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WILLIAM CÓRDOVA
Malecón Pazos 252, Barranco. Lima, Perú.www.80m2galeria.com
Contacto(51-1) 252 [email protected]
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S/T (Alquimia)2017Collage, pan de oro y cartulina sobre
papel.130 x 93 cm
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S/T (geometría de la juventud) 2017Collage, pan de oro y
cartulina sobre papel.66.04 x 91.44 cm
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Ephemeral Monuments2013Instalación49 LP’s Medidas variables
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A more radical elsewhere 2015-2016
con • stil • ation • s 2015-2016
Untitled (constellation)10 obras en papel2015 - 2016Collage,
tinta sobre papelMedidas variables
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De uno a otro 2015
Chaska, maya, dogon 2015
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El que no tiene de inga tiene de mandinga2015
Escudos y los códigos de ayer/mañana2015-2016
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Essex, essex, essex2015
Many will come, many will go2015
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Misconceptions (y los olvidados)2015
Untitled (recuerdos)2015
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Untitled (potato famine)2015 - 2016
Collage, óleo y grafito sobre papel73.66 x 88,9 cm
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Secret life of integers2015 - 2016
Enamel, collage, óleo y grafito sobre papel
38,1 × 83,82 cm
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Untitled (mauri, mapuche, machu)
2015Collage, óleo y grafito sobre
papel50,8 × 71,12 cm
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Multiple points of origin 2014 - 2015
Oro, acuarela y grafito sobre papel90.17 x 66.04 cm
(Detalle)
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S/T (naves)2014
Polaroids11 x 59 cm
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Sin título (taki oncoy)2014
Plumas y alambresMedidas variables
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S/T2014
Pan de oro y cartulina sobre papel54 x 74cm
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Chaka (pa’ f.c y t.s)2014
Óleo sobre papel77.47 x 57.15 cm
(Detalle)
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Son o no son2014
Objetos encontrados, madera y collage78 x 54 x 44 cm aprox.
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S/T2014
Acrílico y aceite de pintura, grafito, collage en paper
parches
57 x 63 cm
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Sirius (fragmentos de modernismo)2014
Pan de oro sobre papel66 x 91 cm
(Detalle)
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Dwellings (sculpting elsewhere in time or Halim El-Dabh)
2014 Dos diapositivas de 35mm y audio
(grabación de vinilo LP comisionado por el artista)
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Pulsar2014
Pan de oro y cartulina sobre papel242 x 252 cm
(Detalle)
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This one’s 4u (pa’ nosotros)1996 - 2014
Instalación:Estructura de madera
Proyección :Tupac Shakur: Thug Angel , the life of an Outlaw
(2002)
de Peter Spirer (audio en off)
Audio:Tupac Amaru (1985) de Federico Garcia
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Machu Picchu after dark (pa’ Victoria Santa Cruz, Macario Sakay
y
Aaron Dixon)Seattle Art Museum
2013 - 2014Instalación
200 parlantes encontrados, dulces, pennies, discos de vinilo,
velas
(Detalle)
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S/T (arquitectura vernacular)2013 - 2014
EsculturaMedidas variables
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S/t (Wilka wara)2013 - 2014
Papel estirado sobre bastidor40.3 x 30.5 cm
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S/T (crowns)2013
EsculturaMedidas variables
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Casa de cartón (m.adan)2013
Acrílico y aceite de pintura, grafito, collage en Paper
arches
66.04 x 91.44 cm
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Pachacuti Pachacuti Pachacuti2011-2013
Collage, aceite de pintura, grafito en paper55.88 x 76.2 cm
(Detalle)
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Untitled (endless...4-p young)2013
Pantallas de lámpara, metal y focos 469 x 63,5 x 63,5 cm
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Untitled (el siglo de todo... the
century of everything)Serie de 10 dibujos
2001 - 2013
A.bambaataa 40 x 29,5 cm
Pachacuti (Richard Pryor) 21,6 x 28,3 cm
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Sin tÍtulo 21 x 28,3 cm Museum of recollection (Yawar
Mallku)
22,5 x 29,2 cm
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And I ran so far away or white squall 28,3 x 23,8 cm
El siglo de todo lo que recuerdas21 x 28,3 cm
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Under/ over (virtual expansions) 21 x 28,3 cm
Cordoba 21 x 28,6 cm
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Y después quiero que comiencen a tirar piedras 23,2 x 29,5
cm
Evacuation20,6 x 28,6 cm
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This monumental sculpture, built out of plywood, creates
parallels between the diasporas of the Americans through language
and visual forms of abstraction. With references to the Land Art of
the 1960s and early 1970s, in terms of its resistance to the logic
of consumerist art and the interest in reconnecting to ancient
geometric principles and the pragmatic use of materials;
Cordova’s lando, landu (yaway mallku) is epic.
