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Week 7 9/14/2012 11:29:00 AM Intro to Mass Communications in Canada -Mark Hayward CRTC-Canadian Radio Telecommunication Commission (Canadian Content Regulations) Certain percentage of content must be Canadian ie. Corner Gas, Flashpoint, Drake, Nickelback Rates for cable, cellphone Canadian content(Internet,cellphone) o Consequences Cultural Consequences- Community, sense of identity, people who create the media define how we fit in canadian society, Canada former colony of uk-british vs Canada, American Influence on Canadian media (Language, Identity)

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Page 1: Week 7 9/14/2012 11:29:00 AMs3.amazonaws.com/prealliance_oneclass_sample/nKDb93GERq.pdf · o Way of describing particular kinds of industries of cultural products Ex. (Experiences-Museum,

Week 7 9/14/2012 11:29:00 AM

Intro to Mass Communications in Canada

-Mark Hayward

CRTC-Canadian Radio Telecommunication Commission (Canadian Content Regulations) Certain

percentage of content must be Canadian ie. Corner Gas, Flashpoint, Drake, Nickelback

Rates for cable, cellphone

How people use communication technology, interpret texts,

Use mylaurier account to reach prof

Tutorials 30%, Midterm 20%, Research Paper 20%, Final Exam 30%

Midterm multiple choice

Office hours: Wednesdays 10:30 am-2:00 pm DAWB 4-103B

TA: Meagan Suckling Tuesday 3-4pm DAWB 3-127 [email protected] 48 hrs email

Complete all readings before lecture and tutorial

Lecture 2

What is Canadian Media Overview

o Content

Canadian production+actors

Refers to places+people in Canada+everyday life in Canada

May be apparent to non- Canadians might not

Restrictive if all Canadian media talks about Canada

Justin Bieber Canadian-No 1 else is who works with him

o Creators

o Ownership

Rogers, Bell(Majority held by Canadian Stock Holders) not required to show

Canadian content(Internet,cellphone)

o Consequences

Cultural Consequences- Community, sense of identity, people who create the

media define how we fit in canadian society,

Canada former colony of uk-british vs Canada,

American Influence on Canadian media (Language, Identity)

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Economic Consequences

Canada smaller than America

Canadian rights must be respected

American record stores, movie theatres in Canada

Canadian media less profitable, so why include it?

History of Canadian media

The Aird Commission (1929)-establish public broadcaster

The massey commission(1951)-Outlines threat to Canadian culture and

identity due to America

The Fowler Commission(1955-1958)-The recommendation to create an

independent governing body for radio and television

The Broadcast Act(1991)- Lays out foundations is media law in Canada

to this day

Identity

o Consumers can access Canadian media (books, songs,shows,

movies)

o Access to be involved in Canadian media

o Laws+Regulations

o 80% live near American border (more influence)

o Canada Needs protection from American influence therefore

commissions are set in place

o Internet will not be regulated

Industry

o Bi lingual

o Public, private, community broadcasting

o CBC-Public

o Private-Regular shows

o Community-Station run by local

Content Regulation

o Serve to safeguard enrich the cultural political social and

economic fabric of Canada

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o Should encourage the development of Canadian expressions by

providing a wide range of programming that reflects Canadian

values

o Freedom of Expression+Keep Canadians exposed to Canadian

content ( some international media outlets are not available in

Canada)

o No Quota on film/video games

o M A P L

Music-composed by Canadian

Artist-performed in Canada

Performance-the musical selection consists of live

performances that is recorded wholly in

Canada+boracasts live in Canada

Leader-Lyrics written entirely by a Canadian

Ownership

o 60% of television on CBC must be Canadian

o 55% of Private must be Canadian per channel

o 1/3 of radio music must be Canadian

o Specific times (prime time)

o Origin of Media in Canada(what’s Canadian about it)

o Ways in which Canadian Government has intervened in media to help

Canadians express themselves

Direct involvement in production or funding-supporting only Canadian

media

The institution of content quotas (setting parameters)

Canadian Tax goes to CBC (Advertisements helps funding)

Decreasing over time-1 B $ a year funding creates culture

protection for Canadians

Subsidies help Canadian media production

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Canadian companies must give back to Canadian communities

with tax payer money especially when few competition ie Rogers,

Bell

Canadian Media Policy

o Multicultural media and Canadian Identity

Immigrants have effect on Canadian Identity in media

Canada stands for freedom of expression however immigrants have

different cultural backgrounds

Balance of protecting Canada’s media vs incorporating immigrants in

media

o Non-Regulation of new media

Internet

Introduction to research assignment

What are the cultural industries?

o Way of describing particular kinds of industries of cultural products Ex.

