PUBLISHERSHIRMER
AUTUMN 2015
3CONTEMPORARY ART / PAINTING
BASQUIATMUSEUM SECURITY
AN UNPRECEDENTEDLY DETAILED
EXPLORATION OF AN IMPORTANT
SERIES OF 12 PAINTINGS BY
BASQUIAT
DETAILED ANALYSIS CASTS A NEW
LIGHT ON BASQUIAT’S WORK
A SPECIAL EDITION: OVERSIZE,
LUXURIOUSLY ILLUSTRATED
The publication focuses on a series of 12 key works by Jean-Michel
Basquiat (1960-1988), created in the spring of 1983. The series draws
on the subjects most important in Basquiat’s oeuvre: from music,
anatomy, sports and comics via work, the economy, becoming and
decaying, to the history of African Americans and the history of art.
The book revolves around a series of 12 key works by Jean-Michel Basquiat, created in the spring of 1983 –
at the time when the artist’s oeuvre was at its most complex. The “Museum Security” series raises the
subjects most important in Basquiat’s oeuvre, including music, anatomy, sports, comics, the economy, the
history of African Americans and the history of art. His multi-layered exploration of socio-political issues,
ranging from discrimination and prejudices to capitalism, the market and subjugation reaches its pinnacle
in these paintings.
Jean-Michel Basquiat, 1983,
© Roland Hagenberg
“Hollywood Africans”, 1983,
Whitney Museum of American Art,
New York; Gift of Douglas
S. Cramer 84.23
“Dos Cabezas III”, 1983,
Private collection, Switzerland
Both works: Jean-Michel Basquiat,
© The Estate of Jean-Michel
Basquiat, licensed by Artestar,
New York
Ed. Dieter Buchhart,
Anna Karina Hofbauer
Essays by D. Buchhart and
S. Keller
English-French-German edition
116 pages
50 colour illustrations
31 × 31.5 cm, hardcover with
slipcase
£ 34.00
978-3-7774-2454-5
November 2015
5
AT THE CUTTING EDGE –
CONTEMPORARY PAINTING
IN NEW YORK
WITH WORK BY JOE BRADLEY,
MATT CONNORS, ELIZABETH
COOPER, JEFF ELROD,
AMY FELDMAN, ROSS IANNATTI,
EDDIE MARTINEZ, RUTH ROOT,
RYAN SULLIVAN, NED VENA,
ANTEK WALCZAK
NEW YORK PAINTING
Over the course of the past years, painting has undergone a
spectacular renaissance in the arts capital of New York at the hands
of a generation of artists who will no longer be told how art should and
should not be made. Eleven positions reveal the current importance
and variety of a genre many believed had no future.
Today, it seems, painting is as alive in New York as it was during the period of Abstract Expressionism
in the 1950s and of pop art in the 1960s. The difference is that there is now a plurality of styles and
forms of expression. The spectrum ranges from the painterly experiments of Matt Connor via the wild
post-pop paintings of Eddie Martinez to the neo-conceptual approaches of the likes of Antek Walczak
and Ned Vena. Without prioritising any particular style, this volume documents the rich panorama of
the medium of painting, which has moved on from the ideological battles about its existence and plays
an important role once again.
Ed. Christoph Schreier
Essays by Ch. Schreier,
R. Shiff et al.
English-German edition
196 pages,
100 colour illustrations
24 × 32.5 cm, softcover
with dust jacket
£ 32.00
978-3-7774-2419-4
July 2015
Exhibition
Bonn | Kunstmuseum Bonn
14.5.–6.9.2015
www.kunstmuseum-bonn.de
Elizabeth Cooper, untitled,
2008, Courtesy Galerie Anke
Schmidt, Cologne
Doublepage spread taken from
the publication
CONTEMPORARY ART / PAINTING
7CONTEMPORARY ART
JOHN BALDESSARITHE STÄDEL PAINTINGS
THE MOST RECENT SERIES BY
ONE OF THE MOST IMPORTANT
CONCEPTUAL AND MEDIA
ARTISTS
UNIQUELY DESIGNED SQUARE-
FORMAT PUBLICATION
CONTEMPORARY ART ON THE
OCCASION OF THE STÄDEL
ANNIVERSARY
John Baldessari is an important American conceptual artist and
the last member of the American post-war avant-garde. His large
collages, created for the Frankfurt exhibition, draw on masterpieces
at the Städel, from Lucas Cranach the Elder to Maria Lassnig.
A multifaceted opposition and juxtaposition of old and new art is
revealed by the texts and photographs.
By destroying all of his paintings created from 1953 to 1966 in 1970, John Baldessari (*1931) paved the
way for an independent and unmistakeable pictorial style between painting and photography, text and
image. He employs classic Modernist pictorial strategies such as montage and the integration of
everyday elements in order to confront these with artistic practices of the post-war avant-gardes, such
as discourses on consumerism and the media. Baldessari intertwines media and materials and thereby
combines entirely distinct groups of artistic subjects. In the process, the unambiguousness of the
pictorial language has given way to a multi-layered readability.
Ed. Martin Engler
Essays by J. Baumann,
M. Engler, D. Salle; incl.
an interview with John Baldessari
and Philipp Kaiser
English-German edition
200 pages
70 colour illustrations
28 × 28 cm, hardcover
£ 36.00
978-3-7774-2449-1
December 2015
Exhibition
Frankfurt a. M. | Städel Museum
5.11.–24.1.2016
www.staedelmuseum.de
“Movie Scripts / Art: Frank
nurses the drink”, 2014, diptych,
Städel Museum Frankfurt
“Movie Scripts / Art: Room
is bare and dusty”, 2014, diptych,
Städel Museum Frankfurt
“Movie Scripts / Art: A large
puddle of milk”, 2014, diptych,
Städel Museum Frankfurt
All works: John Baldessari
9CONTEMPORARY ART
TELE-GEN ART AND TELEVISION
AN INTERNATIONAL OVERVIEW
OF THE INTERDISCIPLINARY
WAYS IN WHICH THE
“TELEVISUAL” HAS BEEN
EXPLORED, FROM PAINTING AND
DRAWING TO INSTALLATIONS,
PHOTOGRAPHY AND VIDEO ART
FIRST-EVER PUBLICATION
OF “TV: LA TRANSPARENZA
PERDUTA” (1983) BY
UMBERTO ECO
What is the mutual relationship between TV and art? The publication
introduces artistic strategies used to explore TV and its specific
contents and narrative forms in video, film, painting, sculpture and
performance, ranging from the sculptural object of the TV box to the
manipulation of the TV image and the use of its structure of lines and
pixels in works of art.
Television, which is among the most important inventions of the twentieth century, has developed
a unique aesthetic and new communication structures worldwide. The early 1960s, the beginning of
the development of TV as the fi rst visual mass medium, were also the beginning of an artistic
exploration of TV. From artists known for their work in this fi eld such as Nam June Paik and Wolf
Vostell to current works by younger generations of artists such as Thomas Demand, Tobias Rehberger,
Ulrich Polster and Melanie Gilligan, this publication focuses on the analysis, paraphrasing and
parody of TV formats and their pictorial nature, amongst other things.