The notion of translation is key in Cordova’s work, the shifting
from English, Quechua, Spanish, even Creole in his titles parallel
the shifts, turns and cuts made in his constructions. References
similarly have an impact on the blur of original meanings with the
creation of new meanings. The installation of lando, landu (yarwar
mallku) is a replica, over 14 metres in length, of the Millennium
Falcon from the film The Empire Strikes Back, produced by George
Lucas. Lando, in turn, is an Afro-Peruvian musical tradition, a
term derived from the Angolan term Landu, also found in Cuba.
Similarly, the falcon is a sacred bird in Inca culture. As Cordova
moves through seemingly disjunctive references, he ultimately
creates an amalgamation. And what better location for the fusion of
time, space, history, memory and fiction than the narrative
platform of science fiction, not only in its Hollywood
representation but also in the conceptualization of Afro Futurism
in Sun Ra’s film Space Is the Place (1972), which uses science
fiction as a symbol of resistance; or with the quotation from the
science fiction writer H. G. Wells: “Human history
is in essence a history of ideas” are inspirations.
( Text and photos: La Conservera Arte Contemporáneo, Murcia)
Yawar Mallku (royalty, abduction and exile)
La Conservera, Murcia / España2011
InstalaciónMadera de diferentes tipos.
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Yawar Mallku (royalty, abduction and exile)
La Conservera, Murcia / España2011
InstalaciónMadera de diferentes tipos
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Untitled2010
Pan de oro y collage en marco vintage42 x 56 cm
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Now’s the time (pacha mama)2009
Grafito, pan de oro, palo de aceite, polvo, cabello, acuarela y
tinta metálica con
collage impreso con de inyección de tinta y fotomecánica sobre
papel
469 x 63,5 x 63,5 cm
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The immortals (YLPBLAMRTA)2009
Bolsa de papel, plumasMedidas variables
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William Cordova’s work is tied to an aesthetic of inner city
landscapes, reflecting its temporality and disparity. Through
drawing, video, sculpture, and installation filled with urban
detritus - busted cars, trashed tires, discarded shoes, machetes,
speakers, and yellowed books - the artist references the reality of
lived experience, as opposed to the dramatization of a consumerist
culture. The ease with which Cordova switches between media
demonstrates his impressive visual dexterity. Using a language of
refuse and dilapidated buildings, he paints grand portraits
of deteriorating cultural icons.
Cordova’s sculpture, Moby Dick (for Oscar Wilde, Oscar Romero y
Oscar Grant), consists of half a police cruiser set atop blocks and
sealed with plywood. The exterior of the car is spray painted, or
“tagged,” recalling a history of aerosol-based subversive
self-expression popular among Black and Latino artists in the 1970s
and 80s. Branded on the car are names of several social activists
and figures in the history of civil rights such as (Eldridge)
Cleaver, Geronimo, (Betty) Shabazz, and Sitting Bull. Inside the
car, behind heavily tinted windows, are a series of seemingly
unrelated objects: a machine gun; a Peruvian gourd; record album
jackets; a boom box; and a customized bookshelf of the referenced
authors. In doing so, Cordova creates a meditative space for
reflection apart from the outside world, one not unlike Moby Dick’s
quiet
abode inside the white whale.
( Text: deCordova Sculpture Park and Museum)
Moby Dick (para Oscar Wilde, Oscar Romero y Oscar Grant)
2008-2009
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Moby Dick (para Oscar Wilde, Oscar Romero y Oscar Grant)
2008 - 2009Instalación
Carro de policía, spray, velas, maderaMedidas variables
En colaboración con Carlos Sandoval de León
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Addressing the fragility of history through an ephemeral
environment, The House that Frank Lloyd Wright built 4 Fred Hampton
and Mark Clark (2006), shown at Arndt & Partner Berlin in 2006,
is a dizzying room-scale labyrinth of wooden beams based on the
footprint of the house where Black Panthers Fred Hampton and Mark
Clark were killed by Chicago police in a predawn raid in 1969. Much
of Cordova’s work induces similarly uncanny interpretive spirals,
abetted not by arbitrary Surrealist juxtapositions but the
all-too-common strangeness of our own detritus and the
too-often
repressed histories they conceal.
