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Volume 1, Issue 10

May 10, 1979

.AS.MSC ·ele·ctio·ns doubt • 1n

~ by Emerson Schwartzkopf

Any winning candidate in this week's Associated Students of Metropolitan State College (ASMSC) elections may still find themselves without a position next year.

Michelle Smith and John Meyer, dis­qualified candidates for ASMSC President

,. and Vice President, may take the election to court in protest of what they feel was an unfair process of disqualification.

Smith and Meyer, disqualified twice by the ASMSC Election Commission last week, cited the elections as being "rendered by the student government into a big mess."

l The commission disqualified the Smith­Meyer ticket early last week upon discovery of Meyer's not attending two ·semesters at MSC - one of the qualifications for office.

~ However, commissioners later were noti­

fied of Meyer's attending MSC for one quarter in 1973, prompting a second

l ~ hearing last Friday. l • · During the second hearing, Smith argued

the attendence of one quarter and one semester ~t MSC was a "reasonable" fulfill­ment of the qualifications.

Election Commissioner Mike Priest noted one quarter and one semester add up only to 25 weeks, instead of 30 weeks

~completed under two semesters. Commissioner Wally Weston agreed with

Priest, saying one quarter and one semester "in other areas of this college would not add up to three quarters or two semesters."

The two semester qualification - stated in the ASMSC Constitution - came under

""(general questioning by Commissioner Scott Woodland.

"l don't know how to interpret the con­stitution," Woodland said ... There's no

judicial branch to do this." Both current ASMSC President Greg

Gimelli and Vice President Dave Haldeman confessed error repeatedly throughout the hearing for the lack of appointments to the ASMSC judicial board, and possibly mis­management of circumstances surrounding this week's elections.

Smith cited the lack of complete copies of the new ASMSC constitution - amended in April 1978 - as causing further con­fusion in interpreting Meyer's eligibility.

Haldeman cited cost as a prohibitive factor in printing revised constitutions, but the decision not to publish new constitu­tions "probably was a mistake, and I'd probably agree."

In attempting to deal with the specific qualification in question - ''Two semesters of work" commission members split on the interpretation of "work" ... either meaning attendance or full-time hours completed.

Haldeman said the question should be solved by the still-unappointed judicial board, but the decision would not come in time to have Smith and Meyer placed on the election ballot.

"We should give-the benefit of doubt to the candidates (Smith and Meyer)," Haldeman said.

Weston disagreed, however - "We have the rules right in front of us," he said.

0 Woodland made an initial motion -with .!:

Haldeman seconding - placing Smith and co Meyer on the ballot. Priest amended the motion to have the judicial board - never appointed since its creation in April 1978 ~ - consider the case. 4>

The motion passed three to one, with ~ Weston the only dissenting vote.

continued on page 10

•

ASMSC elections: secret ballot?

---2 The Metropolitan May 10, 19lf!.

Coll.ege for Living helps local theatre

by Anne Smith

Theatre Together is "getting it together" and Metropolitan State College (MSC) College for Living students are part of the act.

6 Theatre Together, an experiential learn­ing program combining the talents of mentally handicapped citizens, teenagers, disadvantaged youth, and retired seniors towards a theatre production, was originally a program sponsored by the Retired Senior Volunteer Progran and the Jefferson County Association for Retarded Citizens (JCARC). Theatre Together, now in its fifth year, has expanded to include the four Metro Denver counties of Adams, Arapahoe, Denver and Jefferson.

This year the JCARC is coordinating the four counties' ARC's. Each ARC is organ­izing a group of 40 participants who will perform in the Theatre Together produc­tion on August 22 and 23 at the Shwayder Theatre of the Jewish Community Center. The MSC students are part of the Denver county's group of participants.

The JCARC coordinating staff consists of a Director, Musical Director, Production Coordinator, Choreographer, and Nurse who will spend a day in each county, each week, to provide individual instruction to

each county's 40 participants. • Theatre Together- incorporates many

educational experiences into the perform­ance as the participants experience panto­mine, acting out children's stories and fairy tales, making puppets for puppet shows, melodrama skits, design and construction of props, costumes, sets, and make-up.

After eight weeks of rehearsals, the 160 B participants will come together for the two ~ evening performances in August. ~

Thomas Hughes, Artistic Director of ;; Theatre Together, is also the Associate 0

Executive Director of the JCARC. His in- E volvement with Theatre Together began in 8:.. the summer of 1975 through a nine-year en teaching career in Jefferson County. ._Ri __ T ...... T d (R Arvada)

His talent in theatre - not only as ex- ep. om ancre 0 -

hibited with Theatre Together but in his acting and directing exposure in the Denver• area - was just what the JCARC needed to get Theatre Together - together. He has done so with the assistance of several Den­ver theatre professionals.

Richard Coomer, a graduating MSC Business student is Theatre Together's Producer. Coomer, also a Denver actor, first became involved with Theatre Together in 1976 through his association with Tom Hughes. The two had been in several shows together at Bonfils Theatre and throughout the state.

· The Colorado Senate May 9 all but shut and locked the legislative door on Senate Bill (SB) 523.

Acting as a "committee of the whole," the Senate voted to have SB 523 declared "lost"-meaning no further action will be taken on the bill. When the Senate recon­viened, Sen. Hugh Fowler (R-Littleton) made another motion to pass the contro­versial legislation.

A roll call vote followed, with the bill defeated 18-15. Two members were ab­sent.

I

Ta·n c.redo supports CCHE options

State Representative Thomas Tancredo (R-Arvada) said May 7 he will continue to support "what is left of Senate Bill 523" - but not attempt to reverse major Senate changes.

Last week the Senate amended the bill and killed major governance changes inY statewide higher education - including the proposed merger of Metropolitan State College (MSC) and the University of Colo­rado at Denver (UCD).

SB-523 will return to the Senate floor May 9 and there is a chance the new amend-ment will be reconsidered at that time. \'

Tancredo, the House sponsor for SB-523 and chairman of the House Education Committee, said he believes sweeping ch3;llges are needed in Colorado higher edu-

, cation, but doubts the legislature will be able to deal with them during this session. . Tan credo opposed the MSC-UCD merger ,. idea at first, but now he said he is willing "to let _the Colorado Commission on Higher Education (CCHE) make that decision for me.,, : • ~·

House Bill 1498, sponsored by Tancredo, requires the CCHE to make recommendations to the legislature con­cerning the future of the Auraria Higher · Education Center. If the bill becomes law Auraria could face "termination continu­ation or restructuring" by Feb. '15, 1980. The bill passed the House and has been assigned to the Senate Education Commit­tee, chaired by State Senator Hugh. Fowler (R-Littleton). •

Th~ CCHE has been studying the Aurana problems of duplication in pro­grams and services.

• ..J ....... l-j

VO/x* Beverly Mango, Musical Director of

many Denver productions - the latest for Joan Rivers at the Tum of the Century -has been with Theatre Together since its inception.

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Aggie Bauer, also with Theatre Together since its inception, is a pronounced actress in Denver having played leads in many rr,usicals. Bauer uses her past career in nur­sing with her choreographic skills to keep Theatre Together on its toes.

''The friendships that develop, the interaction that takes place between all ages, and the feelings of accomplishment are what makes the Theatre Together pro­gram extra special," said Coomer.

"By allowing the person who is handi­capped to participate equally with other citizens," Coomer said, "we are showing the community that differences within people really don't make us that unlike each other. Just because a person happens to be mentally retarded, he or she is still very much like you or I."

The finalists for UCD's 1979 Teacher Recognition Awards have been selected by the student-alumni awards committee. They are:

Lenore Darmauer, Asst. Professor of Chemistry,

Gary Stern, Assoc. Professor of Psychology,

Marie Wirsing, Professor of Education,

Fred Allen, Professor of Histzry,

Peter Thorpe, Professor of English,

Mark Pogrebin, Assoc. Professor of Public Affairs,

Paul Brown, Visiting Asst. Professor of Anthropology,

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Phyllis Schultz, Professor of Biology,

Sam Betty, Asst. Professor of · Communication & Theatre,

Betty McCummings, Asst. Professor of Public Affairs, and ~

Herbert G. Eldridge, Professor of English.

Linda Eritj<son, alumni chairperson of the awards committee, said evaluation forms are being dstributed to students of the finalists from now untih May l 0. Final. selection for the awards is based upon the response to the evaluation forms. The awards will be presented during the Grad­uate Reception on May 26 - immediately following UCD's third commencement exercise.

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H e_ss: ".res·i st the draft'' by Frank Mullen draft is " a reasonable payment for the

many freedoms we enjoy." The military draft is a form of involun- "l would disagree with him (Miskin),"

tary servitude and should be defied if it is · Hess said. "He said we owe a lot to the reinstituted in the United States, speakers state, but I think the state owes us a lot. from an anti-draft coallition told a small the state owes us an explanation." crowd at Auraria May l . He said there is "nothing wrong with

Less than 50 students attended the May- an all volunteer army that higher wages day rally. Organizers said the poor turnout wouldn' t cure" and the draft system is un-may have had "something to do with the fair since it discriminates against the poor fact that the average age of Auraria stu- and minorities. He said the U.S. military dents is 28." should "begin defending the country in-

Karl Hess, a former Barry Goldwater 'Stead of building an empire around the speechwriter turned anarchist, told the world."