(Experiences-Museum, Exposed to Disney World

o Cultural institutions generate dollars from tourist + community

o They include areas to film and television, publishing, music, museums

o Defines ways to remember past/think about who we are

o Digital Era-all media on one format-internet, tv, computer, phone(music, video,

picture, text)

Cross media convergence

o Economic convergence- concentration of ownership

o Canadian media was discussed in terms of contents creators and owners

o The importance of media was discussed from a cultural point of view the

argument that Canadian media needed to be protected for Canadian Identity

o Economy keeping revenue from media in Canada

o Products are often central to how individuals and communities view themselves

and the world around them

o Many of the products while reproduced on a mass scale make use of craft forms

of production and creation

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o Vertical Integration- Buy out manufacturers, internalize a business

o Horizontal integration- Buying competitor out(Best Buy+Future Shop same

owners)

o Henry Jenkins outlined the following forms of convergence:

Technological-different kinds of technology in laptops,

Economic-

Social

Creative

Global

Trends in media ownership

New Lecture

What is an Audience-That which could be heard

o Conceptions of audiences are often grounded in particular contexts (industry,

governments, scholarly research

o Mass Media audiences are theoretical constructs as much empirical realities

o Audiences- construct ways of thinking about people

o Governments interpret Audiences as groups of citizens, that need education, have

rights+right to be informed,

o Industry for Profit method-what is this person interested in watching, what kind

of advertisements should be shown

o Research audiences as a social formation a way of describing how people behave

in relation to media

o How does video game play affect family relationships?

Industry doesn’t care-interested in consumption

What is the affect?

Is media consumption a focused and sustained activity? Or is it a brief encounter?

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o Multi task or just consume media, Eat+media?

o Amount of attention spent on media piece

o Norms and beleifs are internalized through repeated exposure

o Relatively passive rather than interpreting media messages

o Hypodermic needle model- Internalizing media exposed, some not true

Uses + Gratifications

o Audience chooses to consume to satisfy needs and fufill wants

o Freedom to select what they watch and how they interpret it

o What do people do with Media? –to be entertained…..etc

Media could be consumed everywhere-how do we think about this?

o Transmedia strategies- ways of thinking about audiences as they move between

different media as they consume it at different+same times

o Democratizing but also commodified

Old Media/New Media

Old media-dying, dead, or undead

o Bruce Sterling coined the term dead media as a way of talking about media move

from contemporary to media that didn’t make it

o Forgets how to use old media, record players-needle outside or inside

o When will the web interface become a dead medium

Media change: emergent, dominant, and residual

o Emergent-new and developing ideas, practices and artifacts that may become

dominant

o Dominant- Those ideas, practices and artifacts that play a structuring role in

society in a particular area of society

o Residual- Ideas, artifacts or practices from the past that continue to be present

today, although often combined with dominant or emergent practices

Residual technology of record players linked to turn tables

The death of the newspaper: An economic explanation

o An economic justification for its decline

o A case based on the habits of readers

Page 7: Week 7 9/14/2012 11:29:00 AMs3.amazonaws.com/prealliance_oneclass_sample/nKDb93GERq.pdf · o Way of describing particular kinds of industries of cultural products Ex. (Experiences-Museum,

o Rise of craigslist, move to online advertising guaranteed to finding guaranteed

interested consumers

o Changes in habits, linked to commuting have meant less time/space for newspaper

for reading (Mass transit instead of private cars)s

o Declining revenue has made financing tranditional news production less viable

(Paying journalists)

o Online media compete for readers but are not usually subscription based nor do

they possess the public service mission of many newspapers

o Free newspaper draw large audiences in urban areas but do not necessarily lead to

newspaper purchase down the road

o They play a key role in informing citizens allowing them to participate in

democratic society

o As a media form, the allowed for extended coverage of issues and topic, less

amenable to television or online media (less info even though more images,

audio)

