38
UNIT ONE: 1900 - 1940 History of American Music

UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Embed Size (px)

Citation preview

Page 1: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

UNIT ONE: 1900 - 1940

History of American Music

Page 2: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Unit One

RagtimeJazzBluesSwingBig Band

Page 3: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Ragtime

Who made Ragtime music? Scott Joplin, an African – American composer and

pianist, was the first composer in the early 1900’s to write ragtime music.

He used complex rhythms and syncopated melodies while other compsers at the time were using.

This music flourished between the late 1890’s and 1920. Ragtime music was most often played on the piano.

Some of the most popular ragtime musicians were Eubie Blake and Jelly Roll Morton.

Page 4: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Ragtime

“Maple Leaf Rag” – Scott JoplinPlayed on a player piano.

Page 5: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Ragtime

Ragtime was the first type of “social” music forms to hit America.

There was a lot of people against Ragtime music because it was not sacred music.

Page 6: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Ragtime

Piano Rolls and Player Pianos During this time – music was “punched” into long rolls

of paper that was spun through a special type of mechanical piano.

It would cost one quarter to play a song on a player piano in a pub, store, or on the street.

Page 7: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

End Week #1

Page 8: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz

Jazz music was born in the United States and is one of the best representations of American music.

The most important part of Jazz music is improvisation. Improvisation: the act of creating an immediate

musical composition and response to other musicians.

Page 9: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz

Improvisation is inventing something in the spur of the moment in response to something else.

There can be a different interpretation every time the tune is played – so it may never sound the same twice.

Improvisation becomes its own musical dialogue between musicians.

Page 10: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz

How are some ways you “improvise” in your day to day life?

Page 11: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz

Listening Activity: Number your paper one through six leaving room to

write between each.

Listen to the examples and write down what you hear during each one.

Be ready to discuss each piece with a partner and chose your “favorite”.

Page 12: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz

“Chameleon” – Herbie Hancock“How High the Moon” – Ella Fitzgerald“Lonely Woman” – Ornette Coleman“Main Stem” – Duke Ellington“Take Five” – The David Brubeck Quartet“The Entertainer” – John Arpin

Page 13: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz - Improvisation

Improvisation is jazz’s most essential ingredient.

Improvisation is spontaneous composition that the musician creates as he/she is playing.

Jazz improvisation is very similar to a regular conversation.

Page 14: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz - Improvisation

In order to improvise, a musician needs to: Be able to technically play his/her instrument well.

Have an understanding of music theory (the way notes and chords fit together)

Have the ability to play by “ear” - be able to create music just by listening to something – not needing to look at music.

Have a musical vocabulary covering a wide variety of styles.

Page 15: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – Rhythm

Rhythm – a regular pattern formed by a series of notes of differing duration and stress.

Rhythm is the part of the music which concerns how long or short each note is played.

It is the beat of the music. It often portrays a songs genre or style.

Page 16: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz - Syncopation

Syncopation – the accenting of beats that are normally not accented.

Stressing the notes that are on the up beat – beats 2 & 4 rather than 1 & 3.

Page 17: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz - Swing

Swing is a difficult to define rhythmic concept – it is easier heard than seen.

It is the manner of playing a steady stream of notes in a long-short-long pattern.

Generally has a happy and upbeat feel to it.

Page 18: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – Emotional Expression

Unlike classical musicians, jazz musicians usually strive for sound that is more “vocal”.

Jazz musicians will usually growl, whine, or bend pitches. They can make their sound raunchy, dark, light, airy, raspy, bluesy, throaty, or nasally – jazz instruments can do anything the human voice can do to express human emotion.

Page 19: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz - The Instruments

Voice/VocalsTrumpetPiano, Bass, and Drums Guitar Clarinet TromboneFlute Saxophone

Page 20: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – The Instruments

The Horn Section– The saxophone, trumpet, and trombone are responsible for playing melodies – both written and improvised.

The Rhythm Section – The piano, bass, and drums make up the rhythm section. Their primary roles is to provide support for the horn players as well as each other.

Page 21: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – The Instruments

Piano – the pianists primary job is to play the chords that accompany the rhythm. Sometimes the piano will improvise a melody during a piece.

Bass – the bassists primary job is to keep a steady tempo by determining the rhythm – or the pulse.

Drums – the drummers primary job is to keep a steady beat while also adding rhythmic and melodic accents.

Guitar – the guitar can work as a melodic instrument or a support instrument.

Page 22: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – The Sound

Each instrument has its own general tone color (saxophones sound different from a flute) – and each musician has his/her own particular sound on that instrument.

One jazz trumpet player may have a different sound from a different jazz trumpet player – much like we have different sounds to our voices.

Page 23: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz - Sound

A jazz musicians particular sound is part of his/her signature, part of what distinguishes them from other jazz musicians.

What attracts listeners to jazz music is WHAT

a particular jazz musician plays (improvisation) and the WAY a particular jazz musician plays (sound).

Page 24: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – Listening

1. A Night in Tunisia – Charlie Parker 2. Giant Steps – John Coltrane3. St. Thomas – Sonny Rollins 4. Take Five – The Dave Brubeck Quartet

Page 25: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

End Week #2

Page 26: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – Where did it come from?

Quickwrite: On a sheet of paper from your notebook – please answer the following question.

How do you think jazz music has influenced the music you listen to today? Think of specific music examples and terminology we learned last week.

Page 27: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – Where did it come from?

Jazz music in the early Americas was a mash up of music from Africa and music from western Europe.

Since early America was seen as a “melting pot” – citizens took what they knew from their homelands and made a new form of music.

Page 28: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – African Roots

From 1619 well into the 1800’s, slaves were brought to the Americas from Africa.

In Africa – music then played a functional role. In today’s society we are used to music playing an artistic role in our lives.

Page 29: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – African Roots

Functional music included work songs, spiritual songs, healing songs, fertility songs, etc.

Functional music was often learned aurally (by ear) and passed down from generation to generation.

Page 30: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – African Roots

Those who were involved with the slave trade tried to take everything from their victims – freedom, names, possessions, family, etc.

One thing they could not take away from the was their music.

They believed that their music would keep them “content” and were less likely to cause an uprising.

Page 31: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – African Roots

“Deep River”“Sometimes I Feel Like A Motherless Child”“Swing Low, Sweet Chariot”

Page 32: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – European Roots

Early jazz musicians took traditional European instruments and paired those instruments with traditional African spirituals.

This is how modern day jazz was invented. This later evolved into the blues and Dixieland music.

Page 33: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – European Roots

PianoSaxophone Trumpet Trombone Clarinet

These were the European instruments that were used to create Jazz music.

Page 34: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – European Roots

Harmony was developed in western Europe during the 1600’s – the Renaissance era - and was used to create layers and depth in jazz music.

There is usually harmony between the support instruments and the main solo instrument.

Page 35: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – European Roots

These are the main things European culture contributed to early American music: Instruments

Written musical notation

March – like rhythms

Standard European chord progressions

Page 36: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

Jazz – African Roots

These are the main things African culture contributed to early American music: The songs and melodies.

Advanced, syncopated rhythms.

Musical expression and emotion or “feel”

“Blues” quality – slow and melancholy

Page 37: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

End Week #3

Page 38: UNIT ONE: 1900 - 1940 History of American Music. Unit One Ragtime Jazz Blues Swing Big Band

West Side Story Reflection Questions

How have race relations and gang behaviors changed over the years since the film was made?

What does the absence of positive adult figures in this film say about the society that it portrays?

What does the following exchange between Tony and Maria mean? Tony: I'll be all right. I know it. Maria: It is not us. It is everything around us.