Ed. Stephan Berg,
Dieter Daniels
Essays by S. Berg, I. Blom,
D. Daniels, U. Eco, U. Frohne,
M. Ries, S. Waldschmitt
English-German edition
320 pages
400 colour illustrations
23.5 × 32.5 cm, hardcover
£ 39.00
978-3-7774-2444-6
November 2015
Exhibition
Bonn | Kunstmuseum
01.10.–17.1.2016
www.kunstmuseum-bonn.de
Joe Biel, “Veil” (detail),
2010–2015, photograph:
Matthew Gush, Los Angeles,
courtesy: Galerie Kuckei + Kuckei,
Berlin
Doublepage spread taken from
the publication
TAUBA AUERBACH
CHRISTIANE
BAUMGARTNER
JOE BIEL
ANGELA BULLOCH
JOHN CAGE
CÉSAR
YVON CHABROWSKI
MEL CHIN & THE GALA
COMMITTEE
BRUCE CONNER
THOMAS DEMAND
SIMON DENNY
CHRISTOPH DRAEGER /
REYNOLD REYNOLDS
HARUN FAROCKI
MICHEL FRANÇOIS
LEE FRIEDLANDER
KARL GERSTNER
MELANIE GILLIGAN
K. O. GÖTZ
MATTHIAS GROEBEL
CAROLINE HAKE
VANIA HEYMANN
DENNIS HOPPER
STEFAN HURTIG
ISIDORE ISOU
CHRISTIAN JANKOWSKI
UWE JOHNSON
EDWARD KIENHOLZ
MISCHA KUBALL
FABIO MAURI
M + M
BJØRN MELHUS
BEA MEYER
NAM JUNE PAIK
ULRICH POLSTER
TOBIAS REHBERGER
GERHARD RICHTER/
KONRAD LUEG
EDGAR REITZ
JULIAN ROSEFELDT
SAKROWSKI
CHRISTOPH
SCHLINGENSIEF
PAUL THEK
GÜNTHER UECKER
VAN GOGH TV
ANGEL VERGARA
WOLF VOSTELL
ANDY WARHOL
LAWRENCE WEINER
TOM WESSELMANN
JOSEPH ZEHRER
List of Artists
11CONTEMPORARY ART / DRAWING
DRAWING NOW
TWENTY-FIRST-CENTURY
DRAWING VIEWED FROM
A MULTITUDE OF ANGLES
CURRENT WORKS OF
INTERNATIONAL ART,
INCLUDING DRAWINGS
BY MICHAEL BORREMANS,
ROBIN RHODE, DAVID SHRIGLEY,
JORINDE VOIGT
DEPICTIONS FROM THE
MINIMALIST TO THE
FANTASTICAL PROVIDE
OPPORTUNITIES FOR NEW
DISCOVERIES
Drawing is back! The publication “Drawing Now” presents
35 international artistic positions that represent drawing today and
take it in new directions. The works of art are no longer limited to
pencil, ink and paper. A multitude of subjects and forms invite the
reader to discover new aspects of this genre.
Drawing takes many forms in contemporary art, from the abstract to the representational, from small
to monumental formats, from rapidly created sketches to large-scale projects planned in minute detail.
In today’s drawings, the line extends from the drawing to the wall, expands into space or becomes a
video animation. The spectrum of its subjects ranges from personal experiences that are expressed
in spontaneous diary entries to political events. This publication explores riveting questions such as
how artists express the subjects that are of importance to them in their drawings.
Works include those by Silvia Bächli, Michaël Borremans, Toba Khedoori, Paul Noble, Robin Rhode,
David Shrigley, Sandra Vásquez de la Horra and Jorinde Voigt.
Ed. Albertina, Vienna
Essays by P. Guevara,
A. Haldemann, E. Lahner,
A. Schallhorn, K. A. Schröder,
B. Schwenk
English-German edition
232 pages,
180 illus trations
22 × 28 cm, hardcover
£ 36.00
978-3-7774-2434-7
June 2015
Exhibition
Vienna | Albertina
22.5.–20.9.2015
www.albertina.at
Michaël Borremans, “The House
of Oppprtunity: The Chance of a
Lifetime”, 2003, S.M.A.K., Ghent,
© Michaël Borremans,
photograph: Dirk Pauwels
Erik van Lieshout, “Ron”, 2010,
Albertina Vienna,
© Eric van Lieshout, photograph:
Joheko Fotografie
13PAINTING
EGON SCHIELEALMOST A LIFETIME
EGON SCHIELE IN THE CONTEXT
OF HIS HOMELAND, WITH
PREVIOUSLY UNPUBLISHED
PHOTOGRAPHS
IN THE SPOTLIGHT: PREVIOUSLY
NEGLECTED INFLUENCES ON
SCHIELE’S OEUVRE
SEQUEL TO THE SUCCESSFUL
PUBLICATION “EGON SCHIELE.
THE BEGINNING”
Today Egon Schiele (1890–1918) is celebrated as an artist at the
forefront of the international stage, although he spent almost his entire
life in Lower Austria and Vienna. This publication uses the most recent
sources and previously unpublished photographs to show how Schiele
developed essential elements of his expressive art and how influential
it remains to this day.
For Egon Schiele Lower Austria represented both the world in which he lived and a space of yearning.
He spent almost his entire life in this region, between Tulln, Krems, Klosterneuburg, Neulengbach,
Mühling and Vienna. These landscapes and towns are therefore important milestones in the artist’s
development. In addition to the individual creative periods and places, this volume also explores
previously neglected infl uences such as his interest in X-rays and the art of Franz von Stuck. The reader
discovers how Schiele developed his expressive art from the scientifi c and cultural currents of his time
and the degree to which his Lower Austrian oeuvre continues to set international standards.
Ed. Christian Bauer
Essays by C. Bauer, A. Comini,
N. Fritz, W. Krug, S. Tretter,
G. Wagensommerer
306 pages,
200 illustration
22.5 × 28.5 cm, hardcover
£ 32.00
978-3-7774-2407-1
July 2015
Egon Schiele, “Wally”, 1912, Lan-
dessammlungen Niederösterreich
Johannes Fischer, Egon Schiele,
1918, Collection Gradisch
BEST
ART BOOK
HUFFINGTON
POST 2013
EGON SCHIELE
The Beginning
226 pages, 149 colour
and 44 b/w illus.
22.5 × 28.5 cm, hardcover
978-3-7774-2023-3
£ 39.95
15PAINTING
MONET LOST IN TRANSLATION
A WHO-IS-WHO OF
IMPRESSIONISM
ATMOSPHERIC VIEWS OF CITIES
AND LANDSCAPES
IN THE SPOTLIGHT: CLAUDE
MONET AND HIS FAMOUS WATER
LILIES
The pinnacle of Impressionist art: This beautifully illustrated volume
brings together the key cityscapes and natural landscapes as well as
the lake and river landscapes by the most important Impressionists.
It shines a spotlight on Claude Monet’s water-lily paintings, which were
created in his legendary garden at Giverny.
This publication juxtaposes the work of the most famous Impressionists, from Alfred Sisley,
Camille Pissarro and Auguste Renoir to Paul Gauguin. Edgar Degas, who is often considered to have
been an Impressionist because he exhibited his work alongside theirs, is also represented. Some of
the cityscapes refl ect the hustle and bustle of Paris while atmospheric landscapes invite viewers to fall
into reveries. The publication illustrates not only the key works by these famous artists, but also the
oeuvres of the trailblazers of this so-called en plein-air painting, Camille Corot and Gustave Courbet
as well as Eugène Boudin and others. The famous haystacks series created by Claude Monet and his
breath-taking water lilies paintings in Giverny are the publication’s greatest highlight.
Claude Monet, “Cliffs of
Pourville” (detail), 1882,
National Gallery of Art,
Washington, D.C.