:t _ audience not to be concerned about the "The state is trying to forge chains to number of those attending. drag us back into being subjects again,"

"If Sam Adams had worried about num- he said. 'We must use our minds and bers when he was organizing resistance conscie,nces as hammers to break those before the Revolutionary War, we'd still chains." be talking with a Cockney accent," Hess One current proposal for a new draft said." . . . Remember, when they are coming includes a pro\Tision for mandatory civilian to take_ the young they are coming for all service which, in some cases, would take

:• of us ." the place of military service. Neil Harlan, The New . Resistance, the group who state chairman of Young Americans for

sponsored the rally , is an an ti-draft organi- Freedom, said civilian service is just as bad zation composed of the College Republi- as the military requirement. cans, the Colorado Young Americans· for "Civilian service will tum us into a Freedom, and the Students for a Libertar- nation of bedpan changers," Harlan said. ian Society. The group was organized in The organizers said more rallies and

~ response to recent Congressional actions demonstrations will be held in Colorado as to reinstitute the draft. long as Congress is still considering bringing

At the start of the rally, Auraria student back conscription. They said the time to Lynn Miskin , argued with some of the stop the new draft is before it starts. speakers. Miskin, a former soldier, said the "The only patriots left," Hess said, "are

( ') those who resist the draft."

MEfROPOLIT AN SINGERS

Auditions for the. Metropolitan Singet"s will be held Monday, May 14, 12 :55-1 :50,

. and Wednesday, May 16, 12:50-1 :50 in the Arts Building, Room 293. Metropolitan Singers is a small vocal ensemble offered through the Music Department of Metro-

., politan State College for three semester hours of credit.

Under the direction of Dr. Jerrald McCollum, Associate Professor of Music, this group concentrates on vocal music of the 20th Century including current popular vocal arrangements, vocal jazz, and some

~ classical works. Metropolitan Singers performs fre ­

quently throughout the Denver community for clubs, conventions, and schools. Mem­bership in the vocal ensemble is open , through audition, · to all Auraria students who have some music-reaqing ability and

..._r the desire and commitment to belong to a dedicated and musically rewarding group of singers.

For further information, call Dr. McCollum at 629-3080 , or 629-3180.

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The Metropolitan May 10, 1979 3

Adult penalties no answer for juvenile offenders

by Frank Mullen

The recent national trend to "get together" with juvenile offenders is con­trary to the attitudes of youth service administrators, the directior of institutional treatment for the Colorado Division of Youth Services told a Metropolitan State College (MSC) class April 2~.

"People who say adult sanctions should be applied against juvenile offenders just don't understand the problem," Loren Adlfinger told !lI1 MSC Introduction to Criminal Justice class. "People in my pro­fession are very much opposed to the 'get tough' trend."

Adlfinger, who spoke as part of MSC Professor Yale Huffman's criminal justice series, said the traditional view of juvenile treatment centers was to put offenders out of. society's sight and "keep the lid on as long as possible."

He said in the old days the "weak got weaker and the strong got stronger" within an institution. The centers, he said, had "revolving doors." Repeat offenders would be released on parole and would soon re­turn to thC< institution after getting in trouble again.

Adlfinger said the current juvenile treat­ment method - diagnosis of the offender's problems and differential treatment in several different centers - has had success with the IO percent of Colorado juvenile offenders who are committed to the institutions.

I•

I " By the time a kid gets to Golden (Lookout Mountain School), he has had a lot of chances already ," he said. "When we get that 10 percent, we know a lot of money was spent trying to keep them out of Golden ... the kids know it too.

"Imagine, if you will, what these kids feel like . Everybody has told them 'if you get this far (committed to an institution) there is no hope for you'," Adlfmger said.

In his 17 years in Colorado Youth Serv­ices, Adlfinger has seen thousands of young offenders come and go in the state's institutions. He is a former director of the Lookout Mountain School and the Golden Gate Youth Camp, and now has supervisory authority over all five treatment centers in the state system. Colorado, he said, now uses the "I-Level" system of maturity levels to classify inmates.

"I-Level" describes seven successive stages of maturity with emphasis on inter­personal relationships. The stages range from the least mature (a newborn infant) to the most mature {an ideal state seldom reached). The juvenile population at the centers, he i;aid, usually falls between levels two and four.

These levels are broken down into sub­types which categorize how delinquent youths respond to their views of the world and how others respond to them.

Adlfmger said the delinquent popula­tion is managed so those who share the same subtype are grouped together. This, he said, reduces peer pressure.

. continued on page 12

It's time to ask what your government

Can do for you. ..

Government can do a lot if Felicia Muftic's record is any example. Her five county consumer agency handled over 40,000 complaints on a one to one basis during her tenure, and earned that office a reputation as one of the most efficient law enforcement agencies in the nation. The consumer office returned over a million and a half dollars to taxpayers, nearly twice what it cost to run the agency. That's what your government can do for you if Felicia Muftic is in charge.

property taxes of 8,000 Denver homeowners. In my administration that kind of mistake would call for a housecleaning, not a cover up."

Do something for yourself and for Denver. Elect Felicia Muftic Mayor .

00 SOMETHING FOR DENVER

"We've never had a performance audit to make sure we' re getting what we pay for in government," she says, "That will be a regular event in my administration. I' ll use the Mayor's "1 power to appoint, and· remove, :{ 2,000 people on boards, '-. :.,----,.. I commissions and in agencies to c make our government efficient and MUFil responsive. No more $4 million bungles that cost us needed housing and fritter away the FDR MAIDR amount equal to the total

Paid and authorized by Friends of Felicia Muftic, Wes Hoyt, Chairman, 627 South Broadway/Denver, CO 802091744-3641 .

' ' ' ~

4 The Metropolitan May 10, t979

Editorial Student art n.Jined by

"anemic" showing by S. Peter Duray-Bito

Art students at Auraria are hampered by · a lack of a consistent outlet for their work

on campus. The Emmanuel Gallery is small - and too often filled - with faculty shows. The Interfaith Center has limited space and denies the viewer any distance from the work. Other facilities on campus

0 ..

.... ! Q)

0.

ui

• • •

are even worse, culminating, perhaps, by the cramped, dimly-lit hallway in the Photo Suite.

Beyond the space problem, Auraria has seen a plethora of organizations that spon­sor student art. The art departments of each of the schools at Auraria have shows each semester but they go unnoticed by the school. Announcements are made by word of mouth which leads to the unfor­tunate tendency of clique-ism within a centralized core group of art students and .g faculty. ~

> At present there are two shows going on ~ at Auraria. The MSC Art Faculty Show is 0 at the Emmanuel Gallery, with a sculpture .... by Robert Mangold in front; a hideous, ~ ironic piece that seems to be left behind by o. the utility company. It nevertheless does ui the job of visually announcing the existence of that little brick building next to the gym. People who pass underneath the sculpture and step in the building know they are going to see the full glory of MSC faculty talent.

The West Bank Artists Guild is spon­soring a sh.ow somewhere in the Auraria Library. Since they obviously agree MSC's art department is geared for the edification of the faculty, the Guild meekly took the backseat and opted for an anemic showing in the library. Students come and go there without any knowledge of the show, let alone trying to distinguish -betwe~n student

·Letters·, Editor:

- I am writing to you in regards to a little favor. At the present time I am incarcer­ated in FCI Englewood and I'm about due for release. My request upon you is the possible small ad~n your school paper. I am planning on paroling to the Denver or Boulder area and would like to correspond with some people from your school to hopefully obtain some friends in. 6e area. Becoming reoriented is the hardest part of parole or release. I am also trying to pick a school in the area and haven't made my mind up completely yet. I feel by writing to someone from there would give me first­hand knowledge of the school.

Thank you for your time and considera­tion in this matter.

Thank you,

Ray A. Kennedy #14463-116 Box PMB - 1000 Englewood, CO

· We are the solution!

Now that the majority of the population in Denver is between the ages of 18 and 35 (the baby boom), I think it's time to get ourselves together and kick the paper-turkey administration out of office. Ten years has been long enough to convince me that I don't want them running my life any longer. How abou you? Do you want to depend on Bill McNichols for your safety, and to protect your freedoms for the next four years7 Until 1983? This guy doesn't even admit we have a pollution problem here! Crime has literally doubled, and in many cases, tripled in Denver in the past ten years! {Ask any woman or senior citizen if they feel safe on the streets of Denver if you doubt me.) And two years ago the Mayor was quoted as· saying about marijuana smokers, "If we' don't prosecute these people, who will?"

. McNichols is an obstacle to our freedom, and I have had enough. I'm going to be a free man in spite of him, and his chief of police, and his vice squad, and his drug agents, and his lack of concern for most of the people here, whether I win or lose the election for mayor.

. It's just that winning would make it so much easier!

We are turning the corner for a whole new decade this year; the 1980s are right around the bend waiting for us to define them! I think it's time for an overhaul of city government ... this is the main event of our lives!!