( Text: Suzanne Hudson / Whitney Biennial)
The house that Frank Lloyd Wright built 4 Fred Hampton
and Mark ClarkWhitney Biennial 2008
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The house that Frank Lloyd Wright built 4 Fred Hampton and
Mark
ClarkWhitney Biennial 2008
InstalaciónMadera, libros y dibujos colgados
Medidas variables
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Grandes éxitos de San Antonio(4-Claude Black, Mario Marcel
Salas,
Rosie Castro y Jose Angel Gutierrez)2008
4.000 discos de vinilo, calabazas peruanas, “ojo en el premio”
copia en VHS, cigarro,
vidrioMedidas variables
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Formación / Education
Exposiciones individuales / Solo exhibitions
William Cordova
2004M.F.A, Yale University, Master of Fine Arts, New Haven,
CT
2003Skowhegan School of Painting and Sculpture, Skowhegan,
ME
1996B.F.A, The School of the Art Institute of Chicago, Chicago,
IL
2017smoke signals: sculpting in time, Sikkema Jenkins. NY
(FORTHCOMING)
2016ceiba: reconsidering ephemeral spaces, Davidson College,
Davison, NC
2015yawar mallku: metaphysics of time and space, 80M2, Lima,
Peru
2014ceiba: ephemeral landscapes, MDC Museum of Art + Design,
Miami, FL
2013yawar mallku: temporal landscapes, Sikkema Jenkins & Co,
New York, NY
2012smoke signals: viviendo pa’ la cuidad, Yerba Buena Center
for the Arts, SF, CArevisiting radicalism: Espacio Aglutinador,
Havana, Cubathis one’s 4U (pa’ nosotros), Boston Center for the
Arts, Boston, MA
2011búscame en el torbellino: but also time itself, Saltworks
Gallery, Atlanta, Georgia yawar malku, (royalty, abduction &
exile) La Conservera, Murcia, Spain
Lima, 1971. Vive y trabaja entre NY, Miami y Lima.
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Exposiciones colectivas / Group exhibitions
William Cordova
2016All Power to the People, Oakland Museum of California, CA
Southern Accent, Nasher Museum, Durham, NC Site Santa Fe Biennial,
Santa Fe, New Mexico Race, Love and Labor, University at Albany,
State University of New York, NY
201512th Havana Biennial, Casa Africana, Habana, Cuba
MetaModern, Museum of Art, Champaign, IL
2014Prospect.3 Biennial, Dillard University, New Orleans, LA
2013Pop Politics, Activism at 33rpm, Centro de Arte Dox de Mayo,
Madrid, Spain Hook, Line and Sinker: Contemporary Drawings, Nevada
Museum, NV
2012Now’s the Time, Guggenheim Museum, New York, NY The
Storytellers, Stenerson Museum, Oslo, Norway It is What it Is. Or
is it? Contemporary Museum of Art Houston, TX
2010 untitled (chincanas), LA>
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William Cordova
2011Arte al paso: Colecao de MALI, Pinacoteca de Sao Paolo, Sao
Paolo, Brazil Halleluhwah! Hommage a CAN, Kunstlerhaus Bethanien
GmbH, Berlin, Germany
2010The Record, Nasher Museum, Duke University, Durham, North
Carolina Greater New York, PS.1 Contemporary Art Center, Long
Island, NY
2009San Juan Triennial, Instituto de Cultura Puertorriqueña, San
Juan, Puerto Rico
2008Whitney Biannual, Whitney Museum, New York, NY Prague
Triennial, Prague, Czech Republic Neo-HooDoo, Menil Collection,
Houston, TXStreet Level, Nasher Museum, Duke University, Durham,
NC
2005Scratch, The Studio Museum in Harlem, New York, NY
2003Utopia Station, 50th Venice Biennale, Venice, Italy
Premios / Awards
2017Michael Richards Artist Grant, LMCC, New York, NY
2014Knights Foundation Grant, Prospect.3 New Orleans, LA
2013Guna S. Mudheim Visual Arts Fellow, Berlin, Germany
2011Joan Mitchell Foundation Grant, New York, NY
2009Art Matters Grant, New York, NY
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William Cordova
2005Rema Hort Mann Foundation, New York, NYNew York Community
Trust, New York, NY
2003Yale Graduate Skowhegan scholarship, New Haven, CT
2001South Florida Cultural Consortium, Miami, FL
Residencias / Residencies
2017Visting Artist Program, University of Illinois, Champaign,
IL (FORTHCOMING)
2016Joan Mitchell Center, New Orleans, LA
2015Summer Residence Program, Project Row Houses, Houston, TX
AIR Program, Harold Washington College, Chicago, IL
2013American Academy in Berlin, Berlin, Germany
