegetable Compound, made from roots and herbs, has been the standard remedy for female ills, and has positively cured thousands of women who have been troubled with displacements, intiammat ion, ulceration, fibroid tumors, irregularities, periodic pains, backache, that bearing-down feeling, flatulency, indiges-tion,dirziness,or nervous prostration. Why don't you try it f
Mrs. P i n k h a m invites all sick women to wri t* her for advice. She has guided thousand* to health. Address , Lynn, Mass.
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A l .OVKHX' « l A K H E L . '•Hem- C y r i l : A f t er the s c e n e of y e s
t e r d a y I du n o t t h i n k a n y o t h e r a l t e r n a t i v e rwmuti is to m e t h a n t o r e l e a s e y o u f r o m y o u r e n g a g e m e n t . I a m c e r ta in w e s h o u l d n e v e r g e t on t o g e t h e r ; You w a n t a h e r o i n e o u t of a n o v e l , a l l d e v o t i o n a n d o b e d i e n c e , for w h o m t h e r e w o u l d be o n l y o n e m a n on e a r t h — y o u r self . 1 r e a l l y c o u l d n't do it. Y o u w i l l tind p l e n t y o f g i r l s r e a d y t o w o r s h i p you , I h a v e n o d o u b t , w i t h w h o m y o u w o u l d be v e r y m u c h h a p p i e r t h a n w i t h S iby l H e a t h c o t e .
"Do not t h i n k t h i s l e t t e r u n k i n d , b u t I c o n s c i e n t i o u s l y b e l i e v e t h a t to s e p a r a t e is b e s t for b o t h of us ."
Cyri l Ha le , w h o w a s s i t t i n g a t b r e a k f a s t w i t h h i s c h u m . J a c k D l n t o n ^ - t h e y rented, c h a m b e r s in c o m m o n . in t h e T e m p l e — g r e w v e r y pa l e a s he p e r u s e d t h i s l e t t e r , a t f irst rap id ly , t h e n s l o w l y , w e i g h i n g e v e r y w o r d , w i t h a. r i s i n g c o l o r and an i n d i g n a n t p r e s s u r e of t h e l i p s .
" W h a t do y o u t h i n k of t h a t ? " h e c r i e d , p a s s i n g t h e n o t e a c r o s s to L i n t o n .
I . inton w a s t h e e lder of the t w o b y s e v e r a l y e a r s , coa l and i m p e r t u r b a b l e ; w h i l e Cyril , , w h o w a s o n l y flve-and-tweaty-i w a s h o t - h e a d e d , i m p e t u o u s , a c t i n g on t h e i m p u l s e of the m o m e n t .
, J a c k g l a n c e d t h r o u g h the l e t t e r a n d s a i d :
" T a n t r u m s ! I d a r e s a y s h e c r i e d h e r e y e s o u t a l l n i g h t for h a v i n g w r i t t e n i t ! "
"Not s h e ! " r e t o r t e d Cyr i l h o t l y . "It i s d e l i b e r a t e l y h e a r t l e s s and c o l d - b l o o d e d . She m e a n s e v e r y w o r d of It!"
" N o n s e n s e ! T h a t a u n t of he'rs, Mrs . N e t t i e by , h a s b e e n f i l l ing up h e r h e a d w i t h w o m a n ' s r i g h t s a n d her o w n v a l u e ! But her h e a r t i s a l l r i g h t ! T a k e n o n o t i c e of t h i s . S t o p a w a y f r o m h e r . f o r a w e e k , t h e n g o b a c k ready t o f o r g e t a n d f o r g i v e ! "
"I s h a l l d o noth ing* of the k i n d ! I s h a l l f a k e her . a t her w o r d ! D o y o u s u p pose l w i l l g i v e her t h e t r i u m p h of r e p e a t i n g m y d i s m i s s a l ? She is q u i t e l i g h t . W e s h o u l d n e v e r h a v e g o t on t o g e t n e r . so t h e b e s t t h i n g is to end i t ! W h a t a c h a n g e a t w e l v e - m o n t h h a s e f f e c t e d ! "
W h e n C y r i l a n d S iby l first m e t i t w a s at her f a t h e r ' s c o u n t r y v i c a r a g e , a n d h e fe l l in l o v e w i t h the p r e t t y , c h a r m i n g , u n s o p h i s t i c a t e d g i r l of e i g h t e e n . S o o n a f t e r t h e y w e r e e n g a g e d Mr. H e a t h c o t e died, a n d S i b y l w e n t to l ive w i t h h e r a u n t , Mrsr-WFTTtetay, vtrmr r e s i d e d irr a f a s h i o n a b l e p a r t of London a n d m i x e d h e r s e l f u p w i t h "the m o v e m e n t s " o f t h e day ,
Cyr i l D a l e w a a n o t a f a v o r i t e o f Mrs . N e t t i e b y s . H e w a s not a p p r e c i a t i v e of " the m o v e m e n t s , " and s h e w a s c o n t i n u a l l y r e m i n d i n g her n i ece t h a t s h e c o u l d m a k e a f a r b e t t e r m a t c h t h a n w i t h a br ie f l e s s b a r r i s t e r , e v e n t h o u g h h i s f a t h e r w a s a m a n of f o r t u n e . A n d , a l t h o u g h t h e r e w a s n o t h i n g m e r c e n a r y in S iby l ' s n a t u r e , s h e w a s not u n i n f l u e n c e d by <such s u g g e s t i o n s . So s h e a s s u m e d l o f t y a n d Indi f ferent a i r s t o w a r d h e r lover , w h i c h c a u s e d m a n y b i c k e r i n g s tha i a t l a s t r o s e t o a s e r i o u s q u a r r e l .
"I s h a l l g o d o w n to T h e H a w t h o r n s , " s a i d Cyr i l v a s h e c a m e b a c k i n t o t h e s i t t i n g r o o m , w h e r e Linton w a s s m o k i n g .
"Yes , I t h i n k it is the b e s t t h i n g y o u can dd! T h e c o u n t r y a ir w i l l c a l m y o u , " he sa id .
