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ZINE N O .1 F A L L ‘17 carl r. woese institute for genomic biology university of illinois at urbana-champaign

ZINE - Carl R. Woese Institute for Genomic Biology · ZINE n o. 1 f a l l ‘ 1 7 carl r. woese institute for genomic biology university of illinois at urbana-champaign. product of:

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Page 1: ZINE - Carl R. Woese Institute for Genomic Biology · ZINE n o. 1 f a l l ‘ 1 7 carl r. woese institute for genomic biology university of illinois at urbana-champaign. product of:

Z I N E n o . 1 f a l l ‘ 1 7c a r l r . w o e s e i n s t i t u t e f o r g e n o m i c b i o l o g y u n i v e r s i t y o f i l l i n o i s at u r b a n a - c h a m pa i g n

Page 2: ZINE - Carl R. Woese Institute for Genomic Biology · ZINE n o. 1 f a l l ‘ 1 7 carl r. woese institute for genomic biology university of illinois at urbana-champaign. product of:

product of: art of sciencecarl r. woese institute for genomic biology

The Carl R. Woese Insti-tute for Genomic Biolo-gy (IGB)’s Art of Science program is a celebration of common ground between science and art. Each exhibit compris-es images from IGB’s research portfolio, en-

hanced to highlight the beauty and fascination encountered daily in sci-entific endeavors. The Art of Science includes subjects from the micro-scopic to the holistic, from the physical to the abstract.

n o . 1 , f a l l 2 0 1 7 Z I N E c o n t r i b u t o r s

c a r o l i n e b l a s s i c k

b i o e n g i n e e r i n g

c l a u d i a l u t z i g b c o m m u n i c a t i o n s

c o l t a n p a r k e r

n e u r o s c i e n c e

c o u r t n e y f e n l o ni g b o u t r e a c h

n i c h o l a s v a s ii g b c o m m u n i c a t i o n s

s a y e e a n a k k

m o l e c u l a r i n t e g r a t i v e p h y s i o l o g y

x i a o j i ( c h r i s t i n e ) l i uf o o d s c i e n c e a n d h u m a n n u r i t i o n , ( f o r m e r l y i g b )

x u d o n g g u a n

i g b c o r e f a c i l i t i e s

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t h e m i t o c h o n d r i a

You lived alone once, they say,you were your own house with your own DNA.

Once you were free.Now how you sweatto churn out ATP

and transfer H+.You, the powerhouseof all of us

can do no other—like she who gave youto me, my mother.

author caroline blassick

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Grow out your neurites while you may,As over the fields you’re flying;For though with vigor you forage today,Tomorrow you’ll be dying. The body that carries you round aboutThe more elite records you’re setting,The sooner its wings will be worn outThe nearer its last trip is getting. The flight is best that is the first,When with new youth the brain starts learning,But with muscles soon spent, so worse, and worstAre the odds of a forager returning. So, no more a hive bee, please use your time,For memory, not just for flight;If you share the route to the flowers most prime,The hive’s honey will last winter’s night.

t o t h e v i r g i n s ,t o m a k e m u c h o f t h y m e

author

claudia lutz

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n e u r o s c i e n c eBrightf ie ld image of rat neurons, insular cortex.

author

coltan parker

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n o r i g h t a n s w e r: w h y p u t t i n g a r t o n t h e w a l l m e a n s m o r e t h a n w e r e a l i z e

There’s still a lot I don’t know about science.

I know how many picas there are in an inch (six), how many beats there are in a paradiddle (eight), how many seasons of Firefly there are (one) and how many seasons of Firefly there should be (a lot more than one). But when it comes to science I am very aware of how much there is to know, that I don’t.

Now, given my job is to di-rect the communications group at the IGB, a leading scientific institute on the Illinois campus, I do have a pretty decent head start. And I’m happy to say I have absorbed a goodly amount of knowledge to the point where I can talk reasonably well on a number of scien-tific subjects that I had no understanding of six years ago when I started here. Yet what I have come to realize is that there is so much research taking place at such painstakingly de-tailed levels that someone with a general interest can easily get lost. And that’s where a disconnect happens —whether you’re reading a new book or touring an unknown city or attempting a fresh recipe, the moment you feel lost is the moment you begin to disengage.

How do we combat this, generally in a society tempt-ed with distraction through a wealth of ever-present me-dia devices and specifically if your aim is to convey the wonders that researchers have brought about in the very labs next to your of-fice? How do we keep that feeling of disengagement at bay, when our subject matter can be so intricate it requires those with spe-cific training to even un-derstand what questions to ask? I believe most people genuinely do want to learn something new, but not at the expense of feeling in-adequate. So our problem is to present scientifically challenging concepts in a format that retains the in-tellectual value but com-pels the audience to delve in and seek a connection.

Our solution is to provide context, create relatable narratives, and—literal-ly—give it a framework by mounting it on the wall as a piece of artwork. Through the simple act of placing a physical border around an image and hanging it at eye level in a gallery, an airport, a hotel, it automatically be-comes a waypoint for any audience to stop and consid-er more carefully. Anxiety over not understanding the science or feeling misplaced by the subject matter is al-leviated, because art has no right answer. Each person imprints their own expe-riences on what they see, how it makes them feel, and what connotations form in their mind. Even the most disinterested of passersby will casually glance at some-thing that was framed and placed on a wall—no matter

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w h y p u t t i n g a r t o n t h e w a l lm e a n s m o r e t h a n w e r e a l i z e

how dismissive they may be, at least we made them look. Which, when you consider it, is actually a pretty mon-umental feat.