2011 Centraltrak, University of Texas in Dallas, Dallas, TX
2010 Studio in the Woods, Tulane University, New Orleans, LA
Denniston Hill, A-I-R Program, Woodridge, N
2009Edward Albee Foundation, AIR Program, Montauk, NY
2008MacDowell Artist Colony, Peterborough, NHArtpace, Artist in
Residence Program, San Antonio, TX
2007Threewalls, Artist in Residence Prorgam, Chicago, IL
Woodstock A-I-R, Center for Photography, Woodstock, NY
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William Cordova
2006 The Core Program MFAH, Houston, TXHeadlands Center for the
Arts Residency Program, Sausalito, CA
2005LMCC/Workspace: 120 Broadway, Lower Manhattan Cultural
Council, New York, NY
2004 A.I.R. Program, The Studio Museum in Harlem, New York,
NY
Bibliografía / Bibliography
2016Uszerowicz, Monica, In Miami’s Little Haiti, a Fair Spot
Lights, Hyperallergic, Dec 2 Turner, Elisa, In Turbulent Times…
Hamptons Art Hub, Nov 30 Valys, Phil, In Hollywood, a defense
against Art Basel, Sun Sentinal, Nov 4 Dirt catalogue, Florida
Atlantic University, Sept Johnson, Ralph, Ceiba catalogue, Davidson
College, Davison, NC Sept
2015 Wilkerson, Emily, Glossary Change, Art Papers, Pg 51-52,
Nov/Dec Chimpen, Augusto, 80M2 review, Art Nexus, Pg 97-98, Issue
97, August Planas, Enrique, Monumentos Efimeros, El Comercio, Pg 3.
Jan 21 Hare, Andres, El arte, La historia y la construccion,
Lamula.pe, Jan 31
2014 Diaz, Eva, Prospect 3, Notes for Now, Art Agenda, Octover
27 Granger, Bryan, Reconsidering Ephemeral Spaces, Dailyserving,
June 11, Carter, Holland, The Shadow that Took Shape at SMH, New
York Times, Nov 14 Hanson, Bettina, Speaker Boxes Stacked at SAM,
Seattle Times, Picture This, October 3 Khullar, Sonal, William
Cordova Seattle Museum, CAA review, Jan
2013Young Smith, Christie, The Collegiate Journal of Art,Volume
IX, Pg 4-15, 2013
2012 Shultz, Oliver, William Cordova’s smoke signals at YBCA,
Felt Retina, November 8, 2012 Locke. Steve, William Cordova at the
Mills Gallery, Artcore Journal, June 15, 2012 McQauid, Cate,
Cordova turns recycled into creative story, Boston Globe,
Galleries, March 27, Feaster, Felicia, William Cordova Review, Art
Papers, Nov/Dec 2011 Boshier, Paul, Absence as Catalyst for Social
Change, New American Painting, Sept 28,
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William Cordova
2011 Diez, Gontzal, Un Camino Hacia el Lado Oscuro, La Verdad,
April 8, 2011, section: Planes Hood, John, Nite Talk: William
Cordova brings spillage to Carol Jazzar, NBC: Niteside, March
17,
2010 Schoomaker, Trevor, The Record catalogue, August 2010, Pg
23/24, King, Sarah S. Laberintos exhibition review, Art in America,
March 23, 2010, Pg 64Shanberg, Ariel. Chapters, PQ A Journal for
Contemporary Photography, #98, Vol 24, N1, Pg44/45Going on About
Town, Art, The New Yorker Magazine, November 2009, Pg 4
2009Wilson, Michael, William Cordova, “laberintos,” Time Out New
York, Nov 26-Dec 2, Pg 64Nesbitt, Peter, Echo in Nicolas Guillen
Landrians Bolex, Art on Paper, Oct-Nov Pg 35-40Schoonmaker, Trevor,
Vitamin 3-D, Phaiden Press, Spring 2009 Mueller, Kurt, Review Ok
Mountain, Art Papers, Pg 50, October 2008Santiago, Fabiola, Artist
with Local Roots showing at Art Basel, The Miami Herald, Nov 30,
Pg1ACarroll, Sean, “NeoHooDoo: Best Pick: Art for a Forgotten
Faith,” Artforum.com, July 23
2008Wolff, Elaine, “Racing against Time and the Odds at
Artpace,” San Antonio Current, The Arts, August 13 Zamuda, Raul,
2008 Whitney Biennial, Art Nexus, N69, Volume 7, Pg 70-74, 2008
McQuaid, Cate, “Street Wise,” The Boston Globe,
Home/A&E/Theater/Arts, March 21, 2008, Pg 1 Waxman, Lori,
“Threewalls, Review,” Art Forum, April 2008, Pg 376 Carter,
Holland, Art’s Economic Indicator, The New York Times, March 17,
2008, Pg E34 Bogel, Carol, Inside Art, The New York Times, November
16, 2007, Pg 30 Amado, Miguel, Street Level, Contemporary, n 94,
2007, Pg 59 Halperen, Max, “Review,” Art Papers, July/August 2007,
Pg 59 Shapiro, Daria Britt, “Its Okay, He’s With the Band,” D’LUXE,
April/May 2007, Pg 64 Canavan, Gerry. Street Painting Men,”
Independent Weekly, March 28, 2007, Pg 29-31 Schoonmaker, Trevor.