Editor:

Roger Christie. candidate for

mayor of Denver•

•

art and the permanent library collec.tion. The announcement of the ''23rd Begin­

ning," a name whose meaning is only known to the innermost core of the Guild clique, is letraseted rather crudely on an 1 lxl4 piece of cardboard. There is no mention of the fact that the 23rd Beginning is an artshow.

Upon reaching the second floor, tucked away on the back wall near the administra­tion, where no one ever goes, is a showcase with over 15 photographs crammed to­gether. One of them has fallen down -unfortunately, for the viewer, still face up on the bottom of the showcase. To put

Application," has been filled. As a result, some students will not be able to start graduate and professional programs in the fall. At least one veteran's eligibility runs out this summer, to further complicate matters.

Although this is supposed to be the "capstone," or exit course for seniors, there are students accepted into the summer course offering who are not ready to graduate, while all fourteen on the waiting list are potential summer graduates. This problems results from priority given to those with the highest number of accrued credit hours-an assessment that does not necessarily correspond to completion of a degree program.

Betty Marcom, who teaches the two sections of sixteen students each, says enlarging the classes would destroy their function. The department lacks sufficient full time faculty to add another section of the course, and they are unwilling to hire a part-time teacher because they feel this would jeopardize their accreditation: the students affected will' not be allowed to take the course at another local nursing program, such as Loretto Heights.

----S-ecause of the popularity ot the nursing program, students must sign up a full semester in advance, so the department knew what the demand for this summer course offering was back in January. The fourteen students whose graduation will be postponed are wondering why, with that much advance notice, their needs haven't been accomodated. A petition has been presented to the department, and formal grievance procedures have been instituted.

Ruth Pelton-Roby Chairperson ASMSC

Curriculum Committee

In about 5 days there is going to ·be a city election here that traditionally almost no one shows up for. Last year when I found out that Mayor McNichols could only get 66,000, people to come out and vote for him I was knocked out! Two years ago I watched a Beach Boys concert in Mile High Stadium with 62,000 other TOIE. I thought that if each person at the concert would get one friend and go vote, that we could elect anyone we damn-well please for mayor of ~J!v.er! • .

Fourteen MSC nursing students will be prevented from graduating this summer because a required course, "Nursing Process:

" . . . . . . . . .. . . . ....... ........ . .. . .. . .. ............ ......... '). - ..

the viewer through such an ordeal as the Auraria Library show is an abomination.

That is the real irony of the whole MSC art program. The students, with the excep­tion of the faculty-inspired, decadent cor­ruption of the Les Femmes Crirninelles (LFC), are talented, aesthetically in-tune artists. Their works deserve far more respect than what the Guild gives them and certainly shouldn't be relocated by faculty. It seems the faculty need a vehicle for their work on campus and, perhaps because they can't show their work off .campus, appro­priate desperately needed gallery facilities at the expense of the students.

A Metropolitan State College publication for the Auraria Higher Education Center supported by advertising and student fees.

EDITOR Emerson Schwartzkopf

BUSINESS MANAGER 9teve Werges

PRODUCTION MANAGER S. Peter Duray-Bito

REPORTERS Lou C11apman, ~(inston Dell, Frank Mullen

B. Decker

DISTRIBUTION· Mark La Pedus

PRODUCTION STAFF Sally Williams

ADVERTISING Veme Skagerberg, Anne Smith

CREDIT MANAGER Cindy Pacheco

c

Editorial and business offices are located in ~ Room 156 of the Auraria Student Center, 10th and Lawrence, Denver, CO. Editorial Department: 629-2507. Business Department: 629-8361. Mailing address:

The Metropolitan Box57

-10061 Ith St. .-Denver, CO 80204

The Metropolitan is published every Wednesday by Metropolitan State College. Opinions expressed within are those of the writers, and do not necessarily reflect the opinions of The Metropolitan, the paper's advertisers, or Metropolitan State College.

The Metropolitan welcomes any information, free-lance articles. guest editorials, or letters to the editor. · All submissions should be typed, double-spaced, and within two pages in length.

The Metropolitan May 10, 1979 5

·"Afte·r The Fall''-f re sh and • intense )

by Emerson Schwartzkopf

The brain of man ~ filled with passage­ways like the contours and multiple Gross­roads of the labyrinth. In its curved folds lie the imprint of thousands of images,

~ recordings of millions of words.

-Anais Nin

After The Fall is a cerebral work - the detailing of the thoughts and remembrances

~· of man. Images appear, disappear, and reappear in flashes, in bits of memory joined in a train of thought.

The play, currently staged by the Metropolitan State College· (MSC) Players, suffered at its initial staging in 1964 by being too closely identified with Arthur

5 Miller's personal history. In 1979, however, the MSC Players -

and guest director David Ode - have the advantage of a forgetful public relegating Miller to the status of ... "didn't he write Death of a Salesman?"

And, Ode and the Players use the ad­vantage brilliantly, making After The Fall

1 a fresh, intense drama - instead of a weak re-creation of a famous person's life.

The plot of After The Fall deals with the recollections of the character Quentin, who n~qilt,s JLjourney tluo.ugh..the-various

1'filoughts occurring in his mind about his · past. He reviews his traumatic childhood,

... up-and-down career, and two failed mar· riages - one by divorce and one by suicide. Quentin, throughout the play, relates his confusion concerning life as a whole - and wonders, after his review of his failures, after the fall, if there really is something to life. He leaves the stage with another,

•- third women - and the thought is unclear whether Quentin is any wiser for his introspection.

In dealing with basically one continuous thought, the actions within a play might seem disjointed and sometimes unclear. 'At times, the MSC Players' production of

, After the Fall becomes hazy and jerky in its focus - however, major critics of Miller cite one of the play's major weaknesses is its lack of smoothness.

Director Ode must be credited in his attempt to overcome the disjointed nature of After The Fall. Ode sets a fast pace to

1 the play, and balances enough action {or "business") around the stage to keep the play moving and the audience interested.

Ode's best work in After The Fall, though, is in his actors developing sharp, original characters, instead of creating Xeroxes of persons in Miller's personal past. The fresh quality of the play stems

~ from Ode's apparent concern for creation instead of re-creation.

David Jones's urbane Quentin is a good example of creation within After The Fall. Jones narrates to the audience as a con­fused, skeptical - and not ·cynical - man seeking something out of his past. Instead

._ of speaking down to the audience, Jones talks directly to the audience, creating a rapport to draw them further into the play.

In creating such a conversation, how· ever, Jones sometimes begins to speed up his speech - as is natural - and stumbles on lines, frequently repeating them. The

.f result is a momentary break in an otherwise excellent character.

_.,

No such breaks occur with Barbara Meyer's Maggie , Quentin's second wife. ~;yn'~ .~e!fqrpp~n.c~ )J ~'!e.a:-Jla~l~s.s. ~0.

her development of Maggie's character from a tawdry innocence down to a fall in­to self-destruction. And, Meyer's portrayal of Maggie's raw sensuality creates a good counterpoint to the cooiness of Jones' Quentin.

Other members of the After The Fall cast perform well in their individual por­trayals, such as Jean /ones as Quentin's first wife; Sheryll Lamkin as Quentin's mother; and Victoria Stastica as Holga, Quentin's third woman. Stastica's performance is marred slightly, however, by her slipping in-and-out of a light German accent.

Laminate

Your

Diploma

Ode manages to work the individual por­trayals into a good, cohesive cast, not creating any undue attention on any char­acter besides possibly Quentin himself.

The technical aspects of After The Fall work well with the mood of the p)ay - the lighting, for example, transfers the focus of attention to the stage smoothly, instead of bright, spotlight-like harshness.

The stage itself - a near surrealtst out· cropping of barren rock with a dilapedated prison camp tower standing sentry at upstage left - provides an excellent repre­sentation of Quentin's mind.

The MSC Players' production of After The Fall is a good, well-directed, intense drama equal to any local production. The images of the mind offered in After The Fall are blended into an exceptional staging well worth the admission and the time.

After The Fall. A play by Arthur Miller. Produced by Steven Anger. Directed by David Ode. May 10, 11, 12, 18, 19, 23, June 2 at 8 p.m. Matinee May 20th at 2 p.m. Ninth Street Park Theatre - Auraria Arts Building. Admission: $3 non-student, $1 student. Reservations: 629-3407. An MSC Players presentation.

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Super Party j Photos and story by S. Peter Duray-Bito

Two ravishing women, obviously aspiring . models, check tickets to ensure good seat­ing for the "silver" ticket holders. As I thread my way through the crowd and flash my pink press card, one of them grabs me by the ann.

"Have you seen any important film people yet?" she asks pointedly. "We're with Vannoy Talent and we're wondering who we could get to know."

She pauses and winks at me : "You

know." I couldn't let her down. "I think I saw Stan Brakhage sitting

over there," I say, pointing. A wave of puzzlement sweeps over her

face. "I don't think I've heard of him," she

says after a moment's hesitation. I decide I'd better sit down.

With the second year of the Denver International Film Festival in full swing after an appropriate opening bash l~t

Thursday, one could not help acknow­ledging the diversity of Denver's budding film culture. Already within this city there are film communities that cannot meld -witness Vannoy Talent and Stan Brakhage. These boundaries were slashed, though, for the premiere of Woody Allf:n'sManhattan.

