fromA BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.htmlby José Ángel GARCÍA LANDA(University of Zaragoza, Spain)

DANTE ALIGHIERI (1265-1321)

(Major Italian classic; b. Florence, aristocratic family; political counsellor, exile and sentenced to death in absentia; l. in several Italian cities, d. Ravenna)

Works

Alighieri, Dante. La vita nuova. Lyric poems and prose. 1292._____. Vita nuova. In Opere minori. Ed. D. De Robertis and G.

Contini. Milan and Naples, 1984._____. Vita Nuova. Ed. and trans. Mark Musa. Oxford: Oxford UP. _____. La vita nuova / La vida nueva. Bilingual ed. Ed. Raffaele Pinto.

Barcelona: Bosch, 1987._____. Vita nuova. Trans. B. Reynolds. Harmondsworth, 1969._____. Vida nueva. In Dante, Obras completas. Vol. 2. Barcelona:

Aguilar, 2006. 5-71.*_____. "Dos sextinas." Trans. Isabel Paraíso. (U de Valladolid).

Hermeneus 15 (2013): 421-25.*_____. Convivio. Criticism. c. 1304-8._____. Convivio. Ed. G. Bunselli and G. Vandelli. Introd. M. Barbi.

2nd ed. Appendix by A. E. Quaglio. Florence, 1964._____. Convivio. Ed. Maria Simonelli. Bologna, 1966. _____. Il Convivio. Trans. P. H. Wicksteed. London (Temple Classics),

1904. Rpt. 1924._____. The Banquet. Trans. William W. Jackson. Oxford: Clarendon,

1909._____. El convite. In Dante, Obras completas. Vol. 2. Barcelona:

Aguilar, 2006. 73-341.*_____. "Il Convivio, Tract. II: Voi che 'ntendendo and Extracts from its

Exposition." In Medieval Literary Theory and Criticism. Ed. A. J. Minnis and A. B. Scott. Oxford: Oxford UP, 1988. 394-412.*

_____. From Il Convivio (II.1). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "Translation Destroys the Sweetness of the Original." From Il Convivio. (1304-7). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

_____. De vulgari eloquentia. Criticism. c. 1306-8._____. De vulgari eloquentia. Ed. Aristide Marigo. Florence: Le

Monnier, 1938. _____. De vulgari eloquentia. Ed. A. Marigo and P. Ricci. Florence: Le

Monnier, 1957._____. De vulgari eloquentia. Selections from Book 1. In The Great

Critics. Ed. J. H.Smith and E. W. Parks. New York: Norton, 1932. 516-19.*

_____. De vulgari eloquentia. Trans. A. G. Ferrers Howell and Philip H. Wicksteed. In Medieval Criticism. Ed. O. B. Hardison. 145-186.

_____. On Eloquence in the Vernacular. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989.147-56.*

_____. Sobre la lengua vulgar. In Dante, Obras completas. Vol. 2. Barcelona: Aguilar, 2006. 451-521.*

_____. Monarchia. 1310-13._____. Monarchia. Ed. P. G. Ricci. Verona, 1965._____. La monarquía. In Dante, Obras completas. Vol. 2. Barcelona:

Aguilar, 2006. 343-450.*_____. The Divine Comedy. Poem in 100 cantos. Written 1307-13._____. The Divine Comedy. Trans. Dorothy L. Sayers. 3 vols.

Harmondsworth: Penguin, 1949-1962. 1974._____. The Divine Comedy. Trans. John Ciardi. New York: Norton,

1977._____. The Divine Comedy. Trans. C. H. Sisson. Ed. David Higgins.

Oxford: Oxford UP. _____. The Divine Comedy. Trans. Charles Singleton. Princeton (NJ),

1970-5._____. The Divine Comedy, 1: Hell. Trans. Mark Musa.

Harmondsworth: Penguin. _____. The First Three Circles of Hell. (Penguin 60s Classics).

