,i & fÊT ^"""^É*-:~~-..x^zg^=__*-r*-..~-.'=*'^*~~r*.**T*r^ .-.- ... i-~~-~~~

^Viany fooBceafrg frir Coming Season in Brookívn(Elaborate Plans AreLaid for Brooklyn

Musical Season!flic Day» of the Old Phil«harmonic Society; Activ¬ities of the Instituteof Arts and Sciences

fn * pleasantly off-handed manner

jlr, D»vid Curtiss recently published;ose of h.s recollections of the Brook-

(***8 Philharmonic concerts of more

Otea h«lf a century ago. It was evi-¿tgi enough to grubbers in historical¡twgâ that Mr. Curtiss found himselfMCtsienally in a bit of a haze (as who^std not in recalling incidents thatycsned between fifty and sixty yearsj«) hut he succeeded in conveying0I fact in which every veteran ob-'¿tttt of musical things will agr°e«ilk him, and that is that the com-

._;»«ty which we used to reach byaitoi of ferry boats across the EastKiver t>as *or*k' aS° sought to maintainin musical affairs an independence ofSew York City. That the PhilharmonicSociety, which was organised in 1S57,icknowledged only the rivalry of theBoston Orchestra was a slip of memorytf.DUgh perhaps a pardonable one. TheVetUfu Symphony Orchestra, which hesaid everybody knew even then was the-isst word" in orchestral music, didnot come into existence until ten yearsor more after the time that Mr. Curtissgossiped about. For a considerableperiod before 1881 symphonic musicwas expounded in Boston by the Har¬vard Association and the Boston Phil¬harmonic Society.organizations whoseinfluence did not extend appreciably tothe American metropolis and its sistertown across the river.As for the Brooklyn Philharmonic,

which still exists in name and employsthe present Boston Orchestra to giveits concerts, it was much in affiliationV*ith the New York Philharmonic So¬ciety. Eisfeld, Bergmann and Theo¬dore Thomas, who were conductors ofthe New York Philharmonic Society,were in turn the conductor» of theBrooklyn concerts, and the last heldthe post from 187S till he abandonedNew York and betook himself to theCity that Sitteth at the Foot of the'Great Lakes in 1891. Except when MrThomas was in opposition to the NewYork Philharmonic Society, we fancjthat the concerts of the two organizarions were practically identical, thouglthe programs may have differed irtheir solo features.to opera and drama Brooklyn wai

HfSg dependent on New York.and il_ü¡: ig in large measure, though it ha:theaters of its own and hears a serie.

.of performances-from the MetropolitanOpera Company every season. But¡since the Institute of Arts and Sciences¦..rgtnized a musical department be-'.wenty-five and thirty years ago, thatinstitution has practically controlledthe musita! affairs of Brooklyn. Noionly are nearly all recitals in the citjgiven under its auspices, but also near

Jy all orchestral concerts.1 It administere the affairs of the Boston Orchestra (which are given under th<name of the old Philharmonic Societyand also takes the transpontine con

eerts of the New York Symphony Orchestra under its wings. The New Y'orlPhilharmonic Society sails under itown flag, however, and so, occasionall;does a venturesome singer or instruujentalist. With three orchestral or

ganizations giving concerts in the borough every season Brooklyn hears muclmore symphonic music than it used tothough it is fortunate in not beimeverfed. There are many Brooklyi«ames in the subscription lists of thiMetropolitan Opera Company, the Philharaonic Society and the Symphon;Orchestra, but though the borough v

s large one it has what many thinlis an adequate supply of musical en

tertainments of its own. Those thaare already in prospect for the seasoi1922-'23 are summarized as follow.from the institute's bulletin:

Six afternoon concerts by the Ne.York Symphony Orchestra with th<assistance of Emma Calvé, Felix Salmond ('cellist), the Schola Cantorun(in a concert of Christmas music), Virginie Mauret and a corps de ballet (iii dance program), Alexander Silot(pianist), Pau] Kochanski and AlberSpalding (violinists). The dates o

Soloist, Swedish concert

these concerts may be found in thesymphony date-book printed elsewherein this section of The Tribune.Three concerts of chamber music bythe Flonzalcy Quartet on the eveningsof November 16 and March 1, and the

afternoon t" January 21.Five concerts by "the Boston Sym¬phony Orchestra, on the evenings of

