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Wendy Cope
Engineers' Corner
Why isn't there an Engineers' Corner in Westminster Abbey? In Britain we've always made more
fuss of a ballad than a blueprint ... How many schoolchildren dream of becoming great
engineers?
Advertisement placed in The Times by the Engineering Council
We make more fuss of ballads than of blueprints --
That's why so many poets ends up rich,
While engineers scrape by in cheerless garrets.
Who needs a bridge or dam? Who needs a ditch?
Whereas the person who can write a sonnet
Has got it made. It's always been the way,
For everybody knows that we need poems
And everybody reads them every day.
Yes, life is hard if you choose engineering --
You're sure to need another job as well;
You'll have to plan your projects in the evenings
Instead of going out. It must be hell.
While well-heeled poets ride around in Daimlers,
You'll burn the midnight oil to earn a crust,
With no hope of a statue in the Abbey,
With no hope, even, of a modest bust.
No wonder small boys dream of writing couplets
And spurn the bike, the lorry and the train.
There's far too much encouragement for poets --
That's why the country's going down the drain.
Progress
by Emma LaRocque
Earth poet
So busy
weaving
magic
into words
so busy
placing
patterns
quilting
stars
so busy
making
the sun
dance
so busy
singing
your songs
in circles
so busy
tipping
moons
in dreams
Earth poet
so busy
touching
the land
scape
mad modern man
must make me
look at
cold steel spires
stealing earth and sun
dance
Summer Night ~ Langston Hughes
The sounds
Of the Harlem night
Drop one by one into stillness.
The last player-piano is closed.
The last victrola ceases with the
“Jazz Boy Blues.”
The last crying baby sleeps
And the night becomes
Still as a whispering heartbeat.
I toss
Without rest in the darkness,
Weary as the tired night,
My soul
Empty as the silence,
Empty with a vague,
Aching emptiness,
Desiring,
Needing someone,
Something.
I toss without rest
In the darkness
Until the new dawn,
Wan and pale,
Descends like a white mist
Into the court-yard.
“Dover Beach”
Matthew Arnold
The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
“Lies”
Yevgeny Yevtushenko
Lying to the young is wrong.
Proving to them that lies are true is wrong.
Telling them
that God’s in his heaven
and all’s well with the world
is wrong.
They know what you mean.
They are people too.
Tell them the difficulties
can’t be counted,
and let them see
not only
what will be
but see
with clarity
these present times.
Say obstacles exist they must encounter,
sorrow comes,
hardship happens.
The hell with it.
Who never knew
the price of happiness
will not be happy.
Forgive no error
you recognize,
it will repeat itself,
a hundredfold
and afterward
our pupils
will not forgive in us
what we forgave.
El Greco: Espolio
Earle Birney
The carpenter is intent on the pressure of his hand
on the awl and the trick of pinpointing his strength
through the awl to the wood which is tough
He has no effort to spare for despoilings
or to worry if he'll be cut in on the dice
His skill is vital to the scene and the safety of the state
Anyone can perform the indignities It's his hard arms
and craft that hold the eyes of the convict's women
There is the problem of getting the holes exact
(in the middle of this elbowing crowd)
and deep enough to hold the spikes
after they've sunk through those bared feet
and inadequate wrists he knows are waiting behind him
He doesn't sense perhaps that one of the hands
is held in a curious gesture over him--
giving or asking forgiveness?-
but he'd scarcely take time to be puzzled by poses
Criminals come in all sorts
as anyone knows who makes crosses
are as mad or sane as those who decide on their killings
Our one at least has been quiet so far
though they say he talked himself into this trouble
a carpenter's son who got notions of preaching
Well here's a carpenter's son who'll have carpenter sons
God willing and build what's wanted
temples or tables mangers or crosses
and shape them decently
working alone in that firm and profound abstraction
which blots out the bawling of rag-snatchers
To construct with hands knee-weight braced thigh
keeps the back turned from death
But it's too late now for the other carpenter's boy
to return to this peace before the nails are hammered
Point Grey 1960