" H u e - d o n't l e t t h e r e be a n y m i s t a k e ! I h a v e b r o k e n w i t h Sibyl H e a t h c o t e f o r e v e r ! R e a d t h a t ! " <,, ;
A n d h e t o s s e d h im the "note h e h a d Just w r i t t e n , w h i c h r a n :
" D e a r Sibyl-— It y o u can so c o n t e m p t u o u s l y c a s t a s i d e t w o y e a r s of a s s o c i a t i o n s s u c h a s o u r s h a v e b e e n , a n d b r e a k an e n g a g e m e n t * I o j the m e m o r y of y o u r d e a d f a t h e r . T t h i n k y o u r d e c i s i o n a w i s e o n e , and I a c c e p t it. Y o u r s i n c e r e f r i end , C Y R I L D A L E . "
"Do n't s e n d t h a t l e t t er ," a d v i s e d J a c k . "You w i l l be s o r r y for i t if y o u d o ! "
"Sorry or n o t . T s h a l l do i t !" S i b y l H e a t h c o t e w a s d r e s s i n g t o g o
w,ith h e r a u n t t o t h e t h e a t r e w h e n Cyr i l ' s n o t e w a s h a n d e d t o h e r b y t h e maid . F i v e m i n u t e s a f t e r w a r d s h e s e n t a m e s s a g e t o Mrs . N e t t l e b y , b e g g i n g t o
her' a s s h e be e x c u s e d a c c o m p a n y i n g had a v i o l e n t h e a d a c h e .
I n t h e o n e w o r d , " t a n t r u m s . " L i n t o n had e x a c t l y d e s c r i b e d S iby l ' s a t t i t u d e of mind. W h e n s h e w r o t e t h a t l e t t e r t o Cyri l l o v e w a s p u l l i n g a t her h e a r t s t r i n g s a n d b i d d i n g her to t e a r i t u p ; but s h e w a s In a w i l l f u l h u m o r , o v e r conf ident of her ' p o w e r , and b u r n i n g t o aasort her I n d e p e n d e n c e .
T h e H a w t h o r n s w a s a b o a r d i n g h o u s e , fl f e w m i l e s f r o m D o r k i n g , a t t h e f o o t of the S u r r e y H i l l s , k e p t by t w o g e n t l e w o m e n , Mrs . Moul ton- and h e r s i s t e r , w h o a d d e d t o a s m a l l Income b y t a k i n g p a y i n g g u e s t s in the ir fine old c o u n t r y h o u s e . B o t h D a l e and L i n t o n f r e q u e n t ly ran d o w n t h e r e for t h e w e e k - e n d , a n d s o m e t i m e s l o n g e r .
It w a s in a b i t t e r a n d r e c k l e s s m o o d , w i t h a f e e l i n g t h a t h i s l i f e w a s s p o i l e d a n d t h a t h e w o u l d l i k e t o do s o m e t h i n g d e s p e r a t e , t h a t C y r i l a r r i v e d . A t t r a c t e d by the s o u n d of m u s i c , h e wrritr t o t h e d r a w i n g r o o m . Mrs . Moulto'n's d a u g h t e r R u t h w a s s e a t e d a l o n e a t t h e p i a n o , p l a y i n g a n d s i n g i n g . As s h e finished I he a i r s h e l o o k e d round a n d s e e i n g Cyr i l D a l e s t a n d i n g in the d o o r w a y c o l o r e d t o t h e roo t* of her h a i r a s s h e j u m p e d u p t o g r e e t h i m . T h e a l i g h t ,
?rraeeful f i g u r e , t a s t e f u l l y a t t i r e d , t h e a r g e , l i q u i d h a s e l e y e s , the f r e s h c o m
p l e x i o n , w a r m e d a n d puri f ied b y f r e s h country" a ir , m a d V up a m o s t a t t r a c t i v e p e r s o n a l i t y .
F r e q u e n t l y a s Cyr i l had s e e n h e r h e h a d n e v e r b e f p r e rea l i zed h o w c h a r m i n g R u t h M o u l t o n w a s , p e r h a p s H e c a u s e h i s e y e s hnd p r e v i o u s l y b e e n filled w i t h a n o t h e r w o m a n ' s c h a r m s . H e b e g g e d h e r to s i n g a g a i n . T h e n he turned t o o t h e r s u b j e c t s — m u s i c , b o o k s , c o u n t r y l i f e — ajid s h e c o u l d t a l k w e l l u p o n a l l .
T h e r e w e r e f e w g u e s t s at T h e H a w t h o r n s , a s it w a s s t i l l e a r l y s p r i n g , s o t h a t Cyri l h a d a l m o s t t h e m o n o p o l y of the d r a w i n g r o o m , w h i l e R u t h , a t h i s e a r n e s t r e q u e s t , p l a y e d and s a n g a f t e r l u n c h e o n In t h e m o r n i n g , too , h e f o u n d opportuni fTes of h a v i n g p l e a s a n t c h a t s w i t h h e r in t h e g a r d e n .
ft w a s a d a n g e r o u s c o m p a n i o n s h i p f o r a y o u n g g i r l . S h e hnd u n d e r s t o o d t h a t he w a s e n g a g e d . B u t one dnv h e t o l d her t h a t the e n g a g e m e n t w a s b r o k e n off. S h e c o u l d n o t h a v e e x p l a i n e d t o h e r s e l f h o w it w a s t h a t the n e w s s e t her h e a r t h e a t i n g s o f a s t ,
"1 t h i n k I s h a l l c o m e and l i v e h e r e a l t o g e t h e r . " h e s a i d one m o r n i n g , w h i l e he w a s h o l p l n g her to p ick g o o s e b e r r i e s .
"Oh, y o u w o u l d s o o n g r o w t ired df i t " ' s h e a n s w e r e d . " T h o s e w h o h a v e l i v e d y e a r s In TiOndon c a n n o t l o n g e x i s t a w a y fK*m it !"
r v r l l w a s f a s c i n a t e d and. l e f t a l o n e , b e g a n t o p i c t u r e In a d r e a m y m o o d w h a t a c h a r m i n g , s y m p a t h e t i c w i r e R n t h w o u l d m a k e . And he l i n g e r e d o n at T h e H a w t h o r n s w e e k a f t e r w e e k , but s t i l l s h r i n k i n g f rom u t t e r i n g t h e final word, Hot no w o m a n c o u l d h a v e m i s t a k e n t h e m e a n i n g of li ls a t t e n t i o n s , o f the touch of h i s h a n d , of the l o o k in h i s eye* , t h e thr i l l In his v o i ce . And p o o r Ruth w. i s d a i l y f a l l i n g d e e p e r and d e e p e r in love w i t h h i m .