The death of the newspaper: A reader’s perspective

3 types of bias

o Media Bias

Focus more on expression+emotion to entertain

o Ideological Bias

How eveins are discussed when they are covered

Think perceptions of scenarios, want everyone to understand it in the same

way

o Gatekeeping Bias

Whether or not a particular story is covered and how much coverage is

given

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the first part of the term is how mass media is structured in Canada

-policies:

-structure: patterns of media across the entire sector, if different media had -occupied

separate sectors one trend that has taken place is that the bringin -together of these

companies.

-ways of thinking

-thinking about media

audience that used to be stable and didn’t move from one mean to another is now

nomadic and distracted.

Industry produce, audience consumes, and government regulates is no longer relevant.

Now there is a shift that merges all these three

Industry now regulates itself and social media are also involved in setting regulations

(Anonymous, hacktivist)

Globalization and digitalization

Phenomenology: how is it that experience/phenomena takes shape

o Each new media fundamentally changes how we see things and ourselves

Medium theory: Marshall mccluen (the Canadian school of media studies)

o Each new media changes the scale and the individual experience

o Televison: it changes the scale of society and the way we experience the world

around us (changes what we can see easily: planet earth) we are now more aware

of war climate change, it also changes how we see things and what we are able to

see: slow motion)

o What we see in the visible world has also changed:

Slow motion has changed what refs rule in a sports game

o The reason Europeans countries are smaller is because of less developed

communication technologies

o Global village: rapid and easy communication around the world

o

In theories of globe:Replace counter flows with diaspora

Media and cultural Cultural imperialism, counter flow, globalization

Apa citation embedded in parentheses

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Cultural production:

o Fordism and after

The relationship between Fordism in relationship to post-ford is central to

understanding the ways in which it relates to economy and society as a

whole, but also how the consumers react

o Fordism: three components (ford revolutionized the production of automobiles)

o He introduced the moving assembly line, increasing efficiency and specialization

decreases training. The reduction of labour to a single action

o He also makes the decision to pay his employees enough to eventually buy the

cars that they are making, creation loyalty and bettering his brand

o Is it possible to do this in China now?

An economy around mass production and mass consumption

Goods are produced on a mass scale with a standard level of quality

Efficient production organized through the formalization of labor (taylorist

factory)

1914 Taylor comes back to the notion that it wis better to use

scientific management to specialize

o Fordism adaptions

Hollywood studio system (1925-1960)

Organizing the production of films, by standardizing

Holding employees on contract with teams of writers and they

would write film scripts, directors would be assigned to make films

People on screen were also on contract, whether is good or bad the

actors have to do it because of their contracts

Tin Pan Alley (1885-1935)

New york city was thought to be the noise from hundreds of songs

playing (industrialize song production)

Both of these systems became under a lot of stress because it is

tremendously expensive to maintain large cast of people hanging around

in case they are needed in a film

They’re still getting paid even if they aren’t working or if they films don’t

sell they still need to pay all the worker

The studio system wasn’t very responsive to changing taste in music or

genre of film

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Open market allowed actors and producers to make more when they

weren’t under life time contract, on the contrary film guys and technical

staff are still benefitting off long term contracts

Consumers want individuality because if they like the same things as

everyone else they aren’t different

This leads us to post Fordism

o

o Post Fordism:

Economy based on mass consumption of differentiated good

Customize what were purchase, in car industry and culture. We

now have the ability to customize what we wear and what we listen

to, the top 10 doesn’t necessarily cater to your taste because we

look at ourselves as defined through what we consume

The organization of production

Flexible organization of the supply chain “just in time production”.

Once we find out what the demand is we can make it for the

consumer quickly rather than guessing what they want

Precarious labour contracts, contingent of demand of the market

Before you would work for the same company for your whole life,

now you switch between jobs very often with short term contracts.

Work is depended on the demands of the market, when they need

more people somewhere they hire, when they don’t need they fire.