December 1. January 6, February 2,March 16 and April 6*, with the help ofFrieda Hempel, Olga SamarofT, GeorgesEneuco, Emma Calvé and Pablo Casals.Three concerts of chamber music bythe Letz Quartet on the evenings of

December 4, February 5 and April 2.A performance of Handel's "Messiah"

by the Brooklyn Oratorio Society, un¬der the direction of Walter HenryHall, on the evening of December 11.A concert of chamber music by the

Chicago String Quartet on the eveningof February 23.Song recitals by Florence Easton

(November 6); Reinald Wcrrenrath(January 3); Ethyl Hayden (January25); Mines. Lou's? Homer and Louis.Homer-Stires (February 19). #

Violin recitals by Frit. Kreisler'(January 31); Vivienne Coi*dero-Frtzand J.C. Van Hulsteyn (date not fixed).

Pianoforte recitals by Mischa Levitz-ki (November 27) and Sergei Rachma¬ninoff (March 5).

Miscellaneous concerts by FrancisMoore, pianist, and Hugo Kortschak,violinist, December 14; GermaineSchnitze-, pianist, and Oiga FonaroiT,violinist, March 10; Lillian Abell, pian-ist; Walter Mills, barytone, and RubinDav s, violinist, on April 11.Lecture recitals by Beatrice Wain-

wright, December 15 and 21; HavrahHubbard, January 9, 10, 23, 24, Febru¬ary 6 and 7; Walter R. Spalding, ofHarvard University, February 14;Arthur B. Hunt, March 21, 28, April 4land 11; Lucille Martindale, date notannounce«.The concerts of the New York Phil¬harmonie Society will be six in number,and w.ll take place in the Academy of

Music on the Sunday afternoons ofNovember 12, December 3, January 7,February 4, March 4, and April 1.^'olo performers will be Alfred Cortot,Frederic I.amond and Arthur Schnabel.

Concert of Swedish Music atBrooklyn Academy SaturdayA concert of Swedish folk dances,

songs and instrumental music will beheld Saturday evening, November 4, atthe Brooklyn Academy of Music,With the Swedish dancers will be

featured Martha Phillips, the youngSwedish soprano, and the TollefsenTrio. Miss Phillips will appear twiceon the program, singing as her firstgroup four Scandinavian folksongs:"Rasker och redlig ar bun," "Varvindarfriska leka och viska," "Nar jag bl«_fsjuttan ar,'' and "Kom Kyra" (Nor-wegian echo song) by W. Thrane. Attho second appearance she will sing'Johann Strauss'« "Storiellc del BoscoViennese."The Tollefsen group will play three

trios: "Bolero," by Arbos; "Dalvisa,"arranged by Sanby, and "At thoBrook," by Boisdeffre.Mr. Paul Kefer, the 'cellist, will plav

"Canzone," by Bruch, and "Allegro deConcert," by St. Saens.Mme. Augusta Tollefsen, the pianip

of the trio, will play Chopin's "Berceuse" and the paraphrase on thStrauss waltz, "Blue Danube," ar¬ranged by Schulz-Evler.Mr. Carl Tollefsen will play three

violin numbers."Varmland," by San¬by; "Vagjrviza," by Tor Aulin, and"Zapateado" (Tho Cobbler), by Sard-sate.

Now More Than Ever You'llWant Your Edison

Firstly, many modeis have just been reduced in price.Secondly, the cozy winter evenings are coming and youcan make them even cozier by the presence of music inyour home. And thirdly, there's the Edison budget planwhich makes payment so easy that it hardly seems likepayment at all !

You Pay No DepositOn Your EdisonThat's part of the plan. Just buyfax records to start your home con¬cert season, and you may pay forthe instrument itself in small *l^^^^^^^monthly amounts. And all the tüna ^^^^^^Myou'll be enjoying that courteous ^^^ÍSfB^fRooney Service which doubles your iHllfK ivpleasure in your purchase. iJl-^-íí IIP

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Programs of the WeekSundayAeolian Hall, 3 p. m. Concert by

New York Symphony Orchestra.Symphony No. 2 In D.BrahmsConcerto In À minor, for string orchrs-.tra (ttnarged by Sam Franko). .VivaldiLe Carnaval de» Animaux.SàUlt-S&enaConducted by Rene Polialn.At th« planos.Waller Damrlm.-h nnd Leo¬pold Pamrcx-ch Mannos, .