In the m e a n t i m e Sibyl H e a t h c o t e w a s b r a v e l y f i g h t i n g a g a i n s t the w e a k n e s s o f her heart a n d n s s u m i n g an a ir of oaJloim indinVrenee . S h e w o u l d not a c k n o w l e d g e e v e n in h e r s e l f t h a t s h e w a s t h e a g g r e s s o r In a n y w a y to b l a m e . "He' m u s t h a v e been v e r y e a g e r to be free or he
Id no( i qu ick ly ' t a k e n a d -v a n t a g e of my le t ter , ' s h e arg i ipd .*
"You are w e l l rid of s u c h a m a n . B e l ter to be d e s e r t e d b e f o r e mnrriaKe t h a n a f t er n !" Bald t u<- aunt .
N e v e r b e f o r e h a d Stbyl b e e n SAL b r i l l i a n t or d r a w n so m a n y admirotTl Hiitunil her, Yet s h e s h r a n k f r o m a n y o n e w h o b e c a m e m a r k e d "lit" h i s a t t e n t i o n s . She w e n t abOUl e v e r y w h e r e , a n d a l w a y s w i t h a s m i l i n g f,i<e; b u t i t w a s r e m a r k e d t h a t s h e w a s g r o w i n g t h i n n e r . that t h e r e w t l n bee t l e hr l l l l f iney in h e r
and upon her c h e e k s , a n d a f o r c e d r i n g i n J i e i l a u g h t e r .
One m o r n i n g s h e w a s u n a b l e t o r i s e f rom her bi '1 T h e doc tor w a s s e n t for. It w a s a c a s e of s e v e r e neVvous p r o s t r a t e t i ed by f e v e r i s h s y m p t o m s , he sa in .
T h e next d a y s h e w a s w o r s e . ^ On F r i d a y a f t e r n o o n a fly d r o v e fro* i
t h e n e a r e s t r a i l w a y s t a t i o n to T h e H a w t h o r n s , out Of w h i e h s t e p p e d Jai*k I . in ton . w i t h ft v a l i s e in his hand.
"Can y o u put m e up for the w e e k - e n d , Mrs. M o u l t o n ? " he inquired,
"Oh, c e r t a t q l y , Mr. Ltnton, w i t h p l e a s u r e ! I a f lppose y o u k n o w t h a t Mr. D a l e Is here?' ;
"Oh v'es! Is he about a n y w h e r e ? " "1 t h i n k ri l l Hnd him in t h e
g a r d e n , " J a c k l i t u p a c t g a r e i U and ( t r o l l e d
d o w n a p a t h c r o w d e d on e i t h e r a ide w i t h roae b u s h e s , a p p l e a n d p l u m t r e e a . There w a s a s u m m e r h o u s e a t t h e b o t t o m of t h e w a l k , o c c u p i e d by Cyr i l a n d the d a u g h t e r of t h e h o u s e . T h e y w e r e s e a t e d s i d e by aide, Cyr i l a p p a r e n t l y g a g i n g very e a r n e s t l y i n t o her f a c e ; she , w i t h d o w n c a s t eyea , p u l l i n g t o p i e c e s s o m e p r i m r o s e s h e he ld iq h e r f ingers .
T h e p i c t u r e w o u l d h a v e e x p l a i n e d i t -aelf to a far leas a h r e w d o b s e r v e r t h a n J a c k L i n t o n . H e d r e w b a c k o u t of s i g h t , a n d t h e n c a l l e d out , "Cyri l , a r e y o u t h e r e ? " to g i v e R u t h a c h a n c e of g e t t i n g a w a y ,
Cyri l hurr i ed t o m e e t h i m . " H e l l o , J a c k ! . W h o w o u l d h a v e t h o u g h t of s e e i n g y o u ? " he cr ied , g r a s p i n g h i s h a n d , b u t h i s m a n n e r w a s v e r y d i s c o m p o s e d .
"I h a v e c o m e d o w n for t h e w e e k - e n d , for o n e ^ t h l n g . a n d I w a n t e d t o e e e y o u . "
" W h a t '» t h e m a t t e r — a n y t h i n g w r o n g ? " iquired Cyri l , w i t h a v e r y a n x l o u a I "Sybi l H e a t h c o t e is s e r i o u s l y JU!"
o u a look, 111!"
h e a s k e d " W l t a t - ^ w h a t a t h e m a t t e r ? ' in a s c a r c e l y a u d i b l e v o i c e ,
" N e r v o u s p r o s t r a t i o n : u t t e r b r e a k d o w n ! 1 to ld y o u a t t h e t i m e y o u w e r e not jus t i f i ed in b r e a k i n g off y o u r e n g a g e m e n t for a s i l l y l e t t e r . S i b y l i s
s w e r for h e r Ife if y o u d o n't r e t u r n t o her!"
" D o n ' t t e l l m e t h a t ! " cr i ed ' C y r i l , w h i t e a s d e a t h . , L i n t o n ' s w o r d s iiad r e a r o u s e d t h e o l d
l o v e , s m o t h e r e d for a t i m e b y a n g r y p a s s i o n s . S i b y l w a s d y i n g — d y i n g of h i s d e s e r t i o n ! He m u s t fly.--to h e r ! B u t w h a t of t h e o t h e r w o m a n w h o s e h e a r t h e had b e e n p l a y i n g u p o n ?
H e c o v e r e d h i s f a c e w i t h h i s h a n d s . L i n t o n u n d e r s t o o d t h e s t r u g g l e . B u t h e w a s i n e x o r a b l e .
"You m u s t n o t l o s e a m o m e n t : y o u m u s t r e t u r n to-"town by t h e n e x t t r a i n . I t Is y o u r d u t y a s a m a n of h o n o r , a n d t h e r e Is no e s c a p i n g f r o m i t !"
A n d C y r i l w e n t . L i n t o n w a s a s m u c h a t h o m e a t T h e
H a w t h o r n s a s D a l e . A f t e r d i n n e r b e a n d R u t h w e r e - a l o n e in t h e d r a w i n g - r o o m .