Upon arriving to the Paramount, at 16th and Glenarm, it was obVious that the event was a sell-out. People stood around the box office waiting for ticket scalpers, while Governor Lamm and his entourage cut some film for photographers. The popcorn stand was packed, lines formed for rest­rooms, and the theatre aisles brimmed with desperate seat-hunters.

There was a curious problem with the microphone as Festival Chairman Peter Warren introduced the Governor. No one could hear Warren, and Lamm ended up introducing himself by bellowing his appre­ciation for film, the festival, the people of Colorado, etc. Having already had some drinks from the bar, the audience was quite vocal about the whole thing and appropri· ately booed Co-director Terry Thoren as he instructed non-silver ticket holders to exit the theatre following the film. They were not eligible for the party to follow.

It was billed as the "Super-Party." It started as a super mess.

Apparently, people were so over­whelmed by the movie (see review elsewhere in this issue), they immediately adjourned to the lobby to discuss it. The festival people wanted everyone to exit on Glen­arm and return at the 16th Street entrance.

Ushers herded people towards the exit door. One usher came up behind Governor l!ainm's group and, without knowing who he was, stretched his arms and finnly en­couraged Lamm and his wife to get going.

"We can't get the dignitaries out of here," a frantic Terry Thoren remarked as he rushed by. A red-faced usher nervously laughed with Lamm.

"Woody was so sweet at the end," bubbled a well-tanned woman in a sleazy polyster white evening dress as her group eased towards the exit doors. "I fell in love with him."

Eventually, everyone was inclined to do as they were asked. "This is zoo city in here," blurted a man to his friend. People filed back in the 16th Street entrance and found the silver screen transformed into a glistening disco. Young Vannoy women, dressed in silk, scanty tum-of-the-century usher's uniforms, offered meat, mushroom

and fruit delicacies on silver trays. Wine and mixed drinks flowed from three make- • shift bars in the lobby. A minicam peered mercilessly from a comer with the camera­man randomly illuminating the crowd with his portable flood lamp.

People were having a good time and gave up any pretensions that often accompany cultural events. A good tum on fo.e disco , floor, a number of plastic cups filled with ice and alcohol and pleasant, mindless ramblings created a scene Woody Allen

• would despise.

The Glendale atmosphere had come to the Paramount. ·

Capitol Hill, too. Two men came to­gether and kissed. Others dressed a step below casual because they were, after all, quite above the charades. Only a few of the dying evening-attire breed appeared and, at $20 per, no earth people.

In all, 700 people stayed for the gala event. It should have been a humbling ex­perience just to be there. It wasn't.

by S. Peter Duray-Bito

For those who read movie reviews, the general consensus is bad reviews are easy to do. In fact, nothing seems to give a re­viewer more pleasure than to seriously tear apart a film. With the avalanche of horrible films that come out, a critic quickly be­comes adept in assuming a negative stance.

The first step on a critic's grade of diffi­culty is to write a good review without seeming overly enthusiastic. All praise must be qualified with an analysis that can tax even the finest critic's command of his material. And, in the back of every critic's mind, there must be a gumption the film is truly good in a larger sense than p~ly

appealing to fue critic's base instincts. Perhaps most difficult for a critic is to

review an obviously brilliant film, over which every critic in the country is excited, and manage to say something new and . different. Such is the case with Woody Allen's Manhattan.

Yes, Manhattan is Annie Hall and more. Yes, Manhattan is a brilliant fusion of Annie Hall and Interiors. Yes, Woody Allen is a genius. Yes, don't miss it.

Yes. Woody Allen is a quiet man. He didn't

pick up his Oscar for Annie Hall last year - he played the clarinet instead, like he does every Monday night. He doesn't appear at premieres and generally gets sick when­ever he leaves New York. All in all, he really seems like a rather dull, little man who would be quite a letdown for arche­typical Woody Allen fans expecting one­liners during an encounter. His talent lies in his work, not in his persona.

The man is full of observations. He is like a sponge, soaking up fragments of contemporary society and spewing them forth. The comedy comes from his manner­isms and timing - and what he says impacts with a high degree of insight. This process is really no different from other comics of other periods, such as Chaplin, Keaton or Marx, but Allen reflects peculiar idio­syncracies of our time. It could even be said that each generation spawns its own

Play It Again, Sam was a spoof on the . macho myth and went on to establish Allen's character of the insecure male. In this film, and in Take The Money and Run, Woody, the character, emerges. This char­acter is further refined in Annie Hall

Woody, the character, is a bumbling diminutive man at odds with the contem­porary world. Unlike Chaplin, who senti­mentally couldn't deal with the mechanics of the Modern Age, Woody logically fails to understand the neuroses of the Modem Society. Throughout Allen's development of this character, social commentary is in the form of bewilderment at such things as analysts, television, "trend" lifestyles, drugs and other vestiges that plague us_,

in a way, Annie Hall represents the height of Allen's sight-gag, one-liner struc­ture. He often steps out of the scene and talks directly to the viewer - establishing impossible relationships or conflicts -picking them apart comically. Based on a story line, the film is a series of small scenes resting on the basic comic method of tension and release.

Manhattan takes the small scene struc-

The Metropolitan May 10, 1979 7

glorification of sorts. The sequence is a highly refined and elegant form of Allen's old sight-gag style.

Manhattan is filmed in black and white. Cinematographer Gordon Willis uses a grainy stock for a rather nostalgic mood and, together with Allen, uses up every frame out to the edge. Scenes often consist of large, 'immobile objects in the center of the frame (a wall or car) and force the characters out to the edge. Dialogue will begin before the characters are seen enter­.ing the set or vice-versa. At one point, in the Museum of Modem Art, Diane Keaton makes a delayed appearance that receives gasps from the audience by sheer virtue of the timing of her entrance.

The story rests on 42-year-old Isaac Davis' (Woody Allen) liason with 17-year­old Tracy(Mariel Hemingway). There exists a basic human understanding and commun­ication between them, but Davis is too caught up in the obvious age difference be­tween them. The other side of the romantic quadrate are Yale (Michael Murphy) and Mary (Diane Keaton). Yale is married to Emily (Anne Byrne) but is having an affair with Mary.

As the story unfolds, Yale decides to be with his wife, which leaves Mary free for Isaac. Isaac drops Tracy in a bittersweet

-scene in which Tracy echoes the basic tenets of a good relationship: ''We have laughs together. I care about you. Your concerns are my concerns. We have great sex."

Isaac goes on to Mary but they never basically get along. Mary is highly neurotic, best exposed in a scene where she says she'll have no problems. "I'm beautiful, 'I'm young, I'm highly intelligent."

A pause. "I'm all fucked up." Isaac comes to her apartment and im·

mediately raids her refrigerator. Mary turns with a frown but then, in the same mom­ent, changes her mind and lets Isaac dis­cover her blue sandwich.

The film is filled with little moments of people exposing their base instincts and then immediately denying them for fear of discovery. In the largest sense, Isaac denies Tracy, but in the end he realizes his love for her exists outside of the social stigmas

geniuses of comedy, with Allen being the -pinnacle of the current age. ture of Annie Hall and slows down real- of the film. Likewise, Yale takes Mary back

Woody Allen's growth as a comedian time. By slowing down the incidences of from Isaac ("I had her first," says Yale, is also quite traditional - climbing a ladder humor, Allen uses different tensions to ''What are we, six-year-olds?" asks Isaac that becomes more polished at each rung. evoke true drama. The effect is that of incredulously). Beginning with What's New Pussycat?, light-hearted wit skipping along the top Allen believes modern day neuroses are Allen has written for and directed many with deeper meanings and human pathos a complex disguise for humans, but that it variations of the comic genre. Sleeper and establishing a firm base. Together, the is humanity that comes through to dictate Everything You Always Wanted to Know package is a brilliant representative of the our lives. The games, deceptions, and self-About Sex ... come from a slapstick, hit- art of film. denials are all "detours on the road of and-run approach. Aside from popping Manhattan begins as a carefully con- life." The film ends with the human Isaac one-liners, which were often out of context, structed montage of city scenes over which convincing Tracy of~ love· It is an ~nding Allen relied on sheer visual comedy such as Allen is continually beginning "Qi.apter 1" that has s~~ parallels ~o 11:~ ending of · the huge balloon-like breast in Everything of someone else's views of the city. The Casab~nca m its elegant s~pbc1ty. and the various futuristic contaptions in descriptions of the city range from awe to It IS a wonderful revelation on what can .<o:lfp""' i,.~ 1 .9f t f ·t .d d t happen on the road oflife. ~'1' .,..i-;~o • • • • • • • • • • • • • • • • • • .a~~QW4e Ql.en Q • J s. ~~ ence o a • ,.. , >•tJt'''''''''' lt 1 .. . . . *~ .r• t•llt.111. J_ JJl# J J/l#l lJ~ I 1 11 11 ·1• 1 1• 1 t111'•••t ~4,t•f .t ,ftl•'~f:'•f•'._:·~·r ... ~1.: .. ' ... "'•' .. ~,.."