Town Hall 3 p. m. Song recital byLenora Sparkes.12 tanto c*e pericol ch'to ti laaej

Wolf-FerrariO «1 cho non sapeva aospírareWolf- ForrarLa domanda!.Sanlollquldoardelllna .ReellFort.Caplt-tLa Nuit .Grt-tchaninow

Le Cigne .RavelHantise d'Amour.SzuleJ'ai Peur d'un Baiser.SzulcVier Lieder und Gesango.

Van WaldbekranUer Hoho; Es Tr&umtomtr. Ich sei dir theuer; In meinerNacht« Sehnen; Unbewegte lauo Luft

BrahmsFour Parodies-.

Slntr a 8on*r of Sixpence; A Frog HoWould a-Woolng Go; Little Bo-Peep;Curly Locks, This Little Pig Wentto Market.Herbert Hughe*

Mary Grey (Old English).Jamen HookGone (new).D. M. StewartThe Little Shepherd Song (MS): Happi¬

ness ( MS)'.....Clara Edwards

8:30 p. m. Song recital by FrancescoCuce.All for Tou....Mart!.Bonjour Suzon.Dellbe*Nebbto .RespighI_u Procession.Franc!Robin, Robin .SproPleurez, mea yeux, from "Le Cid."

Massene*Rrndll Sereno al Clgllo.HandeT Love Thee.BeethovetSebben, Crudole .».Caldari

Antonio Caldara (1S71-17C3Se Florlndo e Fedele.SearlnttIn Quelle Trine, from "Manon Lescaut "

PucclnButterfly's Farewell, last act.Puccln

Hippodrome, 8:15 p. m. Concert bjTitta Ruffo, assisted by Yvonne D'Arlcsoprano, and Alberto Scinretti, pianistArla, Blanca Luco, from "L'Oracolo."

LeonMiss D'Arle

Prologue from "Pagllnccl". .. .Leoneaval!Mr.. Ruffo

Mlns'trlls .DobussStapcat© etude .. Rublnstel;

Mr. SciarettlNoeturnfc .WotguennFeast of the Lanterns.BamtooInvocation .Krame

Miss D'ArleVi'.'n, 'Leonora, from "La Favorita"

,-, Doriizet.Mr. Ruffo

Aria. Aller au Bols, from "Tho SnowMaidan" . Rimsky-Koroako

Mirror song from "Thais".MnssencMies D'Arle

Aria, Demon .RublnstelMr. Ruffo

Duet from '.'Thal»".Massen«Miss D'Arle and Mr. Ruffo

MondayAeolian Hall, 3 p. m.; song recital b

Ethel Jones.Clochea do Paques .TournomiiArioso.DellbeVlllanello de» Petits Canards..ChabiicIii'presalon Basque; L'Isba en flammes

FourdralTho Eagle.Arenal.Pa-toralo.StrawlnskTo fho Children.RachmanhioTho Dancers.AreuskThe Emperor .BantorThe Huckster .Cyril ScoWayfarer';. Night Song.Mart!The Piper of Love.CareTho Sailor's Wife., ..BurLiRTranquillity .FooGo, Lovely Rose..........RoblnacAnimal Crackers.HagemeSing to Me, Sing.Hoim8:13 p. m. . Concert of chambc

music by the Beethoven Association:Trio for pianoforte clarinet and violon¬

cello .BrahnMessrs. Hutcheson, Grisez and Ralmond

Sonata for pianoforte, C major, Op. 25Beethov«

Josef LhevlnnaQuintet for strings and clarinet.Reg<

Windung Quartet and Mr. Grlaez

Town Hall, 8:15 p. m. Song recitiby Helen Leveson.Tro giornl son che Nina.Pergole.'Jla' il polo del Gange.ScarlatDanza, Danza.DuranPlaisir d'amour.Mart iMaman dites mol (Bergcrette) Weekerl!Mignon, Connais tu.TliomiOver tho Steppe.OretchaninoSilent Night.RachmaulncFloods of Spring.RachmanlncZueignung.StrauVcrgabllches Standchen.BrahnDer Schmied.BrahnSthmerzer.WaginEnough (first time).Sainu.Kc-renade (first time).BenneNight Wind (by request).,.Farl-Horltago (first time).Silber*

TuesdayTown Hall, 3 n. m. Concert of

chamber music by Wendung QuartetPrize Quartet.Leu WolnnrItalian Serenade.Hugo WolfQuartet In D minor (posthumous)

SchubertAeolian Ha'l, 9 p. in. Song recitalby Dicie HowcH.