"I a m a f r a i d y o u b r o u g h t Mr. D a l e s o m e v e r y b a d n e w s , a s h e w e n t a w a y s o s u d d e n l y ? " s h e sa id , a s s h e ran h e r r ingers o v e r t h e k e y s of the p i a n o .
"'Well, y e s . Y'ou k n o w he is e n g a g e d — " "Oh? but t h a t i s a l l b r o k e n off!'' s h e
sa id h a s t i l y . " W e l l , t l jey h a d a l o v e r s ' quarr.el : h e
w e n t off in a tiff; b e h a v e d v e r y b a d l y , I t h i n k ! S h e ' h a * f a l l e n d a n g e r o u s l y i l l t h r o u g h it. a n d n o w he h a s r u s h e d u p to L o n d o n , a l l r e p e n t a n c e . "
T h e w h i t e f i n g e r s l a y m o t i o n l e s s u p o n t h e p iano k e y s ; t h e r e w a s d a r k n e s s in her e y e s a n d a s i n g i n g in her e a r s . H o w s h e s a v e d h e r s e l f f rom f a i n t i n g w a s a m i r a c l e .
L i n t o n p r e t e n d e d not t o s e e a n y t h i n g of t h i s a s lie t u r n e d o v e r a p i l e o f m u s i c in s e a r c h of a s o n g . " W h a t a b r u t e I f ee l ." h e t h o u g h t to h i m s e l f . "Poor g i r l , poor g i r l ! H o w s o r r y I a m ! B u t i t w o u l d h a v e b e e n crue l k i n d n e s s to l i n g e r o v e r it ."
R u t h p l a y e d t h e a c c o m p a n i m e n t f o r L i n t o n , a n d e v e n s a n g h e r s e l f . B u t , o h , t h e a g o n y s h e w a s e n d u r i n g ! — - t h e b l o t t i n g out of her s w e e t v i s i o n s 6"f l o v e a n d h a p p i a o s s ; a-nd, ^vorae^4han a4h t h e b i t ter h u m i l i a t i o n of her w o m a n ' s p r i d e t o h a v e b e e n m a d e t h e m e r e p l a y t h i n g o f t h i s m a n , a s o m e t h i n g t o s a v e h i m f r o m t h e e n n u i of t h e q u a r r e l ! A n d w o m a n ' s pr i de s a v e d h e r f r o m s i n k i n g b e n e a t h the b l o w .
W h e n L i n t o n r e t u r n e d t o t o w n en. M o n d a y h e f o u n d t h a t t h e m e e t i n g b e t w e e n Cyr i l a n d S i b y l h a d t a k e n p l a c e on taie p r e v i o u s e v e n i n g ; t h a t t h e y h a d w e p t in e a c h o t h e r ' s a r m s , v i e d w i t h e a c h o t h e r in s e l f r e p r o a c h e s , a n d v o w e d t h a t t h e y h a d n e v e r l oved e a c h o t h e r a s t b e y l o v e d a t t h a t m o m e n t .
"But you do n't l o o k a s h a p p y a s y o u m i g h t . " r e m a r k e d J a c k .
Cyri l did n o t a n s w e r for s o m e m o m e n t s . T h e n he to ld t h e s t o r y of t h e t h r e e w e e k s a t T h e H a w t h o r n s , for h e w a n t e d h i s f r i end ' s a d v i c e a s t o w h a t h e o u g h t t o do.
"She k n o w s w h a t h a p p e n e d , I t o l d her ," s a i d L i n t d n . "'Yes, I g u e s s e d t h e s i t u a t i o n . " • ' '
" O u g h t I t o w r i t e t o h e r ? " a s k e d D a l e , a f t e r a n o t h e r s i l e n c e .
" C e r t a i n l y n o t ; It w o u l d b e a n i n s u l t ! E s p e c i a l l y a s y o u s a y t h a t y o u n e v e r m a d e a n v d e c l a r a t i o n — i n w o r d s ! "
"No, b u t t h a t i s a c o w a r d l y e v a s i o n . a u d I k n o w it . P o o r R u t h ! I s h a l l n e v e r f o r g i v e m y s e l f u n l e s s I h e a r t h a t arte i s h a p p i l y m a r r i e d . "
"I w o n d e r , " m u s e d J a c k , " w h i c h h e w o u l d h a v e b e e n h a p p i e r w i t h ? I s h o u l d b e i n c l i n e d t o b a c k R u t h M o u l t o n . " — F r o m Modern S o u t h . <
by a d e m u r e l i t t l e m a i d , w h o a p p a r e n t l y n e v e r t o o k n o t i e * o f a n y t h i n g ouTBssl her o w n d e p a r t m e n t . I t d e v e l o p e d t h a t e h e n o t o n l y h e a r d a n d r e m e m b e r e d al l t h a t w a s s a i d , b u t e m b e i y s h e d It In t h e te l l ing , d r a w i n g u p o n her i m a g i n a t i o n ^ for w h a t e v e r l a c k t h e r e w a s in t h e t r u t h . % H e r t r i c k w a s d i s c o v e r e d a f t e r s h e h a d t r a n s f e r r e d h e r s e r v i c e s t o a n o t h e r f a m i ly , b u t t h e m i a c h l e f w a s b e y o n d r e pa ir . S n u b s h a d b e e n g i v e n a n d b i t t e r t h i n g s s a i d , a n d t h e s t i n g r e m a i n e d . F u r t h e r f r i e n d s h i p w a a i m p o s s i b l e , a s t h e w o m a n w h o d id b o t h t h e s n u b b i n g a n d t h e t a l k i n g h a d t h e s e n s e t o d i e -c o v e r .
I t al l s p r a n g f r o m t h e q u e s t i o n r e g a r d f Ing a f a v o r t h a t h a d been d o n e a n d a n e x p r e s s i o n of s u r p r i s e t h a t a w o m a n , f o u n d t o b e e x c e e d i n g l y a p p r e c i a t i v e , h a d not a c k n o w l e d g e d It. T h e c o n v e r s a t ion w a s h a r m l e s s e n o u g h , but y o u c a n r e a d i l y u n d e r s t a n d w h a t ef fect it m i g h t
b r e a k i n g her h e a r t , a n d I w o u l d n o t a n - f h a v e w h e n r e p e a t e d w i t h a d d i t i o n s d i c t a t e d b y maTfce. JtitflrtTre w o r m m o v e r h e a r d b o t h q u e s t i o n a n d c o m m e n t s h e c o u l d n o t p o s s i b l y h a v e t a k e n e x c e p t i o n to t h e m . T h e t r o u b l e w a s m a d e b y t h e t a l e - b e a r e r .