8 The Metropolitan May> ~ 0: 19,79_ '

Unreality UC D 's · r r An g·e·r ·' ' by Bubby Michaels

As it is written, John Osborne's 1956 British drama, Look Back in Anger, is a strong reflection of the split occurring be­tween any two modem generations; if is

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also a definitive look at individual but universal emotions and needs.

It is the story of the dissolution and re­establishment of the tangled, awkward marriage of Jimmy and Alison Porter. She is the daughter of a remnant of the bland Edwardian period, and he is a vindicative symbol of the generation embittered over the crumbling past - but lost in the changes around him. Having saved her, or stolen her, from her parents is his major triumph .

Alfson, in her deep-eyed, "well-bred malaise," is the reflective sounding board of the protaganist Jimmy.

He is, as Osborne states in the script's introduction, "a disconcerting mixture of sincerity and cheerful malice, of tenderness and freebooting cruelty." He loves Alison, but needs continuously to test himself and their relationship. He needs to lash out in intellectual triades and well-worded, rhetorical comic mqnologues. He needs to be able to love her and at the same time to be quite prepared to do without her. In this sense, she symbolizes for him his society.

Alison puts up with Jimmy's antics and manic moods until she finally stands on her own two feet - unfortunately only to re- B turn home to her parents. CD

the responsibility of providing, from the opening scene to the play's conclusion, a myriad of monologues and near mono­logues that comprise jabs at British society, his wife, his friend Oiff, and his own life. These monologues must be accompanied by discernible changes in tact and intent. They must lay the framework for the re­actions of the other characters.

ally lacking throughout the evening. Balch- receives very little support or

interaction from the production's other characters.

Sharon Brunn as Alison Porter reveals little character. From the beginning of the play, there is only a tired, soft sing-song monotone to her lines. Brunn physically is the epitomy of Osbonle's description of

Jimmy and Alison's marriage had been >­

held together by an "easy, lethargic" young ~ man, Cliff Lewis. The quiet opposite and o close friend of Jimmy, Cliff is able to pro­vide reassurance and calm, possessing a street-wise understanding. ui ........ ______ ~_2:.:.:__:::::_:~~~!1-1:'..!J

The break-up of the Porter mactiage is It is not until the second act that Balch ' his Alison'{ tall witJl1f~eod Wa~~1,!) '6ig;l j antagonized by Helena Charles, an actress seems to find the through lines of Jimmy's round, deep eyes, and striking attractive-friend of Alison; a representative of the thinking. His diatribes in the fust act are ness. Her emotions as Alison, however, are

.. society from which Jimmy stole- Alison. mostly too glib, too recited, and don't muddied and vauge . Helena comes to visit and is the only one seem to be stimulated by Jimmy's thoughts. It is hard to tell whether the fault lies in in the group capable of offering a strong Although director Laura Cuetara has Cuetara's directing or Brunn's acting, but match for Jimmy's tryanical indulgences. technically provided the correct gestures Alison's decision to leave Jimmy' her grief

The play is the current production of and voice inflections for Balch, these verbal over the loss afterward of their child, and the University of Colorado at Denver shifts in gears and tuned movements, until her reasons for returning to him don't ring (UCD) Theatre Department. the second act, are only punctuation - not true. At one point Jimmy says she suffers

The UCD production, despite certain style. from "a well-known lethargy," and at other scenes that are tangible and believable, Once he progresses beyond mugging - times accuses her of perpetually being does not match the possibilities of the and finally becomes Jimmy Porter - asleep. Cuetara seems to have made these script. The characterizations on the whole Balch pulls of realistic trains of thought lines the subtext and basis for Brunn's are not consistently real enough to allow and honest reactions to his situations work. the audience to make believe the actions and problems. These carry the entire John Deleo as Qiff Lewis suffers the result from emotions and thought, not production. same malady as Brunn. His lines are mono-simply from a playwright's storyline. There is a hint of this ability in Balch tonic and bland, each one accompanied by

-. Michael Balch (who is one of two non- early in the first act, however, when Jimmy a forced conviction to remain understated. UCO cast members) as Jimmy Porter has describes his wife as "pusillanimous," and They sound simply read to Jimmy, Alison,

then proceeds into a parody of a Roman or Helena, as if through boring rote . . matron, "the Lady Pusillanimous," and he Even when he argues with Jimmy, when cites from an unabridged dictionary to they actually brawl or perform a zany support his claim. Balch delivers the scene parody of pop songs, DeLeo's lines, like his with a spontaneous verve and reality usu- continued next page

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... Is Auraria. the new

artist's paradise? All the world's allegedly a stage and the

.,, Auraria campus this weekend is providing its share of performing arts.

Friday evening alone, one can share a love affair with Arthur Miller, become in­volved with a zany, bitter young Britainer, or get caught up in the wide world of dance, from Mozart to Eraserhead.

The Metrop6litan State College (MSC) Players are going into their second week of production of Arthur Miller's After the Fall. The play is based on Miller's life, his self-struggle, and his two marriages.

The MSC production, directed by David Ode, is a large undertaking for the Players - over 25 MSC student cast mem hers - and has received critically praising reviews from both the Denver Post and the Rocky Mountain News.

The University of Colorado at Denver (UCO) Theatre Department this weekend is finishing their 2-week run of Look Back in Anger, a tough, tense drama by British playwright John Osborne.

Osborne's 1956 drama. - directed for UCO by department member Laura Cuetara - is a biting look at human character and need, based on a young man lost in the shift between two generations.

The Auraria Dance Club, comprised of about 30 students from all three Auraria schools, will present its Annual Spring Con­cert as part of the Auraria Mayfest Friday evening.

The program, recently presented at the Universicy Qf Northern Colorado, will be performed again only Friday.

The evening is a collage of dance styles, ranging from purely classical to fantasy and modern dance selections. Each number is originally choreographed by members of the troupe or their sponsor, MSC faculty member Carla Parks. '

Live music will be offered on campus Friday afternoon. The Student Activities Committee is presenting "Black Irish" from 12:30-3 :30 in the plaza in front of the Student Center. The group is a fusion of jazz and rock styles.

The schedules of the other events are: - After the Fall, May 10, 11, 12, 18,

19, 23 and June 2, 8 p.m., with a 2 p.m. matinee May 30, phone 629-3740 for information. ~ Look Back in Anger, May 9-11, 8: 15

p.m., phone 629-2730 for information. - Auraria Dance Club Spring Concert,

May 11, 6 p.m., Arts Building Room 295, free ~dmission.

continued from previous page

movements and facial gestures, come off as pre-planned and contrived.

Karen Burbach as Helena Charles enters the stage with a definite strength that wanes occasionally. She · portrays the staunch Helena well, and provides a good foil for Balch's Jimmy.

Helena's love for Alison and her hatred of Jimmy are obvious. What is missing in the characterization is a reason for Helena's sudden attraction to Jimmy half-way through the play. The only clues Cuetara has Burbach give the audience are a few raised-eyebrow looks and soap opera-like hems and haws by Helena as she says she will stay on a few days - for business reasons - after Slison announces she is leaving. Helena stays on to live with Jimmy.

Alison's father is ·played by Jim Brook­man, who tried to make the stodgy, old colonel come to life on the stage. It is a nice, but bofirg, caricatl!re of the peop!e ..

A • recipe

by Frank Mullen

Take all the silliness of a gang of college sophmores on a three day mescaline trip at a Marx Brothers fil.r.- festival. Add a liberal helping of the Firesign Theatre's timing. Blend well with the energy of Monty

Jimmy has condemned throughout the play.

The show is produced in the round on an interesting set designed by Diane C. Forbes. Forbes has done a good job of defining the cramped, restricting quarters in which Jimmy and Alison live. It is a one-room flat in browns and low light. Forbes, who also- assembled the props, has admirably helped the production to­ward a sense of reality.

Cuetara's choreography is very effective. The movements and blocking of the actors around the stage are in control and effec­tively motivated. Cuetara has taken full advantage of the concept of in-the-round theatre.

The final product, despite Cuetara's control of her people and vitality of the script, is just not the trip that it could be.

Look Back in Anger will be performed Wednesday through Fridlly, May 9-11 , in Room 278 of the Auraria Arts Building, at 8: 15 p.m. Phone 629-2730 for ticket information.

The Metropolitan May 10, 1979 9:

for Duck's Breath Python. Pour over the five Iowan crazies and serve on a bare stage with a minimum of absurd props .

Duck's Breath, the zany San Francisco comedy quintet, performed before a packed house at the Mission April 30. The troupe, originating in the hinderlands of Iowa in

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1976, is all of the above and much more. The Ducks are masters of topical parody.

Their skits include a Punk Rock take-off (playing invisible instruments and spouting lunatic lyrics), a sales seminar (the huck­ster's message is "Dare to be stupid"), and a Catholic School's second grade sex edu­cation class (a child playing a sperm cell is thwarted in a fertilization attempt by a

-tennis racquet birth control device). The Ducks have a Steve Martin quality

of unbridled lunacy, but many of their gags have a sophistication Martin never realizes. Even when some of the gag lines fall flat, the Ducks keep the pace going and the laughs flowing. They are a machine gun nest of talent who seem to like nothing better than to get before an audience and simply go beserk.

