Video Activism: History, Theory, Politics and Practice
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Fair Use at Work in the Visual Arts Assessing fair use in light of shared professional understandings is a respected practice. Invoking professional practices provides members of a community with a clear framework in which to apply fair use with confidence, knowing the shared norms of their field. Having a code of best practices allows them to share their common understandings with others. More Videos Home Programs Resources Events Blog Media About Featured Topics » Fair Use » Future of Public Media » Media Impact » Question of the Month
Video Activism: History, Theory, Politics and Practice
Visual Arts Assessing fair use in light of shared
professional understandings is a respected
practice. Invoking professional practices
clear framework in which to apply fair use with
confidence, knowing the shared norms of their
field. Having a code of best practices allows
them to share their common understandings
with others.
More Videos
3/10/2015 Video Activism: History, Theory, Politics and Practice |
Center for Media & Social Impact
http://www.cmsimpact.org/making-your-media-matter/related-materials/syllabi/video-activism-history-theory-politics-and-practi
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9/4 Video Art:
-The rise of collectives (Ant Farm, Paper Tiger, Deep Dish
TV)
-Feminist, Race and Queer Theorists 1) 'Video: Shedding the Utopian
Moment,' by Martha Rosler
(p. 31-50)
2) 'A Brief History of American Documentary Video,' by Deidre Boyle
(p. 51-69)
3) 'Dé-collage/Collage: Notes Toward a Reexamination of the Origins
of Video Art,' by John G.
Hanhardt (p.71-79)
4) 'Video Art: What's TV Got to Do With It?," by Kathy Rae Huffman
(p. 81-90)
5) 'Paradox in the Evolution of an Art Form: Great Expectations and
the Making of History,' by
Marita Sturken (p. 101-121)
*Readings taken from Illuminating Video, ed. by Doug Hall &
Sally Jo Fifer
9/11 Video's role on the day of September 11, 2001 and in the days,
weeks and months
following. TBA
9/18 Activist Television & The 1970's: implic. of public access
Readings from: Subject to Change
by Deidre Boyle
9/25 1970's: articulation of identity politics Paper #1 due
Readings from Deviant Eyes, Deviant Bodies by Chris Straayer and
from
Resolutions, ed. By Michael Renov & Erika Suderburg
10/2 Youth Action in the 1990's Final Project Proposal due
Readings: TBA
The World Trade Organization
10/16 Who is your audience? TBA
10/23 1990's: Race, Sexuality Gender and Disability Readings from
Deviant Eyes, Deviant Bodies
by Chris Straayer and from Resolutions, ed. By Michael Renov &
Erika Suderburg
10/30 1990's: The Gulf War Paper #2 due
Readings from Blurred Boundaries by Nichols and
States of Emergency by Zimmerman
11/6 Video Documentary & The line bt/ activism and documentary.
TBA
11/13 Issues of Distribution:
The world wide web, festivals, public access television &
Strategies: experimental, documentary,
and video art. Readings from States of Emergency by Zimmerman &
TBA
11/20 The move from Vérité to Personal Documentary Final
Paper/Project-
Rough draft/rough cut due
11/27 Thanksgiving Break
12/4 The local & the global. Diaspora. Independent Media
Centers. Clandestine in Chile by
Gabriel García Márquez
12/18 Presentations of final papers & videos
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3/10/2015 Video Activism: History, Theory, Politics and Practice |
Center for Media & Social Impact
http://www.cmsimpact.org/making-your-media-matter/related-materials/syllabi/video-activism-history-theory-politics-and-practi
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