At the IGB we are spoiled, for the research coming from our scientists is already astonishing in its innovation, already striking in its ingenuity. Anyone will tell you the better your source material the greater your end product, and here we are at the beginning with gold. There is however a small but crucial step where we take these raw materials and transmogrify them into an art installation through the imagination and vision of our creatives, where data be-come design and knowledge becomes notion. Where you discover an image of orange and blue clouds are real-ly clusters of bacteria, and these bacteria create gases that contribute to our cli-

mate, so the clouds you see on the wall create clouds you see in our sky. Now there is a link that has formed in your mind, we provided the com-ponents but you made the connection, and in doing so you are connecting not only with the art, but with the sci-ence, with the researcher, with the microscope, with the idea, all the way back to the instant when one person made a decision to pursue this particular path. In just a few moments you’ve learned a bit more about the biology of the planet, about the interlocking nature of life, and realized the depth of meaning in the small-est of particles all around us. That you did this only by reading a few lines of text and looking at a color-ful picture on the wall is, quite frankly, astounding.

That moment of discovery is important. It has meaning. It honors the work that our research community does and it gives value to the aesthetic principles which first compelled us to cre-ate the Art of Science. That the program has grown to be one of our most popular endeavors shows us what a motivated and curious pub-lic we have, who support science, who want to learn, and who have placed their trust in us to deliver that knowledge to them. This is an agreement that we take very seriously, and a chal-lenge that we gladly accept.

There’s still a lot I don’t know about science. But through unique programs such as what we have here I’m given the means, and the en-couragement, to rectify that.

author

nicholas vasi

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p a r a l l e l d i m e n s i o n t h e p l a c e w h e r e e x t r a c u r r i c u l a r a c t i v i t i e s a r e f o u n d

origami artist

xudong guan

i wan

t to

fly

by

xudo

ng g

uan

grea

t eg

ert

by x

udon

g gu

an

Each origami model is designed and folded from single piece of uncut square paper. More origami by Xudong Guan can be seen at https://xudong.wixsite.com/origamixudong

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t h a t g u t f e e l i n g

m o l e c u l a r i n t e g r a t i v e p h y s i o l o g y

author

sayee anakk

ArtisticIlleum

GutFeeling

W i t h g u t m i c r o b e s h i t t i n g t h e l i m e l i g h t i n t h e r e c e n t p a s t i t i s t i m e t o h i g h l i g h t t h e h o s t g u t t i s s u e !

M i c r o s c o p i c i m a g e o f t h e s m a l l i n t e s t i n e o f a m o u s e s t a i n e d w i t h d i f f e r e n t d y e s .

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f o r m e r l y . . .e l e c t r o n m i c r o g r a p h

“March-on!” Bacteriophage HM2 (top right) infecting a cell of solventogen-ic Clostridium saccharoperbutylace-tonicum N1-4. Transmission Electron Microscopy. Image by Lou Ann Miller, Fred-erick Seitz Materials Research Laboratory.

A dividing solventogenic Clostridi-um saccharoperbutylacetonicum N1-4. Transmission Electron Microscopy (Magnification = 30,000x). Image by Lou Ann Miller, Frederick Seitz Materials Research Laboratory.

author

xiaoji (christine) liu

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thank you to everyone that contributed to this new endeavor and to those that support this creative science community.

Join the IGB for its annual Genome DayGather your family and bring your baeAt the Orpheum Children’s Science Museum, okay?To learn about DNA on a Saturday

Come learn science while you playTest your sense on a fancy bouquetFind all the species in the Milky WayHow related are birds of prey?

Learn what scientists do day-to-dayStudy the structure and extract DNADance with plants, we will make waySee Art of Science that was up at Midway

Come to Genome Day, don’t delay!

g e n o m e d a y

Genome Day is hosted by the Carl R. Woese Insti-tute for Genomic BiologyIt will be on Saturday, November 4 from 1-5 pmat the Orpheum Chil-dren’s Science Museum.Free and Open to the Public

author

courtney fenlon

The Carl R. Woese Institute for Genomic Biology (IGB) advances life science research at the University of Illinois at Urbana-Champaign, serving as a central-ized biological and biotechnological research facility at Illinois. IGB members conduct path-breaking genomic research in the areas of environmental conser-vation, food security, energy, health, and technology, and are drawn from many schools and departments including biology, chemistry, physics, engineering, sociology, and business. IGB research targets particular grand societal chal-lenges—developing more effective cancer therapeutics, creating more efficient and robust food and fuel crops, uncovering the origins of life—and ranges from basic research that expands the horizons of human knowledge to applied re-search that builds on this foundational knowledge to create new technologies.

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a r t o f s c i e n c e w h e r e s c i e n c e m e e t s s o c i e t y

i g b . i l l i n o i s . e d u

1 2 0 6 w . g r e g o r y d r i v e , u r b a n a , i l 6 1 8 0 1