Their material is gathered from real life, old slapstick and experimental threatre. They have no use for the usual trappings of a stage production and frequent role changes and skit transitions are accom· plished deftly. Their routines are so bizzare, and depend so much on physical action, it is almost impossible to transfer their crazi­ness to paper.

The Duck's comedy comes from so many sources it is hard to nail down the team's single greatest influence. One cast member, howeve.r, was willing to mention the names of his two greatest comedy mentors.

'That's easy," he said, "they're Rocky and Bullwinkle."

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10 The Metropolitan May 10, 1979

Sports by Anne Smith

Freestyle wrestling ... where Americans lose control to the rest of the world.

Anyone who has ever watched wrestling in America may know the popular colle­giate style centers on control holds. where wrestlers try to hold their opponents to the mat.

Macho. On the other hand. you might not know

that since American wrestling is so boring you probably turned the channel on your set. However. in the rest of the world free­style wrestling IS a popular spectator sport.

The emphasis is on action. Wrestlers do attempt to pin the opponent"s shoulders to t~ mat. but the hold may only last one second. If there is no movement toward a pin then both wrestlers must begin from a standing position again. ~

In collegiate wrestling, the action moves ~ through a series of three positions. The ~ first is from a standing position. in the ~ second and third the opponents start from u; a kneeling or ''referee" position - each gets to start in the top position once.

Points are given for take downs, rever­sals. escapes, near falls and pins. The score is designated by the plane of the back.

Freestyle wrestling - popular in Europe - and the Olympic sport are similar, except there are no mat positions - wrestlers always start from a standing position. The opponents are constantly moving on the mat.

They scramble after each other trying to gain control of the other. in an almost any­thing goes style. They may grab each other in a crotch hold or hook their toes behind the other's knee to trip him.

Freestyle wrestling has come to Metro. politan State College (MSC). Not only is there a growing club of twenty, but they have an Olympic medal-winning coach.

The MSC Freestyle Wrestling Club began through the efforts of Dan Weck, a New York Metropolitan champ for three years, NCAA division champ, assistant coach at Montclair State College in New Jersery, and a member of the New Yor.k Athletic

Elections continued from page I

Smith · then made a statemelft to the commission calling the complete election process "completely unfair ... the elections have been rendered by the student govern­ment into a big mess."

Meyer also spoke, stating the process of the initial disqualification - where Smith and Meyer were notified after the first hearing - aS' "unjustified. There's no excuse for this."

Priest answered for the commission, saying the board was "doing its best" with the case.

Club - an American center for freestyle wrestling.

Weck worked with Dr. Frank Powell, chairman of the Physical Education and Recreation Department - and a champion wrestler himself - to form the dub. Weck was asked by Powell to be head coach be­cause of his coaching background.

Through his efforts at publicizing the club, Weck attracted 20 interested students - which included two men who also had extensive freestyle backgrounds.

These men became the assistant coaches for the club.

Farahvashi, 1972 Silver medalist in the Munich Olympics, spent six years as a competitor on the Iranian Natiorral team. When he came to American in 1972, he coached at a YMCA and ~~ral high schools, but was frustrated with the colle­giate style of wrestling . .

With the help of his ·brother, who was his coach in Iran, Farahvashi - now an American citizen - is training for the 1980

"Please try to accept that," Priest added. The commission then went into execu­

tive session, after which the commission reversed itself and displaced Smith and Meyer from the ballot.

Smith and Meyer then repeated their intention of- taking legal action against ASMSC to st9p the elections.

Gimelli said May · 7, however, that ASMSC had not been notified of any legal action concerning the elections. Gimelli added he spoke to state Assistant Attorney General Jo Anne Soker. .

"She thought we (ASMSC) stood on pretty firm ground," Gimelli said.

Smith .said on May 7 she had contacted

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Olympics. Dale Baxter, a freestyle wrestling team

·member at both the New York Athletic Club and the San Francisco Athletic Club - and a NCAA place winner when he was at Columbia University - was also frustrated when he moved to Denver and looked for a group of freestyle wrestlers.

The goals of the club are to offer the city and the state a centralized and compe­tent situation for wrestlers to develop their international skills; to develop an inter­collegiate team; to offer a freestyle clinic for high school wrestlers; and perhaps even a rolling s~ for schools in the metro area, profits from which would help sup­port the team.

The three coaches have very positive attitudes about the club, and about the future of freestyle wrestling in America.

"The American wrestlers are very good," says Farahvashi. "They have only to learn the rules of freestyle to be recognized as a world power." The USSR is currently the world leader in Freestyle wrestling.

" To be successful in wrestling is hard work," he said. "When we trained in Iran• our 86 year-old coach would stand behind me with a wooden paddle waiting for me to get tired. When I did he would smack my bottom and tell me only to work harder. I have never regretted a minute."

The other members of the team feel that the Iranian members are an asset to• the-team.

"At the New York and San Francisco Athletic Clubs there is a tradition of train­ing with foreign wrestlers." said Baxter. "It is to improve on international c0mpet­itiveness. We have the nucleus of a fine team and only have ourselves to develop." •

"Our objective is not only to create an NCAA champion and to give MSC an identifiable team of accomplished per­formance," said Weck, "but also to raise our goals to a~hieving world and Olumpic talent."

The team will enter its first competition • May 1 in an open tournament sponsored by the American Wrestling Federation.

MSC diamond news Metropolitan State College (MSC) pit­

cher Jack Gandy figured highly in two of the last three wins of the MSC baseball team.

MSC defeated the School of Mines I 0-6 April 26 in Golden. Gandy, relieving Rick Erickson in the top of the fifth, was cred­

. ited with the win. Gandy struck out seven in the first game

and Don Williamson fanned ten in the sec­ond as MSC swept a double-header from Colorado College; 10-5, IJ-5 , April 28.

Mark Weber singled thr~ times in the second game to aid in the win.

With his reliefon Thursday against Mines and the followup win at Colorado Springs, Gandy upped his season record to 6-3 to become the Roadrunner's winningest pit­cher in five years. The three-game win steak brought MSC's record to 15-24.

three lawyers, all of wh~m thought Smith and Meyer "had a good case" against the MSC student government.

Smith said, however, that one of the lawyers - from University of Colorado­Denver (UCD) Legal Services - couldn't handle the case, since ASMSC gave Legal Services $3,100 to buy into the services office.

"She (Barbara Stark) said it would be a conflict of interests to go against the student government now," Smith said.

Smith said the American Civil Liberties Union {ACLU) will consider taking action in the case1 but the possibility of stopping the election this week was "pretty small."

Yet another .Denver sports team is headed for the playoffs - and this time, the team is from Metropoltian State Col­lege (MSC).

MSC's Women's Softball team travels to Ogden, Utah May 10-11 to particpate in the AIAW Regional Tournament at Weber State College .

Team coach Pat Johnson said the MSC team qualified as a reslt of its second place finish in regional league Division II compe­tition with a 11-9 record. The..team earned the second place sJJot, '.Johnson said, by defeating previously unbeaten Idaho State in the last game of the season at Pocatello, Idaho.

MSC meets the University of Northern Colorado - second in the nation last year - in the first game of the double-elimina­tion tournament.

Smith said she and Meyer had developed three definitions of "two semesters of work" to counter the Election Commis­sion's interpretation of two semesters of attendance.

"Two semesters," Smith said, "could be defined as number of hours (Meyer will have 20.66 hours completed at the end of spring semester), two academic units (one quarter and one semester), and 25 weeks as compared to 30 weeks - what difference does five weeks make as far as concern for the office?"

Smith also confirmed she and Meyer will contest the election results in front of the Election Commission next week. .

·Strawn and Associates STUDENTS AND TEACHERS

Summer Positions Available We can give you extra income this summer by providing you interesting, challenging and rewarding temporary positions. We spare the hassle and spend time to place you with companies that appreciate you as much as we do.

We 11 keep you as busy as you like, as close to your home as you desire.

1114 E.18th St., Denver 861-2233 :"

a II II· temporary employment services

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all .week

"The West at Length." Jerry Dantzic. Denver Museum of Natural History.

Spring Art Show. Auraria Library.

Think - summer and fu1als week.

CCD Chorus presents "The Festival of Hope." Arts Bldg., Room 278. 7 :30 p.m. Free.

Ratify the ERA Rally at the State Capitol. For further information call 770-8514.

Mother's Day.

Film Seminars: "Tke Role of Women in Contemporary Film." The Flick. Noon.

Capitol Hill People's Fair.

,. rt • •r , • n t ~• c ., n•

WANTED OPPORTUNITY: LEARN TYPESETTING while making excellent money. If you can type 50+ an hour, contact Steve at The Metropolitan. 629-8361 WANTED TO BUY A DESK, preferably wood . Call Frank at 744-9402.

ROOMMATE WANTED to share 3 bdrm. home in Cherry Creek area. $100 per month and 1/3 utilities. Too good to miss. Nice people and place.

WANTED TO BUY· Slant board !exercise type). Call 832-1051 .

F.OREl~N CAR ENTHUSIAST is seeking maga· zines with pictures of pre-'69 foreign sports cars. Will pay 50 cents for each usable photo. Call 443-3380.