Christmas is a great example of high demand of labour.

Examples of this In the Media

You assemble a team on a contract for a single project, production unit:

director, writer cast are assembled for that project alone and at the end that

unit is disbanded.

The transformation away from the studio towards a variable way of

producing film

The studio is never obliged to hire you again, due to personal scandals

they can cut you right off: example Mel Gibson and Charlie sheen

With fixed term contracts you work like its your first day every day

because of the uncertain working conditions

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Unpaid or underpaid labour: Interns

o Training experience and networking but there is no living wage

o It is not measured by the clock, you can end up working some crazy hours

o Sites of work are now sites of enjoyment and this blends work and play, making

work more a part of our life than ever

Copyright in media-new lecture

o Fordism and Post-fordism in cultural production

o New forms of labour (Dyer-Witherford and Dr. Penter)

o The blurring distinction between work and play

Intellectual property and copyright

o For profit industries and survive because they have exclusive right of service or

product

o To maintain exclusive right is intellectual property

o Intellectural property-creations of the mind inventions literary artistic works and

symbols names images and designs used in commerce

o Copyright grants the right to copy-exclusive right to owner to copy

o The statute of anne (1710)-first modern piece of legislation outlying what

copyright is sets the right for 14 years-only books

o Donaldson vs Beckett (1774)-enforces that copyright is held for limited duration

o Berne Convention for the Protection of literacy and artistic works (1886)-first

copyright convention on copyright law followed by revised versions

o The goal of copyright is to

Encourage individuals to be creative and innovative by providing

monetary compensation

Ensuring people have incentive to create media

To do so in a way that does not interfere longterm development of cultures

o Rights of fair dealing in copyright law grants users limit rights to quote and use

media with citation-circulate knowledge in culture

o The development of copyright

Recognition and adaptation to new forms of media reproduction

1942 AFM went on strike-refused to go into studios not enough pay

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New lecture

Media and the Environment

o Communicating the environment

Discussions of the wilderness vs civilization, country vs city in

historical documents throughout history.

Different perspectives of environment between city and country

Awareness of concerns and problems in environment through news

coverage

Framing what kinds of actions and initiatives might make a

difference

Awareness of the world-communication

Historically chronicles of travels maps narratives have shaped how

people saw the world

In modern times travel writing or nature shows sell the idea of

undiscovered or unspoiled natural beauty

Communicating the environment

Climate change: according to environment Canada there

was a 70 percent decrease in ocerage of climate change

related stories between 2007 and 2010

Resource Extraction: Re branding the tar sands as the oil

sands, the campaign to improve the image of fuel of such as

coal and nuclear power

Ways information is presented (coverage) using different

words-alters how people think

Is this fair??

Raw materials used to produce electronics, media devices

o Media vs material objects: an ecological approach

o Greening the media

Lots of waste-as technology develops slowly people are

encouraged to buy new electronics within a short period of time

(old phones-environment affects)

Devices full of toxic materials-lots of waste

Lead, cadmium, tonnes of mercury (toxic metal- cause serious

health problems)

More than half of waste is being exported to Asia+Africa

Media outlets aware of people’s activity

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o Google account-searches connected to youtube

Media and energy sources

o Media is a significant consumer of energy

o Google alone consumes enough energy to pwer 200,000 homes on an

ongoing basis

o Data centers consume electricity that would be the equivalent of 30

nuclear power plants,

Canada has approximately 17 plants providing 15% of nations

electricity

Communicating the environment

o Media shapes how we experience the environment

o Media plays a role in shaping how we view environmental problems and

solutions

o Media as material objects an ecological approach

Media devices often require significant amounts of raw materials

and energy

They produce a large amount of toxic write materials

Canada signed the Basel Convention in 1989 limiting the export and transportation of

toxic materials

As of 1994 amendments to the convention have effectively banned the export of toxic

matierals. (opposed by Canada).

Waste diversion act 2002

10 percent of e-waste in trash, 30 percent of electronic technology are kept in homes

Illegal to export waste, however material still makes it out (shadow economy) 7

Media production must be slown down, repaired/upgraded rather than replaced

Using more recycled materials

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