LOOKING AT MONET
The Great Impressionist and His
Influence on Austrian Art
256 pages, 140 colour illus.
23 × 28 cm, hardcover
978-3-7774-2364-7
£ 34.00
Ed. Suzanne Greub
Essays by L. Madeline, S. Patin,
M. Clarke, K. Sagner, A. Distel,
J. Rubin, C. Willsdon
English-Danish edition
240 pages
106 illustrations
24 × 29 cm, hardcover
with dust jacket
£ 34.00
978-3-7774-2428-6
October 2015
Exhibition
Aarhus | ARoS Aarhus,
Museum of Art Denkmark
9.10.–10.1.2016
www.aros.dk
17PAINTING
JOAN MIRÓWALL | FRIEZE | MURAL
A NEW PERSPECTIVE ON THE
FAMOUS SURREALIST’S OEUVRE
UNPUBLISHED MATERIAL ON
THE SUBJECT OF MIRÓ’S
MONUMENTAL TRIPTYCHS
THE FIRST JOINT PRESENTATION
OF THE MAQUETTES FOR THE
UNESCO WALLS IN PARIS
Starting with the walls of his parental farm in Mont-roig, Joan Miró
was fascinated by the materiality and beauty of their expressive
surfaces and declared them to be the point of departure for his
paintings. The publication explores this central aspect of the artist’s
work and presents Miró’s important wall paintings in the context of his
oeuvre as a whole.
In search of simple, essential forms Joan Miró (1893–1983) created paintings in which he captured the
material beauty of walls with intense attention to detail and poetic expressiveness. The wall was not
merely the subject of the depiction, however, its physical and haptic quality inspired the artist to paint
on materials such as whitewashed canvas, raw burlap and sandpaper. His preference for elongated,
extremely narrow formats refl ects Miró’s exploration of the wall and simultaneously points to his late
ceramic friezes, including the important ’Birds taking Flight’ frieze in the collection of the Kunsthaus
Zürich, as well as monumental triptychs to which this catalogue pays extensive tribute.
Ed. Zürcher Kunstgesellschaft /
Kunsthaus Zürich
Essays by J. Punyet Miró,
S. Fraquelli, W. Jeffett,
C. Lanchner
160 pages
130 colour illustrations
28 × 22 cm, hardcover
£ 30.00
978-3-7774-2452-1
October 2015
Exhibition
Zurich | Kunsthaus Zürich
2.10.–24.1.2016
www.kunsthaus.ch
“Femme et oiseau dans la nuit”
(Woman and Bird at night), oil on
canvas, January 26, 1945, Collec-
tion Joan Punyet Miró.
On loan to the Fundació Joan Miró,
Barcelona
“La Ferme” (The Farm),
oil on canvas, 1921/22, National
Gallery of Art, Washington, D.C.,
Gift of Mary Hemingway
“Signes et figurations”
(Signs and Figurations), oil on
sandpaper, December 31, 1935,
Private Collection
All works: Joan Miró, © Successió
Miró / VG Bildkunst, Bonn 2015
1918 CULTURAL HISTORY PAINTING
EMIL NOLDETHE GREAT COLOUR WIZARD
GARDENS, LANDSCAPES AND
SEAS – NOLDE’S WORLD OF
COLOUR
THE FANTASTIC AND GROTESQUE
IN NOLDE’S WORK
AN ARTIST’S LIFE IN THE
GERMAN-DANISH BORDERLANDS
Emil Nolde was one of the most important exponents of Expressionism, and is
considered one of the main precursors of modernism. His virtuoso handling of colour
and the incomparable expressiveness of his paintings, watercolours, and Unpainted
Pictures astound viewers again and again, and ensure that every exhibition of his
work is a great success.
This volume was produced in close collaboration with the Nolde Stiftung Seebüll. The authors—
both noted Nolde experts—illuminate Nolde’s life and work and provide detailed discussions of
key compositions. The richly illustrated essay section and biography are supplemented by rarely
seen documents from the artist’s archive, making the book especially attractive to bibliophiles.
THE POWER OF LINE
LINES IN EUROPEAN, ASIAN AND
ISLAMIC CULTURES
THE LINE AS AN ESSENTIAL
ARTISTIC AND CULTURAL MEANS
OF EXPRESSION
THE BOOK FEATURES ESSAYS
COVERING A VARIETY OF
ACADEMIC DISCIPLINES
In many cultures lines take centre stage in art and science, in writing,
drawing and construction. This publication explores the fascination and
power of the phenomenon of the line from the point of view of various
academic disciplines ranging from the history of art to philosophy and
the history of science.
There are no lines in nature; lines are always the expression of human actions, perception and design.
Lines divide or connect; they are sometimes static and sometimes gestural and full of movement;
they represent and create forms in space and time. The essays in this volume elucidate the semantic
and conceptual depth of the line in European, Asian and Islamic cultures and reveal the continuity and
transformation of the line over the course of centuries as a constitutive element in architecture,
art and writing and as a medium of expression in choreography and scientifi c and technological fi elds.
Essays by Christian Ring and
Hans-Joachim Throl
72 pages
40 illustrations, colour
14 × 20.5 cm, hardcover
£ 11.95
978-3-7774-2466-8
October 2015
Ed. Marzia Faietti, Gerhard Wolf
Essays by A. Akiyama,
E. Bogdanova-Kummer, H. Brede-
kamp, J. van Brevern, T. Dufrêne,
M. Faietti, R. Felfe, S. Krämer,
A. Nakhli, S. Osano, V-S. Schulz,
A. Schwan, M. Søberg, N. Suthor,
F. Tancini
260 pages
160 colour illustrations
17 × 24 cm, hardcover
£ 32.00
978-3-7774-2498-9
November 2015
Emil Nolde, “Sultry Evening”,
1930, Nolde Stiftung Seebüll
2015, © Nolde Stiftung Seebüll
Album of the Buddhistic Lotos
Sutra, “Hoke-kyo”, 12th century,
Osaka, Shitenno-ji temple
2120 ARCHITECTURELANDSCAPE ARCHITECTURE
RUST REDTHE LANDSCAPE PARK DUISBURG-NORD
A COMBINATION OF INDUSTRY,
ARCHITECTURE AND GARDEN
LANDSCAPING THAT IS UNIQUE
WORLDWIDE
PETER LATZ DESCRIBES THE
IMPRESSIVE TRANSFORMATION
OF THE MEIDERICH IRONWORKS
25 YEARS OF DEVELOPMENT
AND USE IN PHOTOGRAPHS AND
PLANS
In the 1990s the landscape architect Peter Latz and his team
designed and executed a park that transcended all fashions and trends.
This volume provides insights into twelve years of planning and
realisation through photographs, sketches, plans and explanations, and
reveals to the reader a fascinating world in the footsteps of industry.
The Landscape Park Duisburg-Nord is one of the most remarkable examples worldwide of an
intelligent and appealing approach to dealing with the legacy of industry. In his vision for the park
Peter Latz largely abandoned the concept of landscape art and of the beautifi cation of agricultural
and woodland organisational patterns. Instead, he focused on the information-rich web of urban
infrastructure and industry. Peter Latz presents the fi rst in-depth account of his knowledge and
experience regarding this unique project in this book. Texts by renowned collaborators complement
the narrative with differing perspectives.