P e r s o n a l s u b j e c t s s h o u l d be e l i m i n a t e d f r o m g e n e r a l c o n v e r s a t i o n , e v e n in t h e p r i v a c y or h o m e . T h o a e o u t s i d e - t h e f a m i l y c i r c l e , a n d e v e n the ch i ldren b e l o n g i n g to it . h a v e s h a r p ears . G e n e r a l l y t h e i r m e m o r i e s are not on a p a r w i t h t h e i r h e a r i n g , a n d t h e r e are n o s c r u p l e s a g a i n s t filling in t h e g a p s to s u i t t h e f a n c y . A w o m a n w h o Is a b r o a d r e c o v e r i n g t h e health* s h e los t over a u u n c o m f o r t a b l e e x p e r i e n c e ' t h a t w a s l i t e r a l l y f o r c e d u p o n her is not l ike ly t o f o r g e t h e r s e l f a g a i n in a n s w e r i n g a d i r e c t q u e s t i o n f r o m a fr iend. She w a s s u e d f o r a n a n s w e r t h a t w a s l i t era l ly forced u p o n her , a n d a U h o u g h s h e w o n the c a s e s h e p a i d d e a r l y f o r ' the e x p e r i e n c e .
mm
A d v i c e t o P l a t a Y\ o m r n ,
(from The I'ltlsburg Dlepatou.) T h e f irst t h i n g a p la in w o m a n m u s t do
Is t o g i v e h e r figure c a r e f u l a t t e n t i o n . A e t y l i s h o r e v e n w e l l - r o u n d e d body wi l l , fTTne t i m e s o u t of t e n , c a r r y o n e t h r o u g h f a r b e t t e r t h a n a p r e t t y f a c e .
T h e i n d i v i d u a l w i t h a poor f igure, w h o is s h o r t - w a i s t e d , flat-chested, m a y b e i m p r o v e d b y s u i t a b l e c o r s e t i n g . P e t t i c o a t s m u s t fit s u c h a figure p e r f e c t l y .
A p l a i n w o m a n m u s t a v o i d e v e r y t h i n g in d r e s s t h a t wi l l , b y c o m p a r i s o n , o n l y e m p h a s i z e h e r l a c k of beauty' ; s m a r t looking- s h e m a y be,T but* a l l fr ipperies^ m u s t b e s e t a s i d e .
T h e fit of h e r g o w n is m o s t i m p o r t a n t . S h e s h o u l d b u y m a t e r i a l of a g o o d q u a l i t y a n d e m p l o y t h e b e s t d r e s s m a k e r s h e e a n a f f o r d . T w o o r t h r e e w e l l - m a d e d r e s s e s w i l l b e b e t t e r t h a n a d o z e n m e d i o c r e o n e s .
Y o u t h f u l e f f e c t s a r e l i k e w i s e f a t a l . A b o v e al l ,* t h e h a i r s h o u l d be m o d i s h
a n d b e c o m i n g . N e a t n e s s , t o o . Is a n i m p o r t a n t f a c t o r . H e r c o l l a r s m u s t be i m m a c u l a t e .
S h e m u s t t a k e s p e c i a l c a r e of her c o m p l e x i o n , n e v e r f a i l i n g t o t a k e h e r n i g h t l y f a c i a l r u b b i n g in h o t s o a p y w a t e r , r i n s i n g in s e v e r a l w a r m w a t e r s a n d t h e n a p p l y i n g a g o o d s k i n food .
THREE UNUSUAL ARTICLES
m Gtybodys for
IgdZine March
1—-"The Lamb Rampant," by Lieutenant Hugh Johnson
15 cents a copy $1 .50 a y e a r
THE RIDGWAY COMPANY
UNION SQUARE NEW YORK CITY
9 D o yon know that it is the belief of some ofour best army oaken thai New York Of Saa Francisco could be ukea to a week by a foreign power, with hardly a blow struck m their defease ? That's the picture that Lieutenaaft Htajh Johaaoa fives you in the March Everybody's, it's not aa alarmist's article, but the scrkaai view take* by many experts of our country's innocent state of tmptcparedaess.
2—"Governor Hughes/' by Erman J, Ridgway % H e gives you the real man, the Hughes known by men who he** worked aad played with bin sine* his college days, Hughes is a big penoasiay. H t j worth knowing about.
3—"TbeFreezingof Washington," by Owen Wister 4 | A wonderfully interesting article on the " Freezing of George Washington " is illus-
, . trated by photographs of newspaper articles, showing how bitterly the father of hi* country was attacked in the press of his day. One editorial writer began his i meat of Washington as follow*:
** I will teiirre roo from the paia of teX-sccuMboe, io having pnrwd Am advice of *nde«d counarMon, and m a brief but Bac review of row sis yean* sdminiiuaaon, maiit the pwnsnaWe strpt which have tad tb* way to the present public evils that auatl your country. "
And continues with eighteen reasons why "tha voice of posterity wil not fail to render the'just antena ef condemnation on the ssaa who has emailed upon las country deep and iacarabis evils."
*J Doesn't it sound as though it had been written to-day ? And about some am office? You will be astonished—and instructed.
•5 W e have added • new writer this month, L . Frank Tooker, Keep your eye oat that name and read " T h e Shanty-Man.'* It contains some new negro song* that wilt haunt the mind.
sou ia
A Wicked Cut Wounds front axes, hatchets and painful contus ions
from blunt instruments require Johnson's Anodyne Lint meut to dismiss pain and properly heal them. Keep it in the
bouse for emergencies.
TROY TIMES PATTERN SERVICE
r.uwi JOHNSON'S *""»"•* Liniment
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t. 8 . JOHNSON * CO. , B o s t o n , M a s * . Keep it almavt in the house.
H I I H A . V S W O R L D .