Harmondsworth: Penguin._____. The Divine Comedy II: Purgatory. Trans. Dorothy L. Sayers.

Harmondsworth: Penguin, 1955._____. La Divina Commedia. Trans. Charles S. Singleton. Princeton

(NJ): Princeton UP, 1975._____. L'Enfer. (GF 725). Paris: Garnier-Flammarion._____. Le Purgatoire. (GF 724). Paris: Garnier-Flammarion._____. Le Paradis. (GF 726). Paris: Garnier-Flammarion.

_____. La Divina Comedia. Ed. Cayetano Rosell. Introd. Juan Eugenio Hartzenbusch. Illust. Gustave Doré. 2 vols. Barcelona: Ediciones Jover / Crédito Bibliotecario, 1991.*

_____. La Divina Comedia. Barcelona: Salvat, 1890._____. Divina Comedia. Barcelona: Planeta, 1992._____. La Divina Comedia. Madrid: Espasa-Calpe._____. La Divina Comedia. Notes by Pablo Costa. Trans. Manuel

Aranda y Sanjuan. Barcelona: Maucci, 1921._____. Divina Comedia. Ed. Giorgio Petrocchi. Madrid: Cátedra. _____. Divina Comedia. (Letras Universales). Madrid: Cátedra, 2014._____. Divina Comedia. (El Libro de Bolsillo). Madrid: Alianza, 1995._____. Divina Comedia. Ed. and trans. Ángel Crespo. In Dante, Obras

completas. Vol. 1. Barcelona: Aguilar, 2004. 155-821.*_____. Epistolae. Ed. and trans. Paget Toynbee. Oxford, 1920. _____. Epistolae. Ed. P. Toynbee. 2nd ed. C. Hardie. Oxford, 1966._____. A Translation of Dante's Eleven Letters. By C. S. Latham.

Boston, 1891. _____. (attr.). Letter to Can Grande della Scala. c. 1318. Trans. Allan

H. Gilbert. Select. in Gilbert 202-6._____. "Letter to Can Grande della Scala." Trans. in Critical Theory

since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 121-123.*

_____. Epistle to Can Grande della Scala. Extract. In Medieval Literary Theory and Criticism. Ed. A. J. Minnis and A. B. Scott. Oxford: Oxford UP, 1988. 458-69.

_____. "Letter to Can Grande." Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 157-62.*

_____. From Letter to Can Grande. (6, 7, 8, 10). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "XIII [X]. Al Can Grande de la Scala de Verona." In Dante, Cartas. In Dante, Obras completas. Vol. 2. Barcelona: Aguilar, 2006. 601-18.*

_____. Églogas. In Dante, Obras completas. Vol. 2. Barcelona: Aguilar, 2006. 619-44:*

_____. Rimas. In Dante, Obras completas. Vol. 2. Barcelona: Aguilar, 2006. 645-707.*

_____. Critical selections. In Saintsbury, Loci Critici. 77-84._____. Sobre la forma y lugar de los dos elementos, agua y tierra.

Dante, Obras completas. Vol. 2. Barcelona: Aguilar, 2006. 523-53:*

_____. Dante and Giovanni del Virgilio. Comment and trans. by Phip H. Wicksteed. Westminster, 1902.

_____. La corrispondenza poetica di Dante Aligieri e Giovanni del Virgilio. ed. E. Bolisani and M. Valgimigli. Flornce: Olschki, 1963.

_____. A Translation of the Latin Works of Dante Alighieri. By A. G. F. Howell and P. Wicksteed. London: Dent, 1904.

_____. A Translation of the Latin Works of Dante Alighieri. Trans. P. H. Wicksteed. (Temple Classics). London, 1904. 1934.

_____. Opere. Ed. Ma. Barbi et al. Florence, 1921. _____. Le Opere di Dante Alighieri. Ed. E. Moore and P. Toynbee.

Oxford, 1924._____. The Portable Dante. Ed. Paolo Milano. New York: Viking,

1955._____. Literary Criticism of Dante Alighieri. Ed. and trans. R. S.