LIVING COMPLEXFROM ZOMBIE CITY TO THE NEW COMMUNAL
A POLITICAL MANIFESTO FOR A
NEW ARCHITECTURE
A PRECISE ECONOMIC
ANALYSIS OF THE WORLD OF
ARCHITECTURE AND A
BRILLIANT CULTURAL HISTORY
OF LIVING ARRANGEMENTS
ENGAGINGLY WRITTEN AND
CAREFULLY RESEARCHED
Approximately one billion units of accommodation will need to be built
worldwide over the course of the next twenty years. Houses as we know
them today will no longer be economically or ecologically affordable
in the future. How, then, should these dwellings look? The author intro-
duces international examples that also stand for a new architectural
outlook.
Cities all over the world are atrophying and the masses are moving to the suburbs. The construction
industry is booming – and continues to build the same old kinds of housing. But society is undergoing a
transformation. What sorts of dwellings do we need for our varied lifestyles today? Niklas Maak
presents international examples for new living arrangements beyond blocks of fl ats and single-family
houses. He shows that construction, living arrangements and the city itself must be reimagined –
beyond the classic categories of the private and the public.
Niklas Maak
240 pages
40 illustrations
10 × 20 cm, hardcover
£ 17.00
978-3-7774-2410-1
August 2015
Peter Latz
Essays by E. Bodmann,
K. Danielzik, J. Dettmar,
K. Ganser, G. Lipkowsky,
W. Riehl, C. Rupp-Stoppel,
M. Treib, K. Walter, R. Winkels
208 pages
300 colour illustrations
22 × 28 cm, softcover
£ 32.00
978-3-7774-2427-9
December 2015
Sou Fujimoto, “House NA”,
Tokyo, © Sou Fujimoto Architects,
Tokyo / photograph: Iwan Baan
Landscape park Duisburg-Nord,
overhead crane at the clear water
canal
BDA
ARCHITECTURAL
CRITIC AWARD
2015
NIKLAS MAAK
23PHOTOGRAPHY
SEPP WERKMEISTERNEW YORK 60s · PHOTOGRAPHS
INSIGHTFUL PORTRAITS OF
WORLD-FAMOUS JAZZ LEGENDS
THE FIRST PUBLICATION OF
SEPP WERKMEISTER’S NEW
YORK CITYSCAPES
A FASCINATING PORTRAIT OF
ITS TIME. NEW YORK AND ITS
MUSIC SCENE IN THE 1960s AND
1970s
Born in Munich, Sepp Werkmeister has over the course of the last
decades made a name for himself as one of Germany’s leading jazz
photographers. He created insightful black-and-white portraits of all of
the greats, from Louis Armstrong and Ella Fitzgerald to Oscar Peterson
and Miles Davis in Munich, New York and at international festivals.
His New York cityscapes of the 1960s and 1970s, which provide fascinating insights into the everyday
life of the American metropolis, have remained entirely unknown, however. Werkmeister captured the
entire panorama of New York’s urban society using his Rolleifl ex camera: the rubbish, the stranded and
the homeless on the one hand, and the rich and fashionably dressed inhabitants on the other hand.
This publication presents more than 120 pictures from the photographer’s archive.
Sepp Werkmeister, Manhattan
1964
Sepp Werkmeister, Fifth Avenue
1967
Ed. Ulrich Pohlmann
Essay by Fritz J. Raddatz
Foreword by Ulrich Pohlmann
English-German edition
128 pages
100 illustrations in colour
and black & white
16 × 24 cm, hardcover
£ 19.00
978-3-7774-2430-9
July 2015
Exhibition
Munich | Münchner Stadtmuseum
31.07.–27.09.2015
www.muenchner-stadtmuseum.de
25CONTEMPORARY ART
ORI GERSHTFORCES OF NATURE
CONTEMPORARY PHOTOGRAPHY
AT THE INTERSECTION OF
DESTRUCTION AND BEAUTY
FIRST COMPREHENSIVE SOLO
EXHIBITION IN GERMANY
WORKS BY THE
INTERNATIONALLY ACCLAIMED
ARTIST DATING FROM 1999 TO
2014
Blurred landscapes, falling trees and the lofty peaks of the Pyrenees –
the extraordinary aesthetics of Ori Gersht’s work seduce the viewer.
But beneath the beautiful first appearances lie the sites of historical
events – in this way the artist makes visible what is no longer plain to see.
Ori Gersht (* 1967) views the landscape as the location of past events. On his journeys he follows the
traces of the past and translates the process of remembering into powerfully expressive images.
The impressive panorama of the Pyrenees, for example, is a site of a desperate fl ight from the National
Socialists. His works of art are metaphors for the unsolvable relationships between past and present,
between life and death. They are in the liminal space between (natural) forces and destruction on the
one hand, and beauty and grandeur on the other. The images unfold their poetry and horror
simultaneously in an extensive pictorial series.
Ed. Andrea Firmenich and
Johannes Janssen
English-German edition
120 pages
92 illustrations
22 × 29 cm, softcover
£ 25.00
978-3-7774-2440-8
June 2015
Exhibition
Bad Homburg |
Museum Sinclair-Haus,
15.03.–14.06.2015
www.altana-kulturstiftung.com
The exhibition is part of
the cultural programme
“50 Years of German-Israeli
Relations”
Ori Gersht, “Olive 07”,
taken from the photoseries
“White Noise” “Ghost”,
2003, © Ori Gersht
Ori Gersht, 2015 © Ori Gersht,
Courtesy Ben Brown Fine Arts,
London
Ori Gersht, “Untitled 06”, taken
from the photoseries
“White Noise”, 1999–2000
Both photographs: © Ori Gersht
2726 CONTEMPORARY ARTPAINTING
THE ART COLLECTIONSMUSEUM WIESBADEN
A SPECTACULAR OVERVIEW OF
MORE THAN 800 YEARS OF ART
HISTORY
THE MOST IMPORTANT JAW-
LENSKY COLLECTION IN THE
WORLD
THE FIRST VOLUME OF THE
FAMOUS MUSEUM WIESBADEN
ART COLLECTION CATALOGUE
The Museum Wiesbaden is one of three important Hessian state
museums and holds world-class collections in the fields of art and
natural history. This volume provides the first-ever lavishly illustrated
introduction to the museum’s art collections, which span the period
from the Middle Ages to contemporary art with an emphasis on the art
of the nineteenth and twentieth century.
The year 2015 marks the centenary of the completion of the building housing the Museum Wiesbaden.
The sumptuously illustrated catalogue introducing the museum and its collections celebrates this
anniversary. The museum building was opened in 1915, having been designed by Theodor Fischer four
years before and built starting in 1913. In addition to the natural-history collections, it houses the three
departments of Old Master Art, Classic Modernism and Modern and Contemporary Art. In a chronolo-
gically arranged overview of the art collections, which range from 1200 to the present day, the curators’
texts provide a vivid introduction to the collection areas and their specifi c histories.
Ed. Alexander Klar
Essays by J. Daur, P. Forster,
A. Klar, R. Zieglgänsberger
English-German edition
260 pages
200 colour illustrations
22 × 26.5 cm, softcover
£ 30.00
978-3-7774-2464-4
October 2015
Publication of the
the permanent collection
Wiesbaden | Museum Wiesbaden
www.museum-wiesbaden.de
Katsuo Katase, “Raum eines
Raumes” (“Space of a Space”),
2009, Museum Wiesbaden
BERLINISCHE GALERIEMUSEUM OF MODERN ART
INSIGHTS INTO THE BERLIN ART
SCENE FROM 1870 TO THE
PRESENT DAY
HIGHLIGHTS FROM THE FINE
ARTS, WORKS ON PAPER,
PHOTOGRAPHY AND
ARCHITECTURE COLLECTIONS,
AS WELL AS ARTISTS’ ARCHIVES
A LOOK BEHIND THE SCENES
AT THE STATE MUSEUM
On the occasion of the state museum’s fortieth anniversary the publica-
tion presents central works from the nationally and internationally
renowned interdisciplinary collection. They range from Impressionism
via classic Modernism to contemporary in-situ installations. Readers
are introduced to the works and can look behind the scenes at the
museum.