WOMAN, 30. WANTS TO SHARE 2 bdrm., sem1- furn1shed home with same. Rent 1s S127.50 plus 'I, ut1ltt1es. Near school and downtown Denver, accessable by 2 bus lines. Pets allowed . Ca ll 433- 1279 or 292- 2354.

WANTED - Sc1enr.e I nstructor . Vets Upward Bound, part-time Start March 26 until May 31 . $9.33 an hour Call VUB-629-3024 . ASOP.

STUDENT NEEDS PART.TIME JOB desperately to pay bills. Please call at 321-2410. Looking for general part ·t 1me work, like doing odd 1obs, filing, d1shwash1ng, general o f f ice wori< .

WANTED: Roommate to share 2-bedroom 1-70 & Pecos. S145 plus 1/2 ut1l1ties . Call 433·343S after noon.

ASUCD LEGAL REFERRAL SERVICES is looking for someone who can work for the pro­gram during the summer on a work-study basis . If you will be on work-study at Metro or UCO, please contact us at 629-3333 or 629"8368.

RESEARCH ASSISTANTS NEEDED by National Advertising Agency to study new trends in ad· vertising and promotions in your area. FREE Panasonic cassette recorder plus blank cassettes are yours to keep for your participation. For further information send your name, address, telephone number and age to:

Advertising Innovations 712 W. Princess Anne Road

Norfolk, Virginia 23517 /

rlO MSC Student Government Elections.

Thursday Afternoon Club. St. Francis Interfaith ~enter. 1 :30-3 :30 p.m.

"Look Back In Anger." Arts Bldg., Room 278. 8:15 p.m.

"After the Fall." Ninth St. Park Theatre. 8 p.m.

Early Music Ensemble. Ida Schenck - Director. St. Francis Interfaith Center. 8 p.m.

Grease Lightning. Student Center Plaza. 12 :30-3 :30 p .m.

m14 "Once Upon a Myth." Theatre Under Glass. For further information call 831-8139.

Department of Energy Conference. Student Center Room 330. 8-9 p.m.

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KRMA Channel 6. The Originals -Women in Art. "Mary Cassatt -Impressionist from Philadelphia." 10 p.m.

KRMA Channel 6. Bill Moyer's Jour­nal. "A Conversation with Jerry B'rown." I 0:30 p.m.

WANTED: APARTMENT TO SUBL£T FOR SUMMER .. Contact Kevin Hanrahan , Box 8443; SUNY, Binghampton, N.Y . 13901 .

HOUSEMATE WANTED - for June, July, and August. To share a large comfortable house with friendly folks in Northweast Denver. Own room. Rent $50 per month plus nominal utilities. Pets, OK, prefer non-smoker. Call 825-3319.

Wanted : Housemate for summer-June, July, Aug­ust-to share a comfortable house yvith friendly fol ks in Northeast Denver. Rent $50 per month plus utilities. Phone 825-3319.

. OPPORTUNITIES

NEED CLERK-PROJECTIONIST FOR ADULT THEATRE. Dav and graveyard shift available. Start $3.10/hr. Local job references required. Must be neat and dependable. 139 Broadway.

WANTED PART- TIME daycare 1n-home fo, 20 mos.-old twins. Hours ans salary negot. Exp and references preferr ed/live- in possible. Beginning first week of April Call 4T/·5456after 9 30 p.m . 01. during weekends.

CLUB OFFICERS NEEDED, for MSC Ski Club, 1979-80 school year, no exp. needed, must be MSC studen t . If interested please contact MSC Ski Club, SACrm . 352. Ph. 629-3318 .

TAX AUDITOR Computerized tax .firm seeks individuals with knowledge of inco me tax theory for auditing work thru Apri l 16. Part time, flexi· ble hrs . thru day & evening. Weekend availability necessary . Good opportunity for tax students. Call Carol , 751 -5502 . EOE CCH Computax, I NC. 1925 S. Rosemary, Suite H .

COUNSELOR FOR 7-WEEK Summe1 Envir· o nmental d1scove1y p1091am. Al.l tl tty to wo1k wt-th fourth grade students required $2.55 hour For appltca11on form, contact CSU E x1ens1on 111

Jefferson Count y , 15200 W. 6th Ave .. Golden , 80401, or 279-4511 , by Apri l 18 . An equa' op· poi tun 1ty employer.

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f 11 MSC Student Government Elections.

Simple Breakfast. St. Francis Inter­faith Center, 9-11 p.m.

"Look· Back ln Anger." Arts Bldg., Room 278. 8:15 p.m.

"After the Fall." Ninth St. Park• Theatre. 8 p.m.

Auraria Dance Club. Free Dance Con­cert. Arts Bldg., Room 295. 6 p.m.

Black Irish. Student Center Plaza. 12:30-3 :30 p.m.

t15 Simple Dinner. St. Francis Interfaith Center. 5 :30-6 :30 p.m.

"Once Upon a Myth." Theatre Under Glass. For further information call 831-8139.

Department of Energy Conference. Student Center Room 330. 8-9 p.m.

KRMA Channel 6. Spotlight on Leaming. 9 p.m.

KRMA Channel 6. Nova. "A Whisper From Space." I 0:30 p.m.

My Brother's Birthday.

u· ti' )

WANT TO SPEND TH IS SUMME:R Sailing the Caribbean? The Paci ' ic? Europe? Cruising other parts of the world abroad sailing or power yachts' Boat owner s need crews' For free information, send .a 15-<:ent stamp to Xanadu. 6833 So . Gessner, Suite 661, Houston TX. 77036. •

MEDICAL OR NURSING STUDENT needed to show another student how to take blood pressure, draw blood, etc. - needed for my own general information. Please contact me t 4334866. Keep trying or leave message at Metro News office.

Students : Earn $60-$240 per week, stuffing and addres­

sing envelopes in New Expanding Business. Work at home, 900 people needed in your area. For Info: Send self addressed stamped envelope & 25/ To : rChavez Enterprises R. T.1 Box 42A Courtland, Ca. 95615

ACCOUNTING TECHNICIAN, PART-TIME, Au ­raria Media Genter, $4.68/hour, senior accounting student OK. Call Rick at 629-2426 after 3 :00 pm.

The Metropolitan May 10, 19>11>·· ·ll

slZ MSC Student Activities presents "A Day ·at Elitches." Beer available at the Rainbow Pavilion. 11-11 p.m.

CCD Chorus Presents ''The Festival of Hope." Arts Bldg., Room 278. 7:30 p.m. Free.

MSC Baseball. University of Northern Colorado. Home. 1 p.m.

"After the Fall." Ninth St. Park Theatre. 8 p.m.

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"The Voice of the Whale." Music of Weber, Martiono and Crub. Arts Bldg., Room 278. 8 p.m. Free.

Capitol Hill People's Fair.

w16 Brown Bag Series. Weight Control. St. Francis Interfaith Center. 12:10-1 :10 p.m.

Stuart Steffen, soprano, and Gerald Endley, trumpet. Foote Hall, Hous­ton Fine Arts, Colorado Women's College. 8 p.m. For further infor­mation call - 733-9357.

First Monday in October. Auditor­ium Theatre. 8 p.m.

A Funny Thing Happened on the Way to the Forum. Bonfils Theatre. 8:30 p.m.

HELP. °WANTED - Full and part time. Dairy Queen, 440 E. Colfax - Steve.

CONSTRUCTION LABORERS WANTED for materials delivery and clean up job sites. Over 18 with good driving record and Colorado license. Apply 29 Kalamath. 571-0776.

WANTED - UNUSUAL PEOPLE. Are you earning less than you're worth? Here's a splendid position for an unusual person who can work their own schedule, be their own boss. Earning potential $12,000 - $15.000 or more. Interested? Call Tom Weaver 979-2143. 8-10 a.m., Mon-Fri.

SELLING YOUR HOME? BUYING A HOME? Want a professipnal job done? Call Keary Riedel Realty World. Bus. 793-3000. Res. 979-1438.

FULL-TIME I PART-TIME CLEANING HELP needed. Must be bondable and dependable. Salary negotiable. Call 922-7723 after 6 p .m .

More classifieds pg. 12

CLASSIFIED ORDER FORM

FHEE TO \l'H \l{I \ :-'Tl l l>E\TS. FACULTY. A:'-JO STAFF

\ .\\IE: PHO:'\IE \UMBER: . I.I>. '-Hl'.\1BER:

SEND TO 1006 I ITll :'TREET. BOX 57, DENVER CO 80204

01{ l>ELIVEK TO ~TllDE\T CE.\JTER R\1. 156

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Classified COUNSELORS FOR SUMMER WILDERNESS PROGRAM. Paid positions for two week expedi­tion with boys and girls 8·16, stressing personal and group growth. Exp~ience with youth and backpacking helpful. Apply before May 25. Call 477-2765 for more information.

FOR SALE

FOR SALE: 1969 FORD GALAX IE. Good con­dition, original owner. Best offer. 744-0256.

ENCL YCLOPEDIA - 20 VOL. SET, 4 Medical­Health Encyclopedias, 2 Volume Dictionary, World Atlas, Bible. Must Sell I 341-7956. Ask for Loren or Marianne.