Vnrtona M a t t e r s o f " S p e d a d h l a t e r e o t ^ho F e t n l a l n e Reader**—• M l a c - h i e f - M a k e r s .
(Betty Brai'een in The Milwaukee Wiseen*lB.) T h e m e a n e s t k i n d of w o m a n Is t h e o n e
w h o r e p e a t s c a r e l e s s , wordau d r o p p e d in c o n v e r s a t i o n a n d k n o w i n g l y b r i n g s *a r e s p e c t a b l e p e r s o n Into t r o u b l e t h a t i s s o m e t i m e s a i red in a c o u r t r o o m . Of c o u r s e , w e s h o u l d a l l be o n o u r • » g u a r d a n d n e v e r le t fal l a w o r d t h a t c a n g i v e u e f u t u r e a n n o y a n c e s , b u t w e a r e , n o t m o r e t h a n h u m a n , y o u k n o w , a n d v o i c e s c a r r y m u c h f a r t h e r t h a n w e t h i n k . More t h a n t h a t , t h e r e a r e p e o p l e w h o ; a r e n o t a b o v e l i s t e n i n g a t d o o r s .
T w o w o m e n , c o n g e n i a l in m a n y w a y s , j m e t a n d b e c a m e s o m e w h a t i n t i m a t e l a s t s u m m e r . T h e y h a d f r i e n d s a n d a c q u a i n t - j a n c e s In^ c o m m o n , a n d e x p e c t e d t o c o n - j t i n u e the ir i n t i m a c y t h r o u g h t h e w i n t e r b y m e a n s of f r e q u e n t m e e t i n g s a t t h e h o m e of e a c h o t h e r a n d a t e n t e r t a l n -rrfents in t h e h o m e s o f f r i e n d s . T h e y d o n o t look a t e a c h o t h e r n o w , a n d b o t h a r e a f r a i d t o a c c e p t i n v i t a t i o n s b e c a u s e of the c h a n c e o f m e e t i n g — i n — p l a c e s w h e r e it w o u l d b e a w k w a r d f o r o t h e r s a s wel l a s t h e m s e l v e s .
S t r a i n e d r e l a t i o n s w e r e b r o u g h t a b o u t
eye can't tell.
Cellulose—that's practically sawdust
Careless milling leaves it in the flour.
(OXdma/iCo; 'I/MTVABOVE ALL_
Your eye will never notice i t Your stomach will.
The Washburn-Crosby milling process eliminates all cellulose from
Gold Medal Flour
Gold Medal Flour
For Sale by Grocers
HEARTBURN In one of the m.ist dlatreaelaar a l i m e n t s t h f p e r s o n w i t h a w e a k s t o m a c h a n d d i s t u r b e d d i g e s t i o n h a s to c o n t e n d w i t h , lint t h e r e ' s a n n e e d t o c o n t i n u e t o sufrer w h e n tlte H i t t e r s w i l l q u i c k l y r e l i e v e y o u . T h e r e f o r e a l w a y s k e e p a b o t t l e h a n d y .
Hostetter's Stomach
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w i l l p r o v e c n a o l n -a l v e l y t h a t it i s a n idea l r e m e d y f o r a n y a i l m e n t o f t h a S t o m a c h , U v e r a n d B o w e l s , i t c u r e s
F l a t a l e t i e y , . < r a m p s , \ n . i s e s , RIHonaaeaa, InrilKesttnn, I J j s p e p s l a , F e m a l e I l ia , f o l d s , Gr ippe , a n d M a l a r i a ,
T h e g e n u i n e w i t h T f r l v a t e s t a m p o v e r n e c k w e g u a r a n t e e p n r e .
NIAL BROTHERS COWSTRUCTIOW CO.
CONTRACTORS and BUILDERS Mas* solicited. Jobbing prompt!} •trcuttA TsU.
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C L A R K & B L A K E V**.aa.«x>x*ml D i r e o t o r »
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•20 B I V E K STREET. BOTH fl>H0NRg «2». . . J"..
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n A M R i n a AMKRir.vN LINE, 87 1 ' m i : ,v W. I. COPBLANB. Sth Ave. «nd Broudway '
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Combination Sate F o r O n e W e e k O n l y
A Full Quart of 6 yeafolfH Pure Adirondack Rye Whiskey together with a bottle of High Grade California Wine of your own choice. Both bottles
M.SALZMANCO. H I V K A N D MtiL'O R M E R C H A N T S .
00 t o 04 C O N G R E S S S T R E E T , '. 138 S t a t e St . . S c h e n r e t a d y . 5 F R A N K L I N S Q U A R E , Opea E v e n l o s j s .
NO B A R . T R O Y , N. Y. B o t h ' p h o a e a at a l l at o r e s . NO B A R .
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T CHRIS JORDAN,
Steamship Ticket*. Drafts sod Money. Orders on all part* of tb* World.
S3 Congress St.. TROT. W. T.
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Thmr9 Im Only One
"Bromo Quinine," Thmi Im
Laxative Bromo Quinine IME» nttr ovm 79 4 OOLO til BAY.
Always nBDiember7 the full name. Look
for this sifoatuft on overy boa. 26e. SWJJL^
SoBarmuao. Weekly from Naw fork, lorty-fl.a hour* by oa»
to la screw 8, S. "Bermuttlaa." B e r m u d a t a N a s s a a lurtalabtly la i*sbruar*
and afarsk bj^ a «. -Trlalda*."
West Indies : \et* «t. S. " l i i i l s n n " ami oilier ste.nnW. fort-
alainis for S t Thomas. St. Crilx. St. K l i n AtitiKi,.. Dominica. UundalooDs. Marllnlqu*. S t Loci*. .BarbaAm-s, nod Deatevara. i
for lilwtrlated pamphlet passac**, etc.. writ* A. R. O U T F . K B H i n t . F . •% CO.,
Ati*.. Qnehee a, S. Co.. Ltd.. 2t» BroacSsme. !¥•*» fork; AHTItrtl A HERN. See'y. Qoebec. C»n*fi*. or W. I. COfEl/AND. B.lanr. tied Sth As*.Troy. S. 1.