The Berlinische Galerie is one of the capital’s youngest museums and collects art created in Berlin
between 1870 and the present, combining a focus on the local with international standards: from Max
Beckmann and Hannah Höch to Nan Goldin and Daniel Libeskind. A lavish sequence of photographs is
accompanied by texts about the challenges facing museums in the twenty-fi rst century. This unusual
book reveals how works of art are actually handled, from conservation measures to the ways in which
they are introduced to children and how curatorial concepts provide ever-changing interpretations of
works of art.
Doublepage spread taken from
the publication
Ed. Berlinische Galerie
Essays by R. Burmeister,
U. Domröse, S. Heckmann,
T. Köhler, A. Lütgens, U. Müller,
M. Winzen et al.
284 pages
200 colour illustrations
23 × 27 cm, hardcover
£ 36.00
978-3-7774-2462-0
December 2015
Publication of the
permanent collection
Berlin | Berlinische Galerie
www.berlinischegalerie.de
2928 CONTEMPORARY ART
ALICJA KWADE
THE ARTIST’S MOST RECENT
WORK
AN ARTISTIC INTERPRETATION
OF LÉON FOUCAULT’S
PENDULUM EXPERIMENT
INTERNATIONALLY RENOWNED
CONTEMPORARY ARTIST,
AWARDED WITH THE 2015
HECTOR PRICE
The most recent installation by the internationally acclaimed artist
Alicja Kwade (b. 1979), who comes from Katowice, explores the French
physicist Léon Foucault’s (1819–1868) proof that the world rotates
and develops the experiment further. The present volume illustrates
the playful exploration of space and time using recent pictures from
the Schirn rotunda.
The Berlin-based artist Alicja Kwade’s scientifi c-looking experimental setups are reminiscent of
surreal and phantasmagorical constellations and objects. The fascination of her work, which cannot
be explained by reason alone, is rooted in the skilful superimposition and sometimes paradoxical
nature of scientifi c and social realities. Things that are generally taken to be established facts are
called into question and disproved. Here the artist explores the true movement of time, which will
have an immediate effect on both space and the viewer.
Ed. Matthias Ulrich,
Max Hollein
Essay by Donatien Grau
English-German edition
64 pages,
32 colour illustrations
21 x 27 cm, softcover
£ 15.00
978-3-7774-2442-2
July 2015
Exhibition
Frankfurt a. M. |
Schirn Kunsthalle
26.3.–14.6.2015
www.schirn.de
PAVEL FEINSTEIN
CONTEMPORARY
INTERPRETATIONS OF THE
STYLE OF THE OLD MASTERS
WORKS OF ART BY PAVEL
FEINSTEIN 2013 –2015
FASCINATING PICTORIAL
SUBJECTS, EXECUTED IN A
SURPRISING MANNER
Citrus fruits with empty oyster shells, chicken eggs stamped with
best-before dates and unmoving nudes in empty spaces: Inspired by
seventeenth-century painting, Pavel Feinstein transposes artistic
traditions to the present day, toys with the viewer’s perceptions and
sometimes even blurs the boundaries between the painter and the
model.
Pavel Feinstein’s painting style is unmistakeable. A grey, undefi ned background underpins a pictorial
subject, one or several objects, carefully arranged and sensuously captured. Although his work may
inevitably bring to mind the compositions of earlier colleagues, such as Cézanne, Manet or Van Gogh,
Feinstein’s work is characterised by additional elements: He transposes desirable objects into austere
spaces and imbues his ensembles with a mysterious, melancholy air through purposeful composi-
tion. In collaboration with Galerie Kiefer this volume presents the still lifes and nudes created by the
Moscow-born artist, who emigrated to Germany in 1980 and now works in Berlin.
Essay by Kay Heymer
English-German edition
124 pages
72 colour illustrations
24 × 28 cm, hardcover
£ 25.00
978-3-7774-2447-7
October 2015
Pavel Feinstein, “No. 1975”,
2015
Pavel Feinstein, “No. 1746”,
2013
Alicja Kwade, “The void of the
moment in motion”, 2015,
© Alicja Kwade, photograph:
Norbert Miguletz, Frankfurt
Alicja Kwade, 2013,
photograph: Fabrice Seixas
CONTEMPORARY ART / PAINTING
3130 PAINTING & SCULPTUREPAINTING
SCHERMULYCATALOGUE RAISONNÉ
AN ARTIST BEYOND PREVALENT
CONVENTIONS
THE ENTIRE PAINTERLY OEUVRE
A MULTIFACETED AND ORIGINAL
SPECTRUM OF ARTISTIC
SUBJECTS
The painter Peter Schermuly (1927–2007) created works of an artful
reality whose meticulously detailed concreteness is the expression of
pure painting. This catalogue raisonné makes accessible his entire
oeuvre of oil paintings and sketches as well as wall designs. It presents
an art that carved out space for itself contrary to all trends.
Schermuly’s mutable and original oeuvre led him out of an abstraction governed by visual rules and into
the fascination of reality-inspired colour. The intensity of his gaze explored what the appearance of the
world has to offer to a virtuoso colourist for a painting. He was interested not in recreation but in
understanding the visible to develop colour phenomena suitable for painting. Profound knowledge of
the history of the art of painting was for Schermuly a guarantee of his originality. The elaborately
designed and lavishly produced book presents an artist of rare distinction from the isms of the second
half of the twentieth century.
BERNARD SCHULTZEA BRIGHT WISP, A GLISTENING WIND
IMPORTANT ART INFORMEL
ARTIST
OVERVIEW PUBLICATION WITH
LARGE-FORMAT ILLUSTRATIONS
PUBLICATION ON THE
CENTENARY OF BERNARD
SCHULTZE'S BIRTHDAY
31 May 2015 would have been Bernard Schultze’s one-hundredth
birthday. On the occasion of this anniversary the publication featuring
approximately eighty works of art honours the extensive oeuvre of one
of the most important Art Informel artists.
As a co-founder of the QUADRIGA artists’ group Bernard Schultze made an important contribution to
the establishment of Art Informel in Germany. This art movement rejected both realistic fi guration
and “formulaic” geometric abstraction, drawing instead on intuitive creative powers. The book
presents delicately coloured and black-and-white drawings and boldly colourful oil paintings
as well as Schultze’s important reliefs and sculptures. Texts by art historians, authors, psychoanalysts
and fellow artists and texts and poems by Bernard Schultze himself paint a multifaceted picture of
this important post-war artist’s oeuvre.