FOR SALE : 1974 DATSUN PU - Stereo, Air Conditioning, Step Bumper and Californian Mirrors. $2,500.00.

F01' SALE : LEFT HAND GOLF CLUBS-$50. Girls 20" Bike - $25. Child 's Organ - $15. Ant Gold Vien Mirror Tile (5 doz.) - $20. Black Reliner - $55. Fi replace Logs (Gas) - $25 or best offer. 237-4471.

1974 TOYOTA CORONA WAGON, auto, AM/ FM. clean, call Gary at 629·2905 7:30 a.m.-3:30 p.m. w-days.

1978 550 HONDA, 1500 miles, black, $190.00. Call 10:30 a.m. to 10:30 p.m . at 343-2081 . Must sell, going to Germany.

1977 PUGij MO-PED FOR SALE, $375 cash or best offer. Call 534-2717.

'49 CHEVROLET, Nl:W TIRES, new clutch, re-built transmission, new tires, new rear brakes, runs great, $800.00 or best offer. Will trade for a good volkswagon. Call 433-3585 after 2:30 p .m .

ART STUDENTS: Free catalogs from several of the lowest cost mail order sources of precut mattes, frames, plexiglass. low minimum order prices and extremely competitive rates. Plus, information on low cost 'sources of slides and prints of our own originals locally done. $150 for handling and first class postage. Ponain, PO 5665 TA, Denver, CO 80217.

FOR SALE: 1962 Fender Duo Sonic Gulter. Pre­CBS. Original electronics. $175.00. Cal I Christine 861-8967 eves.

FOR SALE: Pearl color five piece British made drum set. Original cost $300, asking $210. Can negotiate - excellent condition. Call Gary Grance - 770-0848.

TAKING PICTURES AND MAKING MONEY . A photographic workshop for people who want to sell their pictures. Anyone with a cemera can make money in photography. We will tell you how. $25 for preregistration up to one week before workshop, or 530 at the door. Send check or money order to Photographic Workshops, Box 11821, Salt Lake Ci ty. UT84121 .

FOR SALE: BRITISH MADE DRUMSET, 5 pieces, excellent condition, edgecraft, original cost $300, asking $180. Can negogiate. Pearl color.

For Sale: ($65.) New polarguard sleeping bag rated to 0 deg. or trade for used down bag. Also audio·

· vox AM-FM car radio-reasonable, call Carol Aims 744-7789.

FOR SALE: STEREO AM/FM radio and record player. $70.00 console. Coffee table - all wood, 60" long. $20.00 .

TIRED OF GREASY SPOON JOINTS? Try a Greece-y one tonight - or for breakfast or lunch. Wine and beer (two-fer's this monthl) and great food (Greek & American) at great prices - out­door se<iting for these balrriy summer eveningsll ZENOBIAS, 225 E. 7th Ave. (at Grant). Hours: 6 a.m. • 1 O p.m. Tell us you saw this ad and get a free sample of gyros I

FOR SALE : QUEEN-SIZE waterbed & accesories-$300 also AM/FM stereo receiver with turntable (Garard), $150. Call 831-4218 early mornings or after 9 p.m.

1974 MUSTANG II . White w /black interior, V-6, auto AM/ FM 8-track. Good on gas, runs great! $1800. 985-1754 after 5 p.m. Ask for Debbie .'

CATALOG OF UNIQUE, NOSTALGIC, AND SPECIAL TY ITEMS-many Collector Items with good investment possibilities . Items include: coins, stamps, antiques, artwork, comic books, old records, old magazines, old photos, books, buttons, and many others. ~end 50 cents (deductible with first order) to: Frank Louis, P.O. Box 548, Allwood Station, Clifton, NJ 07012.

Two New Honda Civis's tires & set of brand new brakes for Honda Civic for sale. Call 373-1722.

. AT LAST, ASQMMER JOB THAT DOE•, llTERFERE WITH

YOUR SUMMERVACATIOI. Whichever days, whichever weeks you pref er to work. Norrell Temporary Services will do the best we can to accommodate your summer schedule.

We've got temporary positions in many fields. And they're all good jobs, with good pay and· good places to work

What's more, you're never obligated to Norrell. Thera's no contrad to sign. No fee.to pay:

So, this summer, uyou' dlike to spend some time away trom work-and still have some money to spend-contad Norrell at the location below. We'll work you into your schedule, not ours.

I TEMPORARY

410 17th St. 623-1300

288 Clayton 399-5858· ..:=::;-_=.===..__~-------------------

~.O.E. M/F

TERM PAPER S. RESUMES. Compos1t1ons. D 1c tat ions. Typ1nq, Transcript ion. Reasonable RatP.s . On" day o.,ltvP.ry. E.M.C. Executive Suites. Inc., 1385 S.' Colorado Blvd .. Sui te 508. 759 8396. Ask for Griff . TYPING DONE IN MY HOME . Term papers personal , or WHATEVER! 85 cents per page. Call 427-5014 .

FOR SALE : TOYOTA '72; runs good, needs work, AM-FM radio. Call 333-5707.

· For Sale : A Pit -Bull terrier, black, 8months, AKC registered, $125.00 or best offer. For free, a Boxer, 8 months. Both good watch dogs. 629-3067.

FOR RENT

l\llale or female non tobacco user needed to share 2 bdrm Apt. in Glendale. Pools, tennis, and more. $115 plus % utls. Dave, 758-6794 day; 779- 3700 eves.and Sat . •

PERSONALS

LOST IN CCD SNACK ROOM - Brown Leather Jacket. Sentimental value. $50.00 reward for re­turn. No questions asked.

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• 1978 Chev. Monza, V6, 4 spd, air cond, 6000 miles-still under warranty, rally wheels $4200 or trade for good 4x4. Also GE washer-needs work­$25 or best offer-you pick up. Ask for Jake.

78 Monte Carlo V6 Blue for sale. Call aft. 6 pm 373-1722.

CLOTHE THYSELF! Greater Park Hill Thrift Shop is a unique shop offering clean, mended clothing at a very reasonable price. All profits are channeled back into the Park Hill Community. .­Check it out. Monday- Saturday, 10-4 at 2254 Kearney (across from the Crest Theatre).

1968 MUSTANG, 289 V-8, A/C, auto., p.s., fair condition, $1,000 or best offer. 756-2821.

For Sale : Mazda 1972 AM/FM radio-good condi­tion. Runs great $1000 or best offer. 469-7564af­ter 6 p.m. Ask for Mo.

60 oz. PITCHERS PABST BE'ER , $1 .50/3 p.m. to 8 p.m.Malfunction Junction. 608 E. 13th Ave.

For Sale : Oriental type rug, all wook, made in Bel­gium, approximately 8x10. Good condition. Asking $100. 744-7763.

(Juveniles He said there are "no panaceas" in

juvenile treatment. "Treatment can work," he said, "if the right method is tried on the right kid at the right time."

The average stay for juveniles in the centers is six to eight months. He said 20 percent of those released return to the institutions.

There is no "follow-up" data on the other 80 percent.

Adlfinger said lengthy sentences are not the answer to the juvenile problem.

"I favor intermediate sentences for offenders," he said. '"fhat's one way of getting their attention and letting them

-PARAPSYCHOLOGY - - People - wanted with interest in ESP and other related topics to get together to rap and possibly form club. Call Todd 433·9741 .

UNWED HUSBAND-IN-LAW expecting new friends, foes. Specializes in Polly-Sigh , Hary Chris­nah, Unitarian Roaming Katholic-KK, Anti-Maim , and Hairy Kariy fill Ah Sophies. Call J.J. at 332-2254. No obscene phone calls after midnight.

MR. METRO MAN CONTEST: Win a n ight on the town with Les Femmes Criminelles. 5 runn·er­ups. Ballots available soon.

continued from page 3

know, if they do well, they'll get out." Adlfinger said tougher sentencing and

stricter treatment of offenders will not solve 'the delinquency problem. He said space in the centers is always a problem -one kid leaves while another is admitted.

The space problem is always present and sometimes law enforcement . officers and victims resent the delinquent's short stay in the institutions.

' 'That will always be the case," Adlfinger said, "unless we are going to build double or triple the size of the institutions we have now."

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Why Should YOU ·Sell Your .. Textbooks?

One of the quesilons students must answer at the end of the semester Is whether to sell their textbooks or to keep them for possible future reference.

• One Half Price Current edition textbooks required. for classes for the

upcoming semester are bought back at 50% of the new price. As quantities for classes are fllleet prices may be reduced.

• Wholesale Value Current edition textbooks no longer being used on this

campus can often be purchased by Nebraska Book Company for resale to schools in other parts of the United States. Pr(ces on these books m·ay vary accord­ing to the national demand for each title.

We Pay CASH For Used Books

Sell Your Books Now For Top Prices

A Representative of Nebraska Book Company Will Be Available

6'uraria ·•ook Center

Noon Wed-Wed May 16th-23rd

Uwl'9nce at 10th Street

Hours : Mon-Thurs 8-7:30 Friday 8-5

. ·saturday 11-3

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