Star Vlolno al bell' Idol.ResaQuel ru««,«..'ll"lto.Paradle k01* '*' ¦.*! Wby ."Von' Thou Leave Mr?O. Had Ï Jubnl's Lyre!.Handel"Meine Kose; Marlenwurmchiin.. .SchumannDie MninB.ht.BrahmaDla Lorelei.Us ILes ClOChee du Hoir.Franc»I Vtllanelle des petit« Canardi.Ch&brler.Toll berger .Vlor. IFleur Jetee.FameMexican Love Sor«*,Arranged by Frank Ln, ForgoThis Love of Ours.Moor«Swam . Kram iThe Catbird .Clokej

8:15 p. m. Piano recital by NormaDrury.Prelude, Chóralo and Fugue.FraneVIntermezzo, A minor; Intermezzo, Rminor; Sclior.o, B flat minor-Brahm»| Sonata brolca.MaoDowalI'relU'"«-, li minor.BachmanlnofTho Fountain of Acj.ua Paola.Orlffoiliar ho do 3'uok.Debuss*My .Joys.Chopin -Lial'olonalae, 15 major.Lli..;

« WednesdayAeolian Hall, 3 p. m. Song recital b;

Anaii Doob-Kopctzky.Adelaide.Beetl'.oveI^ruhlingstraum.Sohubeij Eifersucht und Stolz.SchuberDer Himmel hat elno Trane geweint

SchumanIch hab' Im Traum geweinet-SchumanVerrathene Liebe.SchumanWie Bist Du Meine Königin?.UrahnMogón alio bösen Zungen.WoDan verlassene Mägdlein.WoMausfallec-SprUohletn; Das Kind gehtdreimal um die Falle und Spricht..WoRomance; Los Cloches: Mandolino..Debus»My Motlier Bids Mo Bind My Iialr...HaydThe Odalisque.Carpont«Do Not Go, My Love.HagemiThe Bluo Bell.MacDow»Mary .Rlchai dsiCarnegie Hall, 8:30 p. m. Song rcitai by Ethel Frank, aflsisted by tl

I Rich String Quartet:! Allelujah .BaiPer la Gloria d'adorarvl.BuononclChe pur Aspro (II Seraglio).Mozaj Song of the Brido (Tsar's Bride)Rlmsky-KorsaluD'Anne Jouant do L'Espinetto.Ra\Weltliche Lieder, XVII and XXIX_W<Le Oar'leur de Chèvres.LenoimaT .. ''-«no.VierLo Berger Fldolo (with String Quartetana Harplschord).RameTil N'orpe.GrlMeinem Kinde.í'.traiAn Old Song Ended.So.Walpurgisnacht .Loe

Town Hall, 8:15 p. m. Violence:recital by Bons Hambourg.Sonata, O major, So. 1.BaSonata, P major.VivaSecond Concerto, D minor, Op. 119

Saint-9a<Doctor Gradus Ad Farrassum, from"The Children's Corner".DebuiReverie .DobuStaccato Etude.Rubin««'Elegie. Fa'Elfontan.. Pop

ThursdayCarnegie Hall, 3 p. m..ConcertNew York Symphony Orchestra; soist, Albert Spalding:

Symphony No. 6, In B flat.Glauzoui:Concerto In I) minor, for violin andorchestra .Bra!Mr. SpaldingSymphonic poem, "Fontane dl Roma."Respi8:15 p. m..Song recital by FloreEaston:

She Never Told Her Dove.HaRiclt and Air. "d'lphtgenio en Taur-tde" .,.,..»']All rltorna eta dell'oro (from "IItrioni'o .11 Clelia") .UILieder der Braut, Nos. 1 and _; Roso-leln: stilio Tra-neu; Er Ist's..SchumZur Ruh; Mauxfallen Sprüchlein;Fussreiae. Ich hab' In Penna.VScheherazade.RL'Olseau Bleu.¿.DnlcMexican folksongs, Pregúntales a la»estrelles, «Crepúsculo, El CéfiroArr. by La I-*Mldnummer Night .Ro'hRy a Lonely Forest Pathway.GrSupplication .Frank La F'Song of the Open.Frank La F

Aeolian Hall, 8:15 p. m. Song recby Sue Harvard.Liebster Herr Josa wo bleibst du'SI.gQ? .IPorgi, Amor ("La Nozze dl Figaro

McDacw'ngharlad 1 (Old Welsh folksongArr. by Hubert DeY Bachgen Main (Old Welsh folksongArr by Arthur SonieiOwlad y Dolyn (Welsh raolt and air)

John HPrière pour qu'un enfant ne meure pi_>"Le Grillon .Week

wsg-y asagszaBB aaBesaBses *:3ss5E-_as_

Ignace JanPaderewski

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A few of the wonderful Music Rolls which faithfully reproducethe playing of Paderewski : ,

6097 ETUDE, Op. 25, No. 9,"Butterfly" Chopin

6100 MINUET, Op. 14, No. 1

Padere-wskt6140 POLONAISE, Op. 40, No.

1 (Military) » Chopin0.67 MEINE FRS'JDEN

Chopin-Lisrt6569 SPINNING SONG

Mendelssohn 1

¡<.Ó558 CAPRICE in G (Scarlatti)Op. 14, No. 9 Pddcrenski

6566 MAZURKA in B-flat minor,Op. 24, No. 4 Chopin

6551 VALSE BRILLANTE, Op.34, No. 1 Chopin

6568 RHAPSODIE HON-GROZSE, No. *o Liszt

656__ NOCTURNE in B-flat.Op. 16, No. 4 PetdcTtmski

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I« FORD H AM270 E. Fordh_.r-.Rd.

Loa Lnrnic*. .TsWioIkow ri ;yi. h Cigttiea .Cita[invocation.K, Waiter Krameti »/..*¦* aong.Corinne Moor« LnwsonYouth Corheg Panring O'er the Meaaows.Marlon DauerIn .¦' nt'imn.Pearl O. curran11 '" í'i r'i i-..önuWerir>er Jui.gli.ig an der Quelle.Khub.rtBauerl in. Bauerlein, tik, tik. tik .-Taun-Tt. Jut' Nacht .Air. by Helmai.nI luí leluja! .11*. 11 ¡i m el

FridayAtol inn I-.'ll, 8 p. in. Orgnn recital

by Lynwood Farnam,Toccata on a Gregorian theme fromru hi Symphony. .Edward Blilppen namoMeditation a fete. Collide. . .1 nl.lp .lam.'SPantomime.H. u. Jepson"liarle: A Voleo Saya! 'Ail Im Mortar"(choral preiuue In u>., .J. H. BachI'.ieeiicugiia (c minor).J 8. Bach

. 1 >i-So .niieint). i tier'. luelto Antluo o M jsetta l'ictry ,\. ion11 aatorale (F major).Ruger-DucasseSunrise.OeorgO JacobThe Enchanted Forest.lî. a Sloughtonve Marl\.Hen« *ltToccata (K mnlor).George icrlegorTown Hal., b:15 p. m..Vio..n recital

by Rudolf Luisen:Variations .Tnrtinl-KrelBlerLithunischea Lied .Chopln-AuerCoiiceito In D minor, No. 2.BruehHymn to the Sun.Koraakow-KrelsleiTurkish March .Beethoven-AuerHpinnliifr Song .Popper-AueiVogel Ale I'roph.t.Hehumann-AueiHabanera .Sarasat«Air Russe; Scherzo Tarantella. .Wlenlawskli ..ligarían Lances .Ilrnhm;

j CarnoRic Hall, 8:15 p. m. Concert| by the Ncw'York Symphony Orchestra

soloist. Ibert Spalding. Repetition ofThursday'? program.