Ed. Oliver Kornhoff
Essays by A. Duden, K.O. Götz,
M. Haupt, H. Kraft, G. Laschen,
J. Mattern
English-German edition
120 pages
55 colour illustrations
24 × 31 cm, hardcover
£ 25.00
978-3-7774-2420-0
July 2015
Exhibitions
Remagen | Arp Museum Bahnhof
Rolandseck
19.6.–1.5.2016
www.arpmuseum.org
Ed. Martin Mosebach,
Brigitte Schermuly
Essays by D. Dittmeyer,
M. Mosebach, N. Schneider
360 pages
90 colour plates,
880 colour illustrations
24.5 × 30 cm, hardcover
£ 80.00
978-3-7774-2437-8
November 2015
Peter Schermuly, “Studio Still
Life with Figure”, 1981
Peter Schermuly, “Two Pump-
kins”, 1993
Bernard Schultze, “Jean Paul's
Game of Confusion”, 1992,
Würth Collection, photograph:
Wim Cox, Cologne, Rheinisches
Bildarchiv Cologne
3332 DECORATIVE ARTS
RUSSIAN LACQUER
THE FIRST PUBLICATION TO
PRESENT THE ENTIRE RUSSIAN
COLLECTION OF THE MUSEUM OF
LACQUER ART IN MÜNSTER
INDISPENSABLE FOR
COLLECTORS AND DEALERS
The museum of Lacquer Art has what is probably the most important
collection of Russian lacquer wares outside Russia. The works of art
date to the period between the early nineteenth century and the 1950s,
providing an extensive overview of the development of this flourishing
art and craft.
Russian lacquer art can be traced back to Peter the Great, who had come to know this fl ourishing art
and craft during his study trips in Western Europe. The fi rst important work in this genre in the tsar’s
empire was completed in 1722 in the form of the Lacquer Study in his palace of Monplaisir. A second
signifi cant event followed when the Korobov workshop, which was modelled on the Braunschweig-
based Stobwasser workshop, was established in 1793 near Moscow. It is better known by the name of
a later owner, Lukutin. A technical and artistic alignment with the German model was followed by an
increasingly independent Russian development from the 1820s onwards. At fi rst this found expression
in specifi c decorative techniques, and later also in specifi cally Russian motifs.
Monika Kopplin
312 pages
248 colour illustrations
24 × 30 cm, hardcover
£ 45.00
978-3-7774-2429-3
October 2015
DECORATIVE ARTS
PRECIOUS CUFFLINKSFROM PABLO PICASSO TO JAMES BOND
THE AUTHORS AND EDITORS,
WHO ARE THEMSELVES
COLLECTORS AND WEARERS,
PRESENT THESE GEMS IN
A PROFOUND, CAPTIVATING
AND PASSIONATE MANNER
ESSENTIAL READING FOR
COLLECTORS OF CUFFLINKS
A PINNACLE OF THE ART OF
JEWELLERY – MORE THAN 200
TIMELESS MASTERPIECES
They are one of the highlights of the world of jewellery. From the rec-
tangular to the round and rounded: Cufflinks are timeless eye catchers.
Those who adorn their shirt sleeves with such works of art can be sure
to attract attention. This knowledgeable publication introduces readers
to the world of cufflinks, tracing their story and showing rare designs.
Cuffl inks are among the few pieces of jewellery worn by men and, like wristwatches, are an essential
part of men’s fashion. The fi rst cuffl inks appeared as early as the seventeenth century, but they
did not come into common usage until the late eighteenth century as their development was closely
connected to that of men’s shirts. Nowadays cuffl inks are little artworks that allow men to express
their own personality in an understated way. Their design and the materials from which they are
made can speak volumes about the wearer’s preferences, hobbies and profession. Designers are
fascinated by the challenge as cuffl inks provide only very little space for their design, and the four
buttons that make up a pair have to be well coordinated. The most exquisite examples are nowadays
often to be found in drawers and display cases belonging to collectors and museums. This publication
presents more than 200 of these treasures..
Ed. Walter Grasser,
Franz Hemmerle
Essays by W. Grasser,
F. Hemmerle, Duke Alexander
von Württemberg
English-German edition
120 pages
150 colour illustrations
22 × 28 cm, hardcover
£ 34.00
978-3-7774-2423-1
November 2015
Fabergé 18ct Gold Cufflinks
KOREAN LACQUER ART
Aesthetic Perfection
208 pages, 163 colour illus.
24 × 30 cm, hardcover
978-3-7774-5781-9
£ 45.00
35
CANALETTO
Bernardo Bellotto paints Europe
360 pages, 311 colour illus.
29 × 30 cm, hardcover
978-3-7774-2247-3
£ 39. 00
Painting
34
NUDE MEN
From 1800 to the present day
348 pages, 343 colour illus.
24. 5 × 29 cm, hardcover
978-3-7774-5851-9
£ 39. 95
Painting
FLORINE STETTHEIMER
192 pages, 134 colour illus.
24. 5 × 28 cm, hardcover with linen
978-3-7774-2264-0
£ 34. 00
Painting
VELÁZQUEZ
English-German edition
336 pages, 170 colour illus.
24 × 28 cm, hardcover
978-3-7774-2313-5
£ 38. 00
Painting
GUSTAVE CAILLEBOTTE
An impressionist and photography
245 pages, 50 colour, 139 b/w illus.
23 × 26. 5 cm, hardcover
978-3-7774-5921-9
£ 39. 95
Painting
ESPRIT MONTMARTRE
Bohemian Life in Paris around 1900
320 pages, 290 colour illus.,
24 × 29 cm, hardcover
978-3-7774-2197-1
£ 45. 00
Painting
EUROPE IN VIENNA
The Congress of Vienna 1814/1815
408 pages, 364 mostly colour illus.
23 × 28. 5 cm, hardcover
978-3-7774-2324-1
£ 38. 00
Painting/History
ART
BOOK OF
THE YEAR
FINANCIAL
TIMES
2012
BACKLISTBACKLIST
HUNDERTWASSER
Japan and the Avant-Garde
256 pages, 106 colour and 101 b/w illus.
23. 5 × 28. 5 cm, softcover
978-3-7774-2044-8
£ 39. 95
Painting
Marian Bisanz-Prakken
GUSTAV KLIMT
Drawings
304 pages, 266 colour illus.
25 × 29. 5 cm, hardcover
978-3-7774-4951-7
£ 45. 00
DrawingBEST
AUSTRIAN
ART BOOK
2013
NORDIC ART
The Modern Breakthrough 1860-1920
260 pages, 154 mostly colour illus.,
1 map
29.5 × 28.5 cm, hardcover
978-3-7774-7081-8
£ 45. 00
Painting
REMBRANDT BUGATTI
The Sculptor 1884-1916
220 pages, 247 colour illus.
24. 5 × 29. 5 cm, hardcover
978-3-7774-2188-9
£ 45. 00
Sculpture
OSKAR SCHLEMMER
Visions of a New World
300 pages, 352 colour illus.
24 × 28 cm, hardcover
978-3-7774-2304-3
£ 45. 00
Painting – Sculpture
THE ART OF SELFAn Interpretation of Traditional Taekwon-Do
128 pages
13.5 × 21 cm, softcover
978-3-7774-2392-0
£ 7.95
Philosophy – Martial Arts
“The Art of Self” is an interpretation of the philosophy of Traditional
Taekwon-Do. It elucidates the different aspects of Taekwon-Do
practice and its impact on body, mind and spirit. It gives access to the
moral and philosophical principles of this art to both the practitioner
and non-practitioners alike. This book shows how one can achieve a
harmonious, aware, empowered and peaceful state of being.
PIERRE HUYGHE
248 pages, 770 colour illus.
plus 160 miniature illustrations b/w
20.6 × 28 cm, softcover with flaps
978-3-7774-2249-7
£ 39.00
Contemporary Art
ALEXANDER CALDER
Avant-garde in Motion
144 pages, 80 colour and 38 b/w illus.