TUROPl if
AotUorlj.'ft aai>nt for all trans-Atlantic steaiashls Ikies. Tirset for first, second or third ei.ia* pa**> •g* to soa from all osft* of tb* smrto Stateroom | accommodation re*er*eit In advance, oott, ofttwant ! »u4 retuialn* A llhtril discount on rmmd trip i tickets. Bates. Mfllng* sea full tnfermstto* r*> [ *;ard!n,i any i'n*. also esbla nlsn of sity stesmsr oa amplication. Azerits ft.r Cook-*, Raymond * Whit-combs »n.i CtsrS's tours Tvawter*' etisrt* of Th* • A*»erl<*a*- K*T»***s Cn. snd Intermtloiat M»rc.nt1U i Wnr'ne Co. Drafts and roott^ order* nsyabt* la • II part* of tb* srorirt.
W. I. COPELAND, BSOADWAI AND r i r T U AVK.VIJK. %ml. H, 1.
ANCHOR LINE
Commeneinc Nov. 2*. l&OT. train* will teas* Trey ** toitewa:
G o i n g N o r t h . atoDtr#*l-f*:00 A it. 11:40. '11:40 P. It. Lake riacld—»T:00 A. M.. *l l :40 I*. M. I'lsttaburf-17:00 A. It. , t l:40. t5:00, 11:40 ?, If. Butland-tT:00, *Ss65 A. af.. tl:*0. • • 4 * 0 , til 00
V. at Rntland A Salem-Bt7:43, B"S:30 A. M„ Bt2 3ft
B*5:20 P. M. . Balem-B'2.30. B"7:00 V. at. North Creek-t8:(WV A. II.. tBOO P. at. Lnks George— 11:40. *•»:.»*,*0:U0 P. M. Uleiis r»lT*~t7;00. *S:6S A. M.. t i . to .
t8:00 P. U
A PRETTY BLOUSE Iff | E S S A l » £ S i t H F o r t rave l ing and -other i n f o r m s ! eceat-
a i o n s incident to the b u s y modern Hie thai n e w b louses of s i lk are* e x t r e m e l y a t t r a e -t ive . A n Individual touch* i s g i v e n to that w a i s t i l lus trated b y t h e p r e t t y chemisette> a n d ro l l ing col lar , a s we l l a s by tha t a c k * a t c i ther s ide of the front a n d back. T a c k * are a l s o a feature o f the m o d i s h s l e e v e * . w h i c h , in t h e shorter ef fect , are a p j w o -p r i a t e l y finished wi th t u r n b a c k cuffs . Tttaj c l o s i n g of tiit w a i s t is e f fec ted invis ibly in. the cen tre front, though but ton* a r e e m p l o y e d a s a garni ture . A n y of t h s Waar s i lk or so f t wool fabr ics m a y toe used t<* m a k e the wais t , four a r t i seven-e ight!** y a r d s t w e n t y - t w o "Inches w i d e being n e e d e d for t h e m e d i u m size.
N o . 6056. S i s s z e s , 38 to 42 i n c h b a s t m e a s u r e
T h e T r o y T i m e s wi l l m a i l a pattern ftC t h e b l o u s e upon rece ipt o f 1«> cent* t o c o v e r alt c c s t - o f handling.*
Ai l nrders m u s t be d irec ted to T h e T r o y T i m e s . P a t t e r n D e p a r t m e n t . TfTsy, N. Y.
W h e n order ing p lease d o not fail t o m e n t ion n u m b e r .
W a n t * . . . . . . . . . . . . . . . . . . . . • « • • • • , * )
A d d r e s s * . . . . . . . . . . . . . . . , , , , • • • , * . t
* t a * . . . . . . . . . . , . * . . . » • • . * # . * • « • •
PROFOSA&S.
" 3 : * * .
EL4S60W AND lOHOOHOERRf •Dsllf tDs'Sf escept Sujntny, ISunrta** a*l*
Sal l iM* f r o m *ie%v V o r k e v e r y S a t u r d a y . T;******^***•**»• »*d dining Nesv *1'**1* Seresv t t e a t n a h r p *
• T 4 . I . I F O R N I A " f " C A L E D O N I A " aa«I "C OLCMBIA**
A l s o F a v o r i t e S t e a m s h i p " F u r a e s s l a " Saloon, iceoad C*M» rnd Third Clis* l*»*»«g* nt
Lowest Ri fe . »*H)len.liU Ac<*onfmodatS6ns
Aver*** n****s* For Iniira aB«1 fttrflii
Apply I. HS.»\ R|; or W. J ••Petwt*. S>2 s* Co.. tt Ktrvt St or W Hrwd*fsy ••»* Flfti UPVMIS. 2f>! 'Btottdws'y. '•'
F.xcsiisat Servlca,
r narti.-nlsrs as , v . '* Tofk.
. or Kennedy Wl b«r t «'one!an,|. cornsr
i. 'Troy, or William
Ssrstog* nprlngs—17:00. *S:5B. tl«:2S A. M,. fl-40 tS:00. ••3:60. t0:(O. t7:00. ' l U t O P. M. ' ^
Uechanlryllle—17:00. •S.B6, tJ0:2o A M.. tt:tsV f» 00. ••S:50. tS:0O .«f20. t«:00. »11:40 P. J?
G a l a * S o n f h a a d W e s t . Scrnnton * Wiik«*bnrr*—••1:13. t»:0u A. M.. t3-so
P. M. Blnahnmiiin * Oneonts—v7:0O ••7:15. ff»:00 A. U
«:S0. «a:.W. 'lOio* P. at. Oneoots—tS:,"*) P. M. A!timnBt-t7:0C. " 7 : I V tO-no, tOJ55 f | | : 3 0 A. M
••1:00. t l 30,. **:(*>. ••3:50, M.20, to So. •T:0f>. •9 00. •11:00 p. 14.
•IViRy. . ••Srndays only. tDatly cicept Snndsy. BVIa Eagl* Brldg*. ^
Boston & MaineR. R. T H R O U G H T R A I N S B R V I C t V
l a Effect D e c e m b e r 1'g, 19*7.