Street Level, March 2007Martin, Courtney, I wish it were true,
December 2007 Borcherdt, Gesine, “ Ground Zero,” Monopol.
October/November, 2006, Pg 98-100 Nesbett, Peter, “Slight of Hand,”
Art on Paper, May-June 2006, Pg 48-49 Ammirati, Domenick. “Best
pick: I wish it were true”, Art Forum.com, December 2005
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William Cordova
Colecciones públicas / Public collections
Artículos publicados / Published articles
American Academy in Berlin, Berlin, Germany Berger Collection,
Zurich, Switzerland Davidson College Permanent Collection,
Davidson, NC Debra and Dennis Scholl Collection, Miami, FL Ellipse
Foundation, Cascais, Portugal Goetz Collection, Munich, Germany
Guggenheim Museum of Art, New York, NY Harvard University,
Cambridge, MA Intel.com, Madrid, Spain Institute of Contemporary
Art, Boston, MA The Menil Collection, Houston, TX Museo de Arte en
Lima, Lima, PeruNasher Museum, Duke University, Durham, NCNew
Museum, New York, NY New Orleans Museum of Art, New Orleans,
LAPerez Art Museum, Miami, FL Miami Dade Public Library, Miami, FL
MDC Museum of Art + Design, Miami, FL Museum of Contemporary Art,
Miami, FL Plains Art Museum, Fargo, ND Rhode Island School of
Design Museum, Providence, RI Samuel Dorsky Museum of Art, New
Paltz, NY Seattle Museum, WA The Studio Museum in Harlem, New York,
NY Walker Art Center, Minneapolis, WI Whitney Museum of American
Art, New York, NYYale University, New Haven, CT
extended improvisations in time, P.3 Biennial, Dillard
University, Oct 22. 2014 Muse, Art in America, October 2014 ceiba,
Museum of Art + Design, MDC, April 22, 2014 Sun Un Air de
Charleston (The Charleston Parade), www.Blacksci-fi.com, June 3,
2011 33rpms per Revolution, Wax Poetics magazine, Fall 2010,
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William Cordova
eoc, xiang, echo exhibition publication, Steffani Jemison
co-writer, March 2010 The Doors live at the Dinner Key Review, Ante
Journal, Yale University Press Spring 2003 Pg. 4,5 Bunchy (excerpt
from Proud Skin), Core catalogue, Glassell School of Art, Spring
2007, Pg. 33 Casa De Carton, Ingalls & Associates, February
2008 Up Against The Wall essay on Pedricio Guzman & Ilka
Hartmann, Branch Gallery, June 2008 Nathaniel Donette Review, Art
Lies Magazine, N.60 Winter 2008, Pg 103 Stand Up Next to A Mountain
Review of Barkley Hendricks, Nasher Museum Blog, January 5, 2009
Cumanana statement, Saltworks Gallery, April 2009
Proyectos curatoriales / Curatorial projects
2016indivisible: spirits in the material world, PRIZM Art Fair,
November 29 transphysics, Hollywood art & Cultural Center,
Hollywood, FL Nov 4 transmissions, The Franklin, Chicago, IL April
2 move something: metaphysics in space and time, Jan 24
2015 Carlos Sandoval de Leon, Under the Bridge, Miami, Nov 22
Jorge Pantoja, Under the Bridge, Miami, FL Jan 1
2014 the past is more infinite than the future, Miami Dade
College, Miami, FL Oct 22 Third Space, Museum of COntemporary Art
in North Miami, Miami, FL Sept 17-Nov 22 MIA_BER, Berlin Kunst
& Unterhaltung, Berlin, Germany June 27 MIA_ATL, Saltworks,
Atlanta, GA, Sept
2013 palimpsest, Carol Jazzar Fine Art, Miami, FL October
4-November 20
2012 smoke signals: istwa, landscapes y paisajes, South Florida
Art Center, Miami, FL Dec 15 smoke signals: portals y paisajes,
Under the Bridge, Miami, FL. March 18
2011 spillage, Carol Jazzar Contemporary Art, Miami, FL March
18-June 2
2010 Black Panther Party History Exhibition, Project Row House,
Houston, TX. July 26 eco,xiang,echo: meditations on the african,
andean & asian diasporas, Project Row House, March 27-June
20
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William Cordova
2009 Cumanana, Saltworks Gallery, Atlanta, GA, February 13-
March 10.