Incl. a DVD
26. 5 × 34.5 cm, hardcover
978-3-7774-2060-8
£ 29. 95
Sculpture
JEAN PAGLIUSO
Poultry Suite
112 pages, 45 tri-tone photographs
24 × 30.5 cm, hardcover with dust jacket
978-3-7774-2379-1
£ 30. 00
Photography
LATE HARVEST
192 pages, 107 colour illus.
21 × 28.6 cm, hardcover
978-3-7774-2350-0
£ 30. 00
Contemporary Art
BARE LIFE
Bacon, Freud, Hockney and others.
London artists working from life 1950-80
260 pages, 200 mostly colour illus.
24 × 30 cm, softcover
978-3-7774-2254-1
£ 34 . 00
Painting
36
RITA DE MUYNCK
Under the Skin
English-German edition
190 pages, 153 colour illus.
24 × 28 cm, softcover
978-3-7774-2182-7
£ 29. 95
Painting
THOMAS SCHÜTTE
English-German edition
160 pages, 105 mostly colour illus.
19 × 25 cm, softcover
978-3-7774-2309-8
£ 25. 00
Contemporary Art – Sculpture
XENIA HAUSNER
Damage
English-Chinese-German edition
152 pages, 110 colour illus.
29. 4 × 27. 5 cm, hardcover
978-3-7774-4281-5
£ 29. 95
Painting
FRANCESCO CLEMENTE
The Tarots
168 pages, 151 colour and 27 b/w illus.
22 × 28. 5 cm, hardcover
978-3-7774-4521-2
£ 29. 95
Painting
ANNETTE MESSAGER
Exhibition/Exposition
English-German edition
88 pages, 49 illus.
25 × 19 cm, hardcover with linen
978-3-7774-2347-0
£ 22. 00
Installation
HORST THÜRHEIMER
Fire and Chalk
English-German edition
128 pages, 63 colour illus.
24. 5 × 32 cm, hardcover with dust jacket
978-3-7774-2240-4
£ 34. 00
Painting
ERAN SHAKINE
Sunny Side Up
120 pages, 55 colour illus.
24 × 30 cm, softcover
978-3-7774-5071-1
£ 19. 95
Painting
HANS AICHINGER
Truth or Duty
English-German edition
160 pages, 83 colour illus.
24 × 30 cm, hardcover with dust jacket
978-3-7774-2123-0
£ 34. 95
Painting
UTA REINHARDT
Painting
English-German edition
160 pages, 102 colour illus.
24. 5 × 30. 5 cm, hardcover
978-3-7774-2082-0
£ 29. 95
Painting
37
MAX UHLIG
Grown Up in Front of Nature
English-German edition
168 pages, 133 illus.
23.5 × 27 cm, hardcover with dust jacket
978-3-7774-2336-4
£ 30. 00
Painting – Drawing
STRONG WOMEN FOR ART
In Conversation with Anna Lenz
296 pages, 155 colour illus.
17 × 24 cm, softcover
978-3-7774-2149-0
£ 19. 95
Biography
MY LIFE WITH ALEXANDER
ARCHIPENKO
208 pages, 84 illus.
17 × 24 cm, softcover
978-3-7774-2248-0
£ 17. 00
Biography – Sculpture
URBAN NOMADS
Winfried Baumann
English-German edition
360 pages, 418 colour illus.
27 × 24 cm, softcover
978-3-7774-2218-3
£ 29. 95
Contemporary Art
JOCHEN PLOGSTIES
Kisses in the Afternoon
English-German edition
128 pages, 77 colour illus.
22 x 30 cm, hardcover with dust jacket
978-3-7774-2357-9
£ 25. 00
Painting
BACKLISTBACKLIST
MONIKA FIORESCHY
Interwoven Energy
English-German edition
136 pages, 60 colour illus.
24. 5 × 30 cm, hardcover with dust jacket
978-3-7774-2243-5
£ 43. 00
Sculpture
SIMONE FORTI
Thinking with the Body
304 pages, 538 illus.
24 × 28 cm, hardcover
978-3-7774-2278-7
£ 32. 00
Minimalistic Art
DANIELE BUETTI
It's all in the Mind
English-German edition
64 pages, 16 colour illus.
21 × 27 cm, softcover
978-3-7774-2260-2
£ 15. 00
Installation Art
FRANCESCO CLEMENTE
Nostalgia, Utopia
72 pages, 20 colour illus.
26. 5 × 25 cm, hardcover
978-3-7774-5321-7
£ 24. 95
Painting
INTROSPECTION
Xiao Hui Wang – Wang Xiaosong
English-Chinese-German edition
2 volumes in a slipcase
472 pages, 244 colour illus.
25 × 32 cm, hardcover
978-3-7774-5991-2
£ 34. 95
Installation Art
MIKE KELLEY
Kandors
English-German edition
78 pages, 56 colour and 27 b/w illus.
24 × 31. 5 cm, hardcover
978-3-7774-3141-3
£ 35. 00
Installation Art
38
MINH HÄUSLER
The Fusion of Flora and Art
English-Chinese-German edition
232 pages, 233 colour illus.
28 × 28 cm, hardcover with dust jacket
978-3-7774-2380-7
£ 38. 00
Floral Art
FLOURISHING SPIRITS
Xu Jiang & Shi Hui
English-German edition
282 pages, 121 colour illus.
23 × 29 cm, hardcover with dust jacket
978-3-7774-2070-7
£ 29. 95
Sculpture
MR RADLEY DRIVES TO VIENNA
A Rolls-Royce Silver Ghost crossing
the Alps - 1913 & 2013
English-German edition
152 pages, 108 illus. in b/w and colour
27 × 28 cm, hardcover
978-3-7774-2346-3
£ 25. 00
Cultural History
EVA & ADELE
ADSILA
144 pages, 67 illus.
20 × 14 cm, hardcover
978-3-7774-2322-7
£ 16. 00
Drawing
ROLLS-ROYCE MOTOR CARS
English-German edition
180 pages, 200 colour illus.
32 × 27 cm, hardcover cloth over boards,
bookmark
978-3-7774-2193-3
£ 50. 00
Design
IRELAND GLENKEEN GARDEN
9 volumes in a luxury presentation box,
limited to 999 numbered copies.
Altogether 546 pages, 581 illus.
37 × 28 cm, in a presentation box
978-3-7774-2308-1
£ 315. 00
Landscape Architecture
FRANZ MAYER OF MUNICH
Architecture, Glass, Art
358 pages, 643 colour illus.
24 × 30 cm, hardcover
978-3-7774-5251-7
£ 45. 00
Glass Art
CLIFFORD ROSS
Through the Looking Glass
176 pages, 122 colour illus.
29. 5 × 31 cm, hardcover with dust jacket
978-3-7774-5301-9
£ 45. 00
Glass Art
ERWIN EISCH
Clouds have been my foothold all along –
Glass and Paintings
English-German edition
240 pages, 225 colour illus.