Haller. Lincoln (NE), 1973._____. Opere minori. Ed. P. V. Mengaldo et al. Milan and Naples,

1979-84._____. Opere minori. Ed. D. De Robertis and G. Contini. Milan and

Naples, 1984._____. Cartas. In Dante, Obras completas. Vol. 2. Barcelona: Aguilar,

2006. 555-618:*_____. Obras completas. Barcelona: Aguilar, 2004. Vol 1, 2004; vol. 2,

2006.* (Vol. 1 trans. Ángel Crespo; Vol. 2 trans. Nicolás González Ruiz, Giovanni M. Bertini and José Luis Gutiérrez García).

Biography

Vidas de hombres célebres: Alejandro Magno, Aníbal, Viriato, El Cid Campeador, Jiménez de Cisneros, El Gran Capitán, Cristóbal Colón, Vasco de Gama, Hernán Cortés, Pizarro, Cervantes, Quevedo, Lope de Vega, Mozart, Franklin, Godoy, Moratín, Vágner, Dante de Alighieri, Don Juan de Austria. (Biblioteca para niños). Barcelona: Editorial Ramón Sopena, 1935.*

Audio

Arqués, Rossend. "La vida de Dante." (Ciclo: Dante, su vida, su obra, su tiempo). Lecture at Fundación Juan March 28 May 2013.*http://www.march.es/conferencias/anteriores/voz.aspx?id=2949&l=12013

Criticism

Alighieri, Pietro. Petri Allegherii super Dantis ipsius genitoris Comoediam Commentarium. Ed. V. Nannucci. Florence, 1845.

_____. Il 'Commentarium' di Pietro Alighieri. Ed. R. della Vedova and M. T. Silvotti. Florence: Olschki, 1978.

_____. "Commentary on Dante's Comedy: Prologue and Exposition of the Inferno, chapter [sic ] 5." In Medieval Literary Theory and Criticism. Ed. A. J. Minnis and A. B. Scott. Oxford: Oxford UP, 1988. 476-91.*

Altamiranda, Daniel. "Dante entre Eliot y Borges." Cuadernos de Literatura Inglesa y Norteamericana 1.1 (1996): 37-42.*

Anderson, William. Dante the Maker. London, 1980.Applewhite, James. "Dante's Use of the Extended Simile in the

'Inferno'." Italica 41.3 (1964): 294-309.Baranski, Zygmunt G., and Theodore J. Cachey, Jr., with Demetrio S.

Yocum, eds. Petrarch & Dante: Anti-Dantism, Metaphysics, Tradition. Notre Dame: U of Notre Dame P, 2009.

Barolini, T. Dante's Poets: Textuality and Truth in the Comedy. Princeton (NJ), 1984.

Berardinelli, Francesco. Il Concetto della Divina Commedia. Napoli: Gabrielle Rondinella, 1859.

Bernardo, A. S., and A. L. Pellegrini, eds. Dante, Petrarch, Boccaccio: Studies in the Italian Trecento in Honor of C. S. Singleton. Binghampton (NY): Medieval and Renaissance Texts and Studies, 1983.

Billanovich, Giuseppe. "Tra Dante e Petrarca." Italia medioevale e umanistica viii (1965).

Bloom, Harold. "The Strangeness of Dante: Ulysses and Beatrice." In Bloom, The Western Canon. 1994. London: Macmillan, 1995.76-104.*

Bobes, Carmen, et al. "Preludio del Renacimiento: Autores de transición." In Bobes, et al. Historia de la Teoría Literaria, II: Transmisores. Edad Media. Poéticas clasicistas. Madrid: Gredos, 1998. (II.V). (Dante, Boccaccio, Averroes, Spanish medieval criticism).

Boccaccio, Giovanni. "The Life of Dante." In Gilbert 208-11. Select. and trans. of Vita di Dante. 1363-4.