2008 Up Against the Wall, Branch Gallery, June 21-August 18.
Lecturas / Lectures
2016 Ford Foundation, Sept 17 University of Florida, Sept 9
Davidson College, August 30 Lecture on Basquiat, Perez Art Museum,
August 17 Museum of Contemporary Art North Miami, March 11
University of Albany, CUNY, March 9 UMASS, March 3 York College,
Queens, NY, March 7 / 7 Yale University, New Haven, CT, March 2
2015San Francisco Art Institute, San Francisco, CA Nov 17 New
World School of the Art, Miami, FL Oct 21 Project Row Houses,
Houston, TX, June 22 Harold Washington College, Chicago, IL April 7
The School of the Art Institute of Chicago, Chicago, IL April 8-9
University of South Florida, Tampa, FL, March Florida Atlantic
University, Boca Raton, FL, March Bridge Red, Miami, FL February
21
2014 Main College of Art, Main December 4 Arts For Learning,
Miami, FL November 13
2013 Berlin Arts Club, Berlin, Germany, March 27 Arts For
Learning Arts Center, Miami, FL March 16 American Academy in
Berlin, April 30
2012 Maryland Institute of Contemporary Art, March 15New World
School of the Art, Miami, FL January 22
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William Cordova
2011 New World School of the Art, Miami, FL November 22 Yale
University, New Haven, CT November 18 Queens College, Queens, NY
November 17MIT, Program in Art Culture and Technology, Cambridge,
Mass, Guest Speaker, April 8John Jay College, Art & Philosophy
Department, Guest Speaker, New York, NY, April 6 New World School
of the Arts, Miami, FL, Guest Speaker, March 24 La Conservera,
Murcia, Spain Guest Speaker, January 26
2010 Xavier College, New Orleans, LA, Art Department, Guest
Speaker, October 26New Orleans Museum of Art, New Orleans, LA,
Guest Speaker, October 2 Project Row Houses, 3rd Ward Houston, TX,
Curatorial Presentation, April 25 Tyler School of Art Fibers and
Material Studies, Philadelphia, PA, Jan 20 University of Chicago,
Graduate Fine Arts Department, Chicago, IL, January 11
2009 University of California in San Diego, Visual Arts Dept
Visiting Artist Lecture, San Diego, CALI, Oct 28 Fleming Museum,
Artist Panel Discussion, Burlington, VA, January 28 University of
Pennsylvania, Penn Design Guest Lecturer, Philadelphia, PA, Nov
3Harvard University, Art Forum: Artist Speak, Cambridge, Mass,
October 21
Documentales / Documentaries
2016 Bob Huff: retrospective Doc, by lou anne Colodny + william
cordova 10 min
2015 Robert Thiele, untitled (3 of 8), by Lou Anne Colodny +
william cordova, 10 minJorge Pantoja, Everyone Goes Home at the End
of the Day, 6 min
2014 Art21/ Prospect.3, interview with Kerry James Marshall, 60
min
2010 eco, xiang, echo, Project Row Houses, 10 min
2004 Duane Hanson + Robert Thiele, University of Miami, with Lou
Anne Colodney, 5 min
2000 Robert Thiele, Untitled, Miami Art Museum, with Lou Anne
Colodney, 10 min
1999 2x2: a documentary, william cordova 4 min.