24 × 30 cm, hardcover with dust jacket
978-3-7774-5191-6
£ 45. 00
Glass Art – Painting
39
STANLEY GREENBERG
Time Machines
132 pages, 162 b/w photographs
26 × 28 cm, hardcover
978-3-7774-4041-5
£ 39. 95
Photography
JOSEF SUDEK
The Legacy of a Deeper Vision
288 pages, 210 photographs
32 × 26 cm, hardcover with dust jacket
978-3-7774-5291-3
£ 45. 00
Photography
BENJAMIN KATZ:
GEORG BASELITZ AT WORK
English-German edition
144 pages, 93 b/w photographs
24 × 28 cm, hardcover
978-3-7774-2054-7
£ 29. 95
Photography
BENJAMIN KATZ:
GERHARD RICHTER AT WORK
English-French-German edition
144 pages, 80 b/w photographs
24 × 28 cm, hardcover
978-3-7774-5311-8
£ 29. 95
Photography
EUGÈNE VERNIER
Fashion, femininity & form
192 pages, 220 b/w photographs
23 × 28. 5 cm, hardcover bookjacket
978-3-7774-5151-0
£ 39. 95
Photography
RONI HORN
Portrait of an Image
English-German edition
104 pages, 50 colour photographs
21 × 27 cm, softcover
978-3-7774-2098-1
£ 15. 00
Photography – Installation Art
MAURICE WEISS
Facing Time
English-German edition
128 pages, 55 colour photographs
24.5 × 30 cm, hardcover
978-3-7774-2242-8
£ 32. 00
Photography
KENNEDY IN BERLIN
144 pages, 91 b/w photographs
24. 5 × 27 cm, hardcover
978-3-7774-2020-2
£ 29. 95
Photography
ISABELLA BERR
Walking Dreams
English-German edition
128 pages, 62 colour photographs
24. 5 × 28 cm, hardcover with dust jacket
978-3-7774-2083-7
£ 45. 00
Photography
BEST
PHOTOGRAPHY
BOOK
DAILY
TELEGRAPH
2013
BEST-
SELLER
BACKLISTBACKLIST
THE MINI STORY
English-German edition
236 pages, 286 colour illus.
32 × 27 cm, hardcover
978-3-7774-2372-2
£ 45. 00
Design
FROM LOUISE BOURGEOIS TO
JEFF WALL
Portraits & Studio Stills by
Elfie Semotan
English-German edition
104 pages, 33 colour and
51 b/w photographs
23. 5 × 29 cm, softcover
978-3-7774-3291-5
£ 28. 00
Photography
GOLD MEDAL
GERMAN
GARDEN
BOOK PRICE
2015
BOOK
OF THE
YEAR
ADAC 2014
40
BUDDHA IN THE YURT
Buddhist Art from Mongolia
English-Russian edition, 2 volumes
In total: 840 pages, 554 colour illus.
24 × 28. 8 cm, hardcover, slipcase
978-3-7774-4351-5
£ 120. 00
Cultural History
TABO - GODS OF LIGHT
The Indo-Tibetan Masterpiece
308 pages, 405 colour
28 × 28 cm, hardcover
978-3-7774-2326-5
£ 38. 00
Cultural History
VODUN
African Voodoo
English-French edition
236 pages, 124 colour illus. and
74 b/w photographs
24 × 32 cm, hardcover
978-3-7774-4031-6
£ 60. 00
Sculpture – Tribal Art
FISH HOOKS OF THE PACIFIC ISLANDS
374 pages, 10 fold-outs, 341 colour and
31 b/w illus.
25 × 30 cm, hardcover with dust jacket
978-3-7774-4931-9
£ 130. 00
Tribal Art
EARLY CAPITALS OF ISLAMIC
CULTURE
The Artistic Legacy of Umayyad
Damascus and Abbasid Baghdad
(650–950)
72 pages, 84 colour illus.
23. 5 × 26. 5 cm, hardcover
978-3-7774-2244-2
£ 22. 00
Cultural History
MUSEUM ISLAND BERLIN
416 pages, 254 colour illus.
25 × 32. 5 cm, hardcover
978-3-7774-4441-3
£ 45. 00
Cultural History – Architecture
ROLAND FISCHER
Façades
224 pages, 101 colour illus.
25 × 31. 5 cm, hardcover with dust jacket
978-3-7774-2314-2
£ 32. 00
Photography – Architecture
41
CONSTRUCTION TECHNIQUES IN THE
AGE OF HISTORICISM
Texts in English, German and French
336 pages, 350 colour and 68 b/w illus.,
several maps, charts and ground plans
25. 5 × 30. 5 cm, hardcover
978-3-7774-3901-3
£ 75. 00
Architecture
NUKUORO
Sculptures from Micronesia
280 pages, 308 colour and b/w illus.
24. 5 × 30. 5 cm, hardcover with dust
jacket
978-3-7774-2028-8
£ 50. 00
Sculpture – Tribal Art
PETER KLUSKA
Landscape Architecture
English-German edition
280 pages, 218 colour illus. and 61 maps
28 × 25 cm, hardcover
978-3-7774-5161-9
£ 29. 95
Architecture
ENGINEERING DESIGN
Made in Wuhan, China
English-Chinese-German edition
80 pages, 79 colour illus.
28 × 30 cm, softcover
978-3-7774-2029-5
£ 19. 95
Architecture
FROM SAMOA WITH LOVE?
Samoan Travellers in Germany
1895-1911. Retracing the
Footsteps
224 pages, 176 mostly colour illus.
21 × 27 cm, hardcover
978-3-7774-2239-8
£ 34. 00
Cultural History
MODERNISM LONDON STYLE
The Art Deco Heritage
English-German edition
216 pages, 379 b/w photographs
24 × 27 cm, hardcover
978-3-7774-8031-2
£ 39. 95
Photography – Architecture
HEINZ MACK
Reliefs
English-German edition
400 pages, 371 colour and duplex illus.
26. 5 × 30 cm, hardcover
978-3-7774-2296-1
£ 58. 00
Painting
MAGNIFICENCE OF MARBLE
Bartolomé Ordóñez and Diego de Silóe
328 pages, 180 illus.
25 × 29 cm, hardcover
978-3-7774-2329-6
£ 45. 00
November 2015
Cultural History
ORNAMENTAL DESIGN PRINTS
128 pages, 145 b/w illus.
24 × 28 cm, hardcover
978-3-7774-2156-8
£ 29. 95
Decorative Arts – Graphic Design
IMAGES TAKE FLIGHT
Feather Art in Mexico and Europe
(1400–1700)
500 pages, 350 colour illus.
24 × 29 cm, hardcover
978-3-7774-2063-9
£ 50. 00
October 2015
Decorative Arts
STEPHAN MARIA LANG
Architecture. A Journey to the Soul
English-German edition
152 pages, 176 colour illus.
30 × 26 cm, hardcover with dust jacket
978-3-7774-5181-7
£ 39. 95
Architecture
FRAGMENTS OF METROPOLIS
Expressionist Heritage in Berlin
English-German edition
256 pages, 140 colour illus.
15.5 × 24.5 cm, softcover
978-3-7774-2290-9
£ 20. 00
Architecture
BEST
ARCHITECTURE
BOOK
FINANCIAL
TIMES
SUMMER2013
BACKLISTBACKLIST
SHORT-
LISTED
TRIBAL ART
BOOK AWARD
2014
Niklas Maak
LE CORBUSIER
The Architect on the Beach
208 pages, 74 b/w illus.
12 × 20 cm, hardcover with dust jacket
978-3-7774-3991-4
£ 17. 95
ArchitectureArcArc
BDA
ARCHITECTURAL
CRITIC AWARD
2015
NIKLAS MAAK
42 43
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Illustration front page: Egon Schiele, “Portrait of Walburga Neuzil”(detail), 1912, Leopold Museum, ViennaIllustration back page: Egon Schiele, “Writing Desk at the Mühling Prisoner-of-War Camp” (detail), 1916, Leopold Museum, Vienna Both taken from the publication: Egon Schiele. Almost a Lifetime (page 13)
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