_____. Vida de Dante. Ed. and trans. Carlos Alvar. Madrid: Alianza, 1993.

_____. Trattatello in laude di Dante. Red. I. Ed. P. G. Ricci. In Boccaccio, Opere . Mondadori. 3.469-81.

_____. Short Treatise in Praise of Dante. Extract. Trans. David Wallace. In Medieval Literary Theory and Criticism. Ed. A. J. Minnis and A. B. Scott. Oxford: Oxford UP, 1988. 492-503.

_____. Esposizioni sopra la Comedìa di Dante. Ed. Giorgio Padoan. In Boccaccio, Opere 6. Mondadori.

_____. "Expository Lectures on Dante's Comedy: Prologue." Trans. David Wallace. In Medieval Literary Theory and Criticism. Ed. A. J. Minnis and A. B. Scott. Oxford: Oxford UP, 1988. 503-19.

Bolisani, E., and M. Valgimigli. La Corrispondenza poetica di Dante Alighieri e Giovanni del Virgilio. Florence, 1963.

Borges, Jorge Luis. Nueve ensayos dantescos. 1982._____. Nueve ensayos dantescos. In Borges, Obras completas.

Barcelona: Círculo de Lectores. Vol. 4.Branca, V. "Poetica del rinnovamento e tradizione agiografica nella

Vita nuova." In Studi in onore di I. Siziliano. Flornece, 1966. 1.123-48.

Braida, Antonella. Dante and the Romantics. Oxford: Oxford UP, 2004.

Brieger, P., M. Meiss and C. S. Singleton. Illuminated Manuscripts of the Divine Comedy. Princeton ,1969.

Brugnoli, Giorgio. "Ut patet per Senecam in suis tragediis." (Dante). Rivista di cultura classica e medievale 5 (1963): 146-63.

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Campos, Augusto de. Invençâo (de Arnaut e Raimbaut a Dante e Cavalcanti). Sâo Paulo: Arx, 2003.

Carlyle, Thomas. "The Hero as Poet: Dante, Shakespeare." In Carlyle, On Heroes, Hero-Worship and the Heroic in History. Philadelphia: Altemus, 1894. 106-54.

Carlyle, Thomas. "The Hero as Man of Letters: Johnson, Rousseau, Burns." In Carlyle, On Heroes, Hero-Worship and the Heroic in History. Philadelphia: Altemus, 1894. 206-60.

Centenary Essays on Dante, by Members of the Dante Society. Oxford, 1965.

Clements, R. J., ed. American Critical Essays on the Divine Comedy. New York and London, 1967.

Colinas, Antonio. Sobre la Vida Nueva. Oviedo: Nobel, 1996.Comens, Bruce. "Stages of Love, Steps to Hell: Dante's Rime Petrose."

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_____. "Apéndice: La Comedia de Dante: Problemas y métodos de traducción." Lecture read at the Secondo Incontro Internazionale sulla Letteratura e Filologia Italiana, Università degli Studi di Bari, 12 March 1975. In Dante, Obras completas. Introducción, traducción en verso y notas de Ángel Crespo. Vol. 1. Barcelona: Aguilar, 2004. 823-46.*

Curran, Stuart, ed. The Cambridge Companion to British Romanticism. Cambridge: Cambridge UP.

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Dinsmore, C. A. Aids to the Study of Dante. Boston, 1903. Douglass, Paul, ed. T. S. Eliot, Dante, and the Idea of Europe.

Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.Dronke, P. "Boethius, Alanus, and Dante." In Dronke, The Medieval

Poet and His World 431-8._____. "The Commedia and Medieval Modes of Reading." In Dronke,

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_____. Serendipities: Language and Lunacy. Trans. William Weaver. London: Weidenfeld and Nicolson, 1999. (Foigny, de Maistre, Leibniz, Dante, Abulafia).

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Writers." In Toynbee, Dante Studies and Researches. London, 1902.