T r a i n s L e a v e t a l e * S t a t i o n . T r o y . BOSTON AND tJBKKM 1KLD— f7.*o, tJ0ou . „
HOUSICK r'At.Ua, WII.I.IAMSTOWN AVfi VA
ta:33, 10:0u, '7:00, t l l . JS P. M. ' ^ ' * • gpRlSGriKLD—17 42. t io 00 A 11.. "i M *•» ~
P. M. ' "*•" WOBtlKSTKR—1!0:00 A. M., n.la. »1| ; B p M KAUL.K H.ait>OE>-17.43, (§.;», , i < ) O 0 » ' * i
tl2:30, •U.aO. t3:S3. •»:««». '.* (>0 i t 11 ja ',. u J lJH \s i |N l l u l .P , - t l l : t 6 , »7„45. j s . lu , f ly . » , , . « ,
• 12:30. ISrCj, "JJ*». ta- ' i ' . M * . t t : £ )s]^ •7.00. tll::«i P M. ** rauw
bi-.NMV«iTn^-'«-W *• U-i *203. t3 2" * n* •II 2S P. M. " '"•"*
MAKCHKeTKR. Rl'TLAND *VD Hfrtt ' \VlTn* •7:30 A. M.. 12:06. SO 4», ' I t 23 V « r U ' - "
ST. AUBA>s-l'--0"'. *'» -'» t-. U. '* OTTAWA-*ll 25 t" M. AI.BLRGH AND I H i M R K A I r - t i i e , » | | j .^ p . .
t;*BKNWICH-«7-43 A k l ^ - ^ if ML CAMBRIP'IK rt\l.Kit POJl 1 1 M-^ ^Nt» RrjT.
LAND~tr«3 , t « 3 0 A. U * |S7:00 P. M,
S*al*d Proposal*, OFFICE of tu* Beard ot utatravt and Sttppty.
Boom 21. City Hall. Trey, S. v. , g i f T l M , IsiAg.—Beit led i>ropoa«!s, with auretle* attacbad. wilt tnj reet»ive<I by *ay BH-mlwr of the Beard of Contract «mi Supply of the Ctty o j , Ttet aattt Friday, Ftb. 21»t., 1»08. *t 11 o'clock *. snTfisraS I-. ,,wmg:
For the labor, ferslccs and material* retfulred i n fumMttii*; In i>l*ce. coBnci-tMt with the prT*lBt beating sys.tcm, a Mesm IK s t int bollsf *f the d«-scriptioT proskteil for in' sowltk-atXina for nse m% tin! Fifteenth Street Vim llead^tttrt«-ni naHttia*, Nortb Ead. ^ ^
- AA Hi* time shore mentioned, aad at the tea*** Of tits Bnir<! of Coatrnct nml Supply, No.^JL OMV Ball, tb* ptopesatt for said work will b» rscelsxi. P'lbllcly opeawtl ami o^BAatly *>cl*r»Kl by- **•*£ Loard. A certified cbee*. p»y*M* to tb* oeosr of tb* City Treasurer for i»e per* eeat. of tb* aasastat of saeb |>rotKw»ai must iwoiapany vaeh bM.
SpecSBcitlons for the alios* esa be seen at tat* ami toe City KHafm-t, s • fflsr. Subject la tb* rfjaf •f the tosrit to r»J««-t soy b l * .
Bf nrMt of tb* bc» g-18-td - , JAMES M R: r.KT. Sersetaty.'
S e a i a i P r o p o s a l * .
OKFICK of the Hoard of Contract aad Supaiy. Kofitt 21. City Hail. Troyf N. T.. FeK lata,
ItsB*—aeuiwl |iw-^>ssls. will! »»r*tl«( attach**, win be revet*** by any mem-tar of to* Board Coatrsct Tiwmisj. lo r tbi? fo!
For turn
>• any memier or tb* Boar* *f nt th* City of Trof watfl, itios, at 11 o clock t. m.
g s r . l k . z to the PuWte Worts Departs****
• of fiitM-BtSMj. Soaeol ttim of tsofc*. in.i-rT pews. t«**aa*sssl ink, .!<•.. |.,r to.- y**r 180S.
nt of Pttfeft* Wnrka i.-nt of F.<>ucntloa. kiadargar.
vesr .tf IPOS. outmost of I*oblh- Wotk*
..-• ut of K«h».-stl»a. ovBttnkg esei**s ea'rtbk *•»•
eu»elM(w*. library ear**, mtmt, Mf
1 ictHirf.nent of P*olte by the Enteae of BaUdlag*. *******
ase*, «*•*. etaek*. lag*), la*. Irnrps, oil, piii*. pope*.
for tit* oss of «>S«i bofMt**** b * year
11 - 3<i, tsSraa, to .00,
At tb* ttmf* abet* m»ntlon«il. and at tb* Tim*** of the Board at imntract and S*pply, N*. a t . gaat5
Uall. tb* pioposal. for **td *ork wtll h« r s c t l . s * oiaoullT *lecl*t»j* by
«d,eherk. pay**** to the ot*J*# of tbaTlts Tressiirvr. for t»»o par eeat. of tb*-**»*mn ,tf e ,-i-, proposal s**tt ari'Mapaiiy **** be*.
Si* - for tb* shot* c*a be see*' at t-b«*> » Cl i | Kngtnaer'* otae*. Bwaiaat to rb* rtgtf
Of tb* t»srd
rsr serth-s an thfrvus, MBN
Dvtalied iiff.rm-ttoa aad t!*s* t*We* m*t h* am. tstned st l i 'set xflk-ev, L. J. rLAN-nKBS, r %, n f T s n .
r*«* Traf stgr. Oea Pa«a Aagk
otae*. 1 isrd to rejssst *Bf Bid*.
sMtrdj, 4AMES M BHjr.T. Sotvatayp
BRSWEBS
P E A S E S POPULAfi GUIDE PRICE V)i- II 00 KKR ANS'UM
fjtse* amy* rt«-i,ilt»rt t»rV*Cwt*Jton tbsa coatat*** •a shoes sdt«'lIseowota. ail 8*w»iles:efs>
For **l* a* u s la* J U -Staw
S. BOlTOrSSMS
HOME BREWED ALE >i«n.t* ua tta awrtt.j
ttatas* j frow I M aest maurt. l *** *» } atsat cs* eMaba. Oa Staw ! **,{**. fen»4 uy STQ
*^?N.
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Thomas M. Tryniski 309 South 4th Street Fulton New York 13069
www.fultonhistory.com
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