SntiirelayCarnegie Hall. 2:30 p. m..Piano re-1

citai by Benno Mois.eiwitsch:Sor.ma In C major, Op. _"l. "Wald-atain" ... .Bo*thove<Elu.l.'t, Symphonkiues, Op. la. ...SchumanToecuia.Ravidyll .Me nnGnpak .MoussorgskPrelude, "The Wind In tho Desert'*.

DebusvPolonaise .LieTown Hall, 3 p. m..Violoncello re

citai by Felix Sa 3iiondGrave. Henry Errle« (1870-1Ï4Plelllenne.Vivaldi (H7S-174Vivace .Sammartlnl (1700-177.lonatu ¡n D minor, for violoncello

Veracinl (16R5-175'Sonata In F sharp minor, for violon¬

cello and pianoforte (In one move-,ment) ....lean Ht)Autumn Twilight .Henry Had!Berceuse .Cesar C

Serenado Esparnolo .Glazouno'Aoo'ian Hall, 8:15 p. m..Piano re¬

cital by Joseph S'lberman:(tallan »'oncerto in F rna.,or.BachPastorale In E minor.ScarlattiJaKdstuoy In B flat major.HaydnAriuar.to In F ma. or.BeethovenImpromptu In F minor. Op. ) «t.. .SchubertArab. s«iuo In C ma. or, Op. 18. .Sch.imannRoído Ada Turka.MozartWait;: in C sharp minor, Op. (14, No. 2

ChopinTroikn in E major, Op. 3T, No. IITachalUowskvPolka In C major.Rubinstein

Two Etudes .Men.lelnaonn

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Have Music-A Player!

Have Your Fill oí Good Music.the Popular, the ClassicalYour Home Full of Good Fun.of Dancing and of Concerts

What days and evenings you couldhave.What Halloweens and Thanks¬givings and Christmases!-and for solong as the home remains.if youonly had what every home should

have.Music!This Could Be Your

HalloweenDANCE PROGRAMAll for the Love of Mike

WaltzMy Rambler Ros«

Fox-trotWonderful You

WaltzYou Gave Me Your Heart

WaltzTricksFox-trot

Down Old Virginia WayWaltz

Three o'CIock in the MorningWaltz

This Could Be YourHalloween

CONCERT PROGRAMWitches Dance

^lacDowcllGnomeinreigen

LisztGhost Dance

SalisburyBy Moonlight

BendlShadow Dance

Cham'nadeFantasie Impromptu

ChopinAnitra's Dance

GriegPrelude in C Minor

Rachmaninoff

With a Player-piano you, yourself, can render such musicin a manner comparable to that of the most finished pianist.But among medium-priced Players there is one that promisesresults possible with no other.at or anywhere near its price.

The Gulbransen. Community Modelwhose best claim to your notice is that, while other Players of its class have had to be lessened inprice to sell them, the price of the Gulbransen has advanced.and still the Gulbransen makers can¬not produce this wonderful instrument in sufficient numbers to meet the demand! Notwithstandingthat the Gulbransen factory is one of the largest in the world.

Piano and Player manufacturers everywhere havebeen forecasting for months that the Gulbransenmakers would have to raise their price for the Com¬munity Model. And they continue to say that the pres¬ent price cannot yield them a fair profit if the qualityof the Community Model continues so extravagantlyfine.

None other is like it. That we know well. Youwill not find another make of Player in the LoeserSalons at the Gulbransen's price, nor within $100 of it,for the simple reason that we have found that there isno other Placer made that can be sold in competitionwith it.

In its class it is the most satisfactory, the best builtand finished, the finest toned Player we have everknown anything about. And no Player, no matterwhat its price, is so easy to play.

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It is the one Player we know of, though we sellothers, and at higher prices, that it is actually no workto play.

Not that we disparage the other fine instrumentson our floors. They operate like all good Players. Butthe Gulbransen is positively unlike any other.

Wonderful to play. Rich in its tone. Artistic tobehold. The most enjoyable Player-piano, at anywherenear its price, on which we have ever set our long-ex-periei.caa eye!

$398 Is the PriceTerms Are Whatever You Want to Make Them, Within ReasonWe suggest that you come in and hear some of the music you love and then play some of it your self. You will onlybe one of many to do so, and there is nor, the least obligation.

LOESER'S.PIANO SALONS.FOURTH FLOOR