_____. "Dante's Obligations to the Magnae Derivationes of Uguccione of Pisa." Romania 26 (1897): 543-4.

_____. "Dante's Latin Dictionary (The Magnae Derivationes of Uguccione da Pisa). (Hugutio da Pisa). In Toynbee, Dante Studies and Researches. London, 1902.

Trigueros Cano, José Antonio. Conceptos fundamentales de la poética teórica de Dante Alighieri. Murcia: Departamento de Filología Francesa, Románica, Italiana y Arabe de la Universidad de Murcia, 1992.

Vallone, A. Storia della critica dantesca dal XIV al XX secolo. Padua, 1981.

Vance, Eugene. "The Differing Seed: Dante's Brunetto Latini." In Vance, Mervelous Signals: Poetics and Sign Theory in the Middle Ages. Lincoln: U of Nebraska P, 1986. 230-55.*

Wicksteed, P. H., and E. G. Gardner. Dante and Giovanni del Virgilio. Westminster, 1902.

Williams, Charles. The Figure of Beatrice, a Study in Dante. 1943.The World of Dante: Essays on Dante and His Times. (Oxford Dante

Society). Oxford, 1960.

Zabughin, Vladimiro. Virgilio nel rinascimento italiano da Dante a Torquato Tasso. 2 vols. Bologna: Zanichelli, 1921-23.

Zschirnt, Christiane. "1. Obras que describen el mundo. La Biblia. Homero: La Odisea. Dante Alighieri: Divina Comedia. Miguel de Cervantes: El ingenioso hidalgo Don Quijote de la Mancha. Johann Wolfgang Goethe: Fausto. Honoré de Balzac: La comedia humana. Herman Melville: Moby Dick o la ballena blanca. James Joyce: Ulises." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 25-52.*

Anthologies

Freccero, John, ed. Dante: A Collection of Critical Essays. Englewood Cliffs (NJ): Prentice-Hall, 1965.

Audio

Arqués, Rossend. "La Divina Comedia" (Ciclo: Dante: Su vida, su obra, su tiempo). Lecture at Fundación Juan March 30 May 2013. Online audio:http://www.march.es/conferencias/anteriores/voz.aspx?id=2950&l=12013

Vallcorba, Jaume. "El amor cortés: de los trovadores a Dante." Fundación Juan March 17 Jan. 2013.*http://www.march.es/conferencias/anteriores/voz.aspx?id=2922&l=12012

Dictionaries and encyclopedias

Bosco, Umberto, ed. Enciclopedia Dantesca. Rome, 1970-78.

Films

TV Dante. Dir. Peter Greenaway. TV documentary on the 1st eight cantos of Inferno.

Journals

Freccero, John. "Casella's Song (Purg. ii.112)." Dante Studies 91 (1973): 73-80.

Literature

Brown, Dan. Inferno. London: Transworld-Bantam Press, 2013.*

Music

Aracil, Alfredo. "Paradiso (Cuaderno I)." A cappellla chorus on Dante's Commedia. 1990. In Aracil, Paradiso: Obra coral. CD. Valencia: Columna Música / Institut Valenciá de la Música, 2004.*

_____. "Paradiso (Cuaderno II)." Chorus and instruments. 2004. In Aracil, Paradiso: Obra coral. CD. Valencia: Columna Música / Institut Valenciá de la Música, 2004.*

Tavener, John. Diódia. The World. Akhmatova Songs. Many Years. Patricia Rozario. The Vanbrugh Quartet. CD. London: Hyperion, 2001.* (Akhmatova Songs: "Dante," "Pushkin and Lermontov," "Boris Pasternak," "Couplet," "The Muse," "Death").

Prizes

Dante Prize, Dante Society of America

Related works

Archer, William. Paolo and Francesca. Poetic drama. 1902.Phillips, Stephen. Paolo and Francesca. Verse drama.

Theatrical productions

Welles, Orson. Time Runs. Theatrical prod., Paris, 1950. (Based on Marlowe, Milton, and Dante. Music